Yamaha QY70 Manuale utente

Owner’s Manual

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power

supply (adapter). DO NOT connect this product to

any power supply or adapter other than one

described in the manual, on the name plate, or

specifically recommended by Yamaha.

WARNING: Do not place this product in a position

where anyone could walk on, trip over ,or roll

anything over power or connecting cords of any kind.

The use of an extension cord is not recommended!

IF you must use an extension cord, the minimum

wire size for a 25' cord (or less ) is 18 AWG. NOTE:

The smaller the AWG number ,the larger the current

handling capacity. For longer extension cords,

consult a local electrician.

This product should be used only with the

components supplied or; a cart, rack, or stand that is

recommended by Yamaha. If a cart, etc., is used,

please observe all safety markings and instructions

that accompany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed

to be correct at the time of printing. However,

Yamaha reserves the right to change or modify any

of the specifications without notice or obligation to

update existing units.

This product, either alone or in combination with an

amplifier and headphones or speaker/s, may be

capable of producing sound levels that could cause

permanent hearing loss. DO NOT operate for long

periods of time at a high volume level or at a level

that is uncomfortable. If you experience any hearing

loss or ringing in the ears, you should consult an

audiologist.

IMPORTANT: The louder the sound, the shorter the

time period before damage occurs.

Some Yamaha products may have benches and / or

accessory mounting fixtures that are either supplied

with the product or as optional accessories. Some of

these items are designed to be dealer assembled or

installed. Please make sure that benches are stable

and any optional fixtures (where applicable) are well

secured BEFORE using.

Benches supplied by Yamaha are designed for

seating only. No other uses are recommended.

NOTICE:

Service charges incurred due to a lack of knowledge

relating to how a function or effect works (when the

unit is operating as designed) are not covered by the

manufacturer’s warranty, and are therefore the

owners responsibility. Please study this manual

carefully and consult your dealer before requesting

service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both

user safe and environmentally friendly. We sincerely

believe that our products and the production

methods used to produce them, meet these goals. In

keeping with both the letter and the spirit of the law,

we want you to be aware of the following:

Battery Notice:

This product MAY contain a small non-rechargeable

battery which (if applicable) is soldered in place. The

average life span of this type of battery is approxi-

mately five years. When replacement becomes

necessary, contact a qualified service representative

to perform the replacement.

This product may also use “household” type

batteries. Some of these may be rechargeable. Make

sure that the battery being charged is a rechargeable

type and that the charger is intended for the battery

being charged.

When installing batteries, do not mix batteries with

new, or with batteries of a different type. Batteries

MUST be installed correctly. Mismatches or incorrect

installation may result in overheating and battery

case rupture.

Warning:

Do not attempt to disassemble, or incinerate any

battery. Keep all batteries away from children.

Dispose of used batteries promptly and as regulated

by the laws in your area. Note: Check with any

retailer of household type batteries in your area for

battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair,

or for some reason its useful life is considered to be

at an end, please observe all local, state, and federal

regulations that relate to the disposal of products

that contain lead, batteries, plastics, etc. If your

dealer is unable to assist you, please contact

Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the

product. The model number, serial number, power

requirements, etc., are located on this plate. You

should record the model number, serial number, and

the date of purchase in the spaces provided below

and retain this manual as a permanent record of

your purchase.

Model

Serial No.

Purchase Date

92-BP

PLEASE KEEP THIS MANUAL

1

• Do not open the instrument or attempt to disassemble

the internal parts or modify them in any way. The in-

strument contains no user-serviceable parts. If it should

appear to be malfunctioning, discontinue use immedi-

ately and have it inspected by qualified Yamaha ser-

vice personnel.

• Do not expose the instrument to rain, use it near water

or in damp or wet conditions, or place containers on it

containing liquids which might spill into any openings.

