Yamaha RX-V690 Manuale utente

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Lettori di cassette
Tipo
Manuale utente
IMPORTANT!
Please record the serial number of this
unit in the space below.
Serial No.:
The serial number is located on the rear
of the unit.
Retain this Owner’s Manual in a safe
place for future reference.
WARNING
TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK, DO NOT EXPOSE
THIS UNIT TO RAIN OR MOISTURE.
RISK OF ELECTRIC
SHOCK
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK), NO USER-SERVICEABLE
PARTS INSIDE, REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead
symbol, within an equilateral triangle,
is intended to alert you to the
presence of uninsulated “dangerous
voltage” within the product’s
enclosure that may be of sufficient
magnitude to constitute a risk of
electric shock to persons.
The exclamation point within an
equilateral triangle is intended to alert
you to the presence of important
operating and maintenance
(servicing) instructions in the
literature accompanying the
appliance.
Explanation of Graphical Symbols
CAUTION
OWNER’S MANUAL
CONTENTS
Safety Instructions ................... 2
Features ................................... 4
Supplied Accessories .............. 4
Profile of This Unit ................... 5
Speaker Setup.......................... 6
Connections ............................. 7
Speaker Balance Adjustment
... 13
Basic Operations .................... 16
Tuning Operations .................. 19
Preset Tuning...........................20
Using Digital Sound Field
Processor (DSP) .................... 23
Setting the SLEEP Timer ....... 28
Remote Control Transmitter ... 29
Troubleshooting ...................... 34
Specifications ......................... 35
Natural Sound Stereo Receiver
Thank you for selecting this YAMAHA stereo receiver.
RX-V690
2
1 Read Instructions – All the safety and operating
instructions should be read before the unit is operated.
2 Retain Instructions – The safety and operating instructions
should be retained for future reference.
3 Heed Warnings – All warnings on the unit and in the
operating instructions should be adhered to.
4 Follow Instructions – All operating and other instructions
should be followed.
5 Water and Moisture – The unit should not be used near
water – for example, near a bathtub, washbowl, kitchen
sink, laundry tub, in a wet basement, or near a swimming
pool, etc.
6 Carts and Stands – The unit should be used only with a
cart or stand that is recommended by the manufacturer.
6A A unit and cart combination should
be moved with care. Quick stops,
excessive force, and uneven
surfaces may cause the unit and
cart combination to overturn.
7 Wall or Ceiling Mounting – The unit
should be mounted to a wall or ceiling only as
recommended by the manufacturer.
8 Ventilation – The unit should be situated so that its
location or position does not interfere with its proper
ventilation. For example, the unit should not be situated
on a bed, sofa, rug, or similar surface, that may block the
ventilation openings; or placed in a built-in installation,
such as a bookcase or cabinet that may impede the flow
of air through the ventilation openings.
9 Heat – The unit should be situated away from heat
sources such as radiators, stoves, or other appliances that
produce heat.
10 Power Sources – The unit should be connected to a power
supply only of the type described in the operating
instructions or as marked on the unit.
11 Power-Cord Protection – Power-supply cords should be
routed so that they are not likely to be walked on or
pinched by items placed upon or against them, paying
particular attention to cords at plugs, convenience
receptacles, and the point where they exit from the unit.
12 Cleaning – The unit should be cleaned only as
recommended by the manufacturer.
13 Nonuse Periods – The power cord of the unit should be
unplugged from the outlet when left unused for a long
period of time.
14 Object and Liquid Entry – Care should be taken so that
objects do not fall into and liquids are not spilled into the
inside of the unit.
15 Damage Requiring Service – The unit should be serviced
by qualified service personnel when:
A. The power-supply cord or the plug has been damaged;
or
B. Objects have fallen, or liquid has been spilled into the unit;
or
C. The unit has been exposed to rain; or
D. The unit does not appear to operate normally or exhibits a
marked change in performance; or
E. The unit has been dropped, or the cabinet damaged.
16 Servicing – The user should not attempt to service the unit
beyond those means described in the operating
instructions. All other servicing should be referred to
qualified service personnel.
17 Power Lines – An outdoor antenna should be located
away from power lines.
18 Grounding or Polarization – Precautions should be taken
so that the grounding or polarization is not defeated.
19 Outdoor Antenna Grounding – If an outside antenna is
connected to this unit, be sure the antenna system is
grounded so as to provide some protection against voltage
surges and built-up static charges. Article 810 of the
National Electrical Code, ANSI/NFPA 70, provides
information with regard to proper grounding of the mast
and supporting structure, grounding of the lead-in wire to
an antenna discharge unit, size of grounding conductors,
location of antenna discharge unit, connection to
grounding electrodes, and requirements for the grounding
electrode.
