Yamaha RX-V459 Manuale del proprietario

Categoria
Ricevitori AV
Tipo
Manuale del proprietario
YAMAHA ELECTRONICS CORPORATION, USA
6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD.
135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H.
SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A.
RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD.
YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD18 7GQ, ENGLAND
YAMAHA SCANDINAVIA A.B.
J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD.
17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
©
2006 All rights reserved.
RX-V459
Printed in Malaysia WG73610
RX-V459
AV Receiver
Ampli-tuner audio-vidéo
OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
GEBRUIKSAANWIJZING
ИНСТРУКЦИЯ ПО ЭКСПЛУАТАЦИИ
G
RX-V459_G_cv.fm Page 1 Tuesday, January 24, 2006 2:53 PM
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
1 To assure the finest performance, please read this manual
carefully. Keep it in a safe place for future reference.
2 Install this sound system in a well ventilated, cool, dry, clean
place – away from direct sunlight, heat sources, vibration,
dust, moisture, and/or cold. Allow ventilation space of at
least 30 cm on the top, 20 cm on the left and right, and 20
cm on the back of this unit.
3 Locate this unit away from other electrical appliances,
motors, or transformers to avoid humming sounds.
4 Do not expose this unit to sudden temperature changes from
cold to hot, and do not locate this unit in a environment with
high humidity (i.e. a room with a humidifier) to prevent
condensation inside this unit, which may cause an electrical
shock, fire, damage to this unit, and/or personal injury.
5 Avoid installing this unit where foreign object may fall onto
this unit and/or this unit may be exposed to liquid dripping
or splashing. On the top of this unit, do not place:
other components, as they may cause damage and/or
discoloration on the surface of this unit.
burning objects (i.e. candles), as they may cause fire,
damage to this unit, and/or personal injury.
containers with liquid in them, as they may fall and
liquid may cause electrical shock to the user and/or
damage to this unit.
6 Do not cover this unit with a newspaper, tablecloth, curtain,
etc. in order not to obstruct heat radiation. If the temperature
inside this unit rises, it may cause fire, damage to this unit,
and/or personal injury.
7 Do not plug in this unit to a wall outlet until all connections
are complete.
8 Do not operate this unit upside-down. It may overheat,
possibly causing damage.
9 Do not use force on switches, knobs and/or cords.
10 When disconnecting the power cable from the wall outlet,
grasp the plug; do not pull the cord.
11 Do not clean this unit with chemical solvents; this might
damage the finish. Use a clean, dry cloth.
12 Only voltage specified on this unit must be used. Using this
unit with a higher voltage than specified is dangerous and
may cause fire, damage to this unit, and/or personal injury.
YAMAHA will not be held responsible for any damage
resulting from use of this unit with a voltage other than
specified.
13 To prevent damage by lightning, keep the power cable and
outdoor antennas disconnected from a wall outlet or this unit
during a lightning storm.
14 Do not attempt to modify or fix this unit. Contact qualified
YAMAHA service personnel when any service is needed.
The cabinet should never be opened for any reasons.
15 When not planning to use this unit for long periods of time
(i.e. vacation), disconnect the AC power plug from the wall
outlet.
16 Install this unit near the AC wall outlet where the power
cable plug can be reached easily.
17 Be sure to read the “TROUBLESHOOTING” section on
common operating errors before concluding that this unit is
faulty.
18 Before moving this unit, press STANDBY/ON to set this
unit in the standby mode, and then disconnect the power
cable from the AC wall outlet.
19 VOLTAGE SELECTOR (Asia and General models only)
The VOLTAGE SELECTOR on the rear panel of this unit
must be set for your local main voltage BEFORE plugging
into the AC wall outlet. Voltages are:
Asia model ............................ 220/230–240 V AC, 50/60 Hz
General model ........ 110/120/220/230–240 V AC, 50/60 Hz
For U.K. customers
If the socket outlets in the home are not suitable for the
plug supplied with this appliance, it should be cut off and
an appropriate 3 pin plug fitted. For details, refer to the
instructions described below.
The plug severed from the mains lead must be destroyed, as a
plug with bared flexible cord is hazardous if engaged in a live
socket outlet.
Special Instructions for U.K. Model
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN
OR MOISTURE.
This unit is not disconnected from the AC power
source as long as it is connected to the wall outlet, even
if this unit itself is turned off. In this state, this unit is
designed to consume a very small quantity of power.
Note
IMPORTANT
THE WIRES IN MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
Blue: NEUTRAL
Brown: LIVE
As the colours of the wires in the mains lead of this
apparatus may not correspond with the coloured
markings identifying the terminals in your plug,
proceed as follows:
The wire which is coloured BLUE must be connected
to the terminal which is marked with the letter N or
coloured BLACK. The wire which is coloured
BROWN must be connected to the terminal which is
marked with the letter L or coloured RED.
Making sure that neither core is connected to the earth
terminal of the three pin plug.