• If the AC adaptor cord or plug becomes frayed or dam-

aged, or if there is a sudden loss of sound during use of

the instrument, or if any unusual smells or smoke should

appear to be caused by it, immediately turn off the

power switch, disconnect the adaptor plug from the

outlet, and have the instrument inspected by qualified

Yamaha service personnel.

• Use the specified adaptor (PA-3B or equivalent recom-

mended by Yamaha) only. Using the wrong adaptor

can result in damage to the instrument or overheating.

• Before cleaning the instrument, always remove the

electric plug from the outlet. Never insert or remove an

electric plug with wet hands.

• Check the electric plug periodically and remove any

dirt or dust which may have accumulated on it.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or

even death from electrical shock, short-circuiting, damages, fire or other hazards. These

precautions include, but are not limited to, the following:

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep these precautions in a safe place for future reference.

• Always make sure all batteries are inserted in confor-

mity with the +/- polarity markings. Failure to do so

might result in overheating, fire, or battery fluid leak-

age.

• Always replace all batteries at the same time. Do not

use new batteries together with old ones. Also, do not

mix battery types, such as alkaline batteries with man-

ganese batteries, or batteries from different makers, or

different types of batteries from the same maker, since

this can cause overheating, fire, or battery fluid leak-

age.

• Do not dispose of batteries in fire.

• Do not attempt to recharge batteries that are not in-

tended to be charged.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to

you or others, or damage to the instrument or other property. These precautions include, but

are not limited to, the following:

• Do not place the AC adaptor cord near heat sources

such as heaters or radiators, and do not excessively

bend or otherwise damage the cord, place heavy ob-

jects on it, or place it in a position where anyone could

walk on, trip over, or roll anything over it.

• When removing the electric plug from the instrument

or an outlet, always hold the plug itself and not the

cord.

• Do not connect the instrument to an electrical outlet

using a multiple-connector. Doing so can result in lower

sound quality, or possibly cause overheating in the

outlet.

• Unplug the AC power adaptor when not using the in-

strument, or during electrical storms.

(4)

2

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep these precautions in a safe place for future reference.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to

you or others, or damage to the instrument or other property. These precautions include, but

are not limited to, the following:

• If the instrument is not to be in use for a long time,

remove the batteries from it, in order to prevent pos-

sible fluid leakage from the battery.

• Keep batteries away from children.

• Before connecting the instrument to other electronic

components, turn off the power for all components. Be-

fore turning the power on or off for all components, set

all volume levels to minimum.

• Do not expose the instrument to excessive dust or vi-

brations, or extreme cold or heat (such as in direct sun-

light, near a heater, or in a car during the day) to pre-

vent the possibility of panel disfiguration or damage to

the internal components.

• Do not use the instrument near other electrical prod-

ucts such as televisions, radios, or speakers, since this

might cause interference which can affect proper op-

eration of the other products.

• Do not place the instrument in an unstable position

where it might accidentally fall over.

• Before moving the instrument, remove all connected

adaptor and other cables.

• When cleaning the instrument, use a soft, dry cloth.

Do not use paint thinners, solvents, cleaning fluids, or

chemical-impregnated wiping cloths. Also, do not place

vinyl or plastic objects on the instrument, since this

might discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on

the instrument, and do not use excessive force on the

buttons, switches or connectors.

• Do not operate the instrument for a long period of time

at a high or uncomfortable volume level, since this can

cause permanent hearing loss. If you experience any

hearing loss or ringing in the ears, consult a physician.

■REPLACING THE BACKUP BATTERY

• This instrument contains a non rechargeable internal

backup battery which permits internal data to remain

stored even when the power is off. When the backup

battery needs replacing, the message "Backup Batt.

Low" will display in the LCD panel. When this happens,

immediately back up your data (using an external de-

vice such as the floppy disk-based Yamaha MIDI Data

Filer MDF2), then have qualified Yamaha service per-

sonnel replace the backup battery.

• Do not attempt to replace the backup battery your-

self, in order to prevent the possible serious hazards.

Always have qualified Yamaha service personnel re-

place the backup battery.

