Hill Audio VMA-1120 Manuale utente

Marca: Hill Audio

Modello: VMA-1120

Categoria: Attrezzatura musicale

Tipo: Manuale utente

RevB 06-2017

Welcome

Thank you for choosing Hill Audio for your sound system. To make sure that this product meets your

expectations and provides long-term, reliable performance, please read and follow this instruction

manual carefully.

Important safety instructions

Read these instructions and all markings on the product. Keep these instructions.

Heed all warnings and instructions, both in this manual and on the product.

Clean only with a dry cloth. Unplug from AC supply before cleaning.

Do not use this product near water and avoid any exposure to water.

Before connecting this product to any AC supply, make sure you check whether the AC mains vol-

tage and frequency match the indication on the product and its packaging.

Only connect this product to an AC supply with sufficient power handling, protective earth con-

nection, ground-fault (earth-fault) protection and overload protection.

Disconnect the product from the AC supply during thunderstorms. Also disconnect from the mains

supply if the product is not being used for long periods.

Make sure any heat sink or other cooling surface, or any air convection slot , is exposed sufficiently

to free air circulation and is not blocked.

Do not operate this product in environmental temperatures exceeding 35 degrees Celsius and/or

85% relative humidity.

Position the product in a safe and stable place for operation, out of reach of unauthorized persons.

Make sure any cable connections to and from the product are neither subject to potentially des-

tructive mechanical impact nor present any risk of stumbling or other accident risk to people.

Audio equipment may generate sound pressure levels sufficient to cause permanent hearing

damage to persons. Always start up at low volume settings and avoid prolonged exposure to sound

pressure levels exceeding 90 dB.

Do not open this product for service purposes. There are no user-serviceable parts inside.

Warranty will be void in any case of unauthorized service by the user or other unauthorized persons.

Take any precaution required by local law, applicable regulations or good business practice to avoid

injury to people or material damage by use of this product.

Explanation of symbols used in this manual and on the product:

DANGER!

Safety hazard.

Risk of injury or death.

WARNING!

Fire hazard.

WARNING!

Hazardous voltage.

Risk of severe or fatal

electric shock.

ATTENTION!

Read manual

before installation

and operation.

Manual Language

UK This user manual is written in English. For other languages, visit www.hill-audio.com

FR Ce guide est écrit en anglais. Pour les autres langues, visitez: www.hill-audio.com

DE Diese Anleitung ist in Englisch verfasst. Für andere Sprachen: www.hill-audio.com

ES Este manual está escrito en Inglés. Para otros idiomas, visite: www.hill-audio.com

PT Este manual está escrito em Inglês. Para outros idiomas, visite: www.hill-audio.com

IT Questo manuale è scritto in inglese. Per altre lingue, visitare: www.hill-audio.com

PAGE 1

USER MANUAL - VMA1120 INSTALLATION MIXING AMPLIFIER

PAGE 2

Health advice

This unit produces and absorbs electromagnetic radiation. The strength of radiation and the sensitiv-

ity for disturbing interference matches the CE and FCC requirements. A corresponding sign is printed

on the backside of the unit. Any change or modification may affect the behavior of the unit concerning

electromagnetic radiation and it may not then meet CE requirements. The manufacturer takes no

responsibility in this case.

Functional advice

This unit is immune to the presence of electromagnetic disturbances – both conducted and radiated

- up to a certain level. Under peak conditions, the unit is classified to show a “class C” performance

criteria and may encounter temporary degradation or loss of function which may need manual help

to recover. In such case, disconnect the AC power from the unit and reconnect it again to recover.

Environmental advice

This unit is built to conform to the ROHS standards and the WEEE directive 2011/65/EU of the

European Parliament and of the Council of the European Union. Under these regulations, the product

shall not be discarded into regular garbage at the end of its life, but shall be returned to authorized

recycling stations.

Unpacking

Please check that the box contains the following items:

Main parts: 1 pc. VMA-1120 main unit

1 pc. Mains cable

1 pc. Operation manual

If any part is missing, please contact your dealer immediately.