1
PREPARATIONINTRODUCTION
BASIC
OPERATION
SOUND FIELD
PROGRAMS
ADVANCED
OPERATION
ADDITIONAL
INFORMATION
English
FEATURES............................................................. 2
GETTING STARTED............................................ 3
Supplied accessories .................................................. 3
Installing batteries in the remote control ................... 3
CONTROLS AND FUNCTIONS ......................... 4
Front panel ................................................................. 4
Remote control........................................................... 6
Front panel display .................................................... 8
Rear panel ................................................................ 10
CONNECTIONS .................................................. 11
Placing speakers....................................................... 11
Connecting speakers ................................................ 12
Information on jacks and cable plugs ...................... 15
Audio and video signal flow.................................... 16
Connecting a TV...................................................... 17
Connecting a DVD player,
a DVD recorder, a VCR or an STB..................... 18
Connecting a CD player,
an MD player or a tape deck................................ 20
Connecting a multi-format player
or an external decoder ......................................... 21
Connecting a game console,
a video camera or a portable audio player........... 21
Connecting the FM and AM antennas ..................... 22
Connecting the power cable..................................... 23
Setting the speaker impedance................................. 24
Turning on this unit
and setting it to the standby mode....................... 25
BASIC SETUP...................................................... 26
PLAYBACK.......................................................... 29
USING OTHER FEATURES.............................. 31
Using SILENT CINEMA ........................................ 31
Muting the audio output........................................... 31
Selecting the night listening mode........................... 31
Selecting the input mode ......................................... 32
Using the sleep timer ............................................... 33
Adjusting the speaker level...................................... 34
Selecting the Compressed Music
Enhancer mode .................................................... 35
Selecting the MULTI CH INPUT component......... 36
Enjoying multi-channel sources
in 2-channel stereo............................................... 36
Enjoying unprocessed input sources........................ 36
Enjoying pure hi-fi stereo sound.............................. 37
Displaying the input source information ................. 37
Playing video sources in the background ................ 38
ENJOYING SURROUND SOUND.....................39
Enjoying multi-channel sources in surround ........... 39
Enjoying 2-channel sources in surround.................. 40
Using Virtual CINEMA DSP .................................. 41
RECORDING........................................................42
FM/AM TUNING..................................................43
Automatic tuning ..................................................... 43
Manual tuning.......................................................... 44
Automatic preset tuning........................................... 45
Manual preset tuning ............................................... 46
Selecting preset stations........................................... 47
Exchanging preset stations ...................................... 48
RADIO DATA SYSTEM TUNING
(U.K. AND EUROPE MODELS ONLY)........50
Selecting the Radio Data System program .............. 50
Using the Radio Data System station network ........ 51
Displaying the Radio Data System information ...... 52
SOUND FIELD PROGRAMS .............................54
Selecting sound field programs ............................... 54
Sound field program descriptions............................ 55
Changing sound field parameter settings................. 57
Sound field program speaker layouts ...................... 63
SET MENU ............................................................66
Using SET MENU................................................... 68
1 SOUND MENU.................................................... 70
2 INPUT MENU...................................................... 73
3 OPTION MENU................................................... 75
ADVANCED SETUP............................................76
REMOTE CONTROL FEATURES ...................78
Controlling this unit, a TV,
or other components ............................................ 78
Setting remote control codes ................................... 80
RESETTING THE SYSTEM...............................81
TROUBLESHOOTING .......................................82
GLOSSARY...........................................................86
Audio information ................................................... 86
Video information.................................................... 87
Sound field program information ............................ 88
SPECIFICATIONS...............................................89
CONTENTS
INTRODUCTION
PREPARATION
BASIC OPERATION
SOUND FIELD PROGRAMS
ADVANCED OPERATION
ADDITIONAL INFORMATION
FEATURES
2
Built-in 6-channel power amplifier
Minimum RMS output power
(0.06% THD, 20 Hz to 20 kHz, 8 )
Front: 90 W + 90 W
Center: 90 W
Surround: 90 W + 90 W
Surround back: 90 W
Sound field features
Proprietary YAMAHA technology for the creation of
sound fields
Dolby Digital/Dolby Digital EX decoder
DTS/DTS-ES Matrix 6.1, Discrete 6.1, DTS Neo:6,
DTS 96/24 decoder
Dolby Pro Logic/Dolby Pro Logic II/
Dolby Pro Logic IIx decoder
Virtual CINEMA DSP
SILENT CINEMA
Sophisticated AM/FM tuner
40-station random and direct preset tuning
Automatic preset tuning
Preset station shifting capability (preset editing)
Radio Data System
(U.K. and Europe models only)
Radio Data System tuning capability
Other features
192-kHz/24-bit D/A converter
6 additional input jacks for discrete multi-channel input
S-video signal input/output capability
Component video input/output capability
(3 COMPONENT VIDEO INs and 1 MONITOR
OUT)
Optical and coaxial digital audio signal jacks
Sleep timer
Cinema and music night listening modes
Remote control with preset remote control codes
PORTABLE mini analog input jack on the front panel
for a portable audio player
Compressed Music Enhancer mode to improve the
sound quality of compression artifacts (such as the
MP3 format) to that of a high-quality stereo
y indicates a tip for your operation.
Some operations can be performed by using either the buttons on the front panel or the ones on the remote control. In case the button
names differ between the front panel and the remote control, the button name on the remote control is given in parentheses.
This manual is printed prior to production. Design and specifications are subject to change in part as a result of improvements, etc. In
case of differences between the manual and product, the product has priority.
Manufactured under license from Dolby Laboratories.
“Dolby”, “Pro Logic”, and the double-D symbol are trademarks
of Dolby Laboratories.
Manufactured under license from Digital Theater Systems, Inc.
“DTS”, “DTS-ES”, “NEO:6”, and “DTS 96/24” are trademarks
of Digital Theater Systems, Inc. Copyright 1996, 2003 Digital
Theater Systems, Inc. All right reserved.
“SILENT CINEMA” is a trademark of YAMAHA
CORPORATION.
FEATURES
Notes
GETTING STARTED
3
INTRODUCTION
English
Check that you received all of the following parts.
1 Press the part and slide the battery
compartment cover off.
2 Insert the two supplied batteries (AA, R6,
UM-3) according to the polarity markings
(+ and –) on the inside of the battery
compartment.
3 Slide the cover back until it snaps into place.
Change all of the batteries if you notice a decrease in the
operation range of the remote control.
Do not use an old battery together with a new one.
Do not use different types of batteries (such as alkaline and
manganese batteries) together. Read the packaging carefully as
these different types of batteries may have the same shape and
color.
If the batteries have leaked, dispose of them immediately. Avoid
touching the leaked material or letting it come into contact with
clothing, etc. Clean the battery compartment thoroughly before
installing new batteries.
Do not throw away batteries with general house waste; dispose
of them correctly in accordance with your local regulations.
If the remote control is without batteries for more than
2 minutes, or if exhausted batteries remain in the remote
control, the contents of the memory may be cleared. When the
memory is cleared, insert new batteries, set up the remote
control code and program any acquired functions that may have
been cleared.
GETTING STARTED
Supplied accessories
Installing batteries in the remote control
Remote control Batteries (2)
(AA, R6, UM-3)
Indoor FM antenna
(U.S.A., Canada, China, Asia and General
models)
AM loop antenna
75-ohm/300-ohm
antenna adapter
(U.K. model only)
Indoor FM antenna
(U.K., Europe, Australia and Korea models)
CD
MD/CD-R
TUNER
START
SRCH MODE
SET MENU
CODE SET
BAND
LEVEL
A/B/C/D/E A/B/C/D/E
MODE PTY SEEK
DAB MEMORY
PRESET/CH
STRAIGHT
MOVIEENTERTAINMUSIC
V-AU XDVD
AMP
POWER
POWER POWER
REC
DISC SKIP
FREQ/TEXT EON
DIRECT ST.EXTD SUR.STANDARD
SELECT
NIGHT
ENHANCER
SPEAKERS
TV MUTE TV INPUT
VCR
DTV/CBL
SLEEP
MULTI CH IN
STANDBY
MUTE
MENUTITLE
VOLUME
STEREO
4321
8
10
7
09
65
ENT.
