GEM GK360 Manuale del proprietario

Marca: GEM

Modello: GK360

Categoria: Strumenti musicali

Tipo: Manuale del proprietario

DIGITAL KEY BOARDS

•English

owners manual

gk360

Technical speciﬁ cations are subject to change

The information contained in this manual are considered correct at the moment of printing. Generalmusic reserves the

right to change or modify any technical spec i ﬁ ca tion with out prior notice or obbligation to upgrade existing units.

SPECIAL MESSAGES

IMPORTANT NOTE: To reduce the risk related to the correct and normal use of the instrument, all Generalmusic products are accuralety tested

in a safety laboratory. DO NOT modify the present unit, the safety standard and the correct instrument operativity could be com pro mised, and as

a further con se quence the warranty will be invalidated.

ALARM SYMBOLS:

Generalmusic electronics prod ucts

could present la bels sim i lar to that

dis played in this section. Please follow

ac cu rate ly the pre cau tions descripted

in the safety instructions.

The exclamation mark within an equi lat er al triangle is

intended to alert.

The lightning ﬂ ash with arrowhead symbol, within an equilat-

eral triangle, is intended to alert the user to the presence of

uninsulated “dangerous voltage” within the product’s enclo-

sure that may be of sufﬁ cient magnitude to constitute a risk of

electric shock to persons.

SAVE THESE INSTRUCTIONS

Generalmusic cannot be held responsible for damage caused by improper use or mod i ﬁ ca tions to the

instrument, or data lost or destroyed

IMPORTANT SAFETY AND INSTALLATION INSTRUCTIONS

When using electric products, basic precautions should always be followed, including the following:

1. Read all the Safety and Installation instructions and explanations of Graphic Symbols before using the product.

2. This product must be earthed. If it should malfunction or breakdown, grounding provides a path of least resistance for electric

current to reduce the risk of electric shock. This product is equipped with a cord having an equipment-grounding conductor and a

grounding plug. The plug must be plugged into an appropriate outlet that is properly installed and earthed in accordance with all

local codes and ordinances.

DANGER:Improper connection of the equipment grounding conductor can result in a risk of electric shock. Check with a qualiﬁ ed electrician or serviceman if you are

in doubt as to whether the product is properly grounded. Do not modify the plug provided with the product, if it will not ﬁ t the outlet, have a proper outlet installed by a

qualiﬁ ed electrician.

3. To reduce the risk of injury, close supervision is necessary when this product is used near children.

4. Do not use this product near water for example, near a bathtub, washbowl, kitchen sink, in a wet basement, or near a swimming

pool or the like.

5. This product should only be used by a stand or cart that is recommended by the manufacturer.

6. This product, either alone or in combination with an ampliﬁ er and headphones or speakers, may be capable of producing sound levels that could

cause permanent hearing loss. Do not operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience

any hearing loss or ringing in the ears, you should consult an audiologist.

7. This product should be located so that its location or position does not interfere with its proper ventilation.

8. This product should be located away from heat sources such as radiators, heat registers, or other products that produce heat.

9. The product should be connected to a power supply only of the type described in the operating instructions or as marked on the product.

10. This product may be equipped with a polarized line plug (one blade wider than the other). This is a safety feature. If you are unable to insert the plug

into the outlet, contact an electrician to replace your obsolete outlet. Do not defeat the safety purpose of the plug.

11. The power-supply cord of the product should be unplugged from the outlet when left unused for a long period of time. When unplugging the power

supply cord, do not pull on the cord but grasp it by the plug.

12. Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings.

13. The product should be serviced by qualiﬁ ed service personnel when:

A. The power-supply cord or the plug has been damaged

B. Objects have fallen, or liquid has been spilled into the product;or

C. The products has been exposed to rain or moisture

D. The product does not appear to be operating normally or exhibits a marked change in performance

E. The product has been dropped, or the enclosure damaged.

14. Do not attempt to service the product beyond that described in the user-maintenance instructions. All other servicing should be referred to qualiﬁ ed

service personnel.

15. WARNING - Do not place objects on product power cord or place it in a position where anyone could trip over, walk on or roll anything over it. Do

not allow the product, or its bench, or its pedal board to rest on or to be installed over power cords of any type. Improper installations of this type

create the possibility of ﬁ re hazard and/or personal injury.

16. Electromagnetic interference (RFI). This electronic product utilizes digital sampled wave processing technology (S.W.P.) that may adversely affect

radio/tv reception. Read FCC information inside back cover for additional information.

The illustrations and the screens of this manual are for instructional purposes only and may

appear different from those on your instrument.

INSTRUCTION PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.

WARNING!

