Blackmagic Ultimatte Manuale utente

Operations Manual

Ultimatte 12

May 2018

English,

日本語, Français, Deutsch, Español, 中文,

한국어

,

Русский

,

Italiano, Português and Türkçe.

Languages

To go directly to your preferred language, simply click on the hyperlinks listed in

thecontents below.

English 3

日本語 71

Français 140

Deutsch 209

Español 278

中文 347

한국어 416

Русский 485

Italiano 554

Português 623

Türkçe 692

Welcome

Thank you for purchasing your Blackmagic Ultimatte 12.

Ultimatte has been the premiere keyer used in the film and television industries for decades

and no other keyer comes close to the performance that Ultimatte can achieve. It’s powerful

enough to handle fine detail on key edges as well as retaining stronger colors, even when

those foreground colors are close to the key color. Even uneven green and blue screen

backdrops can be handled.

However, what makes Ultimatte so powerful is its ability to map shadows onto the new

background layer combined with its color spill management that lets you create extremely

realistic environments. In many ways, Ultimatte is much more than a keyer as it’s really a real

time advanced compositor for creating photorealistic virtual environments. Ultimatte lets you

move your talent to any location at the click of a button and the results look real.

Ultimatte 12 is the latest model of Ultimatte and this new model includes entirely new algorithms

and color science, incredible edge handling, greater color separation, amazing color fidelity and

better spill suppression than previous models.

The new Ultimatte 12 is also Ultra HD as it includes advanced 12G-SDI design, however the

12G-SDI connections also switch between all SD, HD and Ultra HD formats up to 2160p60. This

means Ultimatte 12 has the flexibility to work in HD today but then switch to Ultra HD whenever

you need.

This instruction manual contains information you need to get started with Ultimatte 12 as well as

alsocontaining detailed instructions on how to operate Ultimatte 12 from the Smart Remote 4

control panel.

Also, please check the support page on our website at www.blackmagicdesign.com for the

latest version of this manual and for updates to your Blackmagic Ultimatte 12’s software.

Keeping your software up to date will ensure you get all the latest features! We are continually

working on new features and improvements, so we would love to hear from you!

Grant Petty

CEO Blackmagic Design

English

Ultimatte 12

Getting Started 6

Plugging in Power 6

To power Ultimatte 12 6

To power Smart Remote 4 6

Connecting the Smart Remote

4 to your Ultimatte 7

Turning On the Smart Remote 4 8

The Smart Remote 4 Status Bar 9

Selecting the Ultimatte Main Unit 9

Connecting Video Sources and Outputs 10

Monitor Cascade Feature 11

Setting an Auto Composite

using the File Clear Button 11

Connecting Sources and Outputs 12

SDI Inputs 12

SDI Outputs 12

What is a Matte? 13

Types of Mattes 13

Controlling Ultimatte with

SmartRemote 4 15

The Control Panel Layout 15

Main Menu Buttons 15

Information and File Control 15

Groups 16

Functions 16

Status Bar 17

Monitor Out 17

Connecting to a network 18

Setting the IP Address for Ultimatte 12 18

Setting the IP Address for

your Smart Remote 4 18

Setting the Main Unit’s IP

Address on Smart Remote 4 19

Ultimatte Compositing Workflow 19

Quick Guide to Building a Composite 20

Setting the Foreground Backing Color 20

Setting Screen Correction 20

Setting the Matte Density 21

Changing Settings 22

Adjusting Matte Controls 22

Matte Density 22

Black Gloss 22

Red, Green and Blue Density 22

Matte Reset 23

Clean Up Settings 23

Veil Settings 24

Shadow Level and Shadow Threshold 24

Matte Process/Screen Correction 24

Matte Correct Horizontal Size 25

Matte Correct Vertical Size 25

Screen Sample 25

Filter 26

Matte Reset 27

Cursor Position Last 27

Auto Screen Sample 27

Adjusting Foreground Flare Controls 27

Flare 1 Settings 28

Flare 2 Settings 28

Flare Reset 28

Advanced Flare 28

Adjusting Foreground

Ambiance Controls 29

Making Foreground Ambiance Changes 29

Ambiance 1 Settings 29

Adjusting Brightness, Color,

Contrast and Saturation 30

Contents

White Level Master 30

Black Level Master 30

Contrast Master 30

Saturation Master 30

Advanced Contrast Crossover Master 31

Fade Control 31

Color Correcting Black and White Levels 31

Adjusting Color Contrast and Saturation 31

Color Reset 31

Source Freeze Button 31

Additional Background Settings 32

Background Filter 32

Background Gradient 32

Test Signal 32

Additional Layer Settings 32

Test Signal 32

Lighting 32

Lighting Control Knobs 32

Layer Input 33

Layer Input Realistic/Linear/Additive 33

Matte Input Settings 34

Background Matte 34

Garbage Matte 34

Holdout Matte 34

Layer Matte 34

Window 34

Window Skew 35

Transition Rate 35

Setting the Layer Order 35

System 37

Video Format 37

3G SDI Outputs 37

Color Space 37

Conﬁgure Settings 37

Inputs 37

Outputs 38

On Air Settings 40

GPI and Tally Settings 40

GPIO MENU 40

CONTROL KNOBS 40

Setting Up a GPI Event List 41

GPIO Pinout 42

Monitor Out Settings 43

Monitor Setting Buttons 43

Saving and Loading Preset Files 45

Customizing the Menus 47

Updating the Internal Software 48

Updating your Smart Remote 4 48

Uninstalling Ultimatte SR4 v1.0.5 49

Installing Ultimatte Smart

Remote Setup 51

Connecting a USB Keyboard and

Mouse 53

Developer Information 53

Controlling Ultimatte using Telnet 53

Blackmagic Ultimatte 12

Ethernet Protocol 54

Help 68

Regulatory Notices and

SafetyInformation 69

Warranty 70

Getting Started

Getting started with your Blackmagic Ultimatte 12 is as simple as plugging in power, connecting

your foreground, background and layer SDI video sources, and plugging the SDI outputs into

video equipment such as a switcher, monitor or recording deck.