SAFETY INSTRUCTIONS
Note to CATV system installer:
This reminder is provided to call the CATV system
installer's attention to Article 820-40 of the NEC that
provides guidelines for proper grounding and, in
particular, specifies that the cable ground shall be
connected to the grounding system of the building, as
close to the point of cable entry as practical.
EXAMPLE OF ANTENNA GROUNDING
MAST
GROUND
CLAMP
ANTENNA
LEAD IN
WIRE
ANTENNA
DISCHARGE UNIT
(NEC SECTION 810–20)
GROUNDING CONDUCTORS
(NEC SECTION 810–21)
GROUND CLAMPS
POWER SERVICE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250. PART H)
ELECTRIC
SERVICE
EQUIPMENT
NEC – NATIONAL ELECTRICAL CODE
3
1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the
instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to
use the product.
2. IMPORTANT : When connecting this product to
accessories and/or another product use only high quality
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions.
Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE : This product has been tested and found to
comply with the requirements listed in FCC Regulations,
Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices.
This equipment generates/uses radio frequencies and, if
not installed and used according to the instructions
found in the users manual, may cause interference
harmful to the operation of other electronic devices.
Compliance with FCC regulations does not guarantee that
interference will not occur in all installations. If this product
is found to be the source of interference, which can be
determined by turning the unit “OFF” and “ON”, please try
to eliminate the problem by using one of the following
measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead,
change the lead-in to coaxial type cable.
If these corrective measures do not produce satisfactory
results, please contact the local retailer authorized to
distribute this type of product. If you can not locate the
appropriate retailer, please contact Yamaha Electronics
Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA
90620.
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
Caution: Read this before operating your unit
1 To assure the finest performance, please read this
manual carefully. Keep it in a safe place for future
reference.
2 Install this unit in a cool, dry, clean place – away from
windows, heat sources, sources of excessive vibration,
dust, moisture and cold. Avoid sources of humming
(transformers, motors). To prevent fire or electrical
shock, do not expose the unit to rain or water.
3 Do not operate the unit upside-down. It may overheat,
possibly causing damage.
4 Never open the cabinet. If something drops into the set,
contact your dealer.
5 Do not use force on switches, controls or connection
wires. When moving the unit, first disconnect the power
plug and the wires connected to other equipment.
Never pull the wires themselves.
6 Do not attempt to clean the unit with chemical solvents;
this might damage the finish. Use a clean, dry cloth.
7 Always set the VOLUME control to “–
” before starting
the audio source play. Increase the volume gradually to
an appropriate level after the play back has been
started.
8 To prevent lightning damage, pull out the power cord
and remove the antenna cable during an electrical
storm.
9 Be sure to read the “TROUBLESHOOTING” section
regarding common operating errors before concluding
that the unit is faulty.
10 AC outlet
Do not connect audio equipment to the AC outlet on the
rear panel if that equipment requires more power than
the outlet is rated to provide.
FCC INFORMATION
YAMAHA and the Electronic Industries Association’s
Consumer Electronics Group want you to get the most out of
your equipment by playing it at a safe level. One that lets the
sound come through loud and clear without annoying blaring or
distortion – and, most importantly, without
affecting your sensitive hearing. Since hearing
damage from loud sounds is often undetectable
until it is too late, YAMAHA and the Electronic
Industries Association’s Consumer Electronics
Group recommend you to avoid prolonged
exposure from excessive volume levels.
We Want You Listening For A Lifetime
4
SUPPLIED ACCESSORIES
After unpacking, check that the following parts are contained.
Remote Control Transmitter Batteries (size AA, R6, UM-3)
User Program Sheets
Indoor FM Antenna
AM Loop Antenna
5 Speaker Configuration
Front: (U.S.A. and Canada models)
80W + 80W (8) RMS Output
Power, 0.04% THD, 20–20,000 Hz
(Australia, Singapore and
General models)
75W + 75W (8) RMS Output
Power, 0.04% THD, 20–20,000 Hz
Center: (U.S.A. and Canada models)
80W (8) RMS Output
Power, 0.07% THD, 1 kHz
(Australia, Singapore and
General models)
80W (8) RMS Output
Power, 0.07% THD, 1 kHz
Rear: 25W + 25W (8) RMS Output
Power, 0.3% THD, 1 kHz
Digital Sound Field Processor (Including
Dolby Pro Logic Surround Decoder)
5 Programs for Audio Sources
5 Programs for Audio/Video Sources
Automatic Input Balance Control for
Dolby Surround
Test Tone Generator for Easier Speaker
Balance Adjustment
3 Center Channel Modes
(NORMAL/WIDE/PHANTOM)
40-Station Random Access Preset
Tuning
Automatic Preset Tuning
Preset Station Shifting Capability (Preset
Editing)
IF Count Direct PLL Synthesizer Tuning
System
SLEEP Timer
Video Signal Input/Output Capability
(Including S Video Connections)
Programmable Remote Control
Transmitter
FEATURES
5
PROFILE OF THIS UNIT
You are the proud owner of a Yamaha stereo receiver –an extremely sophisticated audio component. The Digital Sound Field
Processor (DSP) built into this unit takes full advantage of Yamaha’s undisputed leadership in the field of digital audio processing to
bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system,
and this unit will sonically transform your room into a totally new listening environment – movie theater, concert hall, and so on. In
addition, you get incredible realism from Dolby Surround-encoded video sources using the built-in Dolby Pro Logic Surround
Decoder.