DISPLAYRETURN
TV VOL TV CH
AVTV
ENTER
CD
MD/CD-R
TUNER
START
SRCH MODE
SET MENU
CODE SET
BAND
LEVEL
A/B/C/D/E A/B/C/D/E
MODE PTY SEEK
DAB MEMORY
PRESET/CH
STRAIGHT
MOVIEENTERTAINMUSIC
V-AU XDVD
AMP
POWER
POWER POWER
REC
DISC SKIP
FREQ/TEXT EON
DIRECT ST.EXTD SUR.STANDARD
SELECT
NIGHT
ENHANCER
SPEAKERS
TV MUTE TV INPUT
VCR
DTV/CBL
SLEEP
MULTI CH IN
STANDBY
MUTE
MENUTITLE
VOLUME
STEREO
4321
8
10
7
09
65
ENT.
DISPLAYRETURN
TV VOL TV CH
AVTV
ENTER
1
3
2
Notes
CONTROLS AND FUNCTIONS
4
1 STANDBY/ON
Turns on this unit or set it to the standby mode
(see page 25).
In the standby mode, this unit consumes a small amount of
power in order to receive infrared signals from the remote
control.
When you turn on this unit, there will be a 4 to 5-second delay
before this unit can reproduce sound.
2 Remote control sensor
Receives signals from the remote control (see page 7).
3 PRESET/TUNING, EDIT
Switches the function of PRESET/TUNING
l
/
h
between selecting preset station numbers and selecting the
tuning frequency.
Edits the assignments of preset stations (see page 48).
4 FM/AM
Switches the reception band between FM and AM when
“TUNER” is selected as the input source (see page 43).
5 A/B/C/D/E, NEXT
Selects one of the 5 preset station groups (A to E) when
“TUNER” is selected as the input source (see page 43).
Selects the speaker channel whose output level you
want to adjust when “TUNER” is not selected as the
input source (see page 34).
6 PRESET/TUNING l / h, LEVEL +/– buttons
Selects one of the 8 preset station numbers (1 to 8)
when “TUNER” is selected as the input source. The
colon (:) is displayed in the front panel display (see
page 47).
Selects the tuning frequency when “TUNER” is
selected as the input source. The colon (:) is not
displayed in the front panel display (see page 44).
Adjusts the level of the speaker channel selected using
NEXT when “TUNER” is not selected as the input
source (see page 34).
7 MEMORY (MAN’L/AUTO FM)
Stores a preset station in the memory. Hold down this
button for more than 3 seconds to start automatic preset
tuning (see page 45).
CONTROLS AND FUNCTIONS
Front panel
VIDEO PORTABLEL AUDIO R
VIDEO AUX
STANDBY
/ON
AUTO/MAN'L
TUNING MODE
MAN'L/AUTO FM
MEMORY
LEVEL
l
PRESET/TUNING
h
NEXT
A/B/C/D/E
FM/AM
EDIT
PRESET/TUNING
VOLUME
BASS/TREBLE
TONE CONTROL
l PROGRAM h
EFFECT
STRAIGHT
SILENT CINEMA
PHONES
BA
SPEAKERS
MULTI CH
INPUT
INPUT MODE
INPUT
A
214356897
GHIED
0
J
B
CF
Notes
CONTROLS AND FUNCTIONS
5
INTRODUCTION
English
8 Front panel display
Shows information about the operational status of this unit
(see page 8).
9 TUNING MODE (AUTO/MAN’L)
Switches between automatic tuning (the AUTO indicator
is turned on) and manual tuning (the AUTO indicator is
turned off) (see page 43).
0 VOLUME
Controls the output level of all audio channels.
y
This does not affect the AUDIO OUT (REC) level.
A PHONES (SILENT CINEMA) jack
Outputs audio signals for private listening with
headphones (see page 31).
When you connect headphones, no signals are output at the
SUBWOOFER OUTPUT jack or the speaker terminals.
All Dolby Digital and DTS audio signals are mixed down to the
left and right headphone channels.
B SPEAKERS A/B buttons
Turns on or off the set of front speakers connected to the A
and/or B terminals on the rear panel each time the
corresponding button is pressed.
C STRAIGHT (EFFECT)
Turns the sound field programs off or on. When
“STRAIGHT” is selected, 2-channel or multi-channel
input signals are output directly from their respective
speakers without effect processing (see page 36).
D TONE CONTROL
Selects “BASS” or “TREBLE” to adjust the total balance
of the front left and right speakers in conjunction with
BASS/TREBLE +/– buttons (see page 30).
E BASS/TREBLE +/– button
Adjusts the bass/treble balance of the front left and right
speakers in conjunction with TONE CONTROL (see
page 30).
F PROGRAM l / h buttons
Selects sound field programs (see page 54).
G INPUT MODE
Selects either digital or analog input signals exclusively or
sets this unit to automatically detect the type of input
signals and select the corresponding input signals when
one component is connected via both digital and analog
connections (see page 32).
H INPUT selector
Selects the desired input source.
I MULTI CH INPUT
Selects the input source connected to the MULTI CH
INPUT jacks (see page 36).
The input source connected to the MULTI CH INPUT jacks takes
priority over the source selected with the INPUT selector on the
front panel (or the input selector buttons on the remote control).
J VIDEO AUX jacks
Input audio and video signals from a portable external
source such as a game console, a video camera or a
portable audio player (see page 21).
y
To reproduce the source signals input at these jacks, select
“V-AUX” as the input source.
The audio signals input at the PORTABLE mini jack take priority
over the ones input at the AUDIO L/R jacks.
Notes
Note
Note
CONTROLS AND FUNCTIONS
6
This section describes the function of each control on the
remote control used to control this unit. To operate other
components, see “REMOTE CONTROL FEATURES” on
page 78.
Controlling this unit
Press AMP to control this unit.
1 Infrared signal transmitter
Outputs infrared control signals. Aim the transmitter at the
component you want to operate (see page 7).
2 Input selector buttons
Select the input source.
