HK Audio Digital Field Controller (DFC) Manuale utente

Marca: HK Audio

Modello: Digital Field Controller (DFC)

Categoria: Apparecchiature musicali supplementari

Tipo: Manuale utente

Manual 2.1

Digital Field

Controller

English

Deutsch

DFC_Manual_2.1 21.04.2004 11:12 Uhr Seite 1 (Schwarz Bogen)

Wichtige Sicherheitshinweise!

Bitte vor Gebrauch lesen und für späteren Gebrauch

aufbewahren!

• Read all of these instructions!

• Save these instructions for later use!

•Follow all warnings and instructions marked on the product!

• Do not use this product near water, i.e. bathtub, sink, swimming pool,

wet basement, etc.

• Do not place this product on an unstable cart, stand or table. The

product may fall, causing serious damage to the product or to persons!

• Slots and openings in the cabinet and the back or bottom are provided

for ventilation; to ensure reliable operation of the product and to

protect it from overheating, these openings must not be blocked or

covered. This product should not be placed in a built-in installation

unless proper ventilation is provided.

• This product should not be placed near a source of heat such as a

stove, radiator, or another heat producing amplifier.

• Use only the supplied power supply or power cord. If you are not sure

of the type of power available, consult your dealer or local power

company.

• Do not allow anything to rest on the power cord. Do not locate this

product where persons will walk on the cord.

• Never break off the ground pin on the power supply cord.

• Power supply cords should always be handled carefully. Periodically

check cords for cuts or sign of stress, especially at the plug and the

point where the cord exits the unit.

• The power supply cord should be unplugged when the unit is to be

unused for long periods of time.

• If this product is to be mounted in an equipment rack, rear support

should be provided.

• This product should be used only with a cart or stand that is recom-

mended by HK AUDIO

• Never push objects of any kind into this product through cabinet slots

as they may touch dangerous voltage points or short out parts that

could result in risk of fire or electric shock. Never spill liquid of any

kind on the product.

• Do not attempt to service this product yourself, as opening or

removing covers may expose you to dangerous voltage points or other

risks. Refer all servicing to qualified service personnel.

• Clean only with dry cloth.

• Do not defeat the safety purpose of the polarized or grounding-type

plug. A polarized plug has two blades with one wider than the other. A

grounding type plug has two blades and a third grounding prong. The

wide blade or the third prong are provided for the safety. If the

provided plug does not fit into your outlet, consult an electrician for

replacement of the obsolete outlet.

• Unplug this product from the wall outlet and refer servicing to

qualified service personnel under the following conditions:

• When the power cord or plug is damaged or frayed.

• If liquid has been spilled into the product.

• If the product has been exposed to rain or water.

• If the product does not operate normally when the operating

instructions are followed.

• If the product has been dropped or the cabinet has been damaged.

• If the product exhibits a distinct change in performance, indicating a

need of service!

• Adjust only these controls that are covered by the operating

instructions since improper adjustment of other controls may result in

damage and will often require extensive work by a qualified technician

to restore the product to normal operation.

• Exposure to extremely high noise levels may cause a permanent

hearing loss.

• Individuals vary considerably in susceptibility to noise induced hearig

loss, but nearly everyone will lose some hearing if exposed to

sufficiently intense noise for a sufficient time. The U.S. Government´s

Occupational Safety and Health Administration (OSHA) has specified

the following permissible noise level exposures:

Duration Per Day In Hours Sound LeveldBA, Slow Response

890

692

495

397

2 100

11/2 102

1 105

1/2 110

1/4 or less 115

• According to OSHA, any exposure in excess of the above permissible

limits could result in some hearing loss.

• Ear plug protectors in the ear canals or over the ears must be worn

when operating this amplification system in order to prevent a

permanent hearing loss if exposure is in excess of the limits as set

forth above. To ensure against potentially dangerous exposure to high

sound pressure levels, it is recommended that all persons exposed to

equipment capable of producing high sound pressure levels such as

this amplification system be protected by hearing protectors while this

unit is in operation.

•Fuses: Replace with IEC 127 (5x 20 mms) type and rated fuse for best

performance only.

TO PREVENT THE RISK OF FIRE AND SHOCK HAZARD, DO NOT

EXPOSE THIS APPLIANCE TO MOISTURE OR RAIN. DO NOT OPEN

CASE; NO USER SERVICE-ABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

• The unit has been built by HK AUDIO

in accordance with IEC 60065

and left the factory in safe working order. To maintain this condition

and ensure non-risk operation, the user must follow the advice and

warning comments found in the operating instructions. The unit

conforms to Protection Class 1 (protectively earthed).

• HK AUDIO

ONLY GUARANTEE THE SAFETY, RELIABILITY AND

EFFICIENCY OF THE UNIT IF:

• Assembly, extension, re-adjustment, modifications or repairs are

carried out by HK AUDIO

or by persons authorized to do so.

• The electrical installation of the relevant area complies with the

requirements of IEC (ANSI) specifications.

• The unit is used in accordance with the operating instructions.

• The unit is regularly checked and tested for electrical safety by a

competent technician.

WARNING:

• If covers are opened or sections of casing are removed, except where

this can be done manually, live parts can become exposed.

• If it is necessary to open the unit this must be insulated from all power

sources. Please take this into account before carrying out adjustments,

maintenance, repairs and before replacing parts.

• The appliance can only be insulated from all power sources if the

mains connection is unplugged.

• Adjustment, maintenance and repairs carried out when the unit has

been opened and is still live may only be performed by specialist

personnel who are authorized by the manufacturer (in accordance with

VBG 4) and who are aware of the associated hazards.

• Loudspeaker outputs which have the IEC 417/5036 symbol (Diagram 1,

below) can carry voltages which are hazardous if they are made contact

with. Before the unit is switched on, the loudspeaker should therefore

only be connected using the lead recommended by the manufacturer.

• Where possible, all plugs on connection cables must be screwed or

locked onto the casing.

• Replace fuses only with IEC127 type and specified ratings.

• It is not permitted to use repaired fuses or to short-circuit the fuse

holder.

• Never interrupt the protective conductor connection.

• Surfaces which are equipped with the "HOT" mark (Diagram 2, below),

rear panels or covers with cooling slits, cooling bodies and their

covers, as well as tubes and their covers are purposely designed to

dissipate high temperatures and should therefore not be touched.

• High loudspeaker levels can cause permanent hearing damage. You

should therefore avoid the direct vicinity of loudspeakers operating at

high levels.

Wear hearing protection if continuously exposed to high levels.

MAINS CONNECTION:

• The unit is designed for continuous operation.

• The set operating voltage must match the local mains supply voltage.

• The unit is connected to the mains via the supplied power unit or

power cable.

• Power unit: Never use a damaged connection lead. Any damage must

be rectified by a competent technician.

•Avoid connection to the mains supply in distributor boxes together

with several other power consumers.

• The plug socket for the power supply must be positioned near the unit

and must be easily accessible.

PLACE OF INSTALLATION:

• The unit should stand only on a clean, horizontal working surface.

• The unit must not be exposed to vibrations during operation.

• Keep away from moisture and dust where possible.

• Do not place the unit near water, baths, wash basins, kitchen sinks,

wet areas, swimming pools or damp rooms. Do not place objects

containing liquid on the unit - vases, glasses, bottles etc.

• Ensure that the unit is well ventilated.

• Any ventilation openings must never be blocked or covered. The unit

must be positioned at least 20 cm away from walls. The unit may only

be fitted in a rack if adequate ventilation is ensured and if the manu-

facturer's installation instructions are followed.

• Keep away from direct sunlight and the immediate vicinity of heating

elements and radiant heaters or similar devices.

• If the unit is suddenly moved from a cold to a warm location,

condensation can form inside it. This must be taken into account

particularly in the case of tube units. Before switching on, wait until

the unit has reached room temperature.

• Accessories: Do not place the unit on an unsteady trolley, stand,

tripod, base or table. If the unit falls down, it can cause personal injury

and itself become damaged. Use the unit only with the trolley, rack

stand, tripod or base recommended by the manufacturer or purchased

together with the unit. When setting the unit up, all the manufacturer's

instructions must be followed and the setup accessories recommended

by the manufacturer must be used. Any combination of unit and stand

must be moved carefully. A sudden stop, excessive use of force and

uneven floors can cause the combination of unit and stand to tip over.

• Additional equipment: Never use additional equipment which has not

been recommended by the manufacturer as this can cause accidents.

•To protect the unit during bad weather or when left unattended for

prolonged periods, the mains plug should be disconnected. This

prevents the unit being damaged by lightning and power surges in the

AC mains supply.

Diagram 1 Diagram 2

• Das Gerät wurde von HK AUDIO

gemäß IEC 60065 gebaut und hat das

Werk in sicherheitstechnisch einwandfreiem Zustand verlassen. Um

diesen Zustand zu erhalten und einen gefahrlosen Betrieb sicherzustellen,

muss der Anwender die Hinweise und die Warnvermerke beachten, die in

der Bedienungsanleitung enthalten sind. Das Gerät entspricht der Schutz-

klasse I (schutzgeerdet).

• DIE SICHERHEIT, ZUVERLÄSSIGKEIT UND LEISTUNG DES GERÄTES

WIRD VON HK AUDIO

NUR DANN GEWÄHRLEISTET, WENN:

• Montage, Erweiterung, Neueinstellung, Änderungen oder Reparaturen von

HK AUDIO

oder von dazu ermächtigten Personen ausgeführt werden.

• die elektrische Installation des betreffenden Raumes den Anforderungen

von IEC (ANSI)-Festlegungen entspricht.

• das Gerät in Übereinstimmung mit der Gebrauchsanweisung verwendet

wird.

WARNUNG:

•Wenn Abdeckungen geöffnet oder Gehäuseteile entfernt werden, außer

wenn dies von Hand möglich ist, können Teile freigelegt werden, die

Spannung führen.

•Wenn ein Öffnen des Gerätes erforderlich ist, muss das Gerät von allen

Spannungsquellen getrennt sein. Berücksichtigen Sie dies vor dem

Abgleich, vor einer Wartung, vor einer Instandsetzung und vor einem Aus-

tausch von Teilen.

• Ein Abgleich, eine Wartung oder eine Reparatur am geöffneten Gerät unter

Spannung darf nur durch eine vom Hersteller autorisierte Fachkraft (nach

VBG 4) geschehen, die mit den verbundenen Gefahren vertraut ist.

• Lautsprecher-Ausgänge, die mit dem IEC 417/5036-Zeichen (Abb.1,

s.unten) versehen sind können berührungsgefährliche Spannungen

führen. Deshalb vor dem Einschalten des Gerätes Verbindung nur mit

dem vom Hersteller empfohlenen Anschlusskabel zum Lautsprecher

herstellen.

