HeadRush MX5 Guida utente

Quickstart Guide English (3–21)

Guía de inicio rápido Español (22–40)

Guide d’utilisation rapide Français (41–59)

Guida rapida Italiano (60–78)

Schnellstart-Anleitung Deutsch (79–97)

Appendix English (98)

2

3

User Guide (English)

Introduction

Box Contents

HeadRush MX5

USB Cable

(2) 1/8” (3.5mm) to MIDI Adapters

Power Adapter

Software Download Card

Quickstart Guide

Safety & Warranty Manual

Important: Visit headrushfx.com to download the complete User Guide.

Support

For the latest information about this product (documentation, technical specifications, system

requirements, compatibility information, etc.) and product registration, visit headrushfx.com.

For additional product support, visit headrushfx.com/support.

4

Features

Top Panel

1

3

4

56

2

1. Display: This full-color multi-touch display shows information relevant to HeadRush

MX5’s current operation. Touch the display (and use the hardware controls) to control

the interface. See Basic Operation to learn how it works.

2. Main Volume: Turn this knob to adjust the volume level of the outputs.

3. Encoder: Turn this encoder to scroll through the available menu options or adjust the

parameter values of the selected field in the display. Push the encoder to confirm

your selection.

4. Footswitch Indicators: These lights indicate whether the stomp, rig, or scene

assigned to each footswitch is on (brightly lit) or off (dimly lit).

5. Footswitches: Press these footswitches to activate or deactivate the assigned model or

scene, or to load the assigned rig.

6. Expression Pedal: Use this pedal to adjust the assigned parameter/parameters. See

Basic Operation > Hardware Assign > Expression Pedal for more information.

5

Rear Panel

13

45

6

27

8

9

10

11 12

13

1. Guitar Input (1/4”/6.35 mm, mono): Connect your guitar to this input using a

standard instrument cable.

2. Expression Pedal Input (1/4”/6.35 mm, TRS): Connect an optional additional

expression pedal to this input using a standard 1/4" (6.35 mm) TRS cable.

3. FX Send Output (1/4”/6.35 mm, stereo): Connect this output to the input of another

effects module, an effect pedal, or the effects loop return of an amplifier.

4. FX Return Input (1/4”/6.35 mm, stereo): Connect this input to the output of another

effects module, an effect pedal, or the effects loop send of an amplifier.

Note: You can set the FX Return Input to receive signal at rack level or stomp level

(default) in the Global Settings Menu.

5. Outputs (1/4”/6.35 mm, balanced): Connect these outputs to the inputs of your

amplifier, audio interface, etc. If you only need to use one output, use the one labeled

Left/Mono.

Note: You can set these outputs to send signal at amp level or line level (default) in

the Global Settings Menu.

6. Phones Output (1/8”/3.5 mm, stereo): Connect standard 1/8” (3.5 mm) stereo

headphones to this output.

7. Aux Input (1/8”/3.5 mm, stereo): Connect an optional audio source (e.g.,

smartphone, tablet, etc.) to this input using an 1/8”/3.5 mm stereo cable.

8. MIDI Output (1/8”/3.5 mm): Use the included 1/8"-to-MIDI adapter and a standard

MIDI cable (not included) to connect this output to the MIDI input of an optional

external MIDI device.

9. MIDI Input (1/8”/3.5 mm): Use the included 1/8"-to-MIDI adapter and a standard

MIDI cable (not included) to connect this input to the MIDI output of an optional

external MIDI device.

Important: Do not connect audio devices (e.g., headphones, monitors, etc.) to the

MIDI Output or MIDI Input. Use the included 1/8”-to-5-pin adapters to connect MIDI

devices only.

10. USB Port: Connect this USB port to a computer using a standard USB cable. This

connection allows HeadRush MX5 to send and receive the digital audio signal to and

from your computer. You can also use this connection to import or export rigs, model

presets, setlists and impulse responses.

11. Power Input: Connect this input to a power outlet using the included power adapter.

12. Power Switch: Press this button to turn HeadRush MX5’s power on. Press and hold

this button to turn HeadRush MX5’s power off.

13. Vent: Make sure this vent is unobstructed while using HeadRush MX5.

6

Setup

Items not listed under Introduction > Box Contents are sold separately.