Introduction ................................................................................................................................................................. 1

Power supply ................................................................................................................................................................ 1

Using the AC adaptor ................................................................................................................................................... 1

Using batteries ............................................................................................................................................................. 1

Connections ................................................................................................................................................................. 2

The Phones jack ........................................................................................................................................................... 2

The Sustain jack ........................................................................................................................................................... 2

The Aux. Out jack ......................................................................................................................................................... 2

The MIDI IN, MIDI OUT and MIDI THRU ports ............................................................................................................... 2

Listen to the Demo Song .............................................................................................................................................. 3

Basic Operation ........................................................................................................................................................... 3

Selecting & playing Voices ............................................................................................................................................ 3

Play a single Voice ........................................................................................................................................................3

Select a Voice with the [–] and [+] buttons .................................................................................................................... 3

Select a Voice with the numeric keypad ........................................................................................................................ 4

Dual voice (play two layered voices) .............................................................................................................................. 4

Keyboard percussion .................................................................................................................................................... 4

The MEMORY ............................................................................................................................................................... 5

Selecting the Memory ................................................................................................................................................... 5

Split keyboard .............................................................................................................................................................. 5

Play in Split mode with a Dual option on the Upper keyboard ....................................................................................... 5

To cancel Split mode ..................................................................................................................................................... 5

Muting the sections ...................................................................................................................................................... 6

Instant Piano Voice ....................................................................................................................................................... 6

Balancing the Lower and Upper sections ....................................................................................................................... 6

Add Pitch Bend to your playing ..................................................................................................................................... 7

Play with Effects or bypass them .................................................................................................................................... 7

Touch Response ............................................................................................................................................................ 7

The Octave – transposer ............................................................................................................................................... 8

Cancelling the Octave Transpose setting ....................................................................................................................... 8

Styles - Auto-Accompaniment ....................................................................................................................................... 8

What are the Styles? ....................................................................................................................................................8

Selecting Style Mode .................................................................................................................................................... 8

Use the [-] and [+] buttons to select a Style .................................................................................................................. 9

Use the numeric keypad to select a Style ......................................................................................................................9

Selecting the Styles by recalling the Memory ................................................................................................................. 9

Changing the Style Tempo .......................................................................................................................................... 10

Restoring the memorized Tempo ................................................................................................................................. 10

About the Chord Recognition Modes ...........................................................................................................................10

Using the Style Auto functions .................................................................................................................................... 11

Select the Fill In and change Style Variation ................................................................................................................ 11

Start the Style accompaniments with Key Start ............................................................................................................ 11

Start the Style with an Intro pattern ............................................................................................................................. 11

Stop the Style with an Ending phrase .......................................................................................................................... 11

Balancing the Style accompaniment tracks with the Mixer ............................................................................................ 12

Muting the Style tracks ............................................................................................................................................... 12

Using the Single Touch Play settings in Style mode ...................................................................................................... 12

Selecting the S.T. Play settings .....................................................................................................................................13

Changing the accompaniment Split Point .................................................................................................................... 13

Digital Effects .............................................................................................................................................................14

The Reverb and Chorus indicators ............................................................................................................................... 14

The Memory buttons and Store Memory ...................................................................................................................... 14

How to Store a Memory .............................................................................................................................................. 14

The Sequencer ........................................................................................................................................................... 15

Listen to the playback of a recorded Song ................................................................................................................... 15

Record a new song ..................................................................................................................................................... 15

The Metronome .......................................................................................................................................................... 16

The GK360 Utility functions ........................................................................................................................................ 16

Transpose .................................................................................................................................................................. 16

Tune .......................................................................................................................................................................... 16

Pan ............................................................................................................................................................................ 16

MIDI .......................................................................................................................................................................... 17

Midi channel selection ................................................................................................................................................ 17

Control Change ﬁ lter ................................................................................................................................................. 17

The Beat function ....................................................................................................................................................... 17

PERCUS function ........................................................................................................................................................ 17

TECHNICAL SPECIFICATIONS ..................................................................................................................................... 18

APPENDIX .................................................................................................................................................................. 19

MANUAL INDEX

Your keyboard will give you years of playing pleasure if you follow the simple rules outlined below:

• Do not expose the keyboard to high temperature, direct sunlight and excessively dusty

places.

• Avoid physical shocks caused by dropping, bumping, or placing heavy objects on the

keyboard.

• Never use cleaners such as alcohol or solvents to clean the keyboard.

• Always turn the power off when making any connections.

The keyboard is provided with a replaceable NON- RECHARGEABLE LITHIUM BATTERY (CR2032 3 Volts), to maintain

user programmed data intact while the instrument is off. The battery is internally mounted and has an approximate

life-span of 1 year. When data is no longer retained, contact your authorized technical assistance centre to have the

lithium battery replaced with the same or equivalent type reccommended by the manufacturer.

Care of your keyboard

NB Danger of explosion or damage of the battery if it is incorrectly replaced (reversed polarities, +,–).

GK360 CONTROL PANEL LAYOUT

GK360

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1. Carefully turn the instrument upside-down and remove the battery

compartment cover.

2. Insert six D size (SUM-1 or R-20) batteries into the battery com

part ment, being careful to follow the polarity markings on the cabinet.

3. Replace the compartment cover, making sure that it locks ﬁ rmly in pla

ce, then turn the instrument the right way up.

CAUTIONS:

Use only the speciﬁ ed AC adaptor. Use of another type of adaptor creates the danger of ﬁ re and electric shock. For safety

sake, be sure to unplug the AC adaptor from the wall outlet whenever leaving the keyboard unattended for a long time.

Thank you for purchasing the new GEM gk360 electronic keyboard. The gk360 offers the

following features:

• 61 note keyboard with Touch Response;

• 178 PCM voices GeneralMidi Compatible

• On-board Digital multi-effects processor with 8 Reverb and 8 Chorus effects.