• Alle Stecker an Verbindungskabeln müssen mit dem Gehäuse verschraubt

oder verriegelt sein, sofern möglich.

• Es dürfen nur Sicherungen vom angegebenen Typ und der angegebenen

Nennstromstärke als Ersatz verwendet werden.

• Eine Verwendung von geflickten Sicherungen oder Kurzschließen des Hal-

ters ist unzulässig.

• Niemals die Schutzleiterverbindung unterbrechen.

• Oberflächen, die mit dem "HOT"-Zeichen (Abb.2, s.unten) versehen sind,

Rückwände oder Abdeckungen mit Kühlschlitzen, Kühlkörper und deren

Abdeckungen, sowie Röhren und deren Abdeckungen können im Betrieb

erhöhte Temperaturen annehmen und sollten deshalb nicht berührt wer-

den.

• Hohe Lautstärkepegel können dauernde Gehörschäden verursachen.

Vermeiden Sie deshalb die direkte Nähe von Lautsprechern, die mit hohen

Pegeln betrieben werden. Verwenden Sie einen Gehörschutz bei dauernder

Einwirkung hoher Pegel.

NETZANSCHLUSS:

• Das Gerät ist für Dauerbetrieb ausgelegt.

• Die eingestellte Betriebsspannung muss mit der örtlichen Netzspannung

übereinstimmen.

• Der Anschluss an das Stromnetz erfolgt mit dem mitgelieferten Netzteil

oder Netzkabel.

• Netzteil: Eine beschädigte Anschlussleitung kann nicht ersetzt werden.

Das Netzteil darf nicht mehr betrieben werden.

•Vermeiden Sie einen Anschluss an das Stromnetz in Verteilerdosen

zusammen mit vielen anderen Stromverbrauchern.

• Die Steckdose für die Stromversorgung muss nahe am Gerät angebracht

und leicht zugänglich sein.

AUFSTELLUNGSORT:

• Das Gerät sollte nur auf einer sauberen, waagerechten Arbeitsfläche stehen.

• Das Gerät darf während des Betriebs keinen Erschütterungen ausgesetzt

sein.

•Feuchtigkeit und Staub sind nach Möglichkeit fernzuhalten.

• Das Gerät darf nicht in der Nähe von Wasser, Badewanne, Waschbecken,

Küchenspüle, Nassraum, Swimmingpool oder feuchten Räumen betrieben

werden. Keine mit Flüssigkeit gefüllten Gegenstände -Vase, Gläser,

Flaschen etc. auf das Gerät stellen.

• Sorgen Sie für ausreichende Belüftung der Geräte.

•Eventuelle Ventilationsöffnungen dürfen niemals blockiert oder abgedeckt

werden. Das Gerät muß mindestens 20 cm von Wänden entfernt aufge-

stellt werden. Das Gerät darf nur dann in ein Rack eingebaut werden,

wenn für ausreichende Ventilation gesorgt ist und die Einbauanweisungen

des Herstellers eingehalten werden.

•Vermeiden Sie direkte Sonneneinstrahlung sowie die unmittelbare Nähe

von Heizkörpern und Heizstrahlern oder ähnlicher Geräte.

•Wenn das Gerät plötzlich von einem kalten an einen warmen Ort gebracht

wird, kann sich im Geräteinnern Kondensfeuchtigkeit bilden. Dies ist

insbesondere bei Röhrengeräten zu beachten. Vor dem Einschalten

solange warten bis das Gerät Raumtemperatur angenommen hat.

• Zubehör: Das Gerät nicht auf einen instabilen Wagen, Ständer, Dreifuß,

Untersatz oder Tisch stellen. Wenn das Gerät herunterfällt, kann es

Personenschäden verursachen und selbst beschädigt werden.

Verwenden Sie das Gerät nur mit einem vom Hersteller empfohlenen oder

zusammen mit dem Gerät verkauften Wagen, Rack, Ständer, Dreifuß oder

Untersatz. Bei der Aufstellung des Gerätes müssen die Anweisungen des

Herstellers befolgt und muss das vom Hersteller empfohlene Aufstell-

zubehör verwendet werden. Eine Kombination aus Gerät und Gestell muss

vorsichtigt bewegt werden. Plötzliches Anhalten, übermäßige

Kraftanwendung und ungleichmäßige Böden können das Umkippen

der Kombination aus Gerät und Gestell bewirken.

•Zusatzvorrichtungen: Verwenden Sie niemals Zusatzvorrichtungen, die

nicht vom Hersteller empfohlen wurden, weil dadurch Unfälle verursacht

werden können

• Zum Schutz des Gerätes bei Gewitter oder wenn es längere Zeit nicht

beaufsichtigt oder benutzt wird, sollte der Netzstecker gezogen werden.

Dies verhindert Schäden am Gerät aufgrund von Blitzschlag und

Spannungsstößen im Wechselstromnetz.

Abb.1 Abb.2

Important Safety Instructions

Before connecting, read instructions

Important Advice on Safety!

Please read before use and keep for later use!

DFC_Manual_2.1 21.04.2004 11:12 Uhr Seite 2 (Schwarz Bogen)

• L'appareil a été conçu par HK AUDIO

selon la norme IEC 60065 et a

quitté l'entreprise dans un état irréprochable. Afin de conserver cet

état et d'assurer un fonctionnement sans danger de l'appareil nous

conseillons à l'utilisateur la lecture des indications de sécurité contenues

dans le mode d'emploi. L'appareil est conforme à la classification I

(mise à terre de protection).

• SURETE, FIABILITE ET EFFICACITE DE L'APPAREIL NE SONT

GARANTIS PAR HK AUDIO

QUE SI:

• Montage, extension, nouveau réglage, modification ou réparation

sont effectués par HK AUDIO

ou par toute personne autorisée

par HK AUDIO

• L'installation électrique de la pièce concernée correspond aux normes

IEC (ANSI).

• L'utilisation de l'appareil suit le mode d'emploi.

AVERTISSEMENT:

•A moins que cela ne soit manuellement possible, tout enlèvement

ou ouverture du boîtier peut entrainer la mise au jour de pieces

sous tension.

• Si l'ouverture de l'appareil est nécessaire, celui-ci doit être coupé de

chaque source de courant. Ceci est à prendre en considération avant

tout ajustement, entretien, réparation ou changement de pieces.

• Ajustement, entretien ou réparation sur l'appareil ouvert et sous

tension ne peuvent être éffectués que par un spécialiste autorisé par le

fabricant (selon VBG4). Le spécialiste étant conscient des dangers liés

à ce genre de réparation.

• Les sorties de baffles qui portent le signe IEC 417/5036 (fig. 1, voir

en bas) peuvent être sous tension dangereuse. Avant de brancher

l'appareil utiliser uniquement le câble de raccordement conseillé par

le fabricant pour raccorder les baffles.

•Toutes les prises des câbles de raccordement doivent être, si possible,

vissées ou verrouillées sur le boîtier.

• Utilisez subsidiairement uniquement des fusibles de type et de

puissance de courant nominale donnés.

• L'utilisation de fusibles rafistolés ou court-circuites est inadmissible.

• Ne jamais interrompre la connexion du circuit protecteur.

• Il est conseillé de ne pas toucher aux surfaces pourvues du signe

"HOT" (fig. 2, voir en bas), aux parois arrières ou caches munis de

fentes d'aération, éléments d'aération et leurs caches ansi qu'aux

tubes et leurs caches.

Ces éléments pouvant atteindre des températures élévées pendant

l'utilisation de l'appareil.

• Les Niveaux de puissance élévés peuvent entrainer des lésions auditives

durables. Evitez donc la proximité de haut-parleurs utilisés à haute

puissance. Lors de haute puissance continue utilisez une protection

auditive.

BRANCHEMENT SUR LE SECTEUR:

• L'appareil est conçu pour une utilisation continue.

• La tension de fonctionnement doit concorder avec la tension secteur

locale.

• Le raccordement au réseau éléctrique s'effectue avec l'adaptateur ou le

cordon d´alimentation livré avec l'appareil.

• Adaptateur: Un câble de raccordement abimé ne peut être remplacé.

L'adaptateur est inutilisable.

•Evitez un raccordement au réseau par des boîtes de distribution

surchargées.

• La prise de courant doit être placée à proximité de l'appareil et facile

à atteindre.

LIEU D'INSTALLATION:

• L'appareil doit être placé sur une surface de travail propre et horizontale.

• L'appareil en marche ne doit en aucun cas subir des vibrations.

•Evitez dans la mesure du possible poussière et humidité.

• L'appareil ne doit pas être placé à proximité d'eau, de baignoire,

lavabo, évier, pièce d'eau, piscine ou dans une pièce humide.

Ne placez aucun vase, verre, bouteille ou tout objet rempli de liquide sur

l'appareil.

• L'appareil doit être suffisamment aéré.

• Ne jamais recouvrir les ouvertures d'aération. L'appareil doit être placé

à 20 cm du mur au minimum. L'appareil peut être monté dans un Rack

si une ventilation suffisante est possible et si les conseils de montage

du fabricant sont suivis.

•Evitez les rayons de soleil et la proximité de radiateurs, chauffages etc.

• Une condensation d'eau peut se former dans l'appareil si celui-ci est

transporté brusquement d'un endroit froid à un endroit chaud.

Ceci est particulièrement important pour des appareils à tubes.

Avant de brancher l'appareil attendre qu'il ait la température ambiante.

• Accessoires: L'appareil ne doit être placé sur un chariot, support,

trépied, bâti ou table instable. Une chute de l'appareil peut entrainer

aussi bien des dommages corporels que techniques. Utilisez l'appareil

uniquement avec un chariot, Rack, support, trépied ou bâti conseillé

par le fabricant ou vendu en combinaison avec l'appareil.

Les indications du fabricant pour l'installation de l'appareil sont à

suivre, et les accessoires d'installation conseillés par le fabricant sont

à utiliser. Un ensemble support et appareil doit être déplacé avec

précaution.

Des mouvements brusques et des revêtements de sol irreguliers

peuvent entrainer la chute de l´ensemble.

• Equipements supplémentaires: Ne jamais utiliser un équipement

supplémentaire n'ayant pas été conseillé par le fabricant, ceci pouvant

entrainer des accidents.

• Afin de protéger l'appareil pendant un orage ou s'il ne doit pas être

utilisé pendant un certain temps, il est conseillé d'enlever la prise

au secteur.

Ceci évite des dommages dûs à la foudre ou à des coups de tension

dans le réseau à courant alternatif.