Warning

After unpacking, and before plugging the AC cord in the wall outlet, check whether the

AC mains voltage and frequency is compatible with this product (see rear panel of

product). Whenever the specified voltage or your AC plug should not match the local

conditions, do NOT plug the AC cord into the wall outlet and contact your dealer

immediately.

Description

The VMA-1120 is a combination of a basic mixer for music and three microphones, a media player,

and a mono constant voltage power amplifier for installed sound systems. This comprehensive combi-

nation of basic features makes the VMA-1120 the ideal all-in-one solution for small to medium sized

installed sound systems in commercial environments.

USER MANUAL - VMA1120 INSTALLATION MIXING AMPLIFIER

PAGE 3

Configuration setup

Before using the VMA-1120, it must be configured to match the application. Make sure the unit is

unplugged from AC mains and remove the top cover to gain access to the internal elements, then set

switches and jumpers and arrange connctions as per following instruction.

JP102/104/106: These jumpers enable or disable a +12V DC phantom power supply to the micro-

phone inputs (12), separately for every microphone. Factory default: disabled.

JP103/105/107: These jumpers enable or disable the microphone inputs to contribute to the

talkover (priority) trigger, separately for every microphone. Factory default: enabled.

J1: This jumper enables or disables a 75Hz HPF filter for transformer-output configurations to avoid

saturation. Factory default: disabled.

JP502/503: Determine whether the signal at the SL stereo link preamp output (8) is affected by the

emergency signal or not. Factory default: enabled.

Warning

The following chapter contains work on an open unit, with contacts, wires and parts

carrying life voltage exposed. Work must be expedited strictly and only when the unit is

disconnected (not only switched off) from the AC supply, and all work must be expe-

dited by a qualified technician familiar with necessary safety precautions. Removing the

top cover and expediting this work is not permitted for the end user, as indicated by the

outside marking “no user-serviceable parts inside - do not open”. Contact your dealer

to make these settings for you if you do not have the required qualification. The manu-

facturer takes no liability for damage to health or goods evolving from disobeyance of

these instructions.

Internal jumper settings

USER MANUAL - VMA1120 INSTALLATION MIXING AMPLIFIER

Rear PCB

J1: HPF

JP502:

JP503:

RECORD

JP103/5/7:

MIC TALKOVER

JP102/4/6:

MIC PP +12V

PAGE 4

USER MANUAL - VMA1120 INSTALLATION MIXING AMPLIFIER

Front PCB

JP302 - Mic Emergency.

This jumper decides whether

the internal mics remain active

when an emergency signal is

present at the emergency input.

Shown position = active (default)

Move jumper to de-activate

internal mics in emergency.

Low-Z or LINE (Transformer) output configuration

To convert the amplifier to high-voltage

line operation, the low impedance output

socket should be unplugged from CN5 on the

amplifier pcb (a short pair of heavy red and black

wires), and replaced by the spare plug connected to

the toroidal transformer nearer the rear of the unit

(same wire types). Note that the low-impedance output

will no longer be available once the transformer is plugged

in. The secondary (output side) of the transformer is perma-

nently wired to the line output connector (a 4-pin 5 mm-pitch

screw terminal type), thus the high-voltage output will be active once

the internal connector change has been made. In high-voltage line

operation, always use the safety cover fitted over the connector!

Amp PCB

CN5

CN9

CN7

1 2

3 4 6

Controls and Connections

Connections - Rear

7 8 9 11

1213 15 16

PAGE 5

USER MANUAL - VMA1120 INSTALLATION MIXING AMPLIFIER

Controls - Front

19 20

22 24 25 26 27 28

PAGE 6

USER MANUAL - VMA1120 INSTALLATION MIXING AMPLIFIER

29 3031 32 33 34 35 36 37

PAGE 7

Functional Description

The VMA-1120 is a combination of a triple-microphone & music mixer, a media player, and a mono

constant voltage power amplifier which can optionally be wired for low-impedance operation. Packed

in a rugged 19’’ | 2U case and fitted with forced fan cooling, it’s a comprehensive and reliable centre

piece for commercial sound systems in retail and hospitality.