• 96 Styles (automatic accompaniments) with 2 Variations;

• Two chord recognition modes for the Styles: Fingered and One Finger;

• 384 Single Touch Play settings;

• 50 Demo songs;

• On-board Sequencer with Record, Play/Stop.

• MIDI compatibility.

Introduction

Power supply

This keyboard can be powered by current from a standard household wall outlet (using the

speciﬁ ed AC adaptor) or by batteries.

Using the AC adaptor

Always ensure that the instrument is turned OFF when connecting or

disconnecting the power adaptor. Applying power while the power

switch in depressed may damage the components inside the unit. Do

not use adapters other than the one speciﬁ ed for this keyboard. The te-

chnical speciﬁ cations of the adapter must be: 12V DC output, 1800mA,

centre positive type.

Using batteries

Always make sure you turn the keyboard off before inserting new batteries or replacing old

ones.

To insert the batteries

Any of the following symptoms indicate low battery power. Replace the batteries

as soon as possible whenever any of the following occurs.

• A dim and difﬁ cult-to-read LCD display.

• Abnormally low speaker/headphone volume.

• Distortion of the sound output.

• Sudden power failure when playing at high volume.

• Abnormal playing of the rhythms or demo songs.

• Dimming of the display when playing at high volume.

Important battery information

CAUTIONS:

Improper handling of the batteries can cause them to burst and leak, creating the danger of personal injury or damage of the key-

board. Be sure to take the following important precautions when using batteries:

• Never use batteries of different types.

• Never mix old batteries with new ones.

• Replace the batteries as soon as possible after any sign of discharge.

• Always make sure to remove the batteries from the keyboard’s battery compartment when the keyboard is not expected to be

used for a long period of time.

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gk360

SUSTAIN

The gk360 is ﬁ tted with a standard MIDI interface consisting of

In, Out and Thru ports for MIDI connections. The MIDI IN port

receives MIDI data from an external MIDI device. The MIDI OUT

port transmits MIDI data to an external MIDI device. The MIDI

THRU port retransmits the same MIDI data received at the MIDI

IN port to another external MIDI device.

Connections

The Phones jack

If you prefer to play with headphones for high quality personal

monitoring, plug a standard stereo headphone set into the rear

panel PHONES jack. The internal speakers are automatically

disconnected. Use the VOLUME slider to adjust the headphone

volume

The Sustain jack

An optional footswitch can be plugged into the Sustain jack for

sustain control. The footswitch operates like the Sustain pedal of

an acoustic piano. Press for sustain, release for normal sound.

The Aux. Out jack

Connect the rear-panel AUX. OUT jack to ampliﬁ ed speakers,

ampliﬁ ers or domestic hi-ﬁ units for external ampliﬁ cation. Use

audio cables with standard 1/4” jacks and plug into the LINE

IN or AUX. IN of the external amp. system. To use the external

amp. system only and exclude the internal speakers of the gk360,

plug a jack into the PHONES jack.

The MIDI IN OUT and THRU ports

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gk360

<-------------- PIANO 1 -------------->

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The gk360 has 178 PCM voices including 1 percussion kits that you can select and play on the

keyboard. After turning on, the gk360 sets to NORMAL/VOICE mode with the display showing

a black arrow pointing to the NORMAL mode in the top left hand corner of the display and

the VOICE 1 message at the center. In VOICE mode, you can select and play voices.

The playback starts automatically; when the Song reaches the end, it

goes to the next Song until you stop the playback; the 50 Demo songs

can also be selected with the numeric keypad. During the playback, it

is also possible to exclude the melodic line [MELODY OFF] and learn

to play the melody by following the notes shown on the display.

Listen to the Demo Songs

You can listen to the automatic playback of your gk360 to get an idea of what the instrument

is capable of doing.

Turn the power ON by pressing the [POWER] switch. After

a short period, the display will appear showing the NOR-

MAL playing mode with a piano sound (Piano1) ready to

play across the full keyboard

Turn the power ON by pressing the [POWER] switch. After

a short period, the display will appear showing the NOR-

MAL playing mode with a piano sound (Piano1) ready to

play across the full keyboard

Press the [DEMO] button to stop the Song at any point

of the playback. It is also possible stop the Demo with the

[START/STOP] button.

Note:

While the Demo song is playing, the buttons of the control

panel will be temporarily deactivated and it will not be possible

to play along with the song.

Basic Operation

This section explains all the basic operations that you can carry out when the instrument is in

NORMAL mode. Every time you turn on your instrument, it sets to NORMAL mode.

To return the instrument to NORMAL mode, press the

[MODE] button to the left of the display.

Selecting & playing Voices

If you play on the keyboard after turning the instrument on,

you will hear a piano sound (in this example, Voice 01, “Piano

1”) play across the entire keyboard. Select a Voice with the [–]

and [+] buttons In VOICE mode, the [–] and [+] buttons of

the numeric keypad allow you to step through the individual

Voices one by one. The [+] button selects in increasing nume-

rical order while the [–] button selects in reverse order. Holding

either button down scrolls rapidly forwards or backwards

through all the voices. The selected voice number is shown

in the bottom right hand corner of the display.