Fig. 1 Fig. 2

• L'apparecchio è stato costruito dalla HK AUDIO

secondo la normativa

europea IEC 60065 ed ha lasciato il nostro stabilimento in stato

ineccepibile. Per garantire il mantenimento di tale stato e un utilizzo

assolutamente privo di rischi l'utente è tenuto ad osservare le indicazioni

e gli avvertimenti di sicurezza contenuti nelle istruzioni per l'uso.

L'apparecchio rispecchia il livello di sicurezza I (collegato a terra).

• Sicurezza, affidabilità e prestazioni dell'apparecchio vengono garantiti

dalla HK AUDIO

solo ed esclusivamente se:

• Montaggio, ampliamento, rimessa a punto, modifiche e riparazioni

vengono eseguite dalla HK AUDIO

stessa o da personale da essa

autorizzato.

• Gli impianti elettrici nei locali prescelti per l'uso dell'apparecchio

rispondono alle normative stabilite dall'ANSI.

• L'apparecchio viene utilizzato come indicato nel libretto delle istruzioni

per l'uso.

Avvertimenti:

• In caso di apertura di parti di rivestimento o rimozione di parti

dell'involucro, a meno che non si tratti di pezzi rimovibili semplicemente

a mano, possono venire alla luce parti dell'apparecchio conduttrici di

tensione.

• Se l'apertura dell'apparecchio dovesse risultare necessaria è indispensabile

staccare precedentemente quest'ultimo da tutte le fonti di tensione.

Rispettare tale misura di prevenzione anche prima di un allineamento, di

operazioni di manutenzione, della messa in esercizio o della sostituzione

di componenti all'interno dell'apparecchio.

• Allineamento, operazioni di manutenzione o eventuali riparazioni dell'ap-

parecchio in presenza di tensione vanno eseguite esclusivamente da per-

sonale specializzato ed autorizzato, in grado di eseguire tali operazioni evi-

tandone i rischi connessi.

• Le uscite degli altoparlanti contrassegnate dai caratteri IEC 417/5036 (vedi

illustrazione 1 a fondo pag.) possono essere conduttrici di tensione peri-

colosa con cui evitare il contatto. Per questo motivo, prima

di accendere l'apparecchio, collegare quest'ultimo agli altoparlanti

servendosi esclusivamente del cavetto d'allacciamento indicato

dal produttore.

•Tutte le spine e i cavi di collegamento devono essere avvitati o fissati

all'involucro dell'apparecchio per quanto possibile.

•Tutti i fusibili di sicurezza vanno sostituiti esclusivamente con fusibili del

tipo prescritto e valore della corrente nominale indicato.

• L'utilizzo di fusibili di sicurezza non integri e la messa in corto circuito

del sostegno di metallo sono proibite.

• Non interrompere mai il collegamento con il circuito di protezione.

• Superfici contrassegnate dalla parola "HOT" (vedi illustrazione 2 a fondo

pag.), cosi come griglie di aerazione, dispositivi di raffreddamento e i loro

rivestimenti di protezione, oppure valvole e i relativi rivestimenti protetti-

vi possono surriscaldarsi notevolmente durante l'uso e per questo motivo

non vanno toccate.

• L'ascolto di suoni ad alto volume può provocare danni permanenti

all'udito. Evitate perciò la diretta vicinanza con altoparlanti ad alta

emissione di suono e utilizzate cuffie protettive in caso ciò non sia

possibile.

Alimentazione:

• L'apparecchio è concepito per il funzionamento continuo.

• La tensione di esercizio deve corrispondere alla tensione di rete a cui ci

si allaccia.

• L'allacciamento alla rete elettrica avviene tramite alimentatore o cavetto

d'alimentazione consegnato insieme all'apparecchio.

• Alimentatore: un cavo di connessione danneggiato non può essere

sostituito. L'alimentatore non può più essere utilizzato.

•Evitate un allacciamento alla rete di corrente utilizzando cassette di

distribuzione sovraccariche.

• La spina di corrente deve essere situata nelle vicinanze dell'apparecchio

e facilmente raggiungibile in qualsiasi momento.

Locali di collocamento:

• Opportuno collocare l'apparecchio su una superficie pulita e orizzontale.

• Non sottoporre l'apparecchio in funzione a scosse e vibrazioni.

• Proteggere l'apparecchio per quanto possibile da umidità e polvere.

• Non collocare l'apparecchio vicino ad acqua, vasche da bagno, lavandini,

lavelli da cucina, locali umidi o piscine. Non appoggiare recipienti conte-

nenti liquidi - vasi, bicchieri, bottiglie, ecc. - sull'apparecchio.

• Provvedere ad una buone aerazione dell'apparecchio.

•Eventuali aperture previste per la ventilazione dell'apparecchio non vanno

ne bloccate, ne mai coperte. L'apparecchio va collocato ad almeno 20 cm

di distanza dalle pareti circostanti e può essere inserito tra altre compo-

nenti di un impianto solo in caso di sufficiente ventilazione e qualora le

direttive di montaggio del produttore vengano rispettate.

•Evitare di esporre l'apparecchio ai raggi del sole e di collocarlo diretta-

mente nelle vicinanze di fonti di calore come caloriferi, stufette, ecc.

• Se l'apparecchio viene trasportato rapidamente da un locale freddo ad

uno riscaldato può succedere che al suo interno si crei della condensa.

Ciò va tenuto in considerazione soprattutto in caso di apparecchi a valvole.

Attendere che l'apparecchio abbia assunto la temperatura ambiente prima

di accenderlo.

• Accessori: non collocare l'apparecchio su carrelli, supporti, treppiedi, su-

perfici o tavoli instabili. Se l'apparecchio dovesse cadere a terra potrebbe

causare danni a terzi o danneggiarsi irreparabilmente. Utilizzate per il col-

locamento dell'apparecchio supporti, treppiedi e superfici che siano con-

sigliate dal produttore o direttamente comprese nell'offerta di vendita. Per

il collocamento dell'apparecchio attenetevi strettamente alle istruzioni del

produttore, utilizzando esclusivamente accessori da esso consigliati. L'ap-

parecchio in combinazione ad un supporto va spostato con molta atten-

zione. Movimenti bruschi o il collocamento su pavimenti non piani posso-

no provocare la caduta dell'apparecchio e del suo supporto.

• Accessori supplementari: non utilizzate mai accessori supplementari che

non siano consigliati dal produttore, potendo essere ciò causa di incidenti.

• Per proteggere l'apparecchio in caso di temporali o nel caso questo non

venisse utilizzato per diverso tempo si consiglia di staccarne la spina di

corrente.

In questo modo si evitano danni all'apparecchio dovuti a colpi di fulmine

o ad improvvisi aumenti di tensione nel circuito di corrente alternata.

Illustrazione 1 Illustrazione 2

• El aparato ha sido producido por HK AUDIO

según el IEC 60065 y salió

de la fábrica en un estado técnicamente perfecto. Para conservar este

estado y asegurar un funcionamiento sin peligros el usuario debe tener en

cuenta las indicaciones y advertencias contenidas en las instrucciones de

manejo. l aparato corresponde a la clase de protección l (toma de tierra

protegida).

• LA SEGURIDAD, LA FIABILIDAD Y EL RENDIMIENTO DEL APARATO

SOLO ESTAN GARANTIZADOS POR HK AUDIO

CUANDO:

• el montaje, la ampliación, el reajuste, los cambios o las reparaciones

se realicen por HK AUDIO

o por personas autorizadas para ello;

• la instalación eléctrica del recinto en cuestión corresponda a los

requisitos de la determinación del IEC (ANSI);

• el aparato se use de acuerdo con las indicaciones de uso.

ADVERTENCIA:

• Si se destapan protecciones o se retiran piezas de la carcasa, exceptuando

si se puede hacer manualmente, se pueden dejar piezas al descubierto

que sean conductoras de tensión.

• Si es necesario abrir el aparato, éste tiene que estar aislado de todas las

fuentes de alimentación. Esto se debe tener en cuenta antes del ajuste, de

un entretenimiento, de una reparación y de una sustitución de

las piezas.

• Un ajuste, un entretenimiento o una reparación en el aparato abierto y

bajo tensión sólo puede ser llevado a cabo por un especialista autorizado

por el productor (según VBG 4) que conozca a fondo los peligros que ello

conlleva.

• Las salidas de altavoces que estén provistas de la característica

IEC 417/5036 (figura 1, véase abajo) pueden conducir tensiones peligrosas

al contacto. Por ello es indispensable que antes de poner en marcha el

aparato; la conexión se haya realizado únicamente con el cable de empal-

mes recomendado por el productor.

• Las clavijas de contacto al final de los cables conectores tienen que estar

atornilladas o enclavadas a la carcasa, en tanto que sea posible.

• Los fusibles de repuesto que se utilicen sólo pueden ser del tipo indicado

y tener la intensidad nominal indicada.

• El uso de fusibles reparados o la puesta en cortocircuito del soporte es

inadmisible.

• El empalme del conductor de protección no se puede interrumpir en

ningún caso.

• Las superficies provistas de la característica "HOT" (figura 2, véase

abajo), los paneles de fondo trasero o las protecciones con ranuras de

ventilación, los cuerpos de ventilación y sus protecciones, así como las

válvulas electrónicas y sus protecciones pueden alcanzar temperaturas

muy altas durante el funcionamiento y por ello no se deberían tocar.

• Niveles elevados de la intensidad de sonido pueden causar continuos

daños auditivos; por ello debe evitar acercarse demasiado a altavoces que

funcionen a altos niveles. En tales casos utilice protecciones auditivas.

ACOMETIDA A LA RED:

• El aparato está proyectado para un funcionamiento continuo.

• La tensión de funcionamiento ajustada tiene que coincidir con la tensión

de la red del lugar.

• La conexión a la red eléctrica se efectuará con la fuente de alimentación

o con el cable de red que se entreguen con el aparato.

•Fuente de alimentación: una linea de conexión dañada no se

puede sustituir.

La fuente de alimentación no puede volver a ponerse en funcionamiento.

•Evite una conexión de la red eléctrica a distribuidores con muchas tomas

de corriente.

• El enchufe para el suministro de corriente tiene que estar cerca del

aparato y ser de fácil acceso.

SITUACION:

• El aparato debería estar situado en una superficie limpia y totalmente

horizontal.

• El aparato no puede estar expuesto a ningún tipo de sacudidas durante su

funcionamiento.

• Se deben evitar la humedad y el polvo.

• El aparato no puede ponerse en funcionamiento cerca del agua, la bañera,

el lavamanos, la pila de la cocina, un recinto con tuberías de agua,

la piscina o en habitaciones húmedas. Tampoco se pueden poner objetos

llenos de líquido - jarrones, vasos, botellas, etc. - encima de él.

• Procure que el aparato tenga suficiente ventilación.