AC inlet and fuse holder. Use the supplied AC cord to connect the unit to AC mains. Make sure

voltage and frequency stated and set on the unit comply with your local AC supply. The fuse

can be accessed by the small drawer at the AC inlet. To change the fuse, unplug the AC cord

first, pull out the fuse drawer and replace the fuse ONLY with a fuse of SAME voltage and

rating. If the fuse blows again after replacement, hand over the unit to qualified service person-

nel.

AC mains voltage switch. I

f the AC mains voltage of your power outlet and the setting of the AC

supply voltage on your unit do not match, contact your dealer, contractor or a qualified service

workshop to change the setting of the AC voltage selector. Such change requires the AC cord

to be unplugged, to loosen the screws in order to turn the safety cover, and to move the switch

slider to the desired position, which will be revealed by the embossed text on the slider. Leave

this work to qualified professionals only.

Output Mute connector. This is a terminal block input which allows to remotely mute all output

signals (Speakers, PreAmp) by simply shortening the contacts.

Emergency input. This is an auto-sensing, balanced terminal block input which allows the

connection to an emergency evacuation system. Once a signal is present on this input, all

output signals (Main, Zone) will be muted and the emergency message/signal from this input

will become audible instead. Please note that the internal microphones may or may not be

included in this muting process , depending on the setting of Jumper J302 (see section “con-

figuration setup”) and may hence not be used while an emergency message is broadcasted.

Also note that the emergency input will have effect on the speaker output (14 or 15); whether

it also affects the Stereo Link (SL) preamp output (8) depends on the setting of jumpers J502

and J503 (see chapter “configuration settings”)

Emergency volume control. This control allows to set the level with which the signal fed into the

emergency input (4) will be replayed on the speakers (14 or 15) and the Stereo Link (SL)

preamp output (8).

Maximum Volume control for MAIN speaker output (14 or 15). Allows to limit the maximum

output volume which the user can set with the front-panel MAIN volume control (27).

Record output. This is an unbalanced stereo output carrying the same signal as the main

output, but not influenced by the main volume control (24). This is normally used for recording

the output to an external tape, CD or memory device.

Stereo Link (SL) preamp output. This is a pair of 1/4’’ TRS sockets which carries a balanced

line level signal. The signal is the same as the signal at the MAIN speaker output (14 or 15),

but on line level and unaffected by the MAIN volume controls (6 and 27).

Utility Input. This is a pair of RCA input jacks at line level, with the signal fed into this input being

independently controllable in its volume via the Utility volume control (23). This input is useful

for the external connection of chime players, message players or jukeboxes.

Line Inputs. These are 3 pairs of RCA input jacks, with one of the signals fed into these inputs

being selectable as the music source via the source selector (24) and then being controllable

in its volume via the music volume control (26). The input gain is adjustable via controls (11).

USER MANUAL - VMA1120 INSTALLATION MIXING AMPLIFIER

GAIN control for input channels. This allows the sensitivity (input gain) for every line input to be

adjusted, so that sources of different output level can be played at properly balanced levels.

Microphone inputs. This are balanced ¼” TRS connectors, which can be internally set to either

carry phantom power (+12V DC) or not, thus this input can be used both with condenser and

dynamic microphones (see chapter “setup configuration”, jumper JP102, JP104, JP106 -

default is phantom power = OFF).

GAIN control for microphone inputs. These controls allows the sensitivity (input gain) for the

input to be adjusted to the microphones in use.

Low impedance speaker output. This is a 2-pin 5 mm-pitch screw terminal connector. The

internal amplifier is able to deliver its rated power into a 4 ohm load, with the maximum output

power reduced with higher load impedances. When using multiple low-impedance loudspeak-

ers (normally 8 ohms) with a single amplifier, series and/or parallel wiring should be employed

to produce a total load impedance of not less than 4 ohms. Note that one of the output pins is

connected internally to 0 V. Note that this output can NOT be used at the same time as the

LINE level speaker output (15). To avoid simultaneous use, the unit has to be internally config-

ured for either Low impedance or Line level operation. As a factory default, this Low Imped-

ance output is active, and the Line level output (15) is disabled.