IMPORTANT! In the Global Settings Menu, make sure you set the Outputs to send signal at

amp level if you are using a traditional guitar amplifier, or line level (default) if you are using a full-

range flat-response amplifier, mixer, PA speaker or audio interface.

Full-range, flat-response amplifier or

traditional guitar amplifier

External effect stompboxes,

modules, etc.

Expression pedal

Power outlet

Guitar

Computer

7

Basic Operation

This chapter describes some of HeadRush MX5’s basic functions. You can visit

headrushfx.com to download the complete user guide for even more information.

Main Screen

Important: The sequence of models in your signal chain is not necessarily reflected in the

footswitches. You can freely assign models to available footswitches without changing your

signal chain at all—and vice versa. See Hardware Assign to learn about this.

To assign a model (amp, cab, impulse response, or effect) to an empty

slot, tap it () and then use the list that appears. See Rigs > Creating a

New Rig to learn about this.

To rearrange the models in your signal chain, tap and drag a model to

another slot or between two other models (the ones after that position will

shift one slot further down the signal chain).

To activate or deactivate a model, press the footswitch assigned to it,

or tap the model and then tap the On/Off button that appears in the top

right corner.

To show a model’s settings screen, double-tap it.

To load another rig (preset):

• Tap the name of the rig on the screen and then turn the encoder.

• Press footswitches 1 and 2 (), or footswitches 2 and 3 () simultaneously when

MX5 is in Stomp Mode.

• Press a footswitch assigned to a preset when MX5 is in Rig Mode.

• Press a footswitch assigned to Prev Rig or Next Rig when MX5 is in Hybrid Mode.

To view other options, tap the  button in the upper-right corner, and then tap an option.

Tap to save rig.

This button

enables or disables

reverb and delay

tails when

switching to

another rig.

Rig name.

Tap to view setlists. Tap and drag this bar downward to view list of rigs.

This button toggles

between the

different routing

options for a rig.

Turn encoder to move

through selectable items

onscreen or to adjust

parameters. Press

encoder as an Enter

command.

Double-tap a model, In, or Out

to show its parameters.

These three blocks show the current function of the three

footswitches. Tap the block to activate or deactivate it.

8

Footswitch Modes

The three footswitches can be used to activate or

bypass models (amps, cabs, impulse responses, or

effects) as well as select scenes, rigs, or setlists. These

footswitches are always in one of four modes: Stomp,

Rig, Hybrid, or Setlist.

To change the mode, hold footswitch 1, then:

• To select Stomp mode, press footswitch 1.

• To select Rig mode, press footswitch 2.

• To select Hybrid mode, press footswitch 3.

• To select Setlist mode, hold footswitch 2.

Stomp Mode

Footswitches 1-3 correspond to models (amps, cabs, or

effects) in your signal chain. Press a footswitch to

activate or deactivate its model.

To load the next rig, press footswitches 1 and 2 () simultaneously.

To load the previous rig, press footswitches 2 and 3 () simultaneously.

Rig Mode

Footswitches 1-3 correspond to rigs you have previously

saved. Press a footswitch to load its rig.

To show the next bank of three rigs, press footswitches 1 and 2 () simultaneously.

To show the previous bank of three rigs, press footswitches 2 and 3 () simultaneously.

Hybrid Mode

The first footswitch can be assigned to activate/

deactivate a model or to select a scene in the currently

selected rig.

To switch to the previous rig, press footswitch 2.

To switch to the next rig, press footswitch 3.

Setlist Mode

To enter the currently shown setlist, press

footswitch 1.

To show the previous setlist, press footswitch 2.

To show the next setlist, press footswitch 3.

To enter the All Rigs setlist, press and hold footswitch 1.

9

Rigs

While using HeadRush MX5, a rig is a preset: the combination of assigned models—the amps,

cabs, impulse responses, and effects—and the parameter settings of each of them. You can

create, edit, save, and load rigs, making it easy to recall the perfect sound for each part of your

performance.

Each rig has 11 slots, each of which can have one model (amp, cab, or effect) assigned to it.

Assigned slots will show graphical representations of the models, and empty slots will show a 

symbol.