3 Sound field program selector buttons
Select sound field programs (see page 54).
Use SELECT to play back 2-channel sources in
surround (see page 40).
Use EXTD SUR. to switch between 5.1 and 6.1-
channel playback of multi-channel sources (see
page 39).
Use DIRECT ST. to play back 2-channel sources in
hi-fi stereo sound (see page 37).
4 SPEAKERS
Turns on or off the set of front speakers connected to the
FRONT A and/or B terminals on the rear panel. Press this
button repeatedly to toggle as follows:
5 ENHANCER
Turns on or off the Compressed Music Enhancer mode
(see page 35).
6 LEVEL
Selects the speaker channel to be adjusted (see page 34).
7 Cursor buttons u / d / j / i, ENTER
Select and adjust the sound field program parameters or
the “SET MENU” parameters.
8 RETURN
Returns to the previous menu level when adjusting the
“SET MENU” parameters.
9 STANDBY
Sets this unit to the standby mode (see page 25).
0 POWER
Turns on this unit (see page 25).
Remote control
CD
MD/CD-R
TUNER
START
SRCH MODE
SET MENU
CODE SET
BAND
LEVEL
A/B/C/D/E A/B/C/D/E
MODE PTY SEEK
DAB MEMORY
PRESET/CH
STRAIGHT
MOVIEENTERTAINMUSIC
V-AUXDVD
AMP
POWER
POWER POWER
REC
DISC SKIP
FREQ/TEXT EON
DIRECT ST.EXTD SUR.STANDARD
SELECT
NIGHT
ENHANCER
SPEAKERS
TV MUTE TV INPUT
DVR
DTV/CBL
SLEEP
MULTI CH IN
STANDBY
MUTE
MENUTITLE
VOLUME
STEREO
4321
8
10
7
09
65
ENT.
DISPLAYRETURN
TV VOL TV CH
AVTV
ENTER
9
0
B
A
C
D
E
F
G
I
1
2
3
5
4
7
6
8
H
J
A on B on
A and B off
CONTROLS AND FUNCTIONS
7
INTRODUCTION
English
A MULTI CH IN
Selects the component connected to the MULTI CH
INPUT jacks as the input source when using an external
decoder, etc. (see page 36).
B CODE SET
Use to set up remote control codes (see page 80).
C SLEEP
Sets the sleep timer (see page 33).
D AMP
Sets the remote control to the operation mode of this unit.
E VOLUME +/
Controls the output level of all audio channels.
This does not affect the AUDIO OUT (REC) level.
F MUTE
Mutes the audio output. Press again to restore the audio
output to the previous volume level (see page 31).
G STRAIGHT
Turns the sound field programs off or on. When
“STRAIGHT” is selected, 2-channel or multi-channel
input signals are output directly from their respective
speakers without effect processing (see page 36).
H NIGHT
Turns on or off the night listening modes (see page 31).
I SET MENU
Enters “SET MENU” (see page 68).
Controlling the TUNER functions
Press TUNER to control the TUNER functions.
3 Numeric buttons
Use numbers 1 through 8 to select preset stations.
6 BAND
Switches the reception band between FM and AM
(see page 43).
7 A/B/C/D/E j / i, PRESET/CH u / d
Press PRESET/CH u / d to select a preset station group
(A to E) and A/B/C/D/E j / i to select a preset station
number (1 to 8) (see page 47).
J Radio Data System tuning buttons
(U.K. and Europe models only)
FREQ/TEXT
Switches the Radio Data System display between the
PS mode, PTY mode, RT mode, CT mode (if the
station offers the corresponding data services) and the
frequency display (see page 52).
PTY SEEK MODE
Sets this unit to the PTY SEEK mode (see page 50).
PTY SEEK START
Starts searching for a station once the desired program
type is selected in the PTY SEEK mode (see page 51).
EON
Selects a program type (NEWS, AFFAIRS, INFO, or
SPORT) for automatic tuning (see page 52).
Using the remote control
The remote control transmits a directional infrared ray.
Be sure to aim the remote control directly at the remote
control sensor on the main unit during operation.
Do not spill water or other liquids on the remote control.
Do not drop the remote control.
Do not leave or store the remote control in the following types
of conditions:
places of high humidity, such as near a bath
places of high temperatures, such as near a heater or stove
places of extremely low temperatures
dusty places
Note
Notes
VOLUME
AUTO/MAN'LMAN'L/AUTO FMLEVELNEXT
EDIT
EFFECT
MEMORY
FM/AM
PRESET/TUNING
A/B/C/D/E
l PROGRAM h
BASS/TREBLE
l
PRESET/TUNING/CH
h
TUNING MODE
INPUT MODE
TONE CONTROL
STRAIGHT
SPEAKERS
PHONES
SILENT CINEMA
STANDBY
/ON
BA
MULTI CH
INPUT
INPUT
VIDEO PORTABLEL AUDIO R
VIDEO AUX
30 30
Approximately 6 m (20 ft)
CONTROLS AND FUNCTIONS
8
1 Decoder indicators
The respective indicator lights up when any of the
decoders of this unit function.
2 ENHANCER indicator
Lights up when the Compressed Music Enhancer mode is
turned on (see page 35).
3 Sound field indicators
Light up to indicate the active DSP sound fields.
4 VIRTUAL indicator
Lights up when Virtual CINEMA DSP is active (see
page 41).
5 Input source indicators
The corresponding cursor lights up to show the currently
selected input source.
6 SILENT CINEMA indicator
Lights up when headphones are connected and a sound
field program is selected (see page 31).
7 CINEMA DSP indicator
Lights up when you select a CINEMA DSP sound field
program (see page 55).
8 AUTO indicator
Lights up when this unit is in the automatic tuning mode
(see page 43).
9 TUNED indicator
Lights up when this unit is tuned into a station
(see page 43).
0 STEREO indicator
Lights up when this unit is receiving a strong signal for an
FM stereo broadcast while the AUTO indicator is lit
(see page 43).
A MEMORY indicator
Flashes to show that a station can be stored (see page 45).
B VOLUME level indicator
Indicates the current volume level.
C PCM indicator
Lights up when this unit is reproducing PCM (Pulse Code
Modulation) digital audio signals.
D STANDARD indicator
Lights up when the “SUR. STANDARD” or
“SUR. ENHANCED” programs are selected (see
page 40).