Line level (Constant Voltage / High impedance) output. This amplifier is fitted as standard with

an output transformer that can be enabled by moving an internal connector (see chapter

“setup configuration”). The transformer should be placed in circuit if the amplifier is to be used

with a 100 V, 70 V or 25 V line speaker distribution system. Once the output transformer is

enabled, make sure that the provided safety cover is fitted over the connector (15), which may

have been removed to connect the speaker cable. Note that the transformer secondary has

3 line outputs: 100 V, 70 V and 25 V; whilst these have a common 0 V connection, the output

is fully floating i.e. it is isolated from the rest of the amplifier. When the transformer is in use

the maximum total combined load should not exceed the rated power of the amplifier. Note

that this output can NOT be used at the same time as the Low impedance speaker output

(14). To avoid simultaneous use, the unit has to be internally configured for either Low imped-

ance or Line level operation. As a factory default, this Low Impedance output is active, and the

Line level output (15) is disabled. Once this Line level output (15) is enable, the Low impedance

output (14) will be disabled.

Fan cover. For extended reliability under full rated power, this amplifier has an internal cooling

fan. Make sure to not obstruct the fan vent, and also keep the fan inlet on the front panel clear.

Microphone volume controls. These rotary controls adjust the volume of the microphones

connected to the inputs (12).

Microphone On-Off switches. Enable the relative microphone when being pressed, and disable

the microphone when being released. A LED indicates enables status.

Microphone Equalizer. Allows the adjustment of the tonal balance for all three microphone

input together in two voice-specific frequency bands with an adjustment range of ±10dB.

TALKOVER On/Off switch. Engages or disengages the talkover function, which allows to

reduce the music level automatically when the microphone is spoken into (also called priority).

The amount of damping applied to the music signal is controlled by the damping control (21).

Talkover Damping Control. Provided the talkover on/off switch (20) is set to ON, this control

determines the amount of damping applied to the program signal when the microphone is

spoken into. Fully turned clockwise, maximum attenuation is applied, being turned fully

counter-clockwise, the damping is negligible.

PAGE 8

USER MANUAL - VMA1120 INSTALLATION MIXING AMPLIFIER

PAGE 9

Utility volume control. Controls the volume of the line level source connected to the rear-side

UTILITY input (9).

Utility On/Off switch. Enables (pressed) or disables(released) the Utility input. A LED indicates

the enabled status.

MUSIC source selector. This rotary 4-psotion switch allows to choose any of the 3 rear-side

Line inputs (10) to be the music source, or the internal media player. Additionally, a front-side

3.5mm TRS input (25) can be the source, which automatically replaces the Line3 signal if a

plug is plugged into the socket (25).

AUX (Line3) Front-side socket. This 3.5mm TRS jack has an auto-switching function which

replaces the rear-side Line3 input signal automatically once a jack is plugged into the socket.

This is mainly suitable for MP3 players, smartphones etc. Plug the source into this socket and

set the selector switch (24) to AUX | Line3.

MUSIC volume control. Controls the level of the source chosen via the MUSIC source selector

switch (24). Note that the microphone volume controls (18), the utility volume control (22) and

this MUSIC volume control are all summed before the overall volume is adjusted by the MAIN

volume control (27).

MAIN volume control. Allows to set the level of the MAIN output signal, which is composed of

the music signal selected by the MUSIC source selector switch and volume control (24 & 26),

the microphone signals determined by its relative controls, plus the Utility signal.

MAIN Equalizer. Allows the adjustment of the tonal balance for the MAIN output signal in two

music-specific frequency bands with an adjustment range of ±10dB.