Creating a New Rig

To create a new rig, tap the  button in the upper-

right corner of the screen, and tap New Rig.

To assign a model (amp, cab, or effect) to an empty

slot:

1. Tap the empty slot ().

2. In the list that appears, tap the type of model you

want to assign: Amp, Cab, IR (impulse response),

or effect (Distortion, Dynamics/EQ, Modulation,

Reverb/Delay, FX-Loop, or Expression).

3. In the list that appears, tap the model you want

to assign.

4. In the next list that appears, tap the preset you

want to load for that model.

If you load an amp or cab to a slot with an empty

adjacent slot, a matching amp or cab will be loaded

automatically to the other slot. After that, you can

configure them independently: you can separate them in

the signal chain, you can change the type of the amp or

cab, and you can delete each model separately.

Optimizing Your Signal Chain

The signal chain is the path that the audio signal follows from your guitar through your selected

models and ends at the outputs of HeadRush MX5. You can use the touchscreen to arrange

your selected models in any sequence, but you may find that some configurations will sound

better than others.

Here are some common model placement suggestions for creating tones with HeadRush MX5:

• Dynamics (e.g., compressors), filters (e.g., wah, pitch shifters), and volume pedals

generally are placed at the beginning of the signal chain. Alternatively, you can place

volume pedals at the end of the signal chain to provide a slight variance in functionality.

• Gain-based effects (e.g., overdrive/distortion, fuzz) usually come next.

• Equalization (EQ) is often used to shape the tonal characteristics of overdrive/distortion

and fuzz effects, so put an EQ after them. Alternatively, place it before them to shape the

guitar’s general tone—cutting unwanted frequencies—before the gain pedals.

• Modulation effects like flangers, phasers, and chorus are typically placed next.

• Time-based effects like delays and reverbs are generally placed near the end of the

signal chain.

• An amp and a cab (or an amp and impulse response) are often placed at the very end of

the signal chain, although you can place it wherever you want.

Type Model Presets

10

Saving a Rig

If you have changed the rig at all since loading it, you will see an asterisk () next to its name at

the top of the screen. You can save these changes to this rig, save these changes as another

rig, or discard them altogether.

To save a rig, tap Save in the upper-right corner.

To save your changes to the current rig, tap Save.

To save your changes as a new rig, tap Save New Rig, use the keyboard that appears to enter a

name, and then tap Save.

To return to the previous screen without saving, tap Cancel at any time.

To discard any changes you’ve made to the rig, tap the  button in the upper-right corner,

and tap Discard Changes.

Adjusting Settings

To adjust the settings of a model in your rig, double-tap it to open its settings screen.

Saving a Preset

To save a preset, tap Save in the upper-right corner.

To save your changes to the current preset, tap Save.

To save your changes as a new preset, tap Save New Preset, use the keyboard that appears to

enter a name, and then tap Save.

To return to the previous screen without saving, tap Cancel at any time.

Tap  to return to retain your changes and

return to the main screen.

Tap Delete to unassign the

model from the slot.

Tap the

model

name to

assign a

different

model to

this slot.

Turn encoder to move

through selectable

items onscreen or to

adjust parameters.

Press encoder as an

Enter command.

Tap this button and tap Discard Changes to discard any

changes you’ve made since opening this screen.

Tap a color to assign it to this model. That color

will be shown on the main screen, in the Hardware

Assign screen, and in the footswitch indicator for

this model.

Tap Cancel to return to

discard your changes and

return to the main screen.

Tap an Off/On

parameter button to

change the

parameter's setting

accordingly.

Tap and drag a slider

left and right to adjust

the parameter's

settings. Alternatively,

tap the slider and use

the encoder for fine

adjustments.

Tap the Preset menu to select a preset. See Saving a Preset.

11

Hardware Assign

The Hardware Assign screen enables you to

customize how HeadRush MX5’s footswitches and

an expression pedal control each rig.

To open the Hardware Assign screen, tap the 

button in the upper-right corner of the main screen,

and then tap Hardware Assign.

To return to the main screen, tap the  button in

the upper-left corner.

Important: The Hardware Assign settings are all part

of the overall rig, so remember to save your

changes you want to keep.