Play a single Voice

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<----------- PIANO 1 ------------>

<------- SLOW STRINGS -------->

<------PERCUSSION Sound ----->

Using the numeric keypad is the quickest way to go directly

to the Voice you need, but you must know the exact number

of the voice. The name and corresponding number of all

the Voices in memory are silkscreened above the display on

the right. You’ll see that they start from number 01 through

to number 178. Two-digit voice numbers are selected by

entering the two digits in sequence. For example, to select

Voice number 17 (Organ 1), press button [1] then button

[7]. Three digit voice numbers are entered by ﬁ rst pressing

the [VOICE]/[+100] button to specify the “hundreds”, then

pressing the remaining two digits in sequence.

Select a Voice with the numeric keypad

To play with the DUAL option (with two layered sounds), press

the [DUAL] button. The message “VOICE 2” appears in the

display as well as the voice number assigned to the layered

section. If you play on the keyboard, you will hear two sounds

for every note played. In our example, you will hear the

Piano voice (01) together with Strings (49). In DUAL mode,

whatever voice selection you make will always be assigned

to the second voice. To return to NORMAL single voice play,

press the [DUAL] button again.

Dual voice (play two layered voices)

Keyboard percussion

To play percussive instruments on the keyboard, select the

DrumKit from the DRUMKIT group. The DrumKit is recalled

using exactly the same method used to recall a Voice; by

inserting the corresponding number on the numeric keypad

when the instrument is in NORMAL mode (not DUAL or

SPLIT). To recall the STANDARD Drum Kit, simply input voice

number 129.

Press the [VOICE]/[+100] button to select the “hun-

dreds”

Insert the two remaining digits; “2” then “9”. With the

DRUMKIT selected, the keyboard transform into a device

which plays all the percussive sounds of a real drum kit.

You can see what kind of percussive instrument each note

plays by referring to the silkscreened markings on the rail

under the keyboard

To return to normal playing, simply recall a Voice from any

group except the Drum Kit group.

Note: To play all the sounds of a Drum Kit, it is important to remember that the keyboard must not be in

Split or Dual mode. Be sure, therefore, that the left display arrow is pointing to the NORMAL function.

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<----- PIANO 1----->

<-STRINGS->

Split point (Fa#3)

<------PIANO 1 ----->

<-SLOW STRINGS-->

<-STRINGS->

To play on a split keyboard with one or two voices on the

right hand side (UPPER keyboard) and one voice on the left

(LOWER keyboard), press the [MODE] button as many times

as necessary until the left display arrowhead points to the

SPLIT function. The keyboard will be split into a Lower section

and an Upper section. If you play on the keyboard, you will

hear one sound (01: Piano 1) on the right hand side of the

keyboard and another sound (49: Strings) on the left. You can

check the sound assigned to the lower section . Play in Split

mode with a Dual option on the Upper keyboard To play with

two layered sounds on the Upper keyboard and one on the

Lower, simply press the [DUAL] button while you are in SPLIT

mode. If you want to change the voices on the Upper key-

board, proceed as already described on the previous pages

for Single and Dual voice selection. To change the Voice of

the Lower section, hold down the [MODE] button and proceed

as already described to change the voice number.

Repeat the selections for all the other Performance buttons, observe

the changes in the display and play on the keyboard to listen to

the change of voices.

Split keyboard

To escape Split mode and return to a full NORMAL keyboard,

press the [MODE] button once.

To cancel Split mode

The MEMORY

So far, you have learn how to select single and combined

Voices in Normal, Dual and Split modes using a number of

panel operations. If, every time you want to create a preferred

sound combination, you have to take several steps to arrive at

your goal, you would ask yourself if there wasn’t a quicker way

of selecting what you want. The answer lies in the MEMORY-

which offers a quick and simple method of recalling a panel

situation at the touch of a single button. A MEMORYis simply

a combination of voices and other panel settings (Voices,

Track Volumes, Effect type and level, Style, Variation, Chord

Recognition mode, Split Point, etc.). The gk360 contains six

Memory which recall factory-set panel conﬁ gurations, but you

can also memorize your own combinations using the STORE

MEMORY feature.

Selecting the Memory

Take a quick look at the display, then press one of MEMORY but-

tons (M1 - M6); for example, press the [M1] button. The display

shows the situation recalled by the MEMORY. If you were playing

in NORMAL mode, after selecting the Performance you will ﬁ nd

that the keyboard will be split and the mode will have changed

to either Fingered, or One Finger, to enable the Styles. You will

also see a change of Style number. For more information about

how to recall Styles by selecting the MEMORY, refer to the section

entitled “The Styles” on page 8)

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DECREASE VOLUME

INCREASE VOLUME

MUTE SECTION

If you are playing in Normal mode with Voices on a Split

keyboard, you may at some stage want to adjust the volume

of one section with respect to the other. Using the

[MIXER]

Volume controls, you will be able to balance your Upper and

Lower voices to the levels required very easily. The MIXER

consists of 5 twin buttons organized in two rows. The top row

of buttons are [INCREASE VOLUME] controls while the bot-

tom row are [DECREASE VOLUME] controls. When you are

playing with voices only, voice balancing tasks require the use

of the [UPPER] and [LOWER] controls only. The other three

controls, (Drums, Bass and Accomp), are explained under

Styles on page 12.

The [PIANO] button always returns you to a single piano voice playing across the full keyboard. You may use

the PIANO button as a “return to start” button whenever you wish to have only one sound active across all 61

keys.