MAIN level meter. Indicates the MAIN output level in 5 steps via relative LEDs. Note that the

meter only indicates the signal strength after the MAIN volume control (27), but does not

account for level reductions set by the rear side maximum volume control (6). If the level meter

indicates full volume but the output appears low, check the setting of the rear-side maximum

volume control (6) first.

Power switch. Switches the unit on and off. A LED indicates the status. Make sure you switch

the unit off when not in use.

USER MANUAL - VMA1120 INSTALLATION MIXING AMPLIFIER

The

media player accepts USB 1.0 and 2.0 media of up to 16GB and SD card media of up to 4GB.

File systems supported are FAT16 or FAT32. Note that compatibility may not only depend on the

memory size, but also specific brands of media. The manufacturer of this unit cannot test all available

brands; if any media brand does not work, change to another.

The player will replay audio files recorded in either WMA (32 kpbs to 384 kbps) or MP3 formats

(MPEG 1/2/2.5, layer 2 or 3 decoding at bit rates from 32 kpbs to 384 kpbs, including VBR; sample

rates of 8 kHz, 11.025 kHz, 12 kHz, 16 kHz, 22.05 kHz, 24 kHz, 32 kHz, 44.1 kHz and 48 kHz).

The files may be in the root directory of the memory, or in folders, or folders within folders. When the

memory device is plugged in, the media player will scan it and identify all compatible files in all folder

locations, and make them available for playing. Only one memory device at a time (USB device or SD

card) may be connected. Note that it is not possible to create a playlist.

Media Player

PAGE 10

USB memory socket. Insert a FAT-formatted USB memory stick of max 16GB with WMA or

MP3 files here. Note that only one of the two media sockets can be used at a time; either the

USB socket (31) or the SD socket (32). Note: this socket does NOT support USB hard drives,

both for memory size and power requirements.

SD card socket. Insert a FAT-formatted memory card of max 4GB with WMA or MP3 files

here. Note that only one of the two media sockets can be used at a time; either the USB socket

(31) or the SD socket (32).

PLAY/PAUSE button – starts or pauses playback of current track/file. Two LEDs indicate the

current status of operation: PLAY LED – illuminates in PLAY mode; PAUSE LED – illuminates

in PAUSE mode.

STOP button – stops playback.

PREVIOUS button – moves playback point to start of previous track or file.

NEXT button – moves playback point to start of next track or file.

MODE button – selects Random and Repeat Modes. The two status LEDs indicate: RANDOM

mode – illuminates when Random mode is selected; REPEAT mode – illuminates when Repeat

mode is selected. If Repeat Mode is enabled while a track is playing, the track will be repeated

when it has finished. This repetition will continue until Repeat Mode is cancelled. Repeat Mode

may also be selected from Stop Mode; the next track played when H is pressed will then repeat

until Repeat Mode is cancelled. Note that Repeat Mode only applies to individual tracks; it is

not possible to repeat a sequence of tracks. If neither RANDOM nor REPEAT are selected, the

player will be in Normal Mode, and will play through all the available audio files in order of

filename, regardless of which folder they are in on the memory device. Numeric characters

are given higher priority than alphabetic ones, so audio tracks whose filenames begin with

numbers will be played first. This makes it very simple to pre-ordain track playing order; if the

tracks are given filenames beginning “01”, “02”, etc., they will be always be played in that order

in Normal Mode.

USER MANUAL - VMA1120 INSTALLATION MIXING AMPLIFIER

PAGE 11

Operation

A. Connections

For connecting this unit to AC mains, please note:

Check whether the AC mains voltage and frequency is the same as this product is specified for (see

rear panel of product). Whenever the specified voltage or your AC plug should not match the local

conditions, do NOT plug the AC cord into the wall outlet and contact you dealer immediately.

Do not operate this unit without the line cord earth ground connected. To do so may increase the

risk of electric shock and increase line cord conducted emissions.

For making audio signal connections, always remember that good and reliable connections are a

basic requirement for good sound and reliable operation. Bad soldering of cables can result in inter-

mittent audio signals or temporarily lost ground connections, hence always use good cables. In case

of doubt about making proper connections, please see check the standard pin assignments required

for proper operation in the following section of this manual.