This section of the manual will show you everything you need to know to get started using your

Blackmagic Ultimatte 12.

Plugging in Power

To power Ultimatte 12

Plug a standard IEC power cable into any of the two power inputs on the rear panel.

NOTE Blackmagic Ultimatte 12 is equipped with two power supplies. This means you

can connect an alternative power supply for redundancy. Ultimatte 12 will automatically

switch to the second power source if your main power source fails.

Plug power into any of the two power inputs on the main unit’s rear panel.

To control your Ultimatte 12 main unit, you will need to connect to a Smart Remote 4 control

panel. Up to 8 Ultimatte 11 or Ultimatte 12 main units can be can be controlled by a single

SmartRemote 4 control panel.

To power Smart Remote 4

Plug the included power adapter into the DC power input on the rear panel. The screw ring is

used to secure the connector to the port.

Plug the power adapter into Smart Remote 4’s power input

LOOP

IN

LOOP

IN

LOOP

IN

LOOP

IN

LOOP

IN

GPIO BG FGBG MATTE

LOOP

IN

LOOP

IN

LAYER LAYER MATTEH MATTE

USB

ETHERNET

OUT

IN

REF FILL MATTE

1

2

1

2

1

2

PGM

1

2

TALENT

OUT

IN

MONITOR

LOOP

IN

AC IN G MATTE

INPUTS

OUTPUTS

6Getting Started

TIP The power adapter’s outside screw ring also serves as the negative contact,

with the positive contact being the center pin of the connector. If you want to secure a

ground connection to the chassis of your Smart Remote 4, you can attach it to the

terminal lug located next to the power input.

Connecting the Smart Remote 4 to your Ultimatte

Connect the Smart Remote 4 to your Ultimatte 12 via Ethernet using a standard CAT 5e or CAT

6 Ethernet cable. We recommend using a CAT 6 shielded cable as it will prevent any potential

interference from nearby equipment.

Plug your Ultimatte main unit into the Smart Remote 4’s

left side Ethernet port using a CAT6 Ethernet cable

The Ultimatte 12 main unit has a default IP address of 192.168.10.220. If you are using a new

smart remote with your Ultimatte 12, then the smart remote will automatically detect the main

unit so you won’t need to change any IP settings.

If you are connecting an Ultimatte 12 to a network that uses a different IP address, subnet mask

and router, you can change the IP settings for your Ultimatte to suit your network. Refer to the

‘connecting to a network’ section for more information.

TIP If you are adding an Ultimatte 12 to an existing system that includes Ultimatte 11,

you will need to update your Smart Remote 4 to the latest SR4 internal software.

Refer to the ‘updating your Smart Remote 4’ section for more information.

LOOP

IN

LOOP

IN

LOOP

IN

LOOP

IN

LOOP

IN

GPIO BG FGBG MATTE

LOOP

IN

LOOP

IN

LAYER LAYER MATTEH MATTE

USB

ETHERNET

OUT

IN

REF FILL MATTE

1

2

1

2

1

2

PGM

1

2

TALENT

OUT

IN

MONITOR

LOOP

IN

AC IN G MATTE

INPUTS

OUTPUTS

7Getting Started

Turning On the Smart Remote 4

To turn the smart remote on, press the power button located at the top left corner of the

control panel.

When power is activated, the power button will illuminate blue and the smart

remote will initiate the software start up sequence

At its heart, Smart Remote 4 is a small portable computer running the Windows® operating

system. When the start up sequence is complete, the Ultimatte control software will launch

andthe control panel will appear on the touchscreen.

The status bar near the bottom of the touchscreen will prompt you to select an Ultimatte

main unit.

When the Smart Remote 4 start up sequence is complete, the Ultimatte control

software will launch and the status bar will prompt you to select an Ultimatte main unit

ONLINE / ON AIR

QUICK LOAD

QUICK SAVE

ALT

1 2 3 4

5 6 7 8

UNITS

FILE

CLEAR

SMART REMOTE 4

1 2 3 4 5

ONLINE / ON AIR

QUICK LOAD

QUICK SAVE

ALT

1 2 3 4

5 6 7 8

UNITS

FILE

CLEAR

SMART REMOTE 4

1 2 3 4 5

MATTE

MATTE MENU

CLEAN UP

LEVEL

SHADOW

LEVEL

SHADOW

THRESHOLD

MATTE

PROCESS

SCREEN

SAMPLE

CLEAN UP

FILTERFILTER

FOREGROUND BACKGROUND LAYER MATTE IN CONFIGURE

MATTE

CUSTOM

MENUS

MONITOR

OUT

CUSTOM

MON OUT

MATTE

RESET

CURSOR POS

LAST

AUTO SCREEN

SAMPLE

PGM

OUT

FG

IN

BG

IN

COMBINED

MATTE

INTERNAL

MATTE

FILL

OUT

FUNCTIONS

MONITOR OUT

MAIN MENUS

GROUPS

ACTIVE FILE: Ultimatte

0% 100%

100%

100% 200%

100%

0% 100%

0%

RED DENSITY

0% 100%

100%

BLUE DENSITY

0% 100%

100%

BLACK GLOSS

0% 100%

0%

MATTE DENSITY

-100% 300%

0%

REF SOURCE - FG IN

BACKING COLOR

1

2

3 4

5 6 7 8

1

8Getting Started

The Smart Remote 4 Status Bar

You can see all the Ultimatte units being controlled by your smart remote by glancing at the

status bar on the touchscreen. Up to 8 units can be controlled, and each unit icon will illuminate

green when identified on your network. When a unit is selected for control, the icon will

illuminate blue. For more information on how to set up and control multiple units over a network,

refer to the ‘connecting to a network’ section.