To set the color associated with the rig, tap it in the upper-left part of the screen. This color

will appear next to the rig name when you view a list of all available rigs or when you view and

create setlists. It will also be the color of the corresponding footswitch indicator when HeadRush

MX5 is in Rig Mode.

To set the tempo of the rig’s time-based effects (delays, modulation, etc.), tap the button

under Tempo to select Current or Fixed.

• Current: The rig will use the last-used tempo or the one set by the Tempo footswitch.

To set the tempo, press the Tempo footswitch at the desired tempo 3–8 times to set the

new tempo in beats per minute (BPM).

• Fixed: The rig will use a tempo that you set here.

To set the tempo, turn the encoder to set the desired tempo in beats per minute

(BPM). You can set the tempo only in this Hardware Assign screen.

To load a rig when a MIDI program change is received from an optional external MIDI

device, or to send a MIDI program change message when a rig is loaded, tap the button

under MIDI, and then turn the encoder to select a MIDI program change number. You can

adjust whether MIDI program changes are received and/or sent in the Global Settings menu.

Note: If a rig is using a number, that number will be unavailable and cannot be assigned to

another rig. Additionally, saving a rig with a new name will save the rig but without the program

change number to prevent rigs from sharing the same number.

Footswitches

The 3 boxes in the lower-left corner represent the 3 footswitches of HeadRush MX5. You can

assign any switch-based parameters (ones with only two states) to any of the footswitches—

regardless of their location in the signal chain.

To assign a parameter to a footswitch:

1. Tap a box.  indicates an empty box.

2. In the list that appears, tap the model with the

parameter you want to assign.

3. In the list that appears, tap the parameter you

want to assign. Usually, the parameter will

simply be On (to activate or deactivate it).

Tap Unassigned  to unassign that

footswitch.

To swap two assignments, tap and drag one of them over the other, and then release it.

12

Scenes

The Scene feature allows you to turn multiple models on or off in each rig, as well as select

different change model presets. When you press the footswitch assigned to that scene, all

models included in that scene will turn on or off, or change to a different preset, depending on

how you assign them. This is a great way to create multiple tones in the same rig. For instance,

you may want a particular reverb model to be on anytime a particular distortion model is also on.

Alternatively, you may want to turn one delay model off when you turn another one on. Scenes

enable you to do this with only one footswitch press.

To create and edit a scene:

1. On the Hardware Assign screen, tap

Toggle/Scene for the desired footswitch to cycle

through the available options, and select Scene.

2. On that model, tap Edit. The Scene Editor will

appear, which shows all models in your rig.

3. For each model in the rig, tap the first line of

text to cycle through the available options:

• On: This model will turn on when you turn

the scene on.

• Off: This model will turn off when you turn

the scene on.

• No Change: This model will remain

unaffected when you turn the scene on.

4. For each model in the rig, tap the second line

of text to configure a model preset to be

loaded when the scene is activated.

5. Tap a color at the top of the touchscreen to

select a color for the scene.

6. Tap the  button in the upper-left corner to

return to the Hardware Assign screen.

To rename a scene (which appears in the footswitch indicators), tap the text in the box below

Edit on the model, use the virtual keyboard that appears to enter a name, and then tap

anywhere other than the text field.

13

Expression Pedal

The expression pedal can control two parameters (in Classic Mode) or two sets of parameters (in

Advanced Mode). Use the toe switch to switch between them—Expression Pedal A or B.

To activate the toe switch, move the “toe end” of the expression pedal so it touches the

MX5, and then press down.

Note: When you save your rig, the current selected Expression Pedal state (A or B) will be

saved and then recalled when you load the rig again.

The column of four boxes represents the expression pedal settings. You can

assign one or more continuously adjustable parameters (ones with a range of

values) to the expression pedal.

To set the expression pedal mode, tap the button above Range in the

upper-right corner to select Classic or Advanced.

• Classic: You can assign one parameter to each expressional

pedal (A and B). Using the toe switch will select the other

expression pedal and deactivate (bypass) the current

expression pedal’s parameter. For instance, if you assign a

wah pedal to Expression Pedal A and a volume pedal to

Expression Pedal B, only one of them will be active at any

time; when you are controlling the wah pedal, the volume

pedal will be bypassed, and vice versa.