Please read this operation manual carefully and store it in a safe place for later reference.
Digital Sound Field Processing
What is it that makes live music so good? Today’s advanced
sound reproduction technology lets you get extremely close to
the sound of a live performance, but chances are you’ll still
notice something missing: the acoustic environment of the live
concert hall. Extensive research into the exact nature of the
sonic reflections that create the ambience of a large hall has
made it possible for Yamaha engineers to bring you this same
sound in your own listening room, so you’ll feel all the sound of
a live concert.
Furthermore, our technicians, armed with sophisticated
measuring equipment, have even made it possible to capture
the acoustics of a variety of venues such as an actual concert
hall, theater, etc. to allow you to accurately recreate one of
several live performance environments in your own home.
Dolby Pro Logic Surround
The Dolby Pro Logic Surround Decoder program lets you
experience the dramatic realism and impact of a Dolby
Surround movie theater sound in your own home. Dolby Pro
Logic gets its name from its professional-grade steering logic
circuitry, which provides greater effective front and rear
channel separation for a much higher degree of realism than
the “passive” Dolby Surround circuits found in less
sophisticated home audio/video equipment. Dolby Pro Logic
Surround provides a true center channel, so there are four
independent channels, unlike passive Dolby Surround which
has in effect only three channels: left, right, and rear. This
center channel allows listeners seated in even less-than-ideal
positions to hear the dialog originating from action on the
screen while getting a stereo effect as well.
This Dolby Pro Logic Surround Decoder employs a digital
signal processing system. This system increases sound
stability at each channel and minimizes crosstalk between
channels compared to conventional analog Dolby signal
processing.
In addition, this unit features a built-in automatic input balance
control. This circuit always presents you the best surround
conditions without performing manual adjustments.
Dolby Pro Logic Surround + DSP
Additionally you can enjoy sound environment created by the
combination of Dolby Pro Logic and YAMAHA DSP. Precise
sound movement and orientation by the Dolby Pro Logic
technology is added to sound fields which are precisely
recreated on the basis of actual acoustic environments by the
DSP technology, so it is suitable for any Audio/Video source
with video image. This combination is used on sound field
programs “DOLBY PRO LOGIC ENHANCED”, “70 mm MOVIE
THEATER”, “TV THEATER” and “SPORTS”.
The YAMAHA “CINEMA DSP” logo indicates these programs are
created by the combination of Dolby Pro Logic and YAMAHA
DSP technology.
CINEMA DSP
6
SPEAKER SETUP
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The most effective speakers to use with
this unit are front speakers, rear speakers and a center speaker. You may omit the center speaker. (Refer to the “4-Speaker
Configuration” shown below.)
The front speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your
present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center
sounds (dialog etc.) within the Dolby Surround encoded programs. The center speaker needs to be equal in power to the front
speakers, although the rear speakers should not be equal. However, all the speakers should have high enough power handling to
accept the maximum output of this unit.
SPEAKER CONFIGURATION
5-Speaker Configuration
This configuration is the most effective and recommended one.
In this configuration, the center speaker is necessary as well as
the rear speakers. If the digital sound field program DOLBY
PRO LOGIC, DOLBY PRO LOGIC ENHANCED, 70 mm
MOVIE THEATER, TV THEATER or SPORTS is selected,
conversations will be output from the center speaker and the
ambience will be excellent.
Set the center channel mode to the “NORMAL” or “WIDE
position. (For details, refer to page 14.)
4-Speaker Configuration
The center speaker is not used in this configuration. If the
digital sound field program DOLBY PRO LOGIC, DOLBY PRO
LOGIC ENHANCED, 70 mm MOVIE THEATER, TV
THEATER or SPORTS is selected, the center sound is output
from the left and the right front speakers. However, the sound
effect of other programs can be the same as that of the 5-
speaker configuration.