Balancing the Lower and Upper sections

To increase the volume of, the Upper section, for example,

press the top [INCREASE VOLUME] button and hold it down

until you reach the Volume required. The display shows the

Volume level of the Upper section.

To decrease the volume, press the bottom [DECREASE VO-

LUME] control. If the Upper section is playing with the DUAL

effect, the [UPPER MIXER] controls adjust both voices at the

same time.

Muting the sections

If you want to exclude a section (mute, or turn off), you can

use the MIXER control buttons. Simply press both [INCREASE

VOLUME] and [DECREASE VOLUME] buttons at the same time

to mute the section required. For example, if you press both

the top and bottom buttons of the [UPPER MIXER], the display

will show UPPER OFF. To restore the volume to normal, press

both the [INCREASE] and [DECREASE VOLUME] buttons again

at the same time.

Instant Piano Voice

Regardless of the current situation, you can recall the Piano Voice in-

stantly by pressing the [ PIANO] button. Pressing this button returns the

keyboard to NORMAL single voice play with the PIANO voice active

across the entire keyboard. Press the [PIANO] button again to return to

the previously selected situation.

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PITCH DOWN

PITCH UP

Add Pitch Bend to your playing

While you play, you can add Pitch Bend to your keyboard

sounds by using the [PITCH BEND] buttons located to the

left of the control panel. You can bend the pitch 2 semitones

above or below normal using these controls. Hold down the

top [PITCH BEND] button to bend the notes up. Hold down

the bottom [PITCH BEND] button to bend the notes down. The

pitch returns to normal when you release the button. Pitch

Bend is a “glide” (or glissato) effect which simulates the effect

heard in certain instruments (trombone, guitar, violin, etc.).

Play with Effects or bypass them

While you play, one or both effects (Reverb and/or Chorus)

will be shown active by the small black indicator arrow at the

top of the display. This means that the current Performance is

being processed by one or both effect types. By means of the

[REVERB] and [CHORUS] buttons on the extreme right hand

side of the control panel, you can turn the effect on or off at

will. When the small black display arrow is shown pointing

to the REVERB and/or CHORUS indicator, the current voices

are playing with the effects. When one or both indicators

are off, the respective effect is bypassed and the sounds play

with no effect.

To restore the effect, press the same button again. 8

Reverbs and 8 Chorus (Modulation effects) are available to

choose from and both effects units have an independent effect

level control. For further details refer to the section entitled

“The Digital Effects” on page 14.

The [TOUCH] button is a general function which affects the

keyboard globally. The gk360 keyboard is Velocity Sensitive;

in other words, the harder you play on the keys, the louder

the sound becomes, as occurs in an acoustic piano. If you

prefer to play on the keyboard without TOUCH RESPONSE,

you can disable the function by pressing the [TOUCH] button.

The small black arrow pointing to the Touch indicator will

turn off. Press the [TOUCH] button again to restore TOUCH

RESPONSE to the keyboard.

Touch Response

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Pressing this button activates the KEY START function

automatically and enables the Style auto-accompaniments

by recalling one of the two chord recognition modes (ONE

FINGER or FINGERED). The left display arrowhead points

to FINGERED or ONE FINGER. The display example shows

FINGERED selected. The FINGERED and ONE FINGER chord

recognition modes are explained in detail further ahead.

Note: When SINGLE TOUCH PLAY is on, the

sounds memorized in the Style Performance are

assigned to all the tracks. Selecting a Style changes

the sounds of the accompaniment sections (Drums,

Bass, Accomp) as well as the keyboard sections

(Upper 1, Upper 2, Lower). When SINGLE TOUCH

PLAY is off, selecting a Style changes the sounds of

the accompaniment sections only.

The Octave – transposer

Whether you are playing with Styles or just Voices in single,

dual or split mode, you can octave-shift the current Voice

down one octave (maximum) in real time. The current Voice

is shown in the display by the message VOICE 1, VOICE 2 or

LOWER (when the [SPLIT/LOWER] button is held down).

Press the [OCTAVE–] button

A small black display arrow points to the OCTAVE –

function on the right to show that the current voice is set to

play one octave lower than normal. In the example, Voice

1 is shown set to play an octave lower

To cancel the octave transposition, press the [OCTAVE–

and +] button again. The small black OCTAVE – display

indicator turns off

Styles - Auto-Accompaniment

What are the Styles?

Styles are a collection of musical patterns representing many types of music, ranging from rock and

pop to traditional and ethnic music. The gk360 contains 96 different auto-accompaniment Styles

that can be used to provide fully-orchestrated arrangements. The sophisticated Auto Accompaniment

system can provide automated bass and chord backing that is perfectly matched to the selected

accompaniment Style. The Styles a formed by 5 sections, or tracks, that generate the automatic

arrangements: Drums, Bass and 3 Accomp, and an additional two tracks, Upper and Lower, for

the keyboard sounds. The automatic arrangements are triggered by playing chords (ﬁ ngered or

one-ﬁ nger) on the lower part of the keyboard below the split point.

Press the [STYLE] button

At the center of the display, the message STYLE is shown

to show that the instrument is ready to accept a STYLE

selection

To enable the Style auto-accompaniments, you must select

one of the two chord recognition modes (ONE FINGER or

FINGERED).