Refer to the ‘connecting to a network’ section for information about how to set

up and control multiple Ultimatte units on your network

TIP If your Ultimatte 12 is connected to the Smart Remote 4 but its unit indicator is not

illuminated in the status bar, check your IP settings are configured correctly for the

main unit and Smart Remote 4. Refer to ‘connecting to a network’ for more information.

Selecting the Ultimatte Main Unit

With the Ultimatte unit icon illuminated green in the status bar, you can now select that unit to

control. Simply press the corresponding unit button on the left side of the control panel.

When selected, the unit button will illuminate blue and the touchscreen will now reveal all the

controls for that unit.

Press a unit button to select the desired Ultimatte main unit you want to control

ONLINE / ON AIR

QUICK LOAD

QUICK SAVE

ALT

1 2 3 4

5 6 7 8

UNITS

FILE

CLEAR

SMART REMOTE 4

1 2 3 4 5

MATTE

MATTE MENU

CLEAN UP

LEVEL

SHADOW

LEVEL

SHADOW

THRESHOLD

MATTE

PROCESS

SCREEN

SAMPLE

CLEAN UP

FILTERFILTER

FOREGROUND BACKGROUND LAYER MATTE IN CONFIGURE

MATTE

CUSTOM

MENUS

MONITOR

OUT

CUSTOM

MON OUT

MATTE

RESET

CURSOR POS

LAST

AUTO SCREEN

SAMPLE

PGM

OUT

FG

IN

BG

IN

COMBINED

MATTE

INTERNAL

MATTE

FILL

OUT

FUNCTIONS

MONITOR OUT

MAIN MENUS

GROUPS

ACTIVE FILE: Ultimatte

0% 100%

100%

100% 200%

100%

0% 100%

0%

RED DENSITY

0% 100%

100%

BLUE DENSITY

0% 100%

100%

BLACK GLOSS

0% 100%

0%

MATTE DENSITY

-100% 300%

0%

REF SOURCE - FG IN

BACKING COLOR

1

2

3 4

5 6 7 8

1

ONLINE / ON AIR

QUICK LOAD

QUICK SAVE

ALT

1 2 3 4

5 6 7 8

UNITS

FILE

CLEAR

SMART REMOTE 4

1 2 3 4 5

MATTE

MATTE MENU

CLEAN UP

LEVEL

SHADOW

LEVEL

SHADOW

THRESHOLD

MATTE

PROCESS

SCREEN

SAMPLE

CLEAN UP

FILTERFILTER

FOREGROUND BACKGROUND LAYER MATTE IN CONFIGURE

MATTE

CUSTOM

MENUS

MONITOR

OUT

CUSTOM

MON OUT

MATTE

RESET

CURSOR POS

LAST

AUTO SCREEN

SAMPLE

PGM

OUT

FG

IN

BG

IN

COMBINED

MATTE

INTERNAL

MATTE

FILL

OUT

FUNCTIONS

MONITOR OUT

MAIN MENUS

GROUPS

ACTIVE FILE: Ultimatte

0% 100%

100%

100% 200%

100%

0% 100%

0%

RED DENSITY

0% 100%

100%

BLUE DENSITY

0% 100%

100%

BLACK GLOSS

0% 100%

0%

MATTE DENSITY

-100% 300%

0%

REF SOURCE - FG IN

BACKING COLOR

1

2

3 4

5 6 7 8

1

9Getting Started

Connecting Video Sources and Outputs

With power connected and both units running, you can now plug your SDI video sources into

the BNC inputs, and plug your switcher, monitor and recording equipment into the BNC outputs.

The SDI input sources will generally be made up of your background, foreground, mattes and

any additional layers required to create your composite. Each input has its own loop output so

you can connect each source to a monitor or recording equipment.

Ultimatte 12 has resynchronizers on each input, so you don’t need to genlock all your sources.

The foreground source provides the reference, and all other inputs will automatically lock to that

input. However, an analog reference input is provided if you want to sync all sources to an

external reference source.

NOTE The foreground input determines the video format for all other inputs.

For example, if you have 2160p59.94 video connected to the foreground input, ensure

that all of your sources have 2160p59.94 video connected to their respective inputs.

Ultimatte will detect a level A or level B 3G-SDI input automatically. The output is set to

level B by default, but you can change it to level A if needed.

To change the 3G-SDI output to level A or B:

1 Go to the ‘configure’ menu on your Smart Remote 4.

2 Tap on the ‘system’ button.

A window will appear with checkboxes for level A and Level B 3G-SDI.

3 Tap the desired level checkbox, then tap ‘apply’ to confirm the setting.

Tap ‘close’ to exit the window.

The SDI outputs on the right side of the rear panel let you connect the final composite output

toa switcher. Embedded audio and timecode will be passed through from the foreground input

to all outputs. You can also monitor each fill and matte output, plus connect the talent output to

a monitor so the talent can see the composited output in your studio or on location.

TIP The loop outputs are helpful when making a fast assessment of all your sources

and associated mattes. For example, connecting each loop output to a multiview via

an ATEM switcher, or a Blackmagic MultiView 16 is a powerful way to monitor all your

sources simultaneously.

For more information about all the inputs and outputs on your Ultimatte, refer to the ‘connecting

sources and outputs’ section of this manual.

LOOP

IN

LOOP

IN

LOOP

IN

LOOP

IN

LOOP

IN

GPIO BG FGBG MATTE

LOOP

IN

LOOP

IN

LAYER LAYER MATTEH MATTE

USB

ETHERNET

OUT

IN

REF FILL MATTE

1

2

1

2

1

2

PGM

1

2

TALENT

OUT

IN

MONITOR

LOOP

IN

AC IN G MATTE

INPUTS

OUTPUTS

LOOP

IN

LOOP

IN

LOOP

IN

LOOP

IN

LOOP

IN

GPIO BG FGBG MATTE

LOOP

IN

LOOP

IN

LAYER LAYER MATTEH MATTE

USB

ETHERNET

OUT

IN

REF FILL MATTE

1

2

1

2

1

2

PGM

1

2

TALENT

OUT

IN

MONITOR

LOOP

IN

AC IN G MATTE

INPUTS

OUTPUTS

10Getting Started

Monitor Cascade Feature

The powerful monitor cascade feature lets you view the monitor output from up to 8 Ultimatte 12

units via one single unit.