Be sure to set the center channel mode to the “PHANTOM
position. (For details, refer to page 14.)
SPEAKER PLACEMENT
The recommended speaker configuration, the 5-speaker configuration, will require two speaker pairs: front speakers (your normal
stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following.
Front: In normal position. (The position of your present
stereo speaker system.)
Rear: Behind your listening position, facing slightly inward.
Nearly six feet (approx. 1.8 m) up from the floor.
Center: Precisely between the front speakers. (To avoid
interference with TV sets, use a magnetically shielded
speaker.)
Front L Center Front R
Dialogue
Surround sound
Dialogue
Surround sound
Rear L
Rear R
Front L Front R
Dialogue
Surround sound
Dialogue
Surround sound
Rear L Rear R
Front R
Center
Front L
TV set
Rear R
Rear L
7
CONNECTIONS
Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this unit and to any other
components to which connections are being made.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left)
to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.
: Refer to “ABOUT THE ACCESSORY TERMINALS” on page 11.
GND
MONITOR
OUT
LD/TV
IN OUT
VCR 1
IN OUT
VCR 2
PHONO CD TAPE LD/TV VCR 1 VCR 2
TAPE
PB
REC
OUT
IN OUT IN OUT
A OR B:8
MIN.
/SPEAKER
A B:l6
MIN.
/SPEAKER
FRONT
C D:4MIN./SPEAKER
SINGLE:8MIN./SPEAKER
8
MIN.
/SPEAKER
FRONT CENTER REAR
SWITCHED
I20W MAX. TOTAL
l20W MAX. TOTAL
I.0A MAX. TOTAL
VIDEO SIGNAL
AUDIO SIGNAL
SPEAKERS
SPEAKERS
OUTPUT
AC OUTLETS
A
B
A
B
FM
ANT
AM
ANT
GND
75
UNBAL.
fc:200Hz
LOW
PASS
MAINS
OUTPUT
GND
VIDEO IN
AUDIO OUT
VIDEO OUT
VIDEO OUT
AUDIO OUT
VIDEO IN
AUDIO IN
OUTPUT
LINE OUT
LINE IN
VIDEO OUT
AUDIO OUT
AUDIO IN
VIDEO IN
REAR
CENTER
CD
DUAL
SINGLE
MONITOR
OUT
S VIDEO
IN OUT
VCR 2
(U.S.A. model)
To AC outlet
Turntable Monitor TV
LD player,
TV tuner, etc. Video cassette recorder 2
CD player Tape deck Video cassette recorder 1
8
CONNECTING TO S VIDEO TERMINALS
If you have a video cassette recorder and a monitor equipped with “S” (high-resolution) video terminals, those terminals can be
connected to this unit’s S VIDEO terminals. Connect the video cassette recorder’s “S” video input and output terminals to this unit’s
S VIDEO VCR 2 IN and OUT terminals respectively, and connect the monitor’s “S” video input terminal to this unit’s S VIDEO
MONITOR OUT terminal. Otherwise, connect the video cassette recorder’s composite video terminals to this unit’s composite video
terminals, and connect the monitor’s composite video input terminal to this unit’s composite MONITOR OUT terminal.
Note
If video signals are sent to both S VIDEO input and composite input terminals, the signals will be sent to their respective
output terminals independently.
CONNECTING TO VIDEO AUX TERMINALS (ON THE FRONT PANEL)
These terminals are used to connect any video input source such as a camcorder to this unit.
MONITOR
OUT
S VIDEO
IN OUT
VCR 2
MONITOR
OUT
LD/TV
IN OUT
VCR 1
IN OUT
VCR 2
VIDEO SIGNAL
S VIDEO
IN
VIDEO
IN
S VIDEO
OUT
S VIDEO
IN
VIDEO OUT
VIDEO IN
Monitor TV
VIDEO AUX
S VIDEO VIDEO L AUDIO R
S VIDEO
L
R
VIDEO
Video cassette recorder 2
Camcorder
AUDIO OUT R
AUDIO OUT L
VIDEO OUT
S VIDEO OUT
9
Note on front speaker connection:
One or two speaker systems can be connected to this unit. If
you connect only one speaker system, connect it to either the
SPEAKERS A or B terminals.
Note on center speaker connection:
One or two center speakers can be connected to this unit. If
you cannot place the center speaker on or under the TV, it is
recommended to use two center speakers and place them on
both sides of the TV to orient the center sound at the center
position.
For connecting two center speakers, follow the method shown
below.
IMPEDANCE SELECTOR switch
(Canada model only)
Be sure to switch this only when the power of this unit is
turned off. Select the position proper for the use of your front
speakers.