• Las aberturas de ventilación existentes no se deben bloquear ni

tapar nunca.

El aparato debe estar situado como mínimo a 20 cm de la pared.

El aparato sólo se puede montar en un rack, si se ha procurado la

suficiente ventilación y se han cumplido las indicaciones de montaje

del productor.

•Evite los rayos del sol directos así como la proximidad a radiadores,

electro-radiadores o aparatos similares.

• Si el aparato pasa repentinamente de un lugar frío a otro caliente, se pue-

de condensar humedad en su interior. Esto se debe tener en cuenta sobre-

todo en los aparatos con válvulas electrónicas. Antes de poner en marcha

el aparato se debe esperar hasta que éste haya adquirido la temperatura

ambiental.

• Accesorios: el aparato no se puede colocar encima de carros, estantes,

trípodes, soportes o mesas inestables. Si el aparato se cae puede causar

daños personales y se puede estropear. Coloque el aparato sólo en un car-

ro, rack, estante, trípode o soporte recomendado por el productor o que

se le haya vendido junto con el aparato. En la instalación se deben seguir

las indicaciones del productor así como utilizar los accesorios

recomendados por el mismo para colocarlo encima. El conjunto del

aparato con el pedestal se debe mover con mucho cuidado. Un paro

brusco, la aplicación de una fuerza desmesurada o un suelo irregular pue-

de ocasionar la caida de todo el conjunto.

• Piezas adicionales: no utilice nunca piezas adicionales que no estén

recomendadas por el productor, ya que se podrían provocar accidentes.

• Para protejer el aparato de una tormenta o si no se supervisa ni utiliza du-

rante algún tiempo, se debería desconectar la clavija de la red. Así se evi-

tan daños en el aparato a causa de un rayo y golpes de tensión en la red

de corriente alterna.

Figura 1 Figura 2

Conseils de Securite Importants!

Priere de lire avant l'emploi et a conserver pour uti-

lisation ulterieure!

Importanti avvertimenti di sicurezza!

Leggere attentamente prima dell'uso e conservare per

un utilizzo successivo:

¡Indicaciones de seguridad importantes!

¡Léanse antes de utilizar el aparato y guardense para

so uso posterior!

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DFC Manual

Content

The COHEDRA™ Controller Concept . . . . . . . . . . 2

1 Digital Field Controller (DFC) . . . . . . . . . . . . 2

1.1 Connections 3

1.2 Display and Control Features 4

1.3 Basic Settings 4

1.4 Setting Delay Times 5

1.5 Adjusting the Equalizer 6

1.6 Storing Settings 6

1.7 Disabling Buttons on the DFC 6

1.8 Reset, Hot Reset and Master Reset Functions

1.9 Remote Control and Remote Monitoring 7

1.10 Overview of the DFC’s Menu Functions 7

1.11 Technical Data 8

2 Audio Controller Software Version 3.01 . . . . . 9

2.1 Installing Software 9

2.2 DFC Software Files 9

2.3 Connecting Hardware / the PC Interface 9

2.4 Launching DFC Software 10

2.5 Menu Bar 11

2.6 Adjusting Controller Parameters 13

2.7 Selecting the Audio Input 13

2.8 Selecting a Controller/Rack Mode 13

2.9 Activating the Key Lock on the DFC 14

2.10 Adjusting Master Channel Strip Settings 14

2.11 Adjusting the Bass, Mid and High Channels 14

2.12 Graphic EQ 15

2.13 Forming Groups 16

2.14 Working with Several Programs 17

2.15 Loading New Filters into DFCs 17

Index of Figures:

Fig 1: DFC front view 2

Fig 2: Rear view of the DFC 3

Fig 3: Selecting the serial interface 10

Fig 4: Loading stored programs 10

Fig 5: Loading and setting controller values 10

Fig 6: Program menu 11

Fig 7: Controller menu 11

Fig 8: Group menu 11

Fig 9: Options menu 11

Fig 10: Tools menu 12

Fig 11: View menu 12

Fig 12: Window menu 12

Fig 13: Help menu (?) 12

Fig 14: DFC Controller Software Editing Panel 12

Fig 15: Peak Limiter window 12

Fig 16: Adjustment for Controller window 13

Fig 17: The 28-band Graphic EQ’s

control panel 15

Fig 18: The Add Equipment window 17

Fig 19: The Reload Equipment window 19

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1 The COHEDRA™

Controller Concept

The performance of a conventional controller is

confined to providing:

• crossover functions

• equalization

• time alignment

• limiting functions protecting against power amp

and speaker overloading

Current digital controllers compute frequency equa-

lization using IIR filters, which are however unable

to equalize phases. At present, some line arrays use

purely mechanical time alignment for high frequen-

cy drivers, but not for midrange woofers.

An example of filtering using an IIR controller or

analog EQ follows:

When equalizing frequency response as shown in

the example above, the 100 Hz frequency suffers a

delay of 13.1 ms in comparison to the first overtone

at 200 Hz! (see Figure 2). If this frequency is rende-

red by an 18" woofer, delay time increases again

before the signal reaches the ear! This means the

fundamental and its overtone are no longer in sync,

causing dynamic distortion that degrades the sonic

image’s natural homogeneous sound.

To ensure natural response, the speaker system

must be processed with phase and time alignment

as well as real phase equalization.

The functions of the HK AUDIO

Digital Field

Controller (DFC) go far beyond those of a standard

controller:

1.1 Frequency and Phase Equa-

lization Using FIR Filter Tech-

nology

FIR filter technology lets you equalize a sound

systems’ phase and frequency response of (louds-

peakers and power amp!) separately. Unlike IIR fil-

ters, FIR filters do not consist of a specific number

of separately computed filter elements. Instead,

they contain a complete sampled copy of the func-

tion required for equalization.

The entire filter is recomputed every time a filter

setting is modified.

The DFC’s controller concept is geared specifically

to avoid unsatisfactory group time results of

conventional digital controllers using IIR filter

technology such as shown in the above example.

1.2 3-Way Virtual Crossover

The crossover splits the input signal into three

frequency bands. The selected filter equalizes the

entire sound system’s frequency and phase response.

This includes all components following the DFC in

the signal chain such as amps, passive crossovers,

and speakers.

1.3 The DFC Limiter in

Combination with the VX 2400

RMS/ Peak Limiter and Thermo Limiter

The DFC is equipped with temperature and RMS

limiters for all three frequency bands. These forward-

looking features anticipate the amount of power

routed to the amp’s outputs. In the event of impen-

ding electrical, mechanical or thermal overload,

they cut output power to allowable levels for the

connected speaker systems.

Overshoot Limiter

The VX 2400 power amp can produce intermittent

peak output levels ranging up to 2,000 W per channel.

For this reason, the overshoot limiter also takes the

duration of an impending overload into account

alongside its amplitude. This ensures that the DFC

limiters exert little or no influence on the amplitude

and duration of brief percussive impulses with high

amplitude but very brief durations. This, in turn,

clearly extends the sound system’s useful dynamic

range. Beyond that, the rendered audio signal

retains its natural characteristics despite the use

of limiters.

1.4 Specific Speaker Filters

The DFC features an extendible database archiving

functions for equalization, phase correction, and

limiting different HK AUDIO

speakers and sound

reinforcement systems in combination with the

VX 2400 power amp (see the chapter entitled

Controllers and Controller Software).

Figure 1: Equalization at 100 Hz and 1 kHz

Figure 2: Resultant group time of IIR filter processing

Figure 3: Phase characteristic with and without

phase equalization

Figure 4: The Overshoot Limiter's mode of operation

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DFC Manual

1 Digital Field

Controller (DFC)

Courtesy of its virtual crossover, the Digital Field

Controller lets you operate COHEDRA™™ and all

other biamped sound reinforcement systems of the

HK AUDIO

Concert Sound Series as you would ac-

tive three-way sound reinforcement systems.

This is possible because the DFC splits the input

signal into three frequency bands – the low, middle

and high ranges. It then equalizes, limits, and per-

forms similar functions separately for each frequency

band. After processing the incoming signal, the

DFC blends the middle and high frequency bands

to create a composite signal, thereby delivering the

midrange/high frequency signal required to drive

biamped systems.

This means that even though one power amp channel

drives a mid/high unit via a passive crossover and

using a single speaker cable, you can set levels and

delay times separately for the cabinet’s midrange

woofers and high frequency drivers, as well as use

virtual functions to invert phases and mute signals.

The Digital Field Controller designed for use in the

Amp Rack. It implements in digital format all the

functions required to control HK AUDIO

sound

reinforcement systems composed of speakers and

the VX 2400 amp. The DFC features FIR filters ena-

bling comprehensive frequency and phase response

correction. Used in combination with the specially

developed PC control software and Remote Interfa-

ce, you have a logical and amazingly convenient

control system readily available. It handles

intuitively, enabling you to master even the most

daunting sound reinforcement challenges with ease.

Its hallmark features include specially developed

filter sets preprogrammed to EQ varying system

and stacking configurations of HK AUDIO

Concert

Sound systems in combination with VX 2400 power

amps. The DFC features the following functionality:

• PA Remote Management

• System Equalization

• Phase Correction

• Peak / RMS, Temperature and Overshoot Limiter

• EQ

• Delay.

The DFC is equipped with an analog input and a

digital AES/EBU input for patching in signals.

The DFC’s analog input is electronically balanced.

Input impedance is 15 k-ohms. Input sensitivity is

0 dBV (equals 1 V RMS); the maximum permissible

input level is 24 dBV. An electronic filter serves to

protect the device against HF interference.

FIR filter technology

FIR filter technology lets you correct the phase and

equalize the frequency response of HK AUDIO

so-

und systems independently. Unlike IIR filters,

FIR filters do not consist of a specific number of

separately computed filter elements. Instead, they

contain a complete sampled copy of the function

required for equalization. The entire filter is re-

computed every time a filter setting is modified.

The DFC features an extendible database archiving

functions for equalization, phase correction, and

power handling capacity specifications of different

HK AUDIO

speakers and sound reinforcement

systems. You can load new filters programmed for

specific cabinets and speaker configurations into

the DFC’s memory using HK AUDIO

Controller PC

software (see chapter 2.15).

Frequency and phase equalization

The crossover splits the input signal into three

frequency bands. The selected filter equalizes the

entire sound system’s frequency and phase response.

This includes all components following the DFC in

the signal chain - amps, passive crossovers, speaker

chassis, and speaker housings.

Limiters

The DFC is equipped with temperature and RMS

limiters for all three frequency bands. They feature

forward-looking algorithms that anticipate the amo-

unt of power routed to the amp’s outputs. In the

event of impending electrical, mechanical or ther-

mal overload, they cut the output to allowable levels

for the connected speaker systems.