8 Ultimatte 12 units can be daisy chained via their monitor inputs and outputs, with the last unit

plugged into a monitor. Then when you select any of the 8 units on your smart remote to control,

the monitor output for that particular unit can be viewed from the monitor output on the last unit.

TIP To enable the monitor cascade feature on the touchscreen control panel, tap on

the ‘info’ icon in the files and information section, and check the ‘monitor cascade’

checkbox in the ‘options’ tab.

Below is an example showing how 2 Ultimatte 12 units are daisy chained for cascade monitoring.

With cascade monitoring, you can monitor the output of the currently

active unit being controlled by your Smart Remote 4

For more information on cascade monitoring, refer to the ‘configure settings/monitor

cascade’ section.

Setting an Auto Composite using the File Clear Button

With all your inputs and outputs connected, Ultimatte 12 will perform an automatic composite.

This is a starting composite that is set by default based on all your connected sources.

Thisstarting composite can be reset at any time by pressing the ‘file clear’ button.

NOTE The file clear button will set an automatic composite with green selected as the

backing color by default. If you are using a different backing color, for example red or

blue, then you will need to set your Ultimatte to use that color. Refer to the ‘quick guide

to building a composite’ section for more information.

If your lighting is optimized and your green screen environment has been carefully set up, the

automatic composite generated by Ultimatte can be all you need to achieve the desired effects.

You can now refine the background, foreground, and layer settings if you need to, and

generally finesse your composite to make the illusion of combining the virtual and live action

even more convincing!

Please keep reading this manual for more information on how to use all the settings and

features on your Ultimatte 12.

INPUT DISP

H/V

DELAY

3D

LUT 1

BLUE

ONLY

ZOOM PEAK

3D

LUT 2

H

MARK

V

MARK

LOOP

IN

LOOP

IN

LOOP

IN

LOOP

IN

LOOP

IN

GPIO BG FGBG MATTE

LOOP

IN

LOOP

IN

LAYER LAYER MATTEH MATTE

USB

ETHERNET

OUT

IN

REF FILL MATTE

1

2

1

2

1

2

PGM

1

2

TALENT

OUT

IN

MONITOR

LOOP

IN

AC IN G MATTE

INPUTS

OUTPUTS

LOOP

IN

LOOP

IN

LOOP

IN

LOOP

IN

LOOP

IN

GPIO BG FGBG MATTE

LOOP

IN

LOOP

IN

LAYER LAYER MATTEH MATTE

USB

ETHERNET

OUT

IN

REF FILL MATTE

1

2

1

2

1

2

PGM

1

2

TALENT

OUT

IN

MONITOR

LOOP

IN

AC IN G MATTE

INPUTS

OUTPUTS

ONLINE / ON AIR

QUICK LOAD

QUICK SAVE

ALT

1 2 3 4

5 6 7 8

UNITS

FILE

CLEAR

SMART REMOTE 4

1 2 3 4 5

MATTE

MATTE MENU

CLEAN UP

LEVEL

SHADOW

LEVEL

SHADOW

THRESHOLD

MATTE

PROCESS

SCREEN

SAMPLE

CLEAN UP

FILTERFILTER

FOREGROUND BACKGROUND LAYER MATTE IN CONFIGURE

MATTE

CUSTOM

MENUS

MONITOR

OUT

CUSTOM

MON OUT

MATTE

RESET

CURSOR POS

LAST

AUTO SCREEN

SAMPLE

PGM

OUT

FG

IN

BG

IN

COMBINED

MATTE

INTERNAL

MATTE

FILL

OUT

FUNCTIONS

MONITOR OUT

MAIN MENUS

GROUPS

ACTIVE FILE: Ultimatte

0% 100%

100%

100% 200%

100%

0% 100%

0%

RED DENSITY

0% 100%

100%

BLUE DENSITY

0% 100%

100%

BLACK GLOSS

0% 100%

0%

MATTE DENSITY

-100% 300%

0%

REF SOURCE - FG IN

BACKING COLOR

1

2

3 4

5 6 7 8

1

11Getting Started

Connecting Sources and Outputs

Each source input used in a composite should be carefully planned, so the elements that build

your shot can be arranged into specific layers. Each source should be connected to its

determined source input so you always know where everything is, and you can manage your

composite more effectively.

SDI Inputs

Background Input

Plug the background image into the BG IN connector. This is the image you want to use as the

background for your composite.

Background Matte Input

If you want to extract a section of the background to use as a foreground element, plug the

background matte source into the BG MATTE IN connector.

TIP Refer to the next section of the manual to find more information on the different

mattes you can use, including how to extract an element from the background to

composite over the foreground using a background matte.

Garbage Matte Input

Plug a source containing an externally generated garbage matte into the G MATTE IN

connector.

Foreground Input

Plug the foreground image you want to composite over the top of the background into the

FG IN connector. The foreground image is typically the talent in front of a green screen.

Holdout Matte Input

Plug a source containing an externally generated holdout matte into the H MATTE IN connector.

Layer Input

The layer input is for any additional video or graphics you want to add to your composite.

Layer Matte Input

Similar to other matte inputs, this input lets you connect an externally generated matte so you

can precisely add the layer input source into your composite.

SDI Outputs

Below is a description of each output on your Ultimatte 12 main unit.

Source Loop Outputs

Each source input has its own dedicated loop SDI output.

Program Outputs 1 and 2

Plug a program output, marked PGM into an SDI switcher or recording deck, for example an

ATEM switcher or HyperDeck Disk Recorder.