• Never place the backup battery in a location that a child

can reach, since a child might accidentally swallow the

battery. If this should happen, consult a physician im-

mediately.

■SAVING USER DATA

• Save all data to an external device such as the Yamaha

MIDI Data Filer MDF2, in order to help prevent the loss

of important data due to a malfunction or user operat-

ing error.

Yamaha cannot be held responsible for damage caused by

improper use or modifications to the instrument, or data that

is lost or destroyed.

Always turn the power off when the instrument is not in

use.

Make sure to discard used batteries according to local

regulations.

(4)

3

Contents

1: The QY70 — An Overview ............. 5

Sequencer Functions....................... 6

Accompaniment Sequencing .......... 7

Voices & Effects .............................. 8

2: Power & Connections .................... 9

Power Supply ........................................ 9

Using Batteries ................................ 9

When to Replace the Batteries ..... 10

Using a Power Adaptor ................. 11

Setting Up ............................................ 12

The Connectors ............................. 12

Audio Connections ........................ 14

MIDI Connections ......................... 15

Connecting to a Personal

Computer ...................................... 16

About the MIDI Driver ................... 19

3: The Controls ................................. 22

4: Play the Demo Songs .................. 31

5: Easy Accompaniment .................. 33

Selecting & Playing the Preset

Patterns ............................................... 33

Changing Chords ........................... 39

Fingered Chord Function ............... 43

Preset Chord Templates ................ 43

Record a Complete Accompaniment ... 44

Realtime Accompaniment

Recording ...................................... 44

Recording Tempo Changes ........... 50

Step Accompaniment Recording... 51

■ “Pt” — Step Record Pattern

Changes ........................................ 54

■ “Cd” — Step Record Chord

Changes ........................................ 57

6: The Song Voice Mode .................. 61

The Effect Send Display ...................... 66

Voice Editing ........................................ 68

Drum Edit ...................................... 72

7: Creating A Complete Song ......... 75

Recording the Sequencer Tracks ......... 75

Preparing to Record

— Voice Assignments ................... 75

Realtime Sequencer Track

Recording ...................................... 76

Step Sequencer Track Recording .. 81

8: Playback Control .......................... 88

Play Effects ..........................................94

Groove Quantization ...................... 96

Drum Table Remapping ................. 98

9: The Song Jobs............................ 101

00 : Undo/Redo .................................. 103

01 : Quantize ..................................... 104

02 : Modify Velocity ........................... 107

03 : Modify Gate Time ....................... 109

04 : Crescendo .................................. 111

05 : Transpose ................................... 113

06 : Shift Clock .................................. 114

07 : Chord Sort .................................. 116

08 : Chord Separate ........................... 117

09 : Copy Event ................................. 118

10 : Erase Event ................................ 120

11 : Extract Event .............................. 121

12 : Create Continuous ...................... 123

13 : Thin Out ...................................... 125

14 : Time Stretch ............................... 126

15 : Create Measure .......................... 127

16 : Delete Measure .......................... 128

17 : Copy Track .................................. 129

18 : Mix Track .................................... 130

19 : Clear Track .................................. 131

20 : Expand Backing .......................... 132

21 : Normalize .................................... 133

22 : Copy Song .................................. 134

23 : Clear Song .................................. 135

24 : Song Name ................................. 136

T h e Q Y 7 0 — A n O v e r v i e w

4

10: Creating Original Accompaniment

Patterns ..................................... 137

The Preset Phrases ........................... 137

Combining Phrases In the Pattern

Mode ................................................. 139

Recording Original Phrases ............... 144

Realtime Phrase Recording ......... 144

Step Phrase Recording ................ 150

Pattern Voice mode ........................... 151