Figure 1: DFC front view

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Version 2.1

The VX 2400 power amp can produce intermittent

peak output levels up to 2,000 W per channel. For

this reason, the overshoot limiter also takes the

duration of an impending overload into account

alongside its amplitude. This ensures that the DFC

limiters exert little or no influence on the amplitude

and duration of brief percussive impulses with high

amplitude but very short durations. This, in turn,

clearly extends the sound system’s useful dynamic

range. Beyond that, the rendered audio signal re-

tains its natural characteristics despite the use of li-

miters.

Note that the DFC’s overshoot limiter only works

when the VX 2400 power amp’s limiter is switched

off. It limits the VX 2400’s output to 1200 W per

channel.

1.1 Connections

230 V / 50 - 60 Hz mains power supply. The DFC’s

mains plug is a three-pole non-heating equipment

connector with a ground contact. Do not connect

the device using anything other than a three-pole

connector with a ground contact. The mains outlet

must also be equipped with a ground contact.

Never use damaged cables, plugs, or sockets.

Analog audio input FULLRANGE In

Connect signal sources with an analog output

to this three-pin female XLR socket.

Pin assignments are:

pin 1 = ground, pin 2 = signal (+), pin 3 = signal (-).

Digital signal port DIGITAL In / DIGITAL Out

Connect signal sources with a digital AES/EBU out-

put to this three-pin female XLR socket. The input

signal can be patched through via the parallel

circuit’s three-pin male XLR port.

Pin assignments are:

pin 1 = ground, pins 2 and 3 = signal.

Analog audio output LF Out

This port carries the low frequency output signal in

3-way or 2-way configurations. It is a male three-pin

XLR port.

Pin assignments are:

pin 1 = ground, pin 2 = signal (+), pin 3 = signal (-).

Analog audio output MF Out

This port carries the midrange signal in 3-way

configurations. It is a male three-pin XLR port.

Pin assignments are:

pin 1 = ground, pin 2 = signal (+), pin 3 = signal (-).

This port is disabled when HK AUDIO

systems are

biamped!

Analog audio output HF Out

This port carries the high range signal in 3-way

configurations, the mid-/high range signal in 2-way

configurations, and the fullrange signal in passive

configurations (e.g. when using Solo filter sets for

the HK AUDIO

fullrange cabinets VT 112 II F or

VT 115 X). It is a male three-pin XLR port.

Pin assignments are:

pin 1 = ground, pin 2 = signal (+), pin 3 = signal (-).

Midi In / Midi Out connector for remote monitoring

and control

Located on the front panel of the DFC, this port

serves to transmit remote control and monitoring

data via a looped circuit. Midi In is a three-pin

female XLR port, Midi Out a three-pin female XLR

port.

Pin assignments are:

pin 1 = ground, pin 2 = signal (+), pin 3 = power cir-

cuit.

REMOTE control connector

This port serves to control the HK AUDIO

PB 4

Patchbay and to provide power to the COHEDRA™

PB 5 Patchbay.

Figure 2: Rear view of the DFC

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DFC Manual

1.2 Display and

Control Features

Limiter LEDs (red)

• Available for each frequency band (HF, MF, LF)

• LED lights up when the Peak Limiter activates in

response to an overload.

• LED also lights up when the temperature limiter of

the given frequency band is active even if it is not

receiving an incoming signal.

Input Level LEDs (8 LEDs: green/yellow/red)

Green: Input level within a range of -24 to 0 dBV

Yellow: Input level within a range of +6 to +12 dBV

Red: Input level higher than +18 dBV

LCD display

• 2 x 16 characters

• In normal operating mode, it indicates the

controller number and selected filter.

• When a menu is accessed, it shows the options

and editable parameters.

Menu button

• Accesses and exits the main menu.

• Selects individual values in windows offering

several variable values.

Enter button

• Accesses windows for editing main menu

parameters.

• Confirms entries and edited values.

+ and - buttons

• Navigate to the next or previous option.

• Edit parameters in the editing window.

Reset button

• Reboots the DFC so that all settings are maintained.

• For further reset functions, see the section Reset

Functions.

Ground switch

On: Grounds the signal to the DFC chassis.

Lift: Severs the connection between the signal and

the DFC’s ground. This can eliminate humming

caused by ground loops.

1.3 Basic Settings

Loading stored settings

To load previously programmed and stored DFC

settings, press the Menu button to go to the main

menu and press the + and - buttons to select the

Load Setup window (press - twice). Access the

appropriate editing window by pressing the Enter

button and press the + and - buttons to select a

stored DFC setting from memory slots 1 to 10.

Press Enter to load it to the DFC and return to the

main menu.

Changing the controller number

The controller number is factory-set to Controller

no 1, which is also the default after a hot reset.

HK AUDIO

DFC PC Software can be used to assign

numbers to DFCs automatically in the sequence in

which they are looped, or the controller number can

be set manually on the DFC.

To do this, press Menu to access the main menu

and the + and - buttons to select the window for the

option Controller No. (press + eight times). Press

Enter to access the editing window and use the

+ and - buttons to select a controller number from

1 to 32 for this DFC. Confirm your selection and

return to the main menu by pressing Enter.

Selecting the filter for connected speaker(s)

Press the Menu button to go to the main menu

and the + and - buttons to select the window for

the option Speaker Type (press – seven times).

Press Enter to access the Speaker Change editing

window and use the + and - buttons to select one

of the DFC’s dedicated speaker filters. Confirm your

selection and return to the main menu by pressing

Enter.

Selecting the audio input

Press the Menu button to go to the main menu

and the + and - buttons to select the window for the

option Audio Input (press – four times). Press Enter

to access the editing window and use the + and -

buttons to select from among the one analog and

three digital options.

Selecting Analog configures the DFC to accept an

analog signal. AES/EBU format is in stereo, so you

have three channels to choose from for patching in

digital signals. Digital Left routes the left channel

of the digital signal to the DFC, Digital Right sends

the right channel. When you select Digital L+R, the

digital left and right channels are blended internally

to create a composite signal. Confirm the selected

option and return to the main menu by pressing Enter.

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Selecting a Controller/Rack Mode

This function is only available in combination with

the PB4, which is used exclusively for HK AUDIO

R-Series configurations.

Setting master levels

Press the Menu button to go to the main menu.

Volume is the first option offered in the main menu,

so the window for this option appears immediately

in the DFC display. Press Enter to access the Master

Volume editing window and use the + and - buttons

to adjust the DFC’s master level in 0.5 dB steps

within a range of -40 dB to dB +6.

Confirm the adjusted level and return to the main

menu by pressing Enter.

Setting low frequency levels

Press the Menu button to go to the main menu and

the + and - buttons to select the window for the op-

tion LoGain (press + once). Press Enter to access

the Volume Low editing window and use the + and -

buttons to select the DFC’s low frequency output

level in 0.5 dB steps within a range of -40 dB to +6

dB. Settings lower than -40 dB mute the DFC’s low

frequency output signal. Confirm the adjusted level

and return to the main menu by pressing Enter.

Setting midrange frequency levels

Press the Menu button to go to the main menu and

the + and - buttons to select the window for the op-

tion MiGain (press + twice). Press Enter to access

the Volume Mid editing window and use the + and -

buttons to select the DFC’s midrange frequency out-

put level in 0.5 dB steps within a range of -40 dB to

+6 dB. Settings lower than -40 dB mute the DFC’s

low frequency output signal. Confirm the adjusted

level and return to the main menu by pressing Enter.

Setting high frequency levels

Press the Menu button to go to the main menu and

the + and - buttons to select the window for the

option HiGain (press + three times). Press Enter to

access the Volume High editing window and use the

+ and - buttons to select the DFC’s high frequency

output level in 0.5 dB steps within a range of -40 dB

to +6 dB. Settings lower than -40 dB mute the DFC’s

high frequency output signal. Confirm the adjusted

level and return to the main menu by pressing Enter.

1.4 Setting Delay Times

Selecting the delay display mode

The DFC can indicate delay settings in milliseconds

(ms) or meters (m). To select the desired delay

display mode, press the Menu button to go to the

main menu and the + and - buttons to go to the

window for the option Delay Base (press - eight

times). Press Enter to access the Delay Display

editing window and use the + and - buttons to sel-

ect ms (delay indicated in milliseconds) or m (delay

indicated in meters). Confirm the selected mode

and return to the main menu by pressing Enter.

The DFC offers both master and frequency band

delays. The master delay aligns delay lines to the

main sound reinforcement system. Frequency band

delays align speakers within a system, for example

when subwoofers are stacked on the ground and

tops are flown overhead. This is called time alignment.

Note: When biamping HK AUDIO

systems, always

ensure midrange and high frequency delay times are

identical, otherwise the different delays in the passive

high/midrange unit will cause phase problems.

Setting master delay time

Press the Menu button to go to the main menu and

the + and - buttons to select the window for the op-

tion Delay (press + four times). Press Enter to access

the Master Delay editing window and use the + and

- buttons to select the DFC’s master delay within a

range of 0 ms to 1999.39 ms (equals 679.81 meters).

Confirm the selected delay time and return to the

main menu by pressing Enter.

Setting low frequency delay time

Press the Menu button to go to the main menu and

the + and - buttons to select the window for the op-

tion LoDel (press + five times). Press Enter to access

the Low Delay editing window and use the + and

- buttons to select the DFC’s low frequency delay

time within a range of 0 ms to 92.15 ms (equals

31.33 meters). Confirm the selected delay time and

return to the main menu by pressing Enter.

Setting midrange frequency delay time

Press the Menu button to go to the main menu and

the + and - buttons to select the window for the op-

tion MiDel (press + six times). Press Enter to access

the Mid Delay editing window and use the + and

- buttons to select the DFC’s midrange frequency

delay time within a range of 0 ms to 92.15 ms

(equals 31.33 meters). Confirm the selected delay

time and return to the main menu by pressing Enter.

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Setting high frequency delay time

Press the Menu button to go to the main menu and

the + and - buttons to select the window for the op-

tion HiDel (press + seven times). Press Enter to access

the High Delay editing window and use the + and

- buttons to select the DFC’s midrange frequency

delay time within a range of 0 ms to 92.15 ms

(equals 31.33 meters). Confirm the selected delay

time and return to the main menu by pressing Enter.

1.5 Adjusting the Equalizer

The DFC features an onboard equalizer offering

28 frequency bands. It lets you adjust the sound

system to suit the acoustics of the given venue.