• Advanced: You can assign up to four parameters to each

expression pedal (A and B). Moving the pedal will adjust all of

its assigned parameters simultaneously. Using the toe switch

will select the other expression pedal and leave the current

pedal’s parameters active and at their maximum values.

To assign a parameter to the expression pedal:

1. If the Assign button is not on, tap it.

2. Tap a box under the Assign button.  indicates an empty box.

3. In the list that appears, tap the model with the parameter you want to

assign.

4. In the list that appears, tap the parameter you want to assign.

Tap Unassigned  to unassign that box.

To swap two assignments (while in Advanced Mode), tap and drag one of

them over the other, and then release it.

To set the range of an assigned parameter:

1. If the Range button is not on, tap it.

2. Tap a value under the Range button.

3. Turn the encoder to set the desired value as a percentage of the

parameter’s entire range. Press the encoder or tap elsewhere to

confirm the value.

14

Setlists

You can use setlists to organize your rigs. A setlist is a saved collection of rigs, which you can

save and recall at a later time. This is useful, for instance, if you only need some of your rigs for a

performance; you can save a setlist of just those rigs so you don’t have to spend time searching

through all of your rigs before playing the next song.

To view your setlists, tap the ≡ button in the upper-left corner of the main screen. The Setlists

screen will appear.

To return to the main screen, tap the  button in the upper-left corner.

To create a setlist:

1. Tap New in the upper-right corner.

2. In the screen that appears, the left half is a list

of all available rigs, and the right half is the list

of rigs in the setlist.

To add a rig to the setlist, tap it to add it to the

end of the list. Alternatively, tap and hold it, and

then drag it to the desired location in the list.

You can add the same rig to a setlist more than

once. The [Empty ] rig in the lower-left corner

is a slot to use as a placeholder to make

rearranging the setlist easier; it will not be

available as a selectable rig when moving

through rigs in the setlist.

To rearrange the setlist, tap and hold a rig in the list on the right half, and then drag it to

the desired location in the list.

To remove a rig from the setlist, tap the  on its right edge.

To save a setlist, tap Save in the upper-right corner.

To save your changes to the current setlist,

tap Save.

To save your changes as a new setlist, tap Save New Setlist, use the keyboard that

appears to enter a name, and then tap Save.

(At any time) To return to the previous screen without saving, tap Cancel.

To discard any changes you’ve made to the setlist, tap the  button in the upper-left corner,

and tap Discard Changes.

To load a setlist:

1. While viewing the main screen, tap the ≡ button

in the upper-left corner to view the Setlists

screen. Each setlist will show the number of rigs

in parentheses (including multiple instances of

the same rig).

2. Tap the desired setlist. The first rig of that setlist

will load immediately. Tap All Rigs to view all rigs

instead of a specific setlist.

To edit a setlist, tap the  button on its left side, and then tap the pencil icon. You will see the

same screen you used to create the setlist, where you can edit and save it.

To delete a setlist, tap the  button on its left side, and then tap the trash can icon. Tap Yes

to confirm the deletion or Cancel to return to the Setlists screen without deleting it.

15

Hands-Free Mode

Hands-Free Mode enables you to adjust any of the

settings on your models by using just the

footswitches and expression pedal.

To enter Hands-Free Mode, press and hold

footswitch 1 to enter the mode select page, and

then press and hold footswitch 1 again.

To increase or decrease the value shown, move

the expression pedal.

To decrease the value shown in small

increments, press footswitch 1 and 2 ()

simultaneously.

To increase the value shown in small

increments, press footswitch 2 and 3 ()

simultaneously.

To edit the next model in your rig, press

footswitch 1.

To edit the previous model in your rig, hold

footswitch 1.

To show the next parameter for the shown

model, press footswitch 2.

To show the previous parameter for the shown

model, hold footswitch 2.

To exit Hands-Free Mode, press footswitch 3.

Tuner/Tempo

You can use the Tuner/Tempo page to tune your

guitar and set a tempo for time-based effects.

To enter Tuner/Tempo mode, press and hold

footswitch 3 for over one second. While in

Tuner/Tempo Mode, the screen to the right is

shown.