The Effect Send Display .................... 152

Voice Editing ...................................... 154

Play Effects ........................................ 155

11: The Pattern Jobs ...................... 157

00 : Undo/Redo .................................. 159

01 : Quantize ..................................... 160

02 : Modify Velocity ........................... 163

03 : Modify Gate Time ....................... 165

04 : Crescendo .................................. 167

05 : Transpose ................................... 169

06 : Shift Clock .................................. 170

07 : Chord Sort .................................. 172

08 : Chord Separate ........................... 173

09 : Copy Event ................................. 174

10 : Erase Event ................................ 176

11 : Extract Event .............................. 177

12 : Create Continuous ...................... 179

13 : Thin Out ...................................... 181

14 : Time Stretch ............................... 182

15 : Copy Phrase ............................... 183

16 : Get Phrase .................................. 184

17: Put Phrase ................................... 185

18 : Copy Track .................................. 186

19 : Mix Track .................................... 187

20 : Clear Track .................................. 188

21 : Copy Pattern ............................... 189

22 : Clear Pattern ............................... 190

23 : Style Name ................................. 191

12: Editing Songs & Patterns ........ 192

Engaging the SONG or PATTERN

Edit Mode .................................... 192

Moving Around ............................ 195

Change Mode Editing .................. 196

Insert Mode Editing ..................... 197

XG View ............................................. 208

View Filter .......................................... 209

Phrase Table (Pattern Edit Only) ........ 210

13: Effects & Effect Editing ............ 212

Accessing & Editing the Effect

Parameters ........................................ 212

Effect Editing ..................................... 216

14: Utility Functions ....................... 218

Accessing the Utility Mode ......... 218

System Parameters ..................... 220

MIDI Parameters ......................... 222

Bulk Dump ................................... 225

Fingered Zone ............................. 227

15: Appendix ................................... 229

Specifications .................................... 229

Troubleshooting ................................. 231

Error Messages ................................. 233

Glossary ............................................. 235

Index .................................................. 242

Contents

The screen displays as illustrated in this owner’s manual are for

instructional purposes, and may appear somewhat different from

the screens which appear on your instrument.

5

1

T h e Q Y 7 0 — A n O v e r v i e w

The QY70 is a sophisticated music production system with a

16-track sequencer, a high-quality tone generator that provides 519

voices and 20 drum kits, and advanced auto-accompaniment capabil-

ity all integrated in a compact, easy-to-handle package. It also features

a built-in micro-keyboard for easy programming without an external

MIDI keyboard.

Sequencer

QY70

Controller

Tone Generator Effects

• 16 sequencer tracks

• 8 accompaniment

tracks

• built-in micro keyboard

• 519 voices

• 20 drum kits

• reverb, delay,

modulation,

distortion, etc

MIDI messages MIDI messages

Audio

signals

LINE OUT/

PHONES

Audio

signals

MIDI

messages

T h e Q Y 7 0 — A n O v e r v i e w

6

Sequencer Functions

The QY70 sequencer has 16 “normal” sequencer tracks to which

you can individually assign any of the internal voices and record either via

the QY70’s own micro keyboard or an external keyboard connected to the

QY70 MIDI IN connector. In the “replace” real-time record mode the QY70

records exactly what you play as you play it; the “overdub” real-time

record mode lets you add new material to a previously recorded track; and

the step record mode allows notes to be entered one at a time. The step

record mode lets you record extremely fast or complex passages that

would be impossible to play in real time. It’s also useful for adding finishing

touches to tracks recorded in real time. There’s also a “multi” real-time

record mode in which all 16 sequencer tracks can be recorded simulta-

neously.

The QY70 provides an extensive range of advanced editing functions

that make modifying and refining your recorded data an easy, efficient

process.