To set the equalizer, press the Menu button to go to

the main menu and use the + and - buttons to go to

the window for the option Equalizer Setup (press -

five times). Press the Enter button to access the

first of the two equalizer editing windows. In this

window, the + and - buttons serve to switch the

equalizer ON and OFF) when the cursor is set to

the first cursor position and to adjust the equalizer’s

level via Volume when the cursor is set to the second

position. Use the Menu button to reposition the

cursor.

Press the Enter button when the first equalizer editing

window is shown in the display to access the second

equalizer editing window. In this window, you can

select the frequency band when the cursor is set to

the first cursor position and then boost it (by up to

15 dB) or cut it (down by 15 dB) when the cursor is

set to the second position. Use the Menu button to

reposition the cursor. Once you have adjusted the

equalizer, press Enter to return to the main menu.

1.6 Storing Settings

To store the settings you have made on the DFC,

press the Menu button to go to the main menu and

use the + and - buttons to go to the window for the

option Store Setup (press – once). Press Enter to

access the editing window and use the + and - buttons

to select one of the memory slots from 1 to 10.

Press Enter to store the DFC settings in the selected

memory slot and return to the main menu.

1.7 Disabling Buttons on

the DFC

The DFC offers a key lock option that safeguards

it against tampering and accidental activation of

functions. To disable these buttons, press the Menu

button to go to the main menu and use the + and

- buttons to go to the window for the option Lock

Keys (press – three times). First press Enter to access

the editing window, then use the + button to select

Ye s, and confirm by pressing Enter. The following

message appears in the window: Are you sure?

Confirm by pressing the + button twice + (Yes).

A counter appears in the editing window. Use the +

and - buttons to set it to the indicated value of 23.

Press Enter to activate the DFC’s key lock.

Enabling buttons on the DFC

When the key lock is active and you press the Menu

button, a prompt appears telling you to press Enter

to deactivate the key lock. After pressing Enter, the

editing window of the option Lock Keys appears.

First, use the - button to select No, then confirm

via the Enter button.

The following message appears in the window:

Are you sure? Confirm by pressing the + button

twice + (Yes). A counter appears in the editing

window. Use the + and - buttons to set it to the

indicated value of 23. Press Enter to deactivate the

DFC’s key lock mechanism.

1.8 Reset, Hot Reset and

Master Reset Functions

Reset

Pressing the Reset button once reboots the DFC.

The process takes about 10 seconds. All adjust-

ments made before the reset are retained.

Hot reset

A hot reset restores the DFC’s factory settings.

All your settings are deleted, but the filter database

is retained. To initiate a hot reset, press and hold

the Menu and Enter buttons simultaneously, then

press the Reset button. The DFC initiates a hot reset

when you release the Reset button. The following

message appears in the display: Hot Reset!!!! – Re-

lease Keys!!!!. After a hot reset (which takes about

15 seconds) the Speaker Type option’s Speaker

Change editing window appears in the display.

As described in section 6.3, select a filter for the

speakers that you want to address. Once you have

done this, the DFC is ready to operate.

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Version 2.1

Master reset

A master reset restores the DFC’s factory settings

and deletes its filter database. Because new filters

can only be uploaded to the DFC via a connected PC

and the Audio Controller Software, the master reset

option is only available when the DFC is connected

to a PC via Midi loop and PC/Midi interface and the

HK AUDIO

Audio Controller software has been

launched.

The DFC will not operate without the speaker filters.

For this reason, the master reset option is pas-

sword-protected and may only be activated by HK

AUDIO

service staff.

1.9 Remote Control and Remote

Monitoring

The DFC’s Midi port lets you control and monitor

up to 32 DFCs remotely using a PC. The DFC connects

to the PC via a special HK AUDIO

interface. To this

end, all DFCs are connected in a loop starting at the

dongle’s Midi Out port (from the dongle’s Midi Out

to the first DFC’s Midi In, from the first DFC’s Midi

Out to the second DFC’s Midi In, and so forth until

the final DFC’s Midi Out is connected to the dongle’s

Midi In). The dongle connects to the PC via a serial

interface (COM, RS 232). You can monitor the DFC’s

temperature and peak limiter status and view and

edit all of the DFC’s variable parameters using

HK AUDIO

Audio Controller PC Software.

In addition, the HK AUDIO

DFC PC Software offers

convenient options for handling several DFCs at the

same time by grouping them, as well as for creating

for even very complex sound reinforcement sy-

stems. This lets you switch configurations swiftly

and easily (see also the chapter Audio Controller

Software).

1.10 Overview of the DFC’s

Menu Functions

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1.11 Technical Data

Analog Input

Input: 3-pin XLR female

Pin assign: 1 = ground, 2 = signal(+), 3 =signal(-)

Input impedance: 15 k-ohms

Input level (nominal / maximal): 0 dBV / + 24 dBV

Digital Input

Input: 3-pin XLR female

Pin assign:1 = ground, 2 and 3 = Signal

Input impedance/sensitivity: 250 ohms / 200 mV

Data format / sampling rate: AES-EBU / 44.1

kHz

Analog output

Output: 3-pin XLR male

Pin assign: 1 = ground, 2 = signal (+), 3 = signal (-)

Output impedance: 47 ohms

Output level (maximal): + 10 dBV

Digital output

Output: 3-pin XLR male

Pin assign: 1 = ground, 2 and 3 = Signal

Output impedance: 110 ohms

Max. output level: 5 V

Data format / sampling rate: AES-EBU / 44.1 kHz

Mains

Mains voltage connector:

3-pole non-heating equipment connector

Mains voltage: 230 V to 253 V

Mains frequency: 50 – 60 Hz

Power consumption: 17 VA

Remotes / Midi

Midi In port: 3-pin XLR female

Pin assign: 1 = ground, 2 = (+), 3 = power circuit

Midi Out port: 3-pin XLR male

Pin assign: 1 = ground, 2 = (+), 3 = power circuit

Remote port: 9-pin D-Sub for connecting a PB4 or

PB5

A/D–D/A Converter

THD, input voltage: -83 dB

Input analog: +21 dBV, 1 kHz

Output analog: +21 dBV

THD, frequency: -87 dB

Input analog: 0 dBV, 50 Hz to 20 kHz

Output analog: 0 dBV

Frequency response: 10 Hz to 20 kHz (± 2 dB)

Input analog: 0dBV

Output analog: 0 dBV)

Dynamic range: -128 dB (unweighted; 10 Hz to 20 kHz)

Output: analog, +10 dBV

A/D converter resolution: 24 bits

D/A converter resolution: 20 bits

Ambient temperature range: -10°C to +60°C

Weight: 3 kg (6.6 lbs)

Dimensions (B x H x T): 48.2 cm x 4.4 cm x 22.7 cm

(19" x 1 7/8" x 9")

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Version 2.1

2 Audio Controller

Software Version 3.01

DFC Software Version 3.01 lets you control and mo-

nitor up to 32 HK AUDIO

Digital Field Controllers

(DFCs) remotely using a PC (or notebook) and the

HK AUDIO

PC interface. This makes it easy to

handle even very large PAs and complex sound

systems using very little equipment. And that

goes for fixed as well as for mobile sound systems.

DFC Software 3.01 handles intuitively and offers

many useful functions and application options, all

of which are described in this manual. Please take

the time to read it so that you can make the most

of the possibilities afforded by the Digital Field Con-

troller in combination with DFC Software 3.01.

System requirements

• 100 MHz Pentium processor

(200 MHz recommended)

• 16 RAM MB, 32 MB recommended

• 1 MB free hard disk space for the application

• 100 MB free hard disk space for the filters and

filter descriptions

• Mouse

• At least 800x 600 resolution, 16 bits color,

4 MB graphic RAM recommended

• Free serial interface (COM port) of USB interface

with COM adapter

• Operating systems: Windows 95/98, NT 4.0, Win XP

2.1 Installing Software

Make sure an EPROM with an operating system ver-

sion Feb 21, 2001 or higher is installed in the DFCs.

The installed version appears in the display for a

few seconds after you switch the DFC on. Older

operating system versions do not support and

implement all the functions offered by the DFC

Software 3.01.

If you find that your DFCs run an older system,

get in touch with HK AUDIO

directly at:

[email protected]

or fax +49 (0) to 6851 905215.

If you are running an older version of the DFC

Software on your PC, delete it before installing

DFC Software 3.01.

To install the software, insert the CD-ROM in the

disk drive and copy the folder named DFC Software

3_01 to the PC. You can use the Windows Desktop

or Windows Explorer to do this. Once you have copied

the file, remove the CD-ROM from the disk drive

and open the folder named DFC Software 3_01 on

the PC.

Important note: Once you have done this, be sure

to deactivate write protection for the files HK.InI,

BLK.InI, and SUB.InI (right-click File / Properties /

disable Write-protected.) Not until write protection

is deactivated will DFC Software 3.01 be ready to

run!

2.2 DFC Software Files

DFC Software comprises the files Audio Controller

3_01, BLK.DEF, BLK.InI, HK.InI, and SUB.InI, as

well as the Speakers folder. It also offers the Audio

Controller Demo file, which serves practice and

demonstration purposes. When you open this file,

all functions such as the Info window are operative

without a connected Digital Field Controller.

Note: The demo version cannot be connected to

DFCs or used to control them in real-time.

Audio Controller File 3_01

This is the DFC Software’s application file. Double-

click the icon using the left mouse button to launch

the software.

BLK.DEF, BLK.InI, HK.InI, and SUB.InI files

DFC Software settings are stored in these

configuration files.

Before launching the DFC Software for the first

time, be sure to deactivate write protection for the

files HK.InI, BLK.InI, and SUB.InI (right mouse click

on File / Property / disable Write-protected); see

section 2.1).

Speakers folder

This folder serves to store filter data (*.BLK files)

and descriptions (*.HKI files) of each filter. DFC

Software accesses this file when you want to down-

load filters to the DFC, upload filters to a PC, or

view the properties of a filter.

2.3 Connecting Hardware /

the PC Interface

The PC interface establishes a data link between

a PC and up to 32 DFCs. Its power is supplied by

the included PSA 0812 power unit (12 ~, 200 mA),

which plugs into the PSA 0812 POWER SUPPLY

connector on the PC interface. The Power On LED

lights up (red) to indicate incoming operating

voltage.

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Connect the PC interface to the serial port of the

PC (COM port) using the included serial connector

cable (9-pin Sub-D male/female). If your computer

lacks a COM interface, use a COM-port-to-USB-ad-

apter. Please consult your computer to learn

how to configure this connection.

DFCs are connected in a loop starting at the PC in-

terface’s Midi Out port (from the PC interface’s

Midi Out to the first DFC’s Midi In, from the first

DFC’s Midi Out to the second DFC’s Midi In and

so forth until the final DFC’s Midi Out is connected

to the PC interface’s Midi In). Use balanced micro-

phone cables (XLR male / XLR female) to connect

the components. The distance between the PC inter-

face and the first DFC may range up to 300 meters.