Fill Outputs 1 and 2

Plug the fill outputs into a recording deck, and into a switcher for final compositing.

Matte Outputs 1 and 2

Plug the matte outputs into a recording deck, and into a switcher for final compositing. The

matte output includes the internal matte, plus the garbage matte and holdout matte if enabled.

12Connecting Sources and Outputs

Talent Out 1 and 2

The talent output lets your talent monitor the final composite so he or she can position

themselves in the frame and coordinate their actions to the composited image.

TIP The talent output has a ‘mirror’ setting that lets you flip the talent output

horizontally. Using this feature, the talent can see his or her positioning without

needing to compensate for reversed camera left and right staging. Refer to the

‘configure settings/talent mirror’ section for more information.

Monitor Output

Plug the monitor output marked MONITOR OUT into a monitor or recording deck. This

connector isalso used for daisy chaining to other Ultimatte 12 units when using the powerful

monitor cascade feature. Refer to the ‘configure settings’ section for more information.

Monitor Input

The monitor input is important for daisy chaining to other Ultimatte 12 units when using the

powerful monitor cascade feature. Refer to the ‘configure settings’ section for more information.

What is a Matte?

Before looking at how to use all the features and settings on your Ultimatte, it’s worth

taking a moment to look at the types of mattes you can use, and how they are arranged in

your composite.

When a section of an image is intended to be composited over another image, it requires an

accompanying matte, either generated internally by Ultimatte, or supplied via an external

source. A matte is also known as an ‘alpha’, or ‘key’, and is displayed as a grayscale image.

The matte determines what will be visible in the accompanying source image that is being

composited. The source image to be composited is called the ‘fill’.

Black regions in the matte will allow those regions in the corresponding ‘fill’ image to be visible

in the composited output, and any areas that are white will be cut out, or removed, showing the

image behind it. Variations of gray means those areas of the corresponding fill image will be

partially transparent.

Types of Mattes

Different matte types are used for specific purposes, to separate areas of the corresponding

image into foreground and background elements, or to include or exclude sections of the matte

you want to keep or discard.

Below is a description of the types of mattes used.

Background Matte

The background matte is a powerful way to extract a section from the background and place it

over the foreground.

For example, you may have a virtual set as your background image. Inside the virtual set is a

row of tall marble pillars. Using a background matte that precisely matches the pillars in your

virtual set, you can extract the pillars from the background and the talent can walk behind them.

This is an excellent way to create a foreground element using the background image and keeps

the layer input free for additional foreground items. It’s important to note that elements to be

extracted from the background must be completely opaque.

13What is a Matte?

Matte

This is the primary matte you will be working with in your composite. This matte is derived using

the source connected to the foreground input. Typically a presenter in front of a green screen.

The matte is generated internally by analyzing the backing color in the source video and will

determine what is visible in the foreground image.

TIP Objects that obscure the backing color, either partly or completely, will be visible

in the composited image. In the matte, fully opaque black means the corresponding

areas in the fill image will be completely visible. Shades of grey means partially

transparent.

Garbage Matte

A garbage matte excludes areas of a source you don’t want to include in your composite.

For example, there may be lights and gripping equipment visible around the edges of your

foreground image. If you want to mask out these unwanted areas, a garbage matte lets you do

that. Garbage mattes can be generated externally so they precisely match shapes in your

source video, and connected to the garbage matte input.

TIP An internal mask can be created using the ‘window’ controls. This can be a great

tool for creating a fast, rough garbage matte. For more information on how to setup

window masks, refer to the ’matte input settings/window’ section.

Holdout Matte

This matte is similar to a garbage matte, however, it lets you mask out areas from within the

visible foreground so they are ignored by the matte.

For example, imagine a portion of a virtual set needs to appear green in the foreground.

This will present a challenge because anything green will key out and reveal the background

underneath. A holdout matte can be created to exclude that particular area within the set, which

will prevent it from being keyed.

Layer Matte

The layer matte lets you add more foreground elements to the scene. For example, if you want

to add graphics over the top of the composite.

You can swap the layer positioning in the final composite. For example, you may want to change

the layer order during your production so the layer input appears in front of, then behind, the

talent. You can even set a transition rate so the order change is a smooth mix transition.

For more information, refer to the ‘Matte input settings/setting the layer order’ section.

14What is a Matte?

Controlling Ultimatte

with SmartRemote 4

All the matte generation and compositing features of your Ultimatte 12 are controlled using

theSmart Remote 4.

The controls and settings are accessed via the smart remote touchscreen, control buttons and

knobs. The settings for each soft control knob changes depending on which menu you have

selected on the touchscreen.

The Control Panel Layout

Touchscreen menus are displayed in sections, and although the interface can look intimidating

at first glance with all the different buttons and settings, it won’t take long before you will be

moving between settings instinctively as you build your composite.

Main Menu Buttons

Tap the menu buttons along the top of the touchscreen to select the different input sources you

want to adjust, plus select the matte for making adjustments to the primary matte, and generally

configure your Ultimatte 12.

Information and File Control

This section of the interface lets you save preset files and configure certain settings for

yourUltimatte.

To save a preset file, tap on the folder icon and use the dialog box edit functions to name and

save a file. Refer to the ‘saving and loading preset files’ section for more information.

To view status information and various configuration settings for your Ultimatte and Smart

Remote 4, tap on the information icon.