When using one pair of front
speakers;
If the impedance of each speaker is
8or higher, set to right ( ).
If the impedance of each
speaker is 4or higher, but lower
than 8, set to left ( ).
When using two pairs of front
speakers;
The impedance of each speaker must
be 8or higher.
Set this switch to left ( ).
FRONT LEVEL switch
(Australia and Singapore models only)
Normally set to “0 dB”. If desired, you can decrease the
output level at the FRONT SPEAKERS terminals by 10 dB by
setting this switch to “–10 dB”. (Refer to “Notes” on page 15.)
CONNECTING SPEAKERS
FRONT
C D:4MIN./SPEAKER
SINGLE:8MIN./SPEAKER
8
MIN.
/SPEAKER
REAR
CENTER
FRONT CENTER REAR
SPEAKERS
SPEAKERS
OUTPUT
A
B
A
B
fc:200Hz
LOW
PASS
CD
DUAL
SINGLE
Connect the respective speakers to this unit as figured below.
Rear speakers
Center speaker
Front speakers B
Left
Right
Left
Right
Center speaker
Center speaker
Front speakers A
Left
Right
A
OR
B:USE 4MIN.
/SPEAKER
A
B:USE 8MIN.
/SPEAKER
A
OR
B:USE 8MIN.
/SPEAKER
IMPEDANCE
SELECTOR
SELECTEUR
D’IMPEDANCE
l0 dB 0 dB
FRONT
LEVEL
l
10
How to Connect:
Connect the SPEAKERS terminals to your speakers with wire
of the proper gauge, cut as short as possible. If the
connections are faulty, no sound will be heard from the
speakers. Make sure that the polarity of the speaker wires is
correct, that is, + and – markings are observed. If these wires
are reversed, the sound will be unnatural and will lack bass.
Do not let the bare speaker wires touch each other and do
not let them touch the metal parts of this unit as this could
damage this unit and/or speakers.
Note
Use speakers with the specified impedance shown on the rear
of this unit.
For connecting to the FRONT SPEAKERS terminals
Red: positive (+)
Black: negative (–)
Unscrew the knob.
Insert the bare wire.
[Remove approx. 5mm
(1/4”) insulation from
the speaker wires.]
Tighten the knob and
secure the wire.
*
<For U.S.A., Canada and General models only>
Banana Plug connections are also possible. Simply insert
the Banana Plug connector into the corresponding terminal.
For connecting to the REAR and CENTER SPEAKERS
terminals
Red: positive (+)
Black: negative (–)
Press up the tab.
Insert the bare wire.
[Remove approx. 5mm
(1/4”) insulation from
the speaker wires.]
Release the tab and
secure the wire.
1
2
3
11
Subwoofer system
ABOUT THE ACCESSORY TERMINALS
AC OUTLET(S) (SWITCHED)
(U.S.A., Canada, Singapore and General models)
...........................................................2 SWITCHED OUTLETS
(Australia model) ................................. 1 SWITCHED OUTLET
Use these to connect the power cords from your components
to this unit.
The power to the SWITCHED outlets is controlled by this unit’s
POWER switch or the provided remote control transmitter’s
POWER key. These outlets will supply power to any
component whenever this unit is turned on.
The maximum power (total power consumption of
components) that can be connected to the SWITCHED AC
OUTLET(S) is as follows.
......................................................................................... 120W
GND terminal (For turntable use)
Connecting the ground wire of the turntable to this terminal will
normally minimize hum, but in some cases better results may
be obtained with the ground wire disconnected.
LOW PASS terminal
This terminal is for output to a monaural amplifier driving a
subwoofer. Only frequencies below 200 Hz from the front and
center channels are output.
ADDING A SUBWOOFER
You may wish to add a subwoofer to reinforce the bass
frequencies.
Connect the LOW PASS terminal to the INPUT terminal of
the subwoofer amplifier, and connect the speaker terminals
of the subwoofer amplifier to the subwoofer.
With some subwoofers, including the Yamaha Active Servo
Processing Subwoofer System, the amplifier and subwoofer
are in the same unit.
FRONT OUTPUT terminals
These terminals are for front channel line output. There is no
connection to these terminals when you use the built-in
amplifier.
However, if you drive front speakers with an external stereo
power amplifier, connect the input terminals of the external
amplifier (MAIN IN or AUX terminals of a power amplifier or an
integrated amplifier) to these terminals.
REAR OUTPUT terminals
These terminals are for rear channel line output. There is no
connection to these terminals when you use the built-in
amplifier.