7

1

T h e Q Y 7 0 — A n O v e r v i e w

Accompaniment Sequencing

The QY70 features a unique accompaiment system that makes it

easy to create complete accompaniments for any type of music. Accompa-

niments are produced by specifying a sequence of “patterns” to be played

rather than by recording individual notes or chords. The QY70 provides 128

preset accompaniment “styles”, and memory for up to 64 original user

“styles” that you can record yourself. Each “style” can have 6 variation

“patterns” — intro, main A, main B, fill AB, fill BA, and an ending — that

you can sequence, along with chord changes, to quickly create complete

accompaniment tracks. Chord changes are programmed simply by entering

the name of the chord — Yamaha’s advanced ABC (Auto Bass Chord) auto-

accompaniment system automatically re-harmonizes the patterns accord-

ingly. The QY70’s accompaniment sequencing features mean you can whip

up a complete accompaniment in a fraction of the time it would normally

take, significantly simplifying and speeding up the overall production

process.

STYLE 001

STYLE 128

INTRO MAIN A MAIN B FILL AB FILL BA ENDING

128 preset accompaniment “styles” each with 6 variation “patterns”

T h e Q Y 7 0 — A n O v e r v i e w

8

Voices & Effects

The QY70’s internal tone generator, compatible with XG and GM

format, provides 519 top-quality voices plus 20 complete drum kits with

different drum and percussion instruments assigned to different notes. You

can assign any of these voices to the sequencer tracks and patterns, or

play them from an external keyboard or other MIDI controller via the MIDI

interface, or directly from a personal computer. The QY70 also features a

high-quality internal DSP (Digital Signal Processor) system which provides a

range of reverb, delay, modulation, distortion and other effects in three

individually programmable groups so you can produce a polished sound

without the need for external equipment.

■

DETAIL

• See the List Book for a complete list of the QY70 voices.

• The QY70 effects are described on page 212.

GM(General MIDI) System Level 1

“GM System Level 1” is a standard specification that defines

the arrangement of voices in a tone generator and its MIDI

functionality, ensuring that data can be played back with

substantially the same sounds on any GM-compatible tone generator,

regardless of its manufacturer or model.

Tone generators and song data that meet the “GM System Level 1” bear

this GM logo.

XG

“XG” is a tone generator format that expands the voice

arrangement of the “GM System Level 1” specification to

meet the ever-increasing demands of today’s computer

peripheral environment, providing richer expressive power while maintaining

upward compatibility of data. “XG” greatly expands “GM System Level 1”

by defining the ways in which voices are expanded or edited and structure

and type of effects.

When commercially available song data bearing the XG logo is played back

on a tone generator which bears the XG logo, you will enjoy a full musical

experience that includes unlimited expansion voices and effect functions.

9

2

P o w e r & C o n n e c t i o n s

Using Batteries

Six 1.5V AA size (SUM-3 or R6P) or equivalent batteries must first be

installed in the battery compartment. Alkaline batteries are recommended

for longer life.

Never mix battery types, such as alkaline batteries with manga-

nese batteries or batteries from different makers.

P o w e r & C o n n e c t i o n s

Power Supply

Your QY70 will run either from batteries or an optional AC adaptor.

Follow the instructions below according to the power source you intend to

use.

Z Open Battery Compartment Cover

Open the battery compartment cover — located on the

instrument’s bottom panel — by pressing down on the grooved

section of the cover and sliding in the direction of the arrow, as

shown in the illustration.

X Insert Batteries

Insert the six batteries, being careful to follow the polarity

markings on the bottom panel.

10

P o w e r & C o n n e c t i o n s

C Replace Cover

Replace the compartment cover, making sure that it locks

firmly in place.

When to Replace the Batteries

When the batteries run down and are no longer able to operate the

QY70, the sound may become distorted and the following display will

appear:

When this display appears, replace the batteries with a complete set

of six new batteries. NEVER mix old and new batteries!

■

CAUTION!

• To prevent possible damage due to battery leakage, remove the batteries from the

instrument if it is not to be used for an extended period of time.

11

2

P o w e r & C o n n e c t i o n s

■

CAUTION!

• Do not attempt to use an AC adaptor other than the specified unit or an appropriate

replacement provided by your Yamaha dealer to power the QY70. The use of an

incompatible adaptor may cause irreparable damage to the QY70, and might pose a

serious shock hazard!