E SP A B indicators
Light up according to the set of front speakers selected.
Front panel display
96
24
q PL
q EX
q PL
ENHANCER
MATRIX DISCRETE
SILENT CINEMA
NIGHTSTANDARD
AUTO
PSHOLD RT
EON
PTYPTY
TUNED
MUTE
VOLUME
MEMORY
SLEEP
VIRTUAL
PCM
q PL x
A B
SP
mS
ft
dB
96/24
HiFi DSP
LFE
LCR
SL SB SR
q
DIGITAL
t
dB
STEREO
CT
2
DGFHI JLKNM
O
C
E
134567 A
908B
(U.K. and Europe models only)
Presence DSP sound field
Listening position
Surround left
DSP sound field
Surround right
DSP sound field
Surround back DSP sound field
CONTROLS AND FUNCTIONS
9
INTRODUCTION
English
F Headphones indicator
Lights up when headphones are connected (see page 31).
G NIGHT indicator
Lights up when you select a night listening mode
(see page 31).
H HiFi DSP indicator
Lights up when you select a HiFi DSP sound field
program (see page 55).
I Multi-information display
Shows the name of the current sound field program and
other information when adjusting or changing settings.
J SLEEP indicator
Lights up while the sleep timer is on (see page 33).
K MUTE indicator
Flashes while the MUTE function is on (see page 31).
L 96/24 indicator
Lights up when a DTS 96/24 signal is input to this unit.
M Input channel indicators
Indicate the channel components of the current digital
input signal (see page 27).
N LFE indicator
Lights up when the input signal contains the LFE signal.
O Radio Data System indicators
(U.K. and Europe models only)
Lights up when the Radio Data System data is being
received.
EON
Lights up when the EON data service is being
received.
PTY HOLD
Lights up while searching for the Radio Data System
stations in the PTY SEEK mode.
CONTROLS AND FUNCTIONS
10
1 Video component jacks
See pages 17 and 18 for connection information.
2 Audio component jacks
See page 20 for connection information.
3 MULTI CH INPUT jacks
See page 21 for connection information.
4 SUBWOOFER OUTPUT jack
See page 13 for connection information.
5 DIGITAL INPUT jacks
See pages 18 and 19 for connection information.
6 COMPONENT VIDEO jacks
See pages 17 and 18 for connection information.
7 Antenna terminals
See page 22 for connection information.
8 Speaker terminals
See page 12 for connection information.
9 AC OUTLET(S)
Use to supply power to your other audiovisual
components.
See page 23 for details.
VOLTAGE SELECTOR
(Asia and General models only)
See page 23 for details.
Rear panel
AUDIO AUDIO
OUTPUT DIGITAL INPUT
DVD DVD
COAXIAL
DTV/CBL
SUB
WOOFER
SUB
WOOFER
SURROUND
FRONT
OUT
(REC)
IN
(PLAY)
MD/
CD-R
CD
DVD
MONITOR OUTDTV/CBL
DVD DVR
COMPONENT VIDEO
P
RPBY
FM ANT
75
UNBAL.
AM
ANT
GND
TUNER SPEAKERS
DTV/CBL
IN OUT
DVR DVD DTV/CBL
IN
OUT
DVR
CENTER
MULTI CH INPUT
VIDEO S VIDEO
MONITOR
OUT
MONITOR
OUT
FRONT
A
B
AC OUTLETS
SURROUND
CENTER SURROUND BACK
PRPBY
OPTICAL
654321
7
89
CONNECTIONS
11
PREPARATION
English
The speaker layout below shows the standard ITU-R
*
speaker setting. You can use it to enjoy CINEMA DSP and
multi-channel audio sources.
*
ITU-R is the radio communication sector of the ITU
(International Telecommunication Union).
Front speakers (FL and FR)
The front speakers are used for the main source sound plus
effect sounds. Place these speakers at an equal distance
from the ideal listening position. The distance of each
speaker from each side of the video monitor should be the
same.
Center speaker (C)
The center speaker is for the center channel sounds
(dialog, vocals, etc.). If for some reason it is not practical
to use a center speaker, you can do without it. Best results,
however, are obtained with the full system. Place the
center speaker centrally between the front speakers and as
close to the monitor as possible, such as directly over or
under it.
Surround speakers (SL and SR)
The surround speakers are used for effect and surround
sounds. Place these speakers behind your listening
position, facing slightly inwards, about 1.8 m (6 ft) above
the floor.
Surround back speaker (SB)
The surround back speaker supplements the surround
speakers and provides more realistic front-to-back
transitions. Place this speaker directly behind the listening
position and at the same height as the surround speakers.
Subwoofer (SW)
The use of a subwoofer with a built-in amplifier, such as
the YAMAHA Active Servo Processing Subwoofer
System, is effective not only for reinforcing bass
frequencies from any or all channels, but also for hi-fi
stereo reproduction of the LFE (low-frequency effect)
channel included in Dolby Digital and DTS sources. The
position of the subwoofer is not so critical, because low
bass sounds are not highly directional. But it is better to
place the subwoofer near the front speakers. Turn it
slightly toward the center of the room to reduce wall
reflections.
CONNECTIONS
Placing speakers
60˚
30˚
SB
FL
FR
C
SL
SR
SR
80˚
SL
SW
FR
FL
SB
SL
SR
C
1.8 m (6 ft)
12
CONNECTIONS
Be sure to connect the left channel (L), right channel (R), “+” (red) and “–” (black) properly. If the connections are faulty,
no sound will be heard from the speakers, and if the polarity of the speaker connections is incorrect, the sound will be
unnatural and lack bass.
Before connecting the speakers, make sure that this unit is in the standby mode (see page 25).
Do not let the bare speaker wires touch each other or do not let them touch any metal part of this
unit. This could damage this unit and/or speakers.
Use magnetically shielded speakers. If this type of speakers still creates the interference with the
monitor, place the speakers away from the monitor.
If you are to use 4 or 6 ohm speakers, be sure to set “SP IMP.” to “6MIN” before using this unit
(see page 24).
A speaker cord is actually a pair of insulated cables running side by side. Cables are colored or shaped differently, perhaps with a
stripe, groove or ridge. Connect the striped (grooved, etc.) cable to the “+” (red) terminals of this unit and your speaker. Connect the
plain cable to the “–” (black) terminals.