ONLINE / ON AIR

QUICK LOAD

QUICK SAVE

ALT

1 2 3 4

5 6 7 8

UNITS

FILE

CLEAR

SMART REMOTE 4

1 2 3 4 5

MATTE

MATTE MENU

CLEAN UP

LEVEL

SHADOW

LEVEL

SHADOW

THRESHOLD

MATTE

PROCESS

SCREEN

SAMPLE

CLEAN UP

FILTERFILTER

FOREGROUND BACKGROUND LAYER MATTE IN CONFIGURE

MATTE

CUSTOM

MENUS

MONITOR

OUT

CUSTOM

MON OUT

MATTE

RESET

CURSOR POS

LAST

AUTO SCREEN

SAMPLE

PGM

OUT

FG

IN

BG

IN

COMBINED

MATTE

INTERNAL

MATTE

FILL

OUT

FUNCTIONS

MONITOR OUT

MAIN MENUS

GROUPS

ACTIVE FILE: Ultimatte

0% 100%

100%

100% 200%

100%

0% 100%

0%

RED DENSITY

0% 100%

100%

BLUE DENSITY

0% 100%

100%

BLACK GLOSS

0% 100%

0%

MATTE DENSITY

-100% 300%

0%

REF SOURCE - FG IN

BACKING COLOR

1

2

3 4

5 6 7 8

1

MATTE

MATTE MENU

CLEAN UP

LEVEL

SHADOW

LEVEL

SHADOW

THRESHOLD

MATTE

PROCESS

SCREEN

SAMPLE

CLEAN UP

FILTERVEIL

FOREGROUND BACKGROUND LAYER MATTE IN CONFIGURE

MATTE

CUSTOM

MENUS

MONITOR

OUT

CUSTOM

MON OUT

MATTE

RESET

CURSOR POS

LAST

AUTO SCREEN

SAMPLE

PGM

OUT

FG

IN

BG

IN

COMBINED

MATTE

INTERNAL

MATTE

FILL

OUT

FUNCTIONS

MONITOR OUT

MAIN MENUS

GROUPS

ACTIVE FILE: Ultimatte

0% 100%

100%

100% 200%

100%

0% 100%

0%

RED DENSITY

0% 100%

100%

BLUE DENSITY

0% 100%

100%

BLACK GLOSS

0% 100%

0%

MATTE DENSITY

-100% 300%

0%

REF SOURCE - FG IN

BACKING COLOR

1

2

3 4

5 6 7 8

1

MATTE

MATTE MENU

CLEAN UP

LEVEL

SHADOW

LEVEL

SHADOW

THRESHOLD

MATTE

PROCESS

SCREEN

SAMPLE

CLEAN UP

FILTERVEIL

FOREGROUND BACKGROUND LAYER MATTE IN CONFIGURE

MATTE

CUSTOM

MENUS

MONITOR

OUT

CUSTOM

MON OUT

MATTE

RESET

CURSOR POS

LAST

AUTO SCREEN

SAMPLE

PGM

OUT

FG

IN

BG

IN

COMBINED

MATTE

INTERNAL

MATTE

FILL

OUT

FUNCTIONS

MONITOR OUT

MAIN MENUS

GROUPS

ACTIVE FILE: Ultimatte

0% 100%

100%

100% 200%

100%

0% 100%

0%

RED DENSITY

0% 100%

100%

BLUE DENSITY

0% 100%

100%

BLACK GLOSS

0% 100%

0%

MATTE DENSITY

-100% 300%

0%

REF SOURCE - FG IN

BACKING COLOR

1

2

3 4

5 6 7 8

1

15Controlling Ultimatte with SmartRemote 4

The available information and configuration settings are described below:

About

Displays detailed status information about your Ultimatte, including:

 Model name

 Software version

 Video format

 IP address

 Subnet mask

 Default gateway.

Smart Remote 4 Information is also included, such as:

 Remote version

 Flash version

 Temperature

 Fan speed

 Blackmagic Design contact information should you need support.

Configuration

Provides an overview of connected SDI sources and will tell you whether they are locked or not.

Control Board Settings

Lets you customize the brightness of the Smart Remote 4’s LEDs and set the the internal

fan speed.

Options

Turns the mouse pointer on or off if you have a mouse connected to your smart remote.

Enables the monitor out cascade feature.

Groups

This section of the interface contains the majority of the setting menus. For example, if you

wanted to adjust the foreground ‘flare’ controls:

1 Tap on the ‘foreground’ main menu button to open the foreground settings.

2 Tap on the ‘Flare 1’ button in the groups section to select the flare controls.

The flare controls will now be visible on each side of the panel and you can adjust them using

the control knobs.

Functions

The functions section provides specific settings that can be selected, enabled or disabled.

For example, the reset button is located in this section if you need to restore particular settings

to their default state.

MATTE

MATTE MENU

CLEAN UP

LEVEL

SHADOW

LEVEL

SHADOW

THRESHOLD

MATTE

PROCESS

SCREEN

SAMPLE

CLEAN UP

FILTERVEIL

FOREGROUND BACKGROUND LAYER MATTE IN CONFIGURE

MATTE

CUSTOM

MENUS

MONITOR

OUT

CUSTOM

MON OUT

MATTE

RESET

CURSOR POS

LAST

AUTO SCREEN

SAMPLE

PGM

OUT

FG

IN

BG

IN

COMBINED

MATTE

INTERNAL

MATTE

FILL

OUT

FUNCTIONS

MONITOR OUT

MAIN MENUS

GROUPS

ACTIVE FILE: Ultimatte

0% 100%

100%

100% 200%

100%

0% 100%

0%

RED DENSITY

0% 100%

100%

BLUE DENSITY

0% 100%

100%

BLACK GLOSS

0% 100%

0%

MATTE DENSITY

-100% 300%

0%

REF SOURCE - FG IN

BACKING COLOR

1

2

3 4

5 6 7 8

1

MATTE

MATTE MENU

CLEAN UP

LEVEL

SHADOW

LEVEL

SHADOW

THRESHOLD

MATTE

PROCESS

SCREEN

SAMPLE

CLEAN UP

FILTERVEIL

FOREGROUND BACKGROUND LAYER MATTE IN CONFIGURE

MATTE

CUSTOM

MENUS

MONITOR

OUT

CUSTOM

MON OUT

MATTE

RESET

CURSOR POS

LAST

AUTO SCREEN

SAMPLE

PGM

OUT

FG

IN

BG

IN

COMBINED

MATTE

INTERNAL

MATTE

FILL

OUT

FUNCTIONS

MONITOR OUT

MAIN MENUS

GROUPS

ACTIVE FILE: Ultimatte

0% 100%

100%

100% 200%

100%

0% 100%

0%

RED DENSITY

0% 100%

100%

BLUE DENSITY

0% 100%

100%

BLACK GLOSS

0% 100%

0%

MATTE DENSITY

-100% 300%

0%

REF SOURCE - FG IN

BACKING COLOR

1

2

3 4

5 6 7 8

1

16Controlling Ultimatte with SmartRemote 4

Status Bar

You can see all the Ultimatte units being controlled by your smart remote by glancing at the