However, if you drive rear speakers with an external stereo
power amplifier, connect the input terminals of the external
amplifier (MAIN IN or AUX terminals of a power amplifier or an
integrated amplifier) to these terminals.
CENTER OUTPUT terminal
This terminal is for center channel line output. There is no
connection to this terminal when you use the built-in amplifier.
However, if you drive a center speaker with an external power
amplifier, connect the input terminal of the external amplifier to
this terminal.
FRONT CENTER REAR
OUTPUT
fc:200Hz
LOW
PASS
12
ANTENNA CONNECTIONS
Each antenna should be connected to the designated terminals correctly, referring to the following diagram.
Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal
strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience
poor reception quality, an outdoor antenna may result in improvement.
Connecting the AM loop antenna
* The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall.
* The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.
GND terminal
For maximum safety and minimum interference, connect the
GND terminal to a good earth ground. A good earth ground is
a metal stake driven into moist earth.
Notes
When connecting the indoor
FM antenna, insert its
connector into the FM ANT
terminal firmly.
If you need an outdoor
FM antenna to improve
FM reception quality, either 300-ohm feeder or coaxial cable
may be used. In locations troubled by electrical
interference, coaxial cable is preferable.
Outdoor FM antenna
Outdoor AM antenna
AM loop
antenna
(included)
Ground
Indoor FM
antenna
(included)
75-ohm/300-ohm
antenna adapter
75-ohm
coaxial cable
300-ohm
feeder
GND
MONITOR
OUT
S VIDEO
IN OUT
VCR 2
PHONO CD
TAPE
PB
FM
ANT
AM
ANT
GND
75
UNBAL.
Orient so that the best
reception is obtained.
12 3
1
Set to the “
” position.
2 Select the front speakers to be used.
* If you use two front speaker systems, press both the A
and B switches.
3
Set to the “0” position.
4
5
Set to
“YPC”.
6 Turn the power on.
7 Select the PRO LOGIC or PRO LOGIC
ENHANCED mode, so that the corresponding name is
illuminated on the display.
13
SPEAKER BALANCE ADJUSTMENT
This procedure lets you adjust the sound output level balance between the front, center, and rear speakers using the built-in test
tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from
each speaker. This is important for the best performance of the digital sound field processor.
The adjustment of each speaker output level should be done at your listening position with the remote control transmitter.
Otherwise, the result may not be satisfactory.
7
1
6
2
4
3
SPEAKERS
A
B
ON
OFF
ON
OFF
BASS
55
4
3
2
l
0
l
2
3
4
TREBLE
55
4
3
2
l
0
l
2
3
4
BALANCE
55
4
3
2
l
0
l
2
3
4
LR
POWER
JAZZ CLUB
ROCK
CONCERT
CONCERT
HALL
PRO LOGIC
ENHANCED
TV
THEATER
SPORTS
STADIUM
DIGITAL SOUND FIELD PROCESSOR
EFFECT
MOVIE THEATER
70mm
CHURCH
POWER SLEEP TV VCR AUX
TRANSMIT
/LEARN
YPC
USER
LEARN
SKIP
DISC
SKIP
PHONO
CDPLAY
PAUSE/STOP
SEARCH
DECK A/B
PRESET
A/B/C/D/E
TUNER
TAPE MON
PLAYSTOPSEARCH
REC MUTE
REC/PAUSE
DIR A DIR B
LD/TVPLAY
PAUSE/STOP
SEARCH
CHAPTER/CH DISPLAY STOP VCR 1
VCR 2
TV
THEATER
70mm
MOVIE THEATER
ENHANCEDPRO LOGIC
V–AUXJAZZ CLUBROCKSTADIUMSPORTS
SURROUND
DSP
EFFECT
ON/OFF
MASTER
VOLUME
1234
5678
HALLCHURCH
910
5
7
ON
OFF
TONE
BYPASS
OFF
CONTINUED
14
CHAPTER/CH DISPLAY STOP VCR 1
VCR 2
TV
THEATER
70mm
MOVIE THEATER
ENHANCEDPRO LOGIC
V–AUXJAZZ CLUBROCKSTADIUMSPORTS
SURROUND
DSP
EFFECT
ON/OFF
MASTER
VOLUME
CENTER LEVEL
REAR LEVEL
DELAY
TIME
TEST
RESET CLEAR
1234
5678
MUTING
HALLCHURCH
910
10
9
8 Select the center channel output mode according to your
speaker configuration.
(Refer to “SPEAKER CONFIGURATION” on page 6.)
On the feature of each mode, refer to the “Note” shown
below.
9
10 Turn up the volume.
You will hear a test tone (like pink noise) from the left front
speaker, then the center speaker, then the right front
speaker, and then the rear speakers, for about two
seconds each. The display changes as shown below.