The low-frequency signals of other speakers set to “SML” (or “SMALL”) to “NONE” in “SPEAKER SET” (see pages 70 and 71) are
directed to the speakers selected in “BASS OUT” (see page 71).
Connecting speakers
Notes
CAUTION
OUTPUT
SUB
WOOFER
SPEAKERS
FRONT
A
B
SURROUND
CENTERCLASS 2 WIRING SURROUND BACK
7
6
54
3
21
Subwoofer
Center
speaker
Front speakers
(
A
)
Surround back
speaker
Surround speakers
Front
speakers (B)
Right
LeftRight
Left
13
CONNECTIONS
PREPARATION
English
FRONT terminals
Connect one or two front speaker systems (1, 2) to these
terminals. If you use only one front speaker system,
connect it to the FRONT A or B terminal.
CENTER terminals
Connect a center speaker (3) to these terminals.
SURROUND terminals
Connect surround speakers (4, 5) to these terminals.
SURROUND BACK terminals
Connect a surround back speaker (6) to these terminals.
SUBWOOFER jack
Connect a subwoofer with a built-in amplifier (7) (such as
the YAMAHA Active Servo Processing Subwoofer
System) to this jack.
7
1
2
6
5
4
3
Speaker layout
14
CONNECTIONS
Connecting the speaker cable
1 Remove approximately 10 mm (0.4 in) of
insulation from the end of each speaker
cable and then twist the exposed wires of the
cable together to prevent short circuits.
2 Loosen the knob.
3 Insert one bare wire into the hole on the side
of each terminal.
4 Tighten the knob to secure the wire.
Connecting the banana plug
(except U.K., Europe and Asia models)
The banana plug is a single-pole electrical connector
widely used to terminate speaker cables.
1 Tighten the knob.
2 Insert the banana plug connector into the
end of the corresponding terminal.
10 mm (0.4 in)
Red: positive (+)
Black: negative (–)
Red: positive (+)
Black: negative (–)
Red: positive (+)
Black: negative (–)
Red: positive (+)
Black: negative (–)
Banana plug
15
CONNECTIONS
PREPARATION
English
Audio jacks
This unit has four types of audio jacks. Connection
depends on the availability of audio jacks on your other
components.
AUDIO jacks
For conventional analog audio signals transmitted via left
and right analog audio cables. Connect red plugs to the
right jacks and white plugs to the left jacks.
PORTABLE jack
For analog audio signals transmitted via stereo analog
audio mini cables.
DIGITAL AUDIO COAXIAL jacks
For digital audio signals transmitted via coaxial digital
audio cables.
DIGITAL AUDIO OPTICAL jacks
For digital audio signals transmitted via optical digital
audio cables.
You can use the digital jacks to input PCM, Dolby Digital and
DTS bitstreams. When you connect components to both the
COAXIAL and OPTICAL jacks, priority is given to the signals
input at the COAXIAL jack. All digital input jacks are
compatible with 96-kHz sampling digital signals.
Pull out the cap from the optical jack before you connect the
fiber optic cable. Do not discard the cap. When you are not
using the optical jack, be sure to put the cap back in place. This
cap protects the jack from dust.
Video jacks
This unit has three types of video jacks. Connection
depends on the availability of input jacks on your video
monitor.
VIDEO jacks
For conventional composite video signals transmitted via
composite video cables.
S VIDEO jacks
For S-video signals, separated into the luminance (Y) and
chrominance (C) video signals transmitted on separate
wires of S-video cables.
COMPONENT VIDEO jacks
For component video signals, separated into the
luminance (Y) and chrominance (P
B, PR) video signals
transmitted on separate wires of component video cables.
Information on jacks and cable plugs
COAXIAL
DIGITAL AUDIO
AUDIO
PORTABLE
OPTICAL
DIGITAL AUDIO
R
L
C
O
M
R
L
VIDEO S VIDEO
COMPONENT VIDEO
Y PB PR
PB
Y
P
R
S
V
Audio jacks and cables Video jacks and cables
Component
video cable
plug
(Red)(White) (Orange)
(Blue)(Green)(Yellow)
Stereo
analog
audio
mini cable
plug
(Red)(Green)
Optical
digital
audio cable
plug
Left and right
analog audio
cable plug
Coaxial
digital audio
cable plug
S-video
cable plug
Composite
video cable
plug
(Green)
Notes
16
CONNECTIONS
Audio signal flow for AUDIO OUT (REC)
This unit handles digital and analog signals independently. Thus, audio signals input at the analog jacks are output only at the analog
AUDIO OUT (REC) jacks.
Video signal flow for MONITOR OUT
Audio and video signal flow
Note
L RRL
PORTABLE
AUDIO
Output
AUDIO OUT (REC)
Input
Analog output
Analog audio
S VIDEO
VIDEO
COMPONENT
VIDEO
Y P
B
P
R
Y P
B
P
R
Through
Output
(MONITOR OUT)
Input
Analog video
17
CONNECTIONS
PREPARATION
English
Connect your TV to the VIDEO MONITOR OUT jack, the S VIDEO MONITOR OUT jack or the COMPONENT
VIDEO MONITOR OUT jacks of this unit.
Do not connect this unit or other components to the AC power supply until all connections between
components are complete.
Connecting a TV
CAUTION
MONITOR OUT
COMPONENT VIDEO
VIDEO S VIDEO
MONITOR
OUT
MONITOR
OUT
PRPBY
V
S
PRPBY
TV
S-video in
Video in
Component video in
18
CONNECTIONS
Connect your DVD player, DVD recorder, VCR or STB (set-top box) using the same type of video connections as those
made for your TV (see page 17). The cable TV receiver and the satellite receiver are examples of the STB.
Do not connect this unit or other components to the AC power supply until all connections between
components are complete.
Be sure to make the same type of video connections as those made for your TV (see page 17). For example, if you connected your TV
to the VIDEO MONITOR OUT jack of this unit, connect your other components to the VIDEO jacks.
To make a digital connection to a component other than the default component assigned to each DIGITAL INPUT jack, select the
corresponding setting for “OPTICAL IN” or “COAXIAL IN” in “INPUT ASSIGN” (see page 73).
If you connect your DVD player to both the DIGITAL INPUT (OPTICAL) and the DIGITAL INPUT (COAXIAL) jacks, priority is
given to the signals input at the DIGITAL INPUT (COAXIAL) jack.