Press the [ SINGLE TOUCH PLAY] button

To select the Styles, you must set the gk360 to STYLE mode

Selecting Style Mode

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An automatic accompaniment will start to play, generated by the Style

sections: Drums, Bass and Accomp. As you change chord from Major

to minor or seventh, etc., you will notice a change of style pattern.

Each time you change key, for example, from C to F, the Style pattern

will transpose automatically. The names of the recognized chords are

displayed in the left hand corner of the display. For example, if you

play the chord of C, the display will show the large letter “C”. If you

play a chord not recognized by the instrument’s chord recognition

system, the current pattern will not change until you play a recognized

chord. Also shown in the display are 4 round Beat pattern indicators

which show the current beat of the bar as you play your style. The

ﬁ rst bar of every two-bar cycle shows all 4 indicators, while every

other beat shown one small indicator. The ﬁ rst beat of the second bar

is shown with the larger beat indicator. To play your Style using the

automatic functions (Var, Key Start, Intro, Fill, Ending), see the section

entitled “Using the Style Auto functions” further ahead.

You can select a Style in three different ways: Use the [-] and [+] buttons to

select a Style In STYLE mode, the [–] and [+] buttons of the numeric keypad step

through the individual Styles one by one.

NOTE: If you hear a Drum pattern only without automatic accompaniment when you play a note or chord on the Lower

keyboard, check that you are not in NORMAL or SPLIT mode. The arrowhead must point to either FINGERED or ONE

FINGER for the Style accompaniment to play.

Press the [+] button to select the Styles in increasing

numerical order

Press the [–] button to select the Styles in reverse order. Holding

the button down scrolls rapidly forwards or backwards through

all the Styles. The selected Style number is shown at the center of

the display

Use the numeric keypad to select a Style

Using the numeric keypad is the quickest way to go directly to the

Style you need, but ﬁ rst, you must know the exact number of the

Style. The name and corresponding number of all the Styles in

memory are silkscreened above the display on the left. You’ll see

that they are organized in Groups (8 BEAT, 16 BEAT, ROCK, etc.)

and numbered from 01 through to 96. Select the Style you want by

entering the corresponding two digits in sequence. For example, to

select Style number 17 (SoftRock), press button [1] then [7].

Selecting the Styles by recalling the Memory

Another quick way of selecting the Styles is by selecting the Performances, but this means that you have to

remember which Style is memorized in the Memory. If you use the Performances to select Styles, remember

to turn off the S.T. PLAY button. You can also memorize your preferred Styles to these buttons with Store

Memory. This argument is explained in detail further ahead on page 14.

Playing the Styles

Once you have selected a Style, press the [START/STOP]

button. You’ll hear the Drums accompaniment track start

to play.

Play a note or chord on the left part of the keyboard below

note F#3 to trigger the automatic accompaniments

Press the [START/STOP] button if you want to stop the

Style.

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INCREASE

TEMPO

DECREASE

TEMPO

FINGERED

ONE FINGER

Changing the Style Tempo

Every time you select a Style, you also recall a memorized

playing speed, (TEMPO), shown in the top left hand corner

of the display. You can speed up or slow down the tempo,

before or after starting the Style, by pressing the [TEMPO /+]

button.

• Press the [TEMPO+] button to increase the Tempo

value, or the [TEMPO–] button to decrease the value.

Holding down either [+] or [–] end of the button

changes the Tempo value at high speed continually until

released.

Restoring the memorized Tempo

To restore the Style’s memorized Tempo, press both the

[TEMPO–/+] buttons at the same time

About the Chord Recognition Modes

The gk360 allows you to choose between two different Chord

recognition modes: FINGERED and ONE FINGER. The chords

that you play (Fingered or One Finger type) must be played

on the lower part of the keyboard dedicated to the Auto Bass

Chords (from note C2 up to and including note F#3).

FINGERED mode requires that you press at least 3 notes

for a chord to be recognized.

ONE FINGER mode requires that you press only one note

for a Major chord to be recognized. Other chords require

more notes

If a Chord recognition mode isn’t selected, press the

[MODE] button as many times as necessary until the left

display arrowhead points to either FINGERED or ONE

FINGER

Press the [START/STOP] button to start the current Style

If you select FINGERED, play a chord of at least 3 notes

on the Auto Bass Chord section of the keyboard to trigger

the auto-accompaniments

If you select ONE FINGER, play one note on the Auto Bass

Chord section of the keyboard to trigger the Major chord

of the auto-accompaniments Other chords using the “One

ﬁ nger” method involves the use of two or three ﬁ ngers. In the

Appendix you’ll ﬁ nd useful reference charts for Fingered and

One Finger chords.

Note: If you change Style while the rhythms are playing, the current Tempo rests unchanged. The memorized Style

Tempo is recalled only when the Style is not playing.

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Each Style has two accompaniment patterns, NORMAL and

VARIATION, which you can select at any time before or after

starting to play the Styles by pressing the corresponding

button. The LED status on the FILL 1 or FILL 2 buttons tells you

which Style pattern is active for play, Normal or Variation.

When you press the [FILL 1/NORMAL] or the [FILL 2/VAR]

button during playback, the current pattern will be interrupted

by an appropriate Fill In, or “break”, then proceed with the

same pattern or variation, depending on which button you

press. The LED of the button pressed will turn on while the

LED of the other button will turn off.