To change the tuner reference pitch, tap the

parameter and then turn the encoder.

To unmute your signal while tuning, press

footswitch 1.

To enter a tempo via tapping a footswitch,

press footswitch 2 at the desired tempo 3–8

times to set the tempo in beats per minute

(BPM).

To exit this page, press footswitch 3.

Tip: You can also assign Tap Tempo to a footswitch within a rig on the Hardware Assign page.

16

Looper

The HeadRush MX5 has a built-in looper that you can use to layer your performances. While the

looper’s operation is shown in the display, you can control most of it conveniently with the

footswitches.

The looper can hold up to 20 minutes of audio at a time across a maximum of 50 layers. The

first layer of your loop can be up to 5 minutes long.

To record the first layer of a loop, press the Record footswitch. Recording will begin

immediately and the footswitch indicator will light red. Press the Record footswitch again to

stop recording and start loop playback. The footswitch is now called Overdub and the

footswitch indicator is yellow.

To record additional layers onto the loop (overdub), press the Overdub footswitch.

Overdubbing will begin immediately and the footswitch indicator will light red. Press the

Overdub footswitch again to stop overdubbing and continue playback.

To erase the top-most (last-added) layer of the loop, press and hold the Peel footswitch. The

top-most layer of the loop will be erased immediately. This process is destructive, so you can’t

re-add it later.

To clear the full loop, press and hold the Clear footswitch. This process will stop playback and

is destructive, so you can't re-add it later.

To halve or double the length of the loop, tap the button next to the Length field and then turn

the encoder. The halving process is non-destructive, so you can restore your original loop and

its content by doubling the length of the loop.

To halve or double the speed of the looper, tap the button next to the Speed field and then

turn the encoder.

Tip: Use this to create low bass lines or ultra-high guitar parts that you couldn’t ordinarily play.

This meter indicates

your current location

in the loop during

recording or

playback.

This indicates how

many layers are

playing in the current

loop, including the

original.

This indicates the

direction of

p

la

y

back.

This indicates whether the looper is

located before (Pre) or after (Post)

your signal chain. Moving the looper

to the Pre position enables you to

edit your rig without having to play

the same riff over and over again.

This indicates the length

of the current loo

p

.

This controls how

much of the

looper’s signal you

hear in the outputs.

This controls how

much of the

looper’s signal is

routed back through

it when recording

another la

y

er.

Rig name.

This indicates the

current speed of the

loop as a multiple or

fraction of the

ori

g

inal.

17

To reverse looper playback, tap the button next to the Playback field and then turn the

encoder.

Tip: Create eerie effects by recording layers in reverse then switching back to normal playback.

To set the looper’s location, tap the button next to the Playback field and then turn the

encoder to place it before (Pre) or after (Post) the signal chain. Moving the looper to the Pre

position enables you to edit your rig without having to play the same riff over and over again.

To exit the looper and return to the main screen, press the Exit footswitch. If the looper is

playing, playback will continue.

To re-enter the looper, press and hold the Looper footswitch again.

Tip: Use this feature to create different effect configurations (adjust parameters,

activate/deactivate models, etc.) for each layer, creating a multi-textured performance. You can

also switch rigs while using the looper and use a different rig for each layer.

Global Settings

Use the global settings to configure the HeadRush

MX5’s overall operation.

To show the global settings, tap the 

button in the upper-right corner of the screen,

and tap Global Settings.

To select each page of the global settings,

tap the number at the upper-right corner of

the screen.

LCD Brightness: This setting determines the brightness of the main display. Tap this field, turn

the encoder to select 1 (dim) through 5 (bright), and then press the encoder.

Audio Configuration:

Rig Input: This setting determines whether each rig’s input signal is taken from the Guitar

Input (Guitar) or the left (L) Return Input (FX Ret L). When set to Per Rig, the source is

determined by the Rig Input setting of each rig in the Input block. When set to FX Ret L

or Per Rig, the FX-Loop Stereo Return setting will be disabled; the signal will be mono.

Main Out Level: This setting determines the signal level sent to the main Outputs

(1/4"/6.35 mm, TRS). When set to Line, the output level will be +18 dBu. Use this setting

if you are connecting the HeadRush MX5 to a full-range, flat-response amplifier, PA

speaker, mixer, or audio interface. When set to Amp, the output level will be +6 dBu. Use

this setting if you are connecting the HeadRush MX5 to a traditional guitar amplifier.