• Unplug the AC power adaptor when not using the instrument, or during electrical

storms.

Using a Power Adaptor

Plug the DC output cable from a Yamaha PA-3B AC Adaptor (avail-

able from your Yamaha dealer) into the DC IN jack on the rear panel, then

plug the adaptor into a convenient wall AC power socket.

DC IN

P o w e r & C o n n e c t i o n s

PA-3B

AC power

socket.

12

P o w e r & C o n n e c t i o n s

Setting Up

What you will connect the QY70 to, and what you will connect to the

QY70, will depend entirely on your individual requirements, and it would be

impossible to cover all possibilities here. A few examples are provided

below to help you get started.

The Connectors

q DC IN Jack

This jack is only used when you are powering the QY70

from an optional AC adaptor instead of batteries. The DC output

cable from an optional Yamaha PA-3B AC Power Adaptor is

plugged in here.

■

NOTE

• The batteries are automatically disconnected when a plug is inserted

into the DC IN jack.

w qr e

r

Rear Panel

Right Side Panel

13

2

P o w e r & C o n n e c t i o n s

w MIDI IN & OUT Connectors

If you plan to use a MIDI keyboard or other instrument to

play and program the QY70, it should be connected to QY70

MIDI IN connector (see “MIDI Connections,” on page 15). The

MIDI OUT connector can be connected to an external tone

generator if you want to drive external voices from the QY70

sequencer, or a MIDI data recorder such as the Yamaha MDF2 if

you want to store your songs and patterns to floppy disk (page

225).

e LINE OUT/PHONES Jack

This miniature stereo phone jack can be used to connect

the output of the QY70 to a stereo sound system, or a pair of

stereo headphones with a miniature stereo phone plug can be

plugged in here for convenient monitoring (see “Audio Connec-

tions,” on page 14). The output level is adjusted via the VOLUME

control on the left side panel.

r TO HOST Connector & HOST SELECT Switch

This jack and selector switch (the switch is on the side

panel) allow direct connection to a personal computer without the

need for a separate MIDI interface. See “Connecting To a Per-

sonal Computer” on page 16 for details.

14

P o w e r & C o n n e c t i o n s

Audio Connections

The simplest way to monitor the QY70 sound is via a pair of stereo

headphones (miniature stereo phone plug type) plugged into the LINE

OUT/PHONES jack. If you want to use an external stereo sound system,

however, use the supplied “Y” cable (miniature stereo phone plug to dual

RCA pin plugs) to connect the LINE OUT/PHONES jack to the inputs of a

stereo sound system. The white RCA pin plug goes to the left-channel

input of your stereo sound system and the red plug goes to the right-

channel input.

LINE OUT /

PHONES

LR

■

CAUTION!

• Make sure that both the QY70 and your sound system are turned OFF when

making connections.

Stereo Sound System

15

2

P o w e r & C o n n e c t i o n s

MIDI Connections

Although the QY70 can be played and programmed from the built-in

micro-keyboard, an external MIDI keyboard connected to the MIDI IN

connector provides the added advantages of standard keyboard size and

key velocity sensivity (if your keyboard has a velocity-sensitive keyboard).

Connect the MIDI OUT connector of the keyboard to the MIDI IN connec-

tor of the QY70, and make sure that the QY70 HOST SELECT switch is set

to MIDI. The connected MIDI keyboard will play the voice assigned to the

currently selected sequencer track. See page 61 for instructions on how to

assign different voices to the sequencer tracks.

External MIDI Keyboard

OUT

——

MIDI

——

IN

MIDI OUT

(HOST SELECT switch

is set to MIDI)

16

P o w e r & C o n n e c t i o n s

Connecting to a Personal Computer

Although the QY70 can be connected to a personal computer via the

MIDI IN/OUT connectors and a MIDI interface, the TO HOST connector

and selector switch allow direct connection to Apple Macintosh, IBM-PC/

AT, or NEC PC-9801/9821 series personal computers for sequencing and

other music applications without the need for a separate MIDI interface.