B. Powering up

Following a proper power-up sequence protects your equipment – specifically speakers – and your

ears. Follow the below procedure:

Turn down all output volume controls of any equipment in your audio system.

Switch on your audio sources first (Tuners, CD Players, PC’s with soundcards, Tapedecks, etc.)

Switch on this unit, and set it to the desired audio source

Turn up the audio level on your sources if such controls are provided.

Set the MAIN and ZONE volume controls of this unit to a low level.

Make adjustments to all volume settings as needed.

For switching off, follow the inverse sequence – always switch off this unit first, then the connected

audio sources.

C. Use

Apart from using good equipment, good sound comes from using it correctly. Level setting mistakes

are one of the common reasons why even good equipment may not perform as desired. For setting

levels, please be reminded that two guidelines need to be followed:

Avoid distortion by leaving some headroom. Never overrun any audio-equipment’s inputs. Level

meters and displays allow you to make sure that signals do not enter critical levels.

Avoid unnecessary amplification by using as little attenuation as possible. For example, if you turn

down the input gain of a mixer to minimum, and then increase the main output of the mixer to maxi

mum to drive your amplifier properly, you will create unnecessary noise, as you first dispose of some

already existing signal level, and then later apply amplification (tainted with noise) to make it up.

Obviously, these two requirements are marking a levelling window that the operator must match to

achieve a good sound with as little distortion and noise as possible.

WARNING - HEALTH RISK

Excessive volume levels on headphones or other sound systems may cause hearing

damage. Always turn the volume control to minimum when you switch the unit on, and

avoid prolonged exposure to sound pressure levels exceeding 90dB.

USER MANUAL - VMA1120 INSTALLATION MIXING AMPLIFIER

PAGE 12

Connections

This unit uses the below connector types, for which the pin assignment must comply with the following

specification. Always make sure to use good connectors and cables to ensure proper operation.

Balanced connections are to be preferred over unbalanced connections where applicable and feasi-

ble. Avoid unbalanced connections exceeding 2m of cable length.

1-conductor shielded cable

(for unbalanced connections)

red

shield

2-conductor shielded cable

(for balanced connections)

red

shield

black

tip

sleeve

tip

sleeve

red = tip

shield = sleeve

red = tip

black = sleeve

shield = uncon.

2plug

side 3

cable

side

red = 2

black = 3

shield = 1

red = 2

shield = 1+3

cable

side

plug

side

red = 2

black = 3

shield = 1

red = 2

shield = 1+3

tip

sleeve

ring tip

sleeve

ring

red = tip

shield = sleeve+ring

red = tip

black = ring

shield = sleeve

tip

sleeve

tip

sleeve

ring ring

red = tip

shield = sleeve+ring

red = tip

black = ring

shield = sleeve

tip

sleeve

tip

sleeve

red = tip

shield = sleeve

red = tip

black = sleeve

shield = uncon.

XLR male

XLR female

6.35mm TRS-stereo

6.35mm TRS-mono

3.5mm TRS-stereo

RCA

CABLE Types

Structure Balanced

connection

Unbalanced

connection

Terminal Plug

red = 1

black = 2

USER MANUAL - VMA1120 INSTALLATION MIXING AMPLIFIER

PAGE 13

Technical Specifications

Block Diagram

Power (RMS) .....1x120W@4 Ohms (LoZ) / @40Ohms (HiZ)

Signal/Noise................................................ 72dB (Line)

Crosstalk Damping....................................... 65dB (Line)

THD.......................................................... 0.05% (Line)