FX Return Level: This setting determines the signal level received by the FX Return Input

(1/4"/6.35 mm, TRS). When set to Rack, the output level will be line level, +18 dBu. Use

this setting if you are connecting a rack effects processor in the HeadRush MX5's FX-

Loop. When set to Stomp, the output level will be +6 dBu. Use this setting if you are

connecting a traditional guitar pedal ("stompbox") in the FX-Loop.

FX-Loop Stereo: These settings determine whether the incoming and outgoing signal in

the effects loop is stereo or mono. Tap Send to enable or disable the stereo signal for

the Send Outputs. Tap Return to enable or disable the stereo signal for the Return

Inputs.

18

USB Audio Settings:

Note: Download the complete HeadRush MX5 User Guide from headrushfx.com to learn more about

configuring your DAW.

Important note for Windows users: Before connecting the Headrush MX5 to your computer,

download and install the necessary drivers from headrushfx.com/support.

Sample Rate: This setting determines the sample rate of the USB audio signal: 44.1 kHz, 48.0 kHz

or 96.0 kHz. Remember to select the same sample rate as the one in your DAW. Also, set it before

opening your DAW.

USB Audio: This setting determines whether or not HeadRush MX5 is sending a USB audio

signal over a USB connection. Tap On to enable sending of the USB audio signal with the

selected Sample Rate. Tap Off to disable the USB audio signal. (To change the Sample Rate,

set USB Audio to Off first, select the correct sample rate, set USB Audio to On again, and

restart your DAW.)

USB Mode: This setting determines how the HeadRush MX5 sends its audio signal over the USB

connection and how its outputs function while doing so:

• Live: The audio signal will be sent to your computer as well as to the HeadRush MX5’s

outputs.

• DAW: The audio signal will be sent to your computer only. The HeadRush MX5’s

outputs will be disabled to prevent any latency while monitoring.

• Reamp: Your computer will send an audio signal to the HeadRush MX5, which will

process it through the current rig and send it back to your computer. The HeadRush

MX5’s outputs will be disabled to prevent any latency while monitoring.

Pedal Configuration:

External Pedal: This setting determines whether or not you are using an external expression

pedal with the HeadRush MX5.

• Tap On to use the built-in expression pedal to control the parameter/parameters of

Bank A while your external expression pedal controls the parameter/parameters of

Bank B. (If you are using the expression pedal’s Classic Mode, pressing the toe

switch will activate or deactivate the parameter. If you are using Advanced Mode, the

toe switch will be disabled entirely.)

• Tap Off to disable the expression pedal input and use the built-in expression pedal

only.

Reminders:

Confirm Unsaved: This setting determines whether or not

you will see a confirmation message if you change the rig

while there are unsaved changes on the current one. Tap

On to enable these messages or Off to disable them.

Alternatively, tap Do not show this dialog again in the message itself to disable them.

MIDI Settings: These settings determine how the HeadRush MX5

sends and receives MIDI information to and from external devices.

These settings affect only the HeadRush MX5’s MIDI input or MIDI

output.

MIDI Thru: Tap On to use the MIDI output as a MIDI

throughput; any MIDI information sent to the HeadRush

MX5’s MIDI input will be sent directly to the MIDI output.

Tap Off to use the HeadRush MX5’s MIDI output normally;

the HeadRush MX5 will be able to send its own MIDI

information out of the MIDI output.

Recv MIDI Clock: Tap On to enable the HeadRush MX5 to receive MIDI clock information. Tap

Off to use the HeadRush MX5’s own internal MIDI clock (which will not be sent out).

Prog Change: Tap Send to enable or disable the HeadRush MX5’s transmission of MIDI program

change messages when you load a rig. Tap Recv to enable or disable the HeadRush MX5’s

reception of MIDI program change messages from an external MIDI device.

19

MIDI Channel: This setting determines the MIDI channel(s) that the HeadRush MX5 will send and

receive MIDI messages. Tap this field, turn the encoder to select all channels (Omni), or 1–16,

and then press the encoder.