Using the Style Auto functions

The Styles provide a wide variety of automatic functions that make the gk360 very easy to

play. The functions are found in the ACCOMPANIMENT CONTROL section.

Select the Fill In and change Style Variation

Before starting the Style, press the [INTRO] button to put

the instrument into intro-stand-by mode. The LED of the

current Style pattern (Fill1/Normal or Fill2/Var) starts to

ﬂ ash to indicate that the INTRO has been preset. Now

press the [START/STOP] button and play a note or chord

on the lower part of the keyboard. The Style starts with an

introductory pattern then proceeds with the selected auto-

accompaniment (Normal or Variation). Stop the Style with

an Ending phrase You can stop your Style automatically with

a professionally-programmed ending pattern without using

the Start/Stop button. While the Style is playing, simply press

the [ENDING] button. The Style auto-accompaniment will

stop automatically with an Ending phrase.

Start the Style accompaniments with Key Start

The KEY START function allows you to synchronize the start

of your Style with a note or chord pressed on the keyboard

without using the Start/Stop button. When you press the

[SYNCRO] button, the display shows 4 ﬂ ashing black dots

(beat pattern indicators) after the word TEMPO to indicate

the synchro start stand-by. Now, if you play a note or chord

on the lower part of the keyboard, the Style pattern starts

automatically.

Start the Style with an Intro pattern

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INCREASE VO-

LUME

DECREASE VO-

LUME

MUTE TRACKS

Playing with Styles, you can adjust the volume of one section

with respect to the others using the [MIXER] Volume controls.

You will be able to balance all the Style sections; Drums, Bass,

Accomp as well as the Lower and Upper keyboard sections.

How the MIXER controls are organized is explained on page

6. In Style mode, to increase the volume of the Bass track,

for example, press the top [INCREASE VOLUME] button and

hold it down until you reach the Volume required. The display

shows the Volume level of the section being controlled, in

this case the Bass section. To decrease the volume, press the

bottom [DECREASE VOLUME] control.

If you want to exclude a section (mute, or turn off), simply

press both [INCREASE VOLUME] and [DECREASE VOLUME]

buttons at the same time to mute the section required. For

example, to play your Upper and Lower voices with the

BASS accompaniment only, mute the DRUMS and ACCOMP

tracks. The display will show OFF for the respective section.

To restore the volume to normal, press both the [INCREASE]

and [DECREASE VOLUME] buttons again at the same time.

Balancing the Style accompaniment tracks with the Mixer

Muting the Style tracks

The SINGLE TOUCH PLAY settings are a quick and easy way of reconﬁ guring the voices of

the UPPER and LOWER sections of a Style by pressing only one button while you are playing,

without having to stop to change voices manually. Playing the Styles with the [SINGLE TOUCH

PLAY] button on, each Style you select recalls a panel conﬁ guration (voices and volume settings)

for the accompaniment sections (Drums, Bass, Accomp) as well as for the Upper and Lower

sections.The S.T. PLAY settings are recalled using the ﬁ rst four buttons of the MEMORY section

[M1-M4]. The gk360 provides a total of 96 x 4 = 384 different panel conﬁ gurations.

Using the Single Touch Play settings in Style mode

Note: The volumes of the three Accompaniment tracks are controlled simultaneously by the [ACCOMP]

Volume buttons.

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Selecting the S.T. Play settings

Select a Style using the methods already described.

Press the [S.T. PLAY] button. The display will show a small

black arrowhead pointing to the S.T. PLAY indicator in

the bottom left hand corner

Make sure that one of the two chord recognition modes

is selected.

Start the Style using the methods already described (Key

Start, Intro, etc.)

While you are playing the Style, press one of the SINGLE

TOUCH PLAY buttons ([M1], [M2], [M3] or [M4]). The

display will show the current Single Touch Play setting.

You’ll hear a change of voice conﬁ guration and the Style

Variation may also change

Repeat the selection procedure of the SINGLE TOUCH

PLAY settings after changing other Styles

On the following page there are instructions on how to

store your preferred settings into the 6 memories.

Note: The S.T. PLAY settings change

the conﬁ guration of the UPPER and

LOWER sections only.

Note: When the [S.T. PLAY] button

is on (display indicator on), the

two MEMORY buttons [M5] and

[M6] are disabled for Performance

selection.

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The gk360 contains a Digital multi-effects processor which adds realism

to your playing. The Digital Signal Processor (DSP) consists of one

unit which process the Performances with Reverb and Chorus effects.

The buttons which control the Digital Effect are DSP button. The DSP

indicators When the DSP display indicators are on, all the voices of the

current Performance will play with their programmed effects. When one

or both the corresponding display indicators are off, the sounds will

play “dry” (without effects).

Digital Effects

The Memory buttons and Store Memory

You have seen that the Single Touch Play settings recall factory-

set conﬁ gurations for the current Style when the [S.T. PLAY]

button is on. You have also seen that, when S.T.PLAY is off,

(display indicator off), the 6 buttons of the PERFORMANCE

section recall factory-set panel conﬁ gurations (see page 5),

including Voices, Volumes, Style, Variation, Split Point, etc..