■

IMPORTANT!

• If the QY70 is to be connected to a computer via the TO HOST connector and a

MIDI controller via the MIDI IN connector, the “echo back”(or “MIDI Thru” etc)

function of the music software or sequencer you are using must be turned “on” so

that the MIDI note data from the controller is returned to the QY70 and any

subsequent devices connected to the QY70 MIDI OUT connector.

TO HOST

QY70

MIDI

OUT

MIDI

IN

MIDI IN

MIDI OUT

MIDI Controller

(MIDI Keyboard etc)

Personal Computer

echo back = ON

Tone Generator

17

2

P o w e r & C o n n e c t i o n s

● Connecting to an Apple Macintosh Series Computer

Connect the TO HOST connector of the QY70 to the

modem or printer port on your Macintosh, depending on which

port your MIDI software is using for MIDI data communication,

using a standard Macintosh 8-pin system peripheral cable. Set

the HOST SELECT switch to the “Mac” position.

You may also have to make other MIDI interface settings

on the computer side, depending on the type of software you

use (refer to your software owner’s manual). In any case the

clock speed should be set to 1 MHz.

“Mac” Cable Connections

● Connecting to an IBM-PC/AT Series Computer

Connect the TO HOST connector of the QY70 to the RS-

232C port on your IBM computer, using a standard 8-pin MINI

DIN

→

9-pin D-SUB cross cable. Set the HOST SELECT switch to

the “PC-2” position.

Refer to your software owner’s manual for information on

any settings you might have to make on the computer side.

“PC-2” Cable Connections

• 8-pin system peripheral cable.

• Data transfer rate: 31,250 bps.

• 8-pin mini DIN

→

9-pin D-SUB cable. Use a “PC-1” type cable if your

computer uses a 25-pin serial port.

• Data transfer rate: 38,400 bps.

2 (HSK i)1

1 (HSK 0)2

5 (RxD-)3

MINI DIN

8-PIN

4 GND4

3 (TxD-)5

8 (RxD+)6

7 (GP i)7

6 (TxD+)8

MINI DIN

8-PIN

Modem or

printer port

TO HOST

connector

8 (CTS)1

7 (RST)2

2 (RxD)3

4 5 (GND)

8

3 (TxD) 5

MINI DIN

8-PIN

D-SUB

9-PIN

RS-232C

port

TO HOST

connector

18

P o w e r & C o n n e c t i o n s

● Connecting to an NEC PC-9801/9821 Series Computer

The NEC PC-9801/9821 computers are widely used in

Japan. Connect the TO HOST connector of the QY70 to the RS-

232C port on your NEC computer, using a standard 8-pin MINI

DIN

→

25-pin D-SUB cross cable. Set the HOST SELECT switch

to the “PC-1” position if you use Windows3.1, and to the “PC-2”

position if you use Windows95.

Refer to your software owner’s manual for information on

any settings you might have to make on the computer side.

“PC-1” Cable Connections

• 8-pin mini DIN

→

25-pin D-SUB cable. Use a “PC-2” type cable if your

computer uses a 9-pin serial port.

• Data transfer rate: 31,250 bps.

■

NOTE

• If your system doesn’t work properly with the connections and settings

listed above, your software may require different settings. Check your

software operation manual and set the HOST SELECT switch to the

position provides the appropriate data transfer rate.

• If you use Windows95 or Windows3.1 in your computer, the appropri-

ate “MIDI driver” needs to be installed. See page 19 for details.

MINI DIN

8-PIN

D-SUB

25-PIN

5 (CTS)1

4 (RTS)2

3 (RxD)3

4 7 (GND)

8

2 (TxD) 5

RS-232C

port

TO HOST

connector

La pagina si sta caricando...

Yamaha QY70 Manuale utente

Yamaha QY70 Manuale utente

in altre lingue

Documenti correlati