* The test tone from the left rear speaker and the right rear
speaker will be heard at the same time.
Note
In step 8, when you select the center channel output mode,
note the following.
For 5 speaker configuration)
NORMAL: Select this mode when you use a center speaker
that is smaller than the front speakers. In this
mode, the bass tone will be output from the front
speakers.
WIDE: Select this mode when you use the center speaker
approximately same sized as the front speakers.
For 4 speaker configuration)
PHANTOM: Select this mode when you do not use the center
speaker. The center sound will be output from the
left and right front speakers.
MASTER
VOLUME
CENTER
MODE
TEST
NORMAL
WIDE
PHANTOM
Front (L)
Rear
(L and R)
Center
Front (R)
108
15
11 Adjust the BALANCE control so that the effect sound
output level of the left front speaker and the right front
speaker are the same.
12 Adjust the sound output level of the center speaker to
be at the same level as that of the front speakers with
the CENTER LEVEL keys.
13 Adjust the sound output level of the rear speakers to
be at the same level as that of the front speakers with
the REAR LEVEL keys.
14 Cancel the test tone.
Disappears
Notes
Once you have completed these adjustments, you can
adjust whole sound level on your audio system by using
the VOLUME control (or the MASTER VOLUME keys on
the remote control transmitter).
If you use external power amplifiers, their volume controls
may also be adjusted to achieve proper balance.
In step 12, if the center channel mode is in the
PHANTOM” position, the sound output level of the center
speaker cannot be adjusted. This is because in this mode,
the center sound is automatically output from the left and
right front speakers.
<Australia and Singapore models only>
If there is insufficient sound output from the center and
rear speakers, you may decrease the front speaker output
level by setting the FRONT LEVEL switch on the rear
panel to “–10 dB”.
BALANCE
55
4
3
2
l
0
l
2
3
4
LR
11
CENTER LEVEL
REAR LEVEL
z
l00
M 2
TEST
Adjustable
Adjustable
VCR 2
TV
THEATER
70mm
MOVIE THEATER
ENHANCEDPRO LOGIC
V–AUXJAZZ CLUBROCKSTADIUMSPORTS
SURROUND
DSP
EFFECT
ON/OFF
MASTER
VOLUME
CENTER LEVEL
REAR LEVEL
DELAY
TIME
TEST
RESET CLEAR
1234
5678
MUTING
HALLCHURCH
910
12
13
14
16
1
Set to the “
” position.
2 Turn the power on.
3 Select the desired input source by using the input
selector buttons.
(For video sources, turn the TV/monitor ON.)
* The name of the selected input source will appear in
the display.
4 Select the front speakers to be used.
* If you use two front speaker systems, press both the A and
B switches.
5 Play the source. (For detailed information on the
tuning operation, refer to page 19.)
6
Adjust to the desired output level.
7 If desired, adjust the BASS, TREBLE, BALANCE
controls, etc. (refer to page 18) and use the digital
sound field processor. (Refer to page 25.)
Notes on using the input selector buttons
Note that pressing on each input selector button selects
the source which is connected to the corresponding input
terminals on the rear panel.
* To select the source connected to the VIDEO AUX
terminals on the front panel, press VIDEO AUX.
The selection of TAPE MONITOR cannot be canceled by
pressing another input selector button. To cancel it, press
TAPE MONITOR again.
When you select a button other than TAPE MONITOR,
make sure that TAPE MONITOR is not also selected.
If you select the input selector button for a video source
without canceling the selection of TAPE MONITOR, the
playback result will be the video image from the video
source and the sound from the audio tape.
Once you play a video source, its video image will not be
interrupted even if the input selector button for an audio
source is selected.
To turn off the power
Press the POWER switch again.
BASIC OPERATIONS
TO PLAY A SOURCE
SPEAKERS
A
B
ON
OFF
ON
OFF
VIDEO AUX
VCR 2 VCR 1
LD/TV
TUNER CD PHONO
TAPE
MONITOR
3
1, 6
2
4
7
7
POWER
17
1 Select the source to be recorded.
2
Play the source and then turn the VOLUME control
up to confirm the input source. (For detailed information
on the tuning operations, refer to page 19.)
3 Set the tape deck or VCR to the recording mode.
4 If the tape deck is used for recording, you can monitor
the sounds being recorded by pressing TAPE
MONITOR.
Note
DSP, VOLUME, BASS, TREBLE and BALANCE control
settings have no effect on the material being recorded.