Assignments:

Auto Assign: This setting determines how models are assigned to the switches. Tap On if

you want models to be automatically assigned to the next available switch when you load

them. Tap Off if you want models to load without being assigned to a switch; you will have

to assign them manually in the Hardware Assign screen.

Color Mod:

If you have trouble distinguishing certain colors on your MX5’s display or if you just want to

further customize the color scheme, you can use the color mod parameters to adjust their

default settings. While experimenting with the settings, a sample of your adjustments will be

shown in real time. If you want to return to the default color scheme, the default settings are as

follows:

Depth: 0% Color: 36 DEG Spread: 180 DEG

Note: The Color Mod feature is disabled when the Screen Lock feature is enabled.

Global EQ:

These settings on Page 2 determine if/how equalization is

applied for your outputs. This equalizer is a four-band

parametric equalizer.

Tip: These settings are especially useful when a venue,

rehearsal space, etc. has different acoustic characteristics than

the room where you originally created your presets (e.g., the

venue may sound “boomier,” or a rehearsal space with

soundproofing may deaden some of the high end). This page

lets you quickly apply some additional equalization to all of

your presets without permanently saving them.

EQ On: This setting determines whether equalization is enabled (On) or disabled (Off) for

the outputs.

Level: This setting determines if/how much the outputs’ audio signal level is boosted or

cut. This value is applied the level set by the Master knob.

Low Band & High Band: These settings determine what type of equalization is applied to

the lowest-frequency band (Low Band) and to the highest-frequency band (High Band):

Shelf or Cut.

Low, Low Mid, High & High Mid: The three settings for each of these four frequency

bands determine the shape of the equalization:

The first setting (Hz) determines the center frequency of the low-frequency band,

low-mid-frequency band, high-frequency band, or high-mid-frequency band.

The second setting (dB) determines how much the equalizer boosts or cuts the

signal at the corresponding frequency band.

The third setting (Q) determines the width of the frequency band. The higher the

setting, the wider the band will be around the center frequency (the first setting). This

setting is applied whether Low Band or High Band is set to Shelf or Cut.

20

Transferring Files & Settings

Over a USB connection, you can transfer rig, setlist,

model preset, loop, and/or impulse response (IR)

files between your computer and the HeadRush

MX5.

We recommend creating a backup copy of your files

to your computer before you make any changes.

Important:

Do not disconnect or power off the HeadRush MX5

during the process.

Any unsupported files will be ignored.

You cannot transfer a folder or .zip/archive folder

to/from HeadRush MX5. Instead, transfer any

supported files directly.

We recommend organizing the file structure of your

rigs, setlists, model presets, and/or impulse

response files on your computer so that it’s identical

to the file structure as shown on the HeadRush MX5

“drive.”

To transfer files between the HeadRush MX5 and your computer:

1. Connect your computer to the HeadRush MX5’s USB port using a standard USB cable.

2. With your computer powered on, power on the HeadRush MX5 using the power switch.

3. Tap the  button in the upper-right corner of the screen and then tap Global Settings.

4. In the Global Settings screen, tap the  button in the upper-right corner of the screen, and

tap USB Transfer. On your computer, the HeadRush MX5 will appear as a mass-storage

device called HeadRush.

Windows users: If this is the first time you’ve connected it to this computer, you may need

to wait a minute while it installs the class-compliant drivers.

5. Open the HeadRush drive. You can now freely click and drag contents between

HeadRush and your computer. Note that any changes you make to the contents of your

HeadRush are immediate and cannot be cancelled.

6. IMPORTANT: When you are finished transferring contents, you must unmount/eject the

HeadRush drive from your computer. File corruption may occur if the drive is not properly

ejected before continuing.

7. After the drive has been ejected, tap Sync on

your HeadRush MX5 to "commit" any

changes you made to the contents of the

HeadRush drive. An additional prompt will

appear to confirm you have ejected the drive.

Tap Proceed to continue or Cancel to

continue accessing files on your computer.

As the HeadRush MX5 analyzes and imports

the files, a meter on the display will indicate

its progress. The normal Global Settings

screen will reappear when the process is

finished. Do not disconnect or power off

HeadRush MX5 during the sync process.

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