Every DFC amplifies the data signal before routing

it out. The DFCs must be looped because they not

only receive data, but also send acknowledging

messages and data back to the PC.

Important note: The Midi In and Midi Out ports of

the DFCs and the DFC interfaces do not comply

with the MIDI standard and are incompatible with

other devices!

2.4 Launching DFC Software

Launch the DFC Software by double-clicking the

Audio Controller 3_01 icon using the left mouse

button. If the PC and PC interface are connected

properly, a window will pop up; it reads Please

wait...Updating current configuration. Once this

is done, the software is ready to run.

The user interface consists of the Menu bar contai-

ning the individual menus, the Status bar, the Peak

Limiter window, and the Editing Panel.

Note: If there is a problem with the Midi loop or the

loop has not been closed, a window pops up indica-

ting the following message: Midi-Loop open!

No data transfer possible. Change to offline mode?

If you opt to switch to offline mode, the display

reads: Warning! While working in offline mode the

display shows wrong controller values. The reason

for this is that the PC and DFCs are not connected.

Check the Midi loop and re-launch the DFC Software.

If there is a problem with the serial link between

the PC and PC interface or the wrong COM port

has been entered to the DFC Software, the following

window pops up: No dongle connected to the serial

port. Only Edit Mode will be possible. If the cable is

defective, replace it.

Selecting the serial interface

See figure 3. The option Port in the Options menu

lets you define the correct PC serial interface for the

PC interface (for example, COM 1). Once you have

selected the correct interface, DFC Software ready

to run. To load the current looped DFC configuration

to the software, first activate the option Online in

the Options menu (see section 2.5) by clicking it

using the left mouse button, and then select the

option Update current configuration in the

Controller menu (see section 2.5).

Loading stored programs

See figure 4. To load DFC programs created

and stored in previous sessions, select the option

Open in the Program menu. A window pops up

with a prompt asking you for the program name

and possibly the program file. Select the desired

program and click the Open button. The program

is loaded to the DFC Software.

Note: Programs generated in an earlier DFC Soft-

ware version (Version 2.1 or lower) cannot be

loaded to DFC Software 3.01.

Creating new programs

See figure 5. To create new DFC programs, select

the option New in the Program menu. A window

pops up suggesting that you load the settings on

the currently connected DFCs as the basis for the

new program (Load Controller Values).

In this window, you also have the option of starting

the new program with preset defaults (zero values)

that are loaded to the DFCs when the DFC Software

is launched (Set Default Values). The actual user

panel appears once you have selected an option

and confirmed it with OK.

Figure 3: Selecting the serial interface

Figure 5: Loading and setting controller values

Figure 4: Loading stored programs

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2.5 Menu Bar

See figure 6. The Menu is located in the upper area

of the screen and includes the Program, Controller,

Group, Options, Tools, View, and Window menus,

as well as the Info menu providing access to the

DFC Software’s individual functions.

Program menu

• The option New initiates a new DFC program.

• The Load option loads a stored program.

When this option is selected, a window pops up

with a prompt asking you for the program name

and possibly the program folder.

• The option Save saves (to a clipboard) the program

that you are currently working with. If you have

not assigned a name to it, a window pops up

prompting you to name the program.

• The option Save As saves an edited program.

A window pops up prompting you to name

the program.

• The option Delete closes the current program in

the DFC Software. When this option is selected,

a window pops up with a prompt asking you if

you want to save the program before exiting it.

• The option Copy copies the current program into

a clipboard.

• The option Insert inserts a program contained

in the clipboard into a Program window.

• The option Exit closes the DFC Software.

When this option is selected, a window pops up

with a prompt asking you if you really want to quit

the DFC Software. If programs have not been saved,

a window pops up asking you if you want to save

them.

Controller menu

See figure 7.

• The option Update current configuration loads the

current DFC loop configuration into the DFC. This

tells the application which DFC network you want

to control and monitor. This function is executed

automatically when the DFC Software is activated,

if the PC and DFCs are connected properly and the

correct serial interface has been selected.

• The option Load Controller Values to PC loads the

DFC’s current settings for level, delay, frequency

response, and so forth into the DFC Software.

When this option is selected, the following messa-

ge appears: Warning! Loading controller values

will overwrite program. Associations of controllers

and groups will be lost. This function can be exe-

cuted automatically when creating a new program

using the option New in the Program menu, if the

Online option in the Options menu is activated.

Group menu

See figure 8.

• The option Add creates a new DFC group that you

can assign individual DFCs to.

• The option Delete deletes the selected group. An

additional warning message does not appear when

this option is selected.

• When activated, the option Lock precludes DFC

group assignments from being changed. New

groups may be added but DFCs cannot be assig-

ned to these groups. Groups may also be deleted

even if DFCs are assigned to them.

Options menu

See figure 9.

• The Online option switches back and forth bet-

ween online and offline mode. When online mode

is selected, a checkmark appears next to the opti-

on. In offline mode, the PC and DFCs are not

connected, meaning that any adjustments you

make do not affect the connected DFCs and the

DFC status cannot be monitored. For this reason,

the following message appears when offline mode

is activated: Warning! While working in offline

mode the display shows wrong controller values.

• When selected (a checkmark appears next to the

option), the option Auto Send sends modifications

immediately to the connected DFCs. If Auto Send

is deactivated, you must first click the OK button

in the given window every time you want to send

new settings. This option can serve as an additional

safeguard against accidental editing.

• The option Delay Mode accesses a submenu that

lets you determine if delays are indicated in meters,

milliseconds, or feet.

• The option Edit Mode activates its namesake.

In edit mode, all 32 controller views are always

displayed in the user interface’s Editing Panel.

This is where you can configure DFCs and create

groups. You can also adjust DFC parameters such

as level, delay and equalizer settings in edit mode.

With the exception of selecting a filter for spea-

kers, this lets you create programs without having

DFCs connected.

Figure 6: Program menu

Figure 7: Controller menu

Figure 8: Group menu

Figure 9: Options menu

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Tools menu

See figure 10.

• The option Add Equipment loads new speaker

filters to the connected DFCs (see section 2.15).

• The option Reload Equipment loads and stores

speaker filters from the connected DFCs to the PC.

View menu

See figure 11.

Select the option Status Bar (a checkmark appears

next to the option) if you want the Status bar to be

displayed.

Select the option Limiter Window (a checkmark

appears next to the option) if you want the Peak

Limiter window to be displayed. Once activated, it

remains on-screen even if you go to another program

on the PC / laptop.

Window menu

See figure 12.

• The option Cascade cascades (arranges front to

back in staggered formation) all program windows

appearing on the screen.

• The option Tile arranges all program windows

appearing on the screen side by side or stacks

them one on top of the other.

• The option Arrange Icons displays all program

windows appearing on the screen in the form of li-

ttle symbols called icons. The program windows

must first be reduced to the size of an icon by

clicking the Minimize button.

The Window menu also lists the names of all currently

opened programs. Access the desired program by

clicking its name.

Info menu (?)

See figure 13.

The option About HK AUDIO

Controller displays

information on the software, version and copyright.

Status bar

The Status bar is located at the lower edge of the

screen. It principally indicates the progress of ac-

tivated functions. When the program is not execu-

ting a function, the display reads Ready. If you ac-

tivate one of the menus in the Menu bar by clicking

it using the left mouse button and point the cursor

to individual options, the Status bar shows a

description of the given option’s function (Help).

Controller Number and Limiter displays

See figure 14. The Editing Panel shows a graphical

view of the individual controllers. In edit mode, the

Editing Panel always displays all 32 potential Controller

views. If you are not working in edit mode (and the

connection between the PC and the DFCs is up and

running), it shows only the controllers connected to

the PC.

DFC Controller Software Editing Panel

See Figure 14.

Temperature and Peak Limiter indicators appear

on the left side of the controller views. These are

subdivided into the DFC’s three output frequency

bands (Bass, Mid, High). The upper area of each

limiter box indicates the high frequency band, the

center area the middle frequency band, and the bot-

tom area the low frequency band. When deactivated,

the Temperature Limiter indicator appears in blue

and the Peak Limiter display in green for all fre-

quency bands. When activated, the given frequency

band indicator’s color changes to red.

The respective controller number (1 to 32) appears

on the right side of the Controller views. The name

of the DFC assigned the given controller number

appears roughly at the center. The factory default

is Controller 1 to max. Controller 32. However, you

may enter other names as you see fit; for reasons of

clarity, you will find that this makes sense in practice

(see section 2.6. Changing the Controller Name).

Peak Limiter window

See figure 15. The Peak Limiter window always sho-

ws the peak limiters for all 32 possible DFCs. When

selected (a checkmark appears next to the option Li-

miter Window in the View menu), it remains visible

in the foreground of the screen. This lets you conti-

nuously monitor the status of the DFCs’ peak limi-

ters even when working with other programs.

Like the Controller views, the Limiter view is divided

into boxes for the low frequency band, middle fre-

quency band, and high frequency band. In normal

operating mode, the color of the Peak Limiter indi-

cator is green. When DFC’s peak limiter activates,

the indicator for the given frequency band turns red.

The Peak Limiter window can only be activated

(View menu > Limiter window) when the DFC Soft-

ware is in online mode (a checkmark appears next

to the Online option in the Options menu).

Figure 10: Tools menu

Figure 11: View menu

Figure 12: Window menu

Figure 13: Help menu (?)

Figure 15: Peak Limiter window

Figure 14: DFC Controller Software Editing Panel

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2.6 Adjusting Controller

Parameters

See figure 16. Double-clicking a Controller view

opens a window (Adjustment for Controller) that

lets you set and edit controller parameters.

Changing the controller name

The controller name is factory set to Controller 1 to

max. Controller 32. For reasons of clarity - particularly

when working with complex sound reinforcement

systems and several DFCs - we recommend that

you assign meaningful names to the connected

controllers (for example, something along the lines

of Longthrow left, Delay right, Sublow, etc.).

Click Name to delete the given controller name and

enter a new controller name.

Selecting the filter for connected speaker(s)

Click Speaker using the left mouse button to open

a selection box listing all speaker filters offered for

the selected DFC. Click the desired filter using the

left mouse button to select it.

Viewing filter properties

Click the Info button in the Speaker panel to open a

window showing the properties of the selected filter

and associated speakers.

These properties include:

• filter name

• filter latency

• required speakers and power amps

• list of speakers with picture and details

• frequency response of the speakers when driven

by the DFC

Click the Close button located at the upper right

edge of the Info window to close it.