status bar on the touchscreen. Up to 8 units can be controlled, and each unit icon will illuminate

green when identified on your network. When a unit is selected for control, the icon will

illuminate blue.

The indicator for the Ultimatte unit being controlled will illuminate blue

to let you know it is the active unit

Ultimatte Main Unit Indicators

The 8 small box indicators on the left side show you which main units are connected on the

network, and which unit is currently being controlled. If tally is connected via the GPIO input,

the boxes will illuminate red when a unit is on air.

Reference Source - Foreground In

This indicator will illuminate red when a reference source is absent, and green when a reference

source is present. The reference signal can be connected via the foreground source connected

to the foreground input, or via the reference input.

Backing Color

The default backing color is green and will be reflected by this indicator. When the backing

color is changed, the indicator will also change to show the backing color being used.

Active File

When you have loaded a preset file using the information and file control section, the preset

name will be displayed in the active file area. If no preset is loaded, the active file displays the

Ultimatte default preset.

In addition, the status bar also notifies you with messages. For example, if a specific control is

currently locked and you need to enable another setting to access it, the status bar will

notify you.

Monitor Out

The soft buttons in this section of the interface will select 1 of 6 images to be displayed on a

video monitor connected to your Ultimatte’s monitor output.

The default selections are listed below.

 Program Out – Final composited image.

 Foreground In – Source image connected to the foreground input.

 Background In – Source image connected to the background input.

 Combined Matte View – Internal Matte + Garbage Matte + Holdout Matte.

 Internal Matte View – Screen matte only.

 Fill Out - Foreground image with spill removed, colorizers added, and the screen color

suppressed to black.

MATTE

MATTE MENU

CLEAN UP

LEVEL

SHADOW

LEVEL

SHADOW

THRESHOLD

MATTE

PROCESS

SCREEN

SAMPLE

CLEAN UP

FILTERVEIL

FOREGROUND BACKGROUND LAYER MATTE IN CONFIGURE

MATTE

CUSTOM

MENUS

MONITOR

OUT

CUSTOM

MON OUT

MATTE

RESET

CURSOR POS

LAST

AUTO SCREEN

SAMPLE

PGM

OUT

FG

IN

BG

IN

COMBINED

MATTE

INTERNAL

MATTE

FILL

OUT

FUNCTIONS

MONITOR OUT

MAIN MENUS

GROUPS

ACTIVE FILE: Ultimatte

0% 100%

100%

100% 200%

100%

0% 100%

0%

RED DENSITY

0% 100%

100%

BLUE DENSITY

0% 100%

100%

BLACK GLOSS

0% 100%

0%

MATTE DENSITY

-100% 300%

0%

REF SOURCE - FG IN

BACKING COLOR

1

2

3 4

5 6 7 8

1

MATTE

MATTE MENU

CLEAN UP

LEVEL

SHADOW

LEVEL

SHADOW

THRESHOLD

MATTE

PROCESS

SCREEN

SAMPLE

CLEAN UP

FILTERVEIL

FOREGROUND BACKGROUND LAYER MATTE IN CONFIGURE

MATTE

CUSTOM

MENUS

MONITOR

OUT

CUSTOM

MON OUT

MATTE

RESET

CURSOR POS

LAST

AUTO SCREEN

SAMPLE

PGM

OUT

FG

IN

BG

IN

COMBINED

MATTE

INTERNAL

MATTE

FILL

OUT

FUNCTIONS

MONITOR OUT

MAIN MENUS

GROUPS

ACTIVE FILE: Ultimatte

0% 100%

100%

100% 200%

100%

0% 100%

0%

RED DENSITY

0% 100%

100%

BLUE DENSITY

0% 100%

100%

BLACK GLOSS

0% 100%

0%

MATTE DENSITY

-100% 300%

0%

REF SOURCE - FG IN

BACKING COLOR

1

2

3 4

5 6 7 8

1

17Controlling Ultimatte with SmartRemote 4

Connecting to a network

Setting the IP Address for Ultimatte 12

Your Ultimatte 12 main unit is shipped with a default IP address of 192.168.10.220 but you can

change this address if you want to connect to a network. This is also important when sharing

multiple Ultimatte units on your network and controlling them using a single Smart Remote 4.

To change the IP address for an Ultimatte main unit, you will first need to download and install

the latest Blackmagic Ultimatte Setup software from the Blackmagic Design support center at

www.blackmagicdesign.com/support. For installation information refer to the ‘updating the

internal software’ section in this manual.

After installation:

1 Connect the desired Ultimatte 12 main unit to your computer via USB.

2 Launch Blackmagic Ultimatte Setup.

3 Click on the unit icon for your Ultimatte to open the setup settings.

4 In the ‘configure’ tab, enter the IP address, subnet mask and gateway settings.

5 Click ‘save’ to confirm the settings.

Repeat the same process for each main unit you want to control. The subnet mask and gateway

should match your network settings and stay the same between all units, but make sure each

unit has its own unique IP address.

Setting the IP Address for your Smart Remote 4

Now that each Ultimatte main unit has a new IP address, you will need to configure the IP

address of your Smart Remote 4 so you can control the main units on your network.