Connecting a DVD player
Connecting a DVD player, a DVD recorder, a VCR or an STB
CAUTION
Notes
AUDIO
DIGITAL INPUT
DVD DVD
COAXIAL
DVD
DVD
COMPONENT VIDEO
P
RPBY
DVD
VIDEO S VIDEO
OPTICAL
V
Y PB
PR
LR
S
O
C
DVD Player
Component video out
S-Video out
Optical audio out
Video out
Coaxial audio out
Audio out
S-Video out
  • Page 1 1
  • Page 2 2
  • Page 3 3
  • Page 4 4
  • Page 5 5
  • Page 6 6
  • Page 7 7
  • Page 8 8
  • Page 9 9
  • Page 10 10
  • Page 11 11
  • Page 12 12
  • Page 13 13
  • Page 14 14
  • Page 15 15
  • Page 16 16
  • Page 17 17
  • Page 18 18
  • Page 19 19
  • Page 20 20
  • Page 21 21
  • Page 22 22
  • Page 23 23
  • Page 24 24
  • Page 25 25
  • Page 26 26
  • Page 27 27
  • Page 28 28
  • Page 29 29
  • Page 30 30
  • Page 31 31
  • Page 32 32
  • Page 33 33
  • Page 34 34
  • Page 35 35
  • Page 36 36
  • Page 37 37
  • Page 38 38
  • Page 39 39
  • Page 40 40
  • Page 41 41
  • Page 42 42
  • Page 43 43
  • Page 44 44
  • Page 45 45
  • Page 46 46
  • Page 47 47
  • Page 48 48
  • Page 49 49
  • Page 50 50
  • Page 51 51
  • Page 52 52
  • Page 53 53
  • Page 54 54
  • Page 55 55
  • Page 56 56
  • Page 57 57
  • Page 58 58
  • Page 59 59
  • Page 60 60
  • Page 61 61
  • Page 62 62
  • Page 63 63
  • Page 64 64
  • Page 65 65
  • Page 66 66
  • Page 67 67
  • Page 68 68
  • Page 69 69
  • Page 70 70
  • Page 71 71
  • Page 72 72
  • Page 73 73
  • Page 74 74
  • Page 75 75
  • Page 76 76
  • Page 77 77
  • Page 78 78
  • Page 79 79
  • Page 80 80
  • Page 81 81
  • Page 82 82
  • Page 83 83
  • Page 84 84
  • Page 85 85
  • Page 86 86
  • Page 87 87
  • Page 88 88
  • Page 89 89
  • Page 90 90
  • Page 91 91
  • Page 92 92
  • Page 93 93
  • Page 94 94
  • Page 95 95
  • Page 96 96
  • Page 97 97
  • Page 98 98
  • Page 99 99
  • Page 100 100
  • Page 101 101
  • Page 102 102
  • Page 103 103
  • Page 104 104
  • Page 105 105
  • Page 106 106
  • Page 107 107
  • Page 108 108
  • Page 109 109
  • Page 110 110
  • Page 111 111
  • Page 112 112
  • Page 113 113
  • Page 114 114
  • Page 115 115
  • Page 116 116
  • Page 117 117
  • Page 118 118
  • Page 119 119
  • Page 120 120
  • Page 121 121
  • Page 122 122
  • Page 123 123
  • Page 124 124
  • Page 125 125
  • Page 126 126
  • Page 127 127
  • Page 128 128
  • Page 129 129
  • Page 130 130
  • Page 131 131
  • Page 132 132
  • Page 133 133
  • Page 134 134
  • Page 135 135
  • Page 136 136
  • Page 137 137
  • Page 138 138
  • Page 139 139
  • Page 140 140
  • Page 141 141
  • Page 142 142
  • Page 143 143
  • Page 144 144
  • Page 145 145
  • Page 146 146
  • Page 147 147
  • Page 148 148
  • Page 149 149
  • Page 150 150
  • Page 151 151
  • Page 152 152
  • Page 153 153
  • Page 154 154
  • Page 155 155
  • Page 156 156
  • Page 157 157
  • Page 158 158
  • Page 159 159
  • Page 160 160
  • Page 161 161
  • Page 162 162
  • Page 163 163
  • Page 164 164
  • Page 165 165
  • Page 166 166
  • Page 167 167
  • Page 168 168
  • Page 169 169
  • Page 170 170
  • Page 171 171
  • Page 172 172
  • Page 173 173
  • Page 174 174
  • Page 175 175
  • Page 176 176
  • Page 177 177
  • Page 178 178
  • Page 179 179
  • Page 180 180
  • Page 181 181
  • Page 182 182
  • Page 183 183
  • Page 184 184
  • Page 185 185
  • Page 186 186
  • Page 187 187
  • Page 188 188
  • Page 189 189
  • Page 190 190
  • Page 191 191
  • Page 192 192
  • Page 193 193
  • Page 194 194
  • Page 195 195
  • Page 196 196
  • Page 197 197
  • Page 198 198
  • Page 199 199
  • Page 200 200
  • Page 201 201
  • Page 202 202
  • Page 203 203
  • Page 204 204
  • Page 205 205
  • Page 206 206
  • Page 207 207
  • Page 208 208
  • Page 209 209
  • Page 210 210
  • Page 211 211
  • Page 212 212
  • Page 213 213
  • Page 214 214
  • Page 215 215
  • Page 216 216
  • Page 217 217
  • Page 218 218
  • Page 219 219
  • Page 220 220
  • Page 221 221
  • Page 222 222
  • Page 223 223
  • Page 224 224
  • Page 225 225
  • Page 226 226
  • Page 227 227
  • Page 228 228
  • Page 229 229
  • Page 230 230
  • Page 231 231
  • Page 232 232
  • Page 233 233
  • Page 234 234
  • Page 235 235
  • Page 236 236
  • Page 237 237
  • Page 238 238
  • Page 239 239
  • Page 240 240
  • Page 241 241
  • Page 242 242
  • Page 243 243
  • Page 244 244
  • Page 245 245
  • Page 246 246
  • Page 247 247
  • Page 248 248
  • Page 249 249
  • Page 250 250
  • Page 251 251
  • Page 252 252
  • Page 253 253
  • Page 254 254
  • Page 255 255
  • Page 256 256
  • Page 257 257
  • Page 258 258
  • Page 259 259
  • Page 260 260
  • Page 261 261
  • Page 262 262
  • Page 263 263
  • Page 264 264
  • Page 265 265
  • Page 266 266
  • Page 267 267
  • Page 268 268
  • Page 269 269
  • Page 270 270
  • Page 271 271