TO RECORD A SOURCE TO TAPE
(OR DUB FROM TAPE TO TAPE)
VIDEO AUX
VCR 2 VCR 1
LD/TV
TUNER CD PHONO
TAPE
MONITOR
VIDEO AUX
VCR 2 VCR 1
LD/TV
TUNER CD PHONO
TAPE
MONITOR
1, 4
2
18
Because one or two speaker systems (as front speakers) can
be connected to this unit, the SPEAKERS switches allow you
to select speaker system A or B, or both at once.
Adjust the balance of the output volume to the left and right
speakers to compensate for sound imbalance caused by
speaker location or listening room conditions.
Note
This control is effective only for the sound from the front
speakers.
BASS : Turn this clockwise to increase (or counter-
clockwise to decrease) the low frequency
response.
TREBLE : Turn this clockwise to increase (or counter-
clockwise to decrease) the high frequency
response.
Note
These controls are effective only for the sound from the front
speakers.
Press this switch to revert instantly to the flat states of the
BASS and TREBLE controls without changing the setting of
these controls.
When you listen with headphones
Connect the headphones to the PHONES jack. You can listen
to the sound to be output from the front speakers through
headphones.
When listening with headphones privately, set both the
SPEAKERS A and B switches to the OFF position and switch
off the digital sound field processor (so that no DSP program
name is illuminated on the display) by pressing the EFFECT
switch.
Selecting the SPEAKER system
Adjusting the BASS and TREBLE
controls
Adjusting the BALANCE control
PHONES
SPEAKERS
A
B
ON
OFF
ON
OFF
BALANCE
55
4
3
2
l
0
l
2
3
4
LR
TREBLE
55
4
3
2
l
0
l
2
3
4
BASS
55
4
3
2
l
0
l
2
3
4
Using the TONE BYPASS switch
ON
OFF
TONE
BYPASS
19
1 Select the reception band (FM or AM) while watching
the display.
2
3 Tune to a desired station manually.
* To continue tuning search, press and hold the button.
FM/AM
FM AM
or
1 Select the reception band (FM or AM) while watching
the display.
2
3
To tune to a higher frequency, press the right side once.
To tune to a lower frequency, press the left side once.
* If the station where tuning search stops is not the desired
one, press again.
* If the tuning search does not stop at the desired station
(because the signals of the station are weak), change to
the MANUAL TUNING method.
TUNING OPERATIONS
Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is
possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING).
Display information
Displays the band and frequency of the received station.
Lights up when an FM stereo broadcast is received in
stereo.
Indicates the signal level of the received station.
Note
If you tune to an FM station manually, it is received in
monaural mode automatically to increase the signal quality.
AUTOMATIC TUNING MANUAL TUNING
FM/AM
TUNING
MODE
AUTO/MAN’L MONO
TUNING
MODE
AUTO/MAN’L MONO
DOWN
TUNING UP
DOWN
TUNING UP
PRESET
MHz
FM
STEREO
0
20
l00
40 60
AUTO
TUNING
“AUTO TUNING”
goes off.
FM AM
or
1 3
2
20
1 Tune to a desired station.
(Refer to the previous page for tuning procedure.)
2 Select a desired page (A – E) of preset station buttons
while watching the display.
3
4 Press a preset station button before “MEMORY”
goes off from the display.
* In the same way, program other stations to A2, A3 ... A8.
* You can program more stations to the preset station
buttons on other pages in the same way by selecting
other pages in step 2.
11 Select the page of preset station buttons.
22 Select the desired preset station button.
Notes
A new setting can be programmed in place of the former
one.
For presets, the setting of the reception mode (stereo or
monaural) is stored along with the station frequency.
Memory back-up
The memory back-up circuit prevents the programmed data
from being lost even if the POWER switch is set off or the
power plug is disconnected from the AC outlet or the power is
cut due to temporary power failure. If, however, the power is
cut for more than one week, the memory may be erased. If
so, it can be re-programmed by simply following the PRESET
TUNING steps.
MANUAL PRESET TUNING
This unit can store station frequencies (selected by tuning operation) by using the preset station buttons. With this function, you can
select any desired station by only pressing the corresponding preset station button. Up to 40 stations (8 stations x 5 pages) can be
stored.
PRESET TUNING
To store stations
To recall a preset station
3
2, 11
4, 22 (Preset station buttons)
A/B/C/D/E
PRESET
MEMORY
MAN’L/AUTO FM
MEMORY
A/B/C/D/E
PRESET
Flashes on and off
for about 5 seconds.
l 2345 67 8
PRESET STATIONS
l 2345 67 8
PRESET STATIONS
PRESET
MHz
FM
STEREO
0
20
l00
40 60
AUTO
TUNING
Shows the displayed station has been
programmed to A1.
PRESET
1 / 1