Frequency response (LoZ w/o HPF)...............20Hz – 20 kHz

AC IN (230V setting)..........................AC220-250V~ 50Hz

AC IN (115V setting)..........................AC110-120V~ 60Hz

Power consumption.........................................max. 295W

Dimensions............................W483.0×H88.0×D263.0mm

Weight.................................................................8.16 kg

USER MANUAL - VMA1120 INSTALLATION MIXING AMPLIFIER

MIC1

MIC2

MIC3

+15V

PHANTOM

POWER

LINE1

LINE3

SWB

SOURCE SELECT

SWA

SOURCE SELECT

MP3

MODULE-MP3

HI LOW

REC OUTPUT

P MUTE

MIC 1 VOL

D S

2 +

1 G

OUTPUT MUTE

+15V

PHANTOM

POWER

MIC 2 VOL

SGN LEVEL

EMERG

SL OUTPUT

SR OUTPUT

+15V

PHANTOM

POWER

MIC 3 VOL

DC DETEC TOR

SHORT MUTE

T/O

HARD MUTE

MUTE

AMP MODULE

MAIN EQ

MIC 1 ON

MIC 2 ON

MIC 3 ON

GAIN

LIMITER

D S

TALKOVER DPG

LINE1 L

LINE1 R

LINE2 L

LINE2 R

0dBu

0dBu0dBu

0dBu

-40dBu

+10dBu

0dBu~+40dBu

-40dBu

MUSIC VOL

GAIN

HI LOW

LINE2

UTILITY

0dBu

SGN LEVEL

MAIN VOL

D S

MAX LEVEL

D S

0dBu

MUTE

EMERGENCY

DC DETECTOR

3 +

2 -

1 G

EMERGENCY INPUT

0dBu

+6dBu

0dBu

6dBu

-6dBu

0dBu

MIC:0dBu

MUSIC:0dBu

0dBu

MUTE

0dBu

TALKOVER ON

+10dBu

0dBu~+40dBu

P MUTE

-7.78dBu

-8dBu~+12dBu

-7.78dBu

-8dBu~+12dBu

-7.78dBu

-8dBu~+12d Bu

AUX IN

LINE3:0dBu

AUX:+14dBu

0dBu

-6dBu

0dBu

75Hz

PAGE 14

Maintenance and warranty

While we have chosen the best components to make this product as rugged and reliable as possible, some parts in audio

products (potentiometers, faders, switches) are subject to wear which is a matter of operation cycles, and not of time.

While providing a full time-based warranty according to the country’s of purchase requirements on the function of the

electronic circuitry, we hence have to limit the warranty on such electro-mechanical parts to 90 days from the date of

purchase.

In many cases, malfunction of electro-mechanical parts occurs due to dust contamination, which may require cleaning of

such parts. As the inside of such parts is not accessible, a common practice is to use cleaning fluids in the shape of

sprays. Please be reminded that many of such fluids contain chemicals which may wash away the dust but at the same

time corrode or damage contact surface and may cause cosmetic damage to other parts. We hence explicitly exclude

any claims for exchange of damaged part due to mechanical or chemical impact.

USER MANUAL - VMA1120 INSTALLATION MIXING AMPLIFIER

EC Declaration of Conformity

We declare on our own responsibility, that the equipment

Hill Audio VMA-1120

is in conformity with the following directives and standards or regulations:

and is marked as follows:

Authorized SignaturePlace and date of issuing

Manufacturer: Adelto Technologies Limited

Address: Unit 2A Springfield Road, Springfield Industrial Estate

Burnham-on-Crouch, Essex CM08UA, England

Burnham-on-Crouch, 30.06.2017

www.hill-audio.com

Hill Audio products are developed, manufactured and distributed by

Adelto Technologies

Unit 2A Springfield Road, Springfield Industrial Estate, Burnham-on-Crouch, Essex CM08UA, England

www.adelto.com | [email protected]

EMC Directive 2014/30/EU

EN55032:2012 (Emissions)

EN55103-2:2009 (Immunity)

EN61000-3-2:2014

EN61000-3-3:2013

LVD Directive 2014/35/EU

EN60065:2014

ROHS2 Directive 2011/65/EU

Hill Audio VMA-1120 Manuale utente

Marca: Hill Audio

Modello: VMA-1120

Categoria: Attrezzatura musicale

Tipo: Manuale utente

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