To set the IP address on your Smart Remote 4:

1 Reveal the Windows desktop by tapping on the info icon in the

Smart Remote touchscreen information and file control section.

Now tap on the ‘options’ settings and tap exit to desktop.

2 Navigate to the Windows network settings.

3 In the Ethernet related settings, select ‘change adapter options’.

4 Double tap on the ‘Ultimatte’ network to open the Ultimatte status window.

5 Tap on ‘properties’.

6 In the properties window, double tap on ‘internet protocol

version 4 (TCP/IPv4) to open its setting properties.

7 Select the ‘obtain an IP address automatically’ setting to let your Smart Remote find its

own IP address to join the network you are connected to. Or if you want to enter the

IP address, subnet mask and default gateway settings, select ‘use the following

IP address’ and set it manually.

8 Tap ‘OK’ to confirm the settings.

Double tap on the SR4 smart remote software icon to return to the touchscreen control panel.

18Connecting to a network

Setting the Main Unit’s IP Address on Smart Remote 4

With your Smart Remote 4 now ready to control your Ultimatte main units, you will need to tell

the smart remote where they are by setting their unit IP addresses in the Smart Remote 4

control panel.

To do this:

1 In the status bar, tap on a unit ID number to open the unit IP configuration window.

2 In the ‘model’ column, tap on the desired unit number’s

drop down menu and select Ultimatte 12.

3 Now set the IP address for the desired main unit using the software keyboard.

4 Tap ‘apply’ to confirm the settings.

If you look at the status bar, you will now see that unit number illuminated green. This means

theunit is online and ready to be controlled.

Repeat the same steps to set the IP address for each unit on your network.

Ultimatte Compositing Workflow

Now that you’re familiar with using the Smart Remote 4 to control your Ultimatte 12, and have

pressed the file clear button to set an automatic starting composite, you can start finessing

and refining your composite using Ultimatte’s features and settings.

As you refine your composite, it is helpful to move back and forth between monitoring the

combined matte view and the program output so you can optimize the matte, plus see how it

is working in the final composite.

When adjusting controls, it’s worth mentioning that you can restore any control back to its

default state by double tapping the respective control.

You can also save your workflow to quick save points. As you change settings and make

improvements, it’s helpful to switch between save points to compare and assess what has

changed in order to achieve the best possible settings.

To save a quick save, hold down the ‘alt’ button and press a quick save button. To load a quick

save, simply press the desired quick save button.

TIP The quick save and quick load points are stored in volatile memory so they are

available only until you power down your Ultimatte. To store settings permanently,

you can save a file that can be loaded again after power cycling. Refer to the ‘saving

and loading preset files’ section for more information.

Use the quick load and quick save buttons to make fast

comparisons between composites throughout your workflow

ONLINE / ON AIR

QUICK LOAD

QUICK SAVE

ALT

1 2 3 4

5 6 7 8

UNITS

FILE

CLEAR

SMART REMOTE 4

1 2 3 4 5

MATTE

MATTE MENU

CLEAN UP

LEVEL

SHADOW

LEVEL

SHADOW

THRESHOLD

MATTE

PROCESS

SCREEN

SAMPLE

CLEAN UP

FILTERFILTER

FOREGROUND BACKGROUND LAYER MATTE IN CONFIGURE

MATTE

CUSTOM

MENUS

MONITOR

OUT

CUSTOM

MON OUT

MATTE

RESET

CURSOR POS

LAST

AUTO SCREEN

SAMPLE

PGM

OUT

FG

IN

BG

IN

COMBINED

MATTE

INTERNAL

MATTE

FILL

OUT

FUNCTIONS

MONITOR OUT

MAIN MENUS

GROUPS

ACTIVE FILE: Ultimatte

0% 100%

100%

100% 200%

100%

0% 100%

0%

RED DENSITY

0% 100%

100%

BLUE DENSITY

0% 100%

100%

BLACK GLOSS

0% 100%

0%

MATTE DENSITY

-100% 300%

0%

REF SOURCE - FG IN

BACKING COLOR

1

2

3 4

5 6 7 8

1

19Ultimatte Compositing Workﬂow

Quick Guide to Building a Composite

This is a basic introduction to performing a fast composite with Ultimatte 12 and

Smart Remote 4.

With all sources connected to the main unit, the first step is to make sure the backing color is

correctly set. The default backing is color is green, but you can set it to red or blue, depending

on which color you are using on set.

If you are using a green screen, you don’t need to change the backing color as green is already

set by default. Pressing the ‘file clear’ button will perform an automatic composite and generate

a matte from your green screen.

TIP An automatic composite will also take place when power cycling your Ultimatte 12.

Setting the Foreground Backing Color

The backing color defines the color Ultimatte will use to generate the matte. Typically, the color

used for most screens for compositing is green, and this is why green is the default backing

color. However, there are occasions on set where red or blue may be a better choice based on

the color of the foreground objects. In this event, you will need to tell Ultimatte to use a different

backing color.

To set the backing color:

1 Tap the ‘configure’ menu button to open the configure settings.

2 In the functions area, tap one of the red, green or blue backing buttons

to select your desired backing color. You will now see the backing color

indicator in the status bar change to the corresponding backing color.

When the backing color is set, Ultimatte will perform an automatic composite and you will see

the results on the program output. In the monitor out buttons, tap the button marked ‘PGM OUT’

to select the program output and the image will appear on the monitor connected to the

monitor output.

Setting Screen Correction

Screen correction can be helpful if there are strong variations in your backing screen, or the

lighting on the backing screen is uneven.

If your camera is static and you can remove all the foreground objects from the scene, you can

perform a screen correction. This shows Ultimatte what the screen looks like by itself, and then

once all elements are replaced, Ultimatte can then analyze what has changed in the foreground

and will generate an optimized matte. This can help tidy up any areas that are not behaving in

your matte.

20Quick Guide to Building a Composite

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