Note in the event that you trouble viewing properties:

In order to view a given filter’s properties, this fil-

ter’s Info file (*.HKI) must be stored in the DFC

Software’s Speaker folder. If the DFC Software is un-

able to locate this file, a window pops up indicating

the following message: Speaker connection info for

... not available!

2.7 Selecting the Audio Input

The DFC accepts both analog and digital audio

signals (sampling rate = 44.1 kHz), so you must sel-

ect the desired input and/or channel for incoming

audio signals. Click Input to open a box listing one

analog and three digital options.

Select Analog to configure the given DFC to accept

an analog audio signal. The digital circuit is stereo,

so you have three channels that accept digital audio

signals to choose from. Digital Left routes the left

channel of the digital signal to the given DFC,

Digital Right sends the right channel. When you

select Digital L+R, the digital left and right channels

are blended internally to create a composite signal.

Click the desired option using the left mouse button

to select it.

2.8 Selecting a

Controller/Rack Mode

Controller/Rack Display Mode offers four options

for operating the DFC in combination with the

HK AUDIO

PB 4 Patchbay. Click the desired mode

to select it.

Note: This function is only available when using the

PB4 in combination with HK AUDIO

R-Series!

Figure 16a: Adjustment for Controller window

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2.9 Activating the Key Lock

on the DFC

The key lock safeguards the DFC against tampering

and accidental activation of functions. Activate it

by clicking the Keylock button. The lettering of the

Keylock On button turns red to indicate the key

locking mechanism is activated. Deactivate the key

lock by clicking the Keylock button again. The

Keylock button reads Off and turns grey.

2.10 Adjusting Master Channel

Strip Settings

The master channel strip (appropriately labeled

Master) lets you adjust settings such as level, delay,

and so forth for the entire DFC. These settings

apply to all frequency bands of outgoing signals.

(see Figure 16 a).

Master channel level

The virtual Level fader in the master channel strip

determines the level of the entire DFC. To adjust the

level, click the virtual fader’s knob using the left

mouse button, hold the button down, and drag

the mouse up or down. Once you have dragged the

virtual fader to the desired position, release the left

mouse button.

Master channel delay

Click the Delay display in the master channel strip

to set the delay for the entire DFC. Once you have

clicked the display, you can delete the given delay

setting and type in a new setting. The two buttons

located next to the Delay display give you another

option for setting delay time. Click one of them to

step through delay times in predefined increments.

Depending on the selected delay mode (as defined

by the Delay Mode option in the Options menu),

delay settings are indicated in milliseconds, meters

or feet. The delay display appears in red to indicate

delay settings other than zero.

Reversing the master channel’s phase

Click the Phase rev. button in the master channel

strip to reverse the phase of the entire DFC. When

phase reversal is activated, the lettering on the

Phase rev. button changes from Off to On and its

color from grey to red. To deactivate phase reversal,

click the Phase rev. button again.

Mute and solo

Click the Mute button in the master channel strip

to mute the entire DFC. When mute is activated,

the lettering on the Mute button changes from Off

to On and its color from grey to red. To deactivate

mute, click the Mute button again.

Click the Solo button in the master channel strip to

mute all connected DFCs with the exception of the

given DFC (Solo-In-Place function). When solo is

activated, the lettering on the Solo button changes

from Off to On and its color from grey to red.

To deactivate solo, click the Solo button again.

Note: If you attempt to close the Adjustment for

Controller window while solo is activated, the

following message appears: Attention!!! Solo still

activated. You will not be able to close the window.

2.11 Adjusting the Bass, Mid

and High Channels

See figure 16 b. The three channel strips Bass, Mid

and High let you determine level, delay and other

settings for the given frequency bands before routing

signals from the DFC to connected speakers.

This lets you handle biamped systems as (virtual)

active three-way systems.

Adjusting levels

The virtual fader Level in the Bass, Mid and High

channel strips determines the level of each frequency

band for the given DFC.

To adjust the level, click the virtual fader’s knob

using the left mouse button, hold the button down,

and drag the mouse up or down. Once you have

dragged the virtual fader to the desired position, re-

lease the left mouse button.

Adjusting delay time

Yo u can set a delay time of up to 100 ms for each

frequency band (Bass, Mid and High channel strips)

of the given DFC via the Delay display in the respec-

tive channel strip. This serves to align clusters and

compensate for discrepancies in response time

caused by the given stacked configuration, for ex-

ample, to align subwoofers stacked on the

ground with tops flown overhead.

Important note: Ensure midrange and high frequency

delay times are identical; otherwise you will encounter

alignment problems within a single speaker cabinet.

Once you have clicked the display, you can delete

the given delay settings and type in new values.

The two buttons located next to the Delay display

give you another option for setting delay time.

Click one of them to step through delay times in

predefined increments.

Depending on the selected delay mode (as defined

by the Delay Mode option in the Options menu),

delay settings are indicated in milliseconds, meters

or feet. The delay display appears in red to indicate

delay settings other than zero.

Figure 16 b: Master channel

Abbildung 16 c): Bass, Mid and High channel

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Version 2.1

Reversing phase

Click the Phase rev. button in the Bass, Mid and High

channel strips to reverse the phase of the entire DFC.

When phase reversal is activated, the lettering on

the Phase rev. button changes from Off to On and

its color from grey to red. To deactivate phase

reversal, click the Phase rev. button again.

Mute

Click the Mute button Bass, Mid and High channel

strips to mute the respective frequency on the selec-

ted DFC. When mute is activated, the lettering on

the Mute button changes from Off to On and its

color from grey to red. To deactivate mute, click

the Mute button again.

2.12 Graphic EQ

See figure 17. Click the Graphic EQ button in the

Adjustment for Controller window to open another

window offering a graphical view of a 28-band equa-

lizer. Use it to adjust the frequency response of the

speakers addressed by the DFC to suit the given

venue’s acoustics.

Adjusting frequencies

Use the graphic EQ’s virtual faders to adjust the

given DFC’s frequency response. The control range

for each frequency band is -18 dB to dB +12.

To adjust the graphic EQ, click the knob of the desired

frequency band’s virtual fader, hold the button down,

and drag the mouse up or down. When you click the

fader, its color changes to blue and the color of its

knob to red. Once you have dragged the virtual

fader to the desired position, release the mouse

button.

You can also adjust frequency response settings

using the computer keyboard’s cursor keys as well

as the Pos 1 and End key. The Q and P cursor keys

serve to select a fader, the R and S cursor keys to

move it. Pressing the Pos 1 key selects the fader

for the frequency band at around 31.5 Hz and pres-

sing the End key selects the fader for the 16-kHz

frequency band.

Adjusting gain settings

Click one of the two buttons in the Gain display to

adjust the graphic EQ for the given DFC.

This is done in 0.5 dB steps within a range of -12 dB

to dB +12.

Bypass and EQ Flat

Click the Bypass button to remove the graphic EQ

from the signal path (for example, to make A/B

comparisons of a processed / unprocessed audio

signal). When activated, the lettering of the Bypass

button changes from Off to On and its color from

grey to red.

The EQ Flat button resets all of the graphic EQ’s

virtual faders as well as the gain settings to a value

of 0 dB. When you click EQ Flat, a window appears

asking you if you really want to reset the graphic

EQ.

Copy EQ and Insert EQ

Copy EQ and Insert EQ make it very easy to load

one graphic EQ setup to another graphic EQ.

To do this, click the Copy button of the graphic EQ

whose settings you want to transfer. Then activate

the graphic EQ to which want to copy the settings.

This can be the EQ of another or DFC group.

The copied setup is loaded to this graphic EQ

when you click the Insert button.

Copy EQ and Insert EQ comprise the graphic EQ

frequency and gain settings.

Send in the Graphic EQ window

Click the Send button to send the graphic EQ settings

to the given DFC and activate them there. This is

not necessary if the option Auto Send in the Opti-

ons menu has been activated, because then all

edited settings are immediately sent to the DFCs.

The Send button is shaded grey when the option

Auto Send is activated because there is no need to

click it.

Exit the graphic EQ via the OK (your settings are re-

tained) or Cancel button (your settings are deleted).

Figure 17: The 28-band Graphic EQ’s control panel

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DFC Manual

Send in the Adjustment for Controller window

Click the Send button to send the settings adjusted

in the Adjustment for Controller window to the

given DFC and activate them there. This is not

necessary if the option Auto Send in the Options

menu has been activated, because then all edited

settings are immediately sent to the DFCs.

The Send button is shaded grey when the option

Auto Send is activated because there is no need

to click it.

Exit the Adjustment for Controller window via the

OK button (your settings are retained) or the Cancel

button (your settings are deleted).

2.13 Forming Groups

The option of forming groups is very convenient,

making it much easier to work with DFCs and the

DFC Software, particularly when facing challenging

sound reinforcement applications and using complex

systems. To this end, individual DFCs are assigned

to one group or several groups. All adjustments

made to a given group affect all DFCs assigned to

that group.

Assigning DFCs to specific groups

DFCs are usually assigned to a group when the

group is initially created. To do this, select the

option Add in the Group menu. The newly defined

group appears in the Editing Panel at the right of

the user interface’s right. The group name is initially

set to the factory default Group 1 to max. Group 32.

You must select a group before you can assign DFCs

to it. Do this by clicking the Group button using the

left mouse button. When selected, the color of the

Group button changes to red. Then click the DFCs

that you want to assign to the selected group using

the right mouse button. The color of the selected

DFCs changes to green. To revoke a DFC’s group as-

signment, click it again using the right mouse button.

Its color changes back to grey. When a group is sel-

ected (via a single click using the left mouse button),

the color of the Group button changes to red and the

color of the given DFCs to green. If a DFC assigned

to a group is selected (via a single click using the

left mouse button), its color changes to red and the

color of its group to green.

Setting group parameters

Double-clicking a Group button opens a window

(Group Settings window) that lets you set and edit

group parameters.

Changing group names

The group name is initially factory-set to Group 1 to

max. Group 32. For reasons of clarity, we recommend

that you assign meaningful names to groups (for

example, something along the lines of Longthrow

all, Delay, Sublow, etc.).

Click Name to delete the given group name and enter

a new group name. When two or several DFC are

combined into a group, you can make the same ad-

justment for all DFCs within the group that you can

for an individual controller, only that these settings

apply to all controllers in the group (see section

2.10).

Specifically, these are:

• Master channel strip setting

• Master channel level

• Master channel delay

• Master channel phase reversal

• Mute and solo functions

• Bass, Mid and High channel settings

• Group level settings

• Group delay settings

• Group phase reversal

• Group mute

• Group Graphic EQ

• Group frequency adjustments

• Group gain settings

• EQ copy and EQ insert functions

• Send function

DFC_Manual_2.1 21.04.2004 11:12 Uhr Seite 20 (Schwarz Bogen)

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