How to Store a Memory

If you don’t want to use the factory Performance settings, you can memorize your own panel

conﬁ gurations to the PERFORMANCE buttons. This very useful feature allows you to store up

to 6 preferred panel conﬁ gurations, including Style, Variation and other selections, which you

can then recall at the touch of a single button. To memorize a Performance, the ﬁ rst thing to

do is to modify one of the factory set situations. For example, if you select STYLE number 45

(Swing) with Single Touch Play on, the voices recalled for the Upper and Lower sections will be

Organ 2 and Strings respectively. You only need to change one aspect of any factory setting

to be able to save the new setting as a new Performance. In our example, let’s change the

voice assigned to the Voice 1 section.

Press the [VOICE/SONG/STYLE] button, press the

[S.T.PLAY] button, then select Style n. 49 (BasicTrio)

Press the [VOICE/SONG/STYLE] button and select a

different Voice by using either the [+] and [–] buttons,

or the numeric keypad (voice 27, Jazz Guitar, for this

example).

Disable the Single Touch Play function (press the

[S.T.PLAY])

Hold down the [STORE] button and simultaneously press

one of the PERFORMANCE buttons [M1] - [M6].

For example, if you press [M5]. The small black arrowhead

at the bottom of the display will show the current

Performance. Whatever information was previously stored

in the selected button will be erased by the new data

At this point, you can check if your new Performance has

been stored. Changing the panel situation (for example,

select a Voice or Style), then press the MEMORY button

that you used to store your Performance in point 4

above.

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gk360

The Sequencer

Your gk360 contains a very simple and easy to use sequencer which records whatever you

play and plays back the recorded sequence just as you played it. You can record in Voice

mode or Style mode with one or two melody tracks. In playback, you can play along with the

recorded sequence using different voices to those used in the Melody tracks. The following

example explains how to record a sequence using the Accompaniments.

Set the instrument for Style play and select a Style. (Follow the

instructions explained on page 9

Press the [REC] button.

the four Beat indicators in the display will ﬂ ash

If you want to start the recording of the Style with an introduction,

press the [INTRO] button to preset the Intro

The sequencer Start to record the notes you play

The Key Start function triggers the Style accompaniment patterns

when you play a chord on the keyboard below the split point.

If you play a note or chord on the upper part of the keyboard,

only the drum track will be triggered.

While playing, use the Fills, change the Variation, change

Voices for the Upper and Lower sections, activate/deactivate

Dual mode, etc.. Whatever you do will be captured by the

sequencer

Stop the recording with the [REC] button. You can also stop

the recording with an ending by press the [ENDING] button.

Listen to the playback of a recorded Song

ress the [PLAY] button to listen to the playback of your

recording

While the recorded sequence is playing, you can play along

using any voice. Simply select the one you want and play

Record a new song

To record a new Song and overwrite the old one, simply press the [REC] button and the buttons

you want to record. Proceed to record your new song using the method already described.

The old song will be overwritten (cancelled). If you press [PLAY] when the sequencer contains

no recorded notes, the display will show an EMPTY message.

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

The Metronome

At any time, you can activate the METRONOME for practising purposes. To play with the

Metronome, press the STYLE button and insert the value 00 on the numeric keypad (press the

“0” button twice).

Press the [START/STOP] button to start the Metronome. The Metronome

starts beating time with a ‘tick’. If you select the Metronome while you

are playing a Style, the auto accompaniment will stop and the Metro-

nome will take over as the provider of the beat. The Metronome is useful

to practice keeping time or when you have to practice a study piece.

To stop the Metronome tick, press the [START/STOP] button.

THE GK360 UTILITY FUNCTIONS

The gk360 features several utility functions which affect the keyboard globally. The functions

are: SPLIT PT., TRANSPOSE, TUNE, PAN, BEAT, PERCUSS and MIDI.

The MIDI function allows you to set the Transmission/Recep-

tion channel for the keyboard as a whole. You can set any

MIDI channel from 1 -16. If you select the MIDI function, the

display shows the factory-set MIDI channel assignment.

The MIDI function

Use the [+/ON] button to increase the channel number val-

ue, or the [–/OFF] button to decrease the channel number

value.

Note: It is not possible to assign separate and independent MIDI

channels to the voices and accompaniment sections.

The new Split Point can be memorized to a Memory using the Store memory procedure, as already

explained on the previous page.

SPLIT POINT

This function allows to increase or decrease the keyboard area dedicated to the Style chords,

you can change the Split Point setting to any note of the keyboard and memorize the setting

to a Performance. The default setting corresponds to the note F#3.

Press the [SELECT] button to select SPLIT PT. in the

display

The display will show the current Split Point setting. The

default Split Point is F#3.

Press the key corresponding to the new Split point

The new Split Point note is shown in the display. For example,

if you press note C4, the display will show the letter C on

the extreme left and the number 4 at the center.

The gk360 FUNCTION menu is temporized, then after some

second you ﬁ nish to use it the system escape from the menu

automatically.

Note: The Split Point can be different for each

Performance, and the settings remain memorized

even after turning the instrument off.

SPLIT POINT EDITING

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GEM GK360 Manuale del proprietario

Marca: GEM

Modello: GK360

Categoria: Strumenti musicali

Tipo: Manuale del proprietario

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