  • Page 272 272
  • Page 273 273
  • Page 274 274
  • Page 275 275
  • Page 276 276
  • Page 277 277
  • Page 278 278
  • Page 279 279
  • Page 280 280
  • Page 281 281
  • Page 282 282
  • Page 283 283
  • Page 284 284
  • Page 285 285
  • Page 286 286
  • Page 287 287
  • Page 288 288
  • Page 289 289
  • Page 290 290
  • Page 291 291
  • Page 292 292
  • Page 293 293
  • Page 294 294
  • Page 295 295
  • Page 296 296
  • Page 297 297
  • Page 298 298
  • Page 299 299
  • Page 300 300
  • Page 301 301
  • Page 302 302
  • Page 303 303
  • Page 304 304
  • Page 305 305
  • Page 306 306
  • Page 307 307
  • Page 308 308
  • Page 309 309
  • Page 310 310
  • Page 311 311
  • Page 312 312
  • Page 313 313
  • Page 314 314
  • Page 315 315
  • Page 316 316
  • Page 317 317
  • Page 318 318
  • Page 319 319
  • Page 320 320
  • Page 321 321
  • Page 322 322
  • Page 323 323
  • Page 324 324
  • Page 325 325
  • Page 326 326
  • Page 327 327
  • Page 328 328
  • Page 329 329
  • Page 330 330
  • Page 331 331
  • Page 332 332
  • Page 333 333
  • Page 334 334
  • Page 335 335
  • Page 336 336
  • Page 337 337
  • Page 338 338
  • Page 339 339
  • Page 340 340
  • Page 341 341
  • Page 342 342
  • Page 343 343
  • Page 344 344
  • Page 345 345
  • Page 346 346
  • Page 347 347
  • Page 348 348
  • Page 349 349
  • Page 350 350
  • Page 351 351
  • Page 352 352
  • Page 353 353
  • Page 354 354
  • Page 355 355
  • Page 356 356
  • Page 357 357
  • Page 358 358
  • Page 359 359
  • Page 360 360
  • Page 361 361
  • Page 362 362
  • Page 363 363
  • Page 364 364
  • Page 365 365
  • Page 366 366
  • Page 367 367
  • Page 368 368
  • Page 369 369
  • Page 370 370
  • Page 371 371
  • Page 372 372
  • Page 373 373
  • Page 374 374
  • Page 375 375
  • Page 376 376
  • Page 377 377
  • Page 378 378
  • Page 379 379
  • Page 380 380
  • Page 381 381
  • Page 382 382
  • Page 383 383
  • Page 384 384
  • Page 385 385
  • Page 386 386
  • Page 387 387
  • Page 388 388
  • Page 389 389
  • Page 390 390
  • Page 391 391
  • Page 392 392
  • Page 393 393
  • Page 394 394
  • Page 395 395
  • Page 396 396
  • Page 397 397
  • Page 398 398
  • Page 399 399
  • Page 400 400
  • Page 401 401
  • Page 402 402
  • Page 403 403
  • Page 404 404
  • Page 405 405
  • Page 406 406
  • Page 407 407
  • Page 408 408
  • Page 409 409
  • Page 410 410
  • Page 411 411
  • Page 412 412
  • Page 413 413
  • Page 414 414
  • Page 415 415
  • Page 416 416
  • Page 417 417
  • Page 418 418
  • Page 419 419
  • Page 420 420
  • Page 421 421
  • Page 422 422
  • Page 423 423
  • Page 424 424
  • Page 425 425
  • Page 426 426
  • Page 427 427
  • Page 428 428
  • Page 429 429
  • Page 430 430
  • Page 431 431
  • Page 432 432
  • Page 433 433
  • Page 434 434
  • Page 435 435
  • Page 436 436
  • Page 437 437
  • Page 438 438
  • Page 439 439
  • Page 440 440
  • Page 441 441
  • Page 442 442
  • Page 443 443
  • Page 444 444
  • Page 445 445
  • Page 446 446
  • Page 447 447
  • Page 448 448
  • Page 449 449
  • Page 450 450
  • Page 451 451
  • Page 452 452
  • Page 453 453
  • Page 454 454
  • Page 455 455
  • Page 456 456
  • Page 457 457
  • Page 458 458
  • Page 459 459
  • Page 460 460
  • Page 461 461
  • Page 462 462
  • Page 463 463
  • Page 464 464
  • Page 465 465
  • Page 466 466
  • Page 467 467
  • Page 468 468
  • Page 469 469
  • Page 470 470
  • Page 471 471
  • Page 472 472
  • Page 473 473
  • Page 474 474
  • Page 475 475
  • Page 476 476
  • Page 477 477
  • Page 478 478
  • Page 479 479
  • Page 480 480
  • Page 481 481
  • Page 482 482
  • Page 483 483
  • Page 484 484
  • Page 485 485
  • Page 486 486
  • Page 487 487
  • Page 488 488
  • Page 489 489
  • Page 490 490
  • Page 491 491
  • Page 492 492
  • Page 493 493
  • Page 494 494
  • Page 495 495
  • Page 496 496
  • Page 497 497
  • Page 498 498
  • Page 499 499
  • Page 500 500
  • Page 501 501
  • Page 502 502
  • Page 503 503
  • Page 504 504
  • Page 505 505
  • Page 506 506
  • Page 507 507
  • Page 508 508
  • Page 509 509
  • Page 510 510
  • Page 511 511
  • Page 512 512
  • Page 513 513
  • Page 514 514
  • Page 515 515
  • Page 516 516
  • Page 517 517
  • Page 518 518
  • Page 519 519
  • Page 520 520
  • Page 521 521
  • Page 522 522
  • Page 523 523
  • Page 524 524
  • Page 525 525
  • Page 526 526
  • Page 527 527
  • Page 528 528
  • Page 529 529
  • Page 530 530
  • Page 531 531
  • Page 532 532
  • Page 533 533
  • Page 534 534
  • Page 535 535
  • Page 536 536
  • Page 537 537
  • Page 538 538
  • Page 539 539
  • Page 540 540
  • Page 541 541
  • Page 542 542
  • Page 543 543

Yamaha RX-V459 Manuale del proprietario

Categoria
Ricevitori AV
Tipo
Manuale del proprietario