Fender B-Dec (30) Manuale del proprietario

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• This symbol warns the user of dangerous voltage

levels localized within the enclosure of the unit.

• This symbol advises the user to read all

accompanying literature for safe operation of the

unit.

• Read, retain, and follow all instructions. Heed all warnings.

• Only connect the electric line cord to an earth grounded AC

receptacle in accordance with the voltage and frequency

ratings listed under INPUT POWER on the rear panel of this

product.

• WARNING: To prevent damage, fire or shock hazard, do not

expose this unit to rain or moisture.

• Unplug the AC power line cord before cleaning the unit

exterior (use a damp cloth only). Wait until the unit is

completely dry before reconnecting it to power.

• Maintain at least 6 inches of unobstructed air space behind

the unit to allow for proper ventilation and cooling of the

unit.

• This product should be located away from heat sources such

as radiators, heat registers, or other products that produce

heat.

• This product may be equipped with a polarized plug (one

blade wider than the other). This is a safety feature. If you

are unable to insert the plug into the outlet, contact an

electrician to replace your obsolete outlet. Do not defeat the

safety purpose of this plug.

• Protect the power cord from being pinched or abraded.

• This product should be serviced by qualified service personnel

when: the power supply cord or the plug has been damaged;

or objects have fallen, or liquid has been spilled onto the

product; or the product has been exposed to rain; or the

product does not appear to operate normally or exhibits a

marked change in performance; or the product has been

dropped, or the enclosure damaged.

• Only use a cart or stand with this product that is recommended

by this product’s manufacturer.

• The power supply cord of this product should be unplugged

from the outlet when left unused for a long period of time, or

during electrical storms.

• Do not drip nor splash liquids, nor place liquid filled containers

on the unit.

• CAUTION: No user serviceable parts inside, refer servicing to

qualified personnel only.

• Fender

®

amplifiers and loudspeaker systems are capable of

producing very high sound pressure levels which may cause

temporary or permanent hearing damage. Use care when

setting and adjusting volume levels during use.

FCC COMPLIANCE NOTICE

This equipment has been tested and found to comply

within the limits for a Class B digital device, pursuant

to Part 15 of the FCC rules. These limits are designed

to provide a reasonable protection against harmful

interference in a residential installation. This equipment

generates, uses and can radiate radio frequency energy

and if not used in accordance with the instructions, may

cause harmful interference to radio communications and

there is no guarantee that interference will not occur in

a particular installation. If this equipment does cause

harmful interference to radio or television reception, which

can be determined by turning the equipment off and on,

the user is encouraged to try to correct the interference by

one or more of the following measures: reorient or relocate

the receiving antenna, increase the separation between

the equipment and receiver, connect the equipment into

an outlet on a circuit different from that of the receiver.

Consult the dealer or an experienced radio/TV technician

if help is needed.

A PRODUCT OF:

FENDER MUSICAL INSTRUMENTS CORPORATION

CORONA, CALIFORNIA USA

Trademarks:

Fender

®

, B–DEC

™

, FBA™, Bassman® are trademarks of FMIC.

Other trademarks are property of their respective owners.

P/N 683ICT011 Rev ?

Important Safety Instructions

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Congratulations on your purchase of the B-DEC™ 30. This

revolutionary product has been designed to help you become

a great bass player. No matter what level you play at today, you

will quickly find yourself heading in new musical directions

and generally having a great time while you improve your

internal metronome and develop new musical instincts.

The “job” of a bass player is to be the glue that holds a band

together. As the link between rhythm and harmony, the

bass guitar is a powerful instrument in a supportive role.

Unfortunately, developing the skill and instinct needed to be

a great bass player usually only happens while supporting a

band. The B-DEC 30 gives you the opportunity to rehearse

with a full band any time in any key at any tempo for as long

as you want.

The B-DEC 30 has two kinds of loops:

Performance Loops: These are song examples that outline

various styles. Each loop has an “A” section and a “B” section.

The idea is to refine your instincts not only of what notes to

play, but how to feel or anticipate the change from one section

to the next. This is one of the most important attributes of a

great bass player. These loops also provide a tone that should

inspire you in the direction of the music style being played.

Teacher Loops: These are virtual lessons utilizing a bass track

and a drum track to illustrate things like warm up exercises,

scales, arpeggios, slap lick ideas and rhythmic drills.

Follow along with your method book!

The B-DEC 30 comes complete with a method book containing

lead sheets for every loop. These musical charts indicate the

chords being played along with notation and tablature of the

pre-recorded bass line. One approach is to learn the existing

bass line note for note. This will help you develop ideas you

may not have considered. Another approach is to mute the

bass and create your own part to support the song (this will

help to develop your musicianship).

What about the bass track?

Each loop has individual control over the bass, drums and

other instruments. Push the "DRUMS" button to bring up the

drum menu. The first item in the menu is "Bass Track On/Off."

Turning the large Data Wheel will toggle the bass track on and

off. With the bass track off (muted), you can fill out the space

with your own bass lines.

The bass track also has three different modes, indicated as

"B TRK Mode" in the "DRUMS" menu. The factory default

alternates the bass track on/off each time the loop repeats.

The bass track can also be set to play continuously or play

once through, then mute.

Since you can turn any of the tracks on or off, another great

practice tool is to turn down the volume of every track except

the drums. This will give you a “digital drummer” complete

with a changing feel (“A” section to “B” section) and drum fills

to play off of.

You can also develop bass solos while the B-DEC 30 covers the

written bass parts. As bass players, we don’t get many solos,

but a good one goes a long way…

What else does it do?

Bass Amp Types: Sometimes the right tone makes all the

difference. With the B-DEC 30, you get several amp types that

represent many popular bass sounds.

Effects: Used sometimes for taste and sometimes for fun, there

are plenty of cool and inspiring onboard effects that really add

to your sound, including overdrive, fuzz, compression, chorus,

flanging, phasing, envelope filter, reverb, delay, and more.

Auto-Key: So that there's no place on your bass's neck that

you're unfamiliar with, this feature automatically transposes

a loop by a chosen interval, letting you play the exercise in

multiple keys without stopping.

Tempo-Creep: Automatically increases the tempo at a

selectable rate from 1 to 10 BPM, letting you take musical

exercises from slower tempos to faster ones without

stopping.

Song Mode: A virtual hard drive onto which you can save your

favorite MIDI files, so they're available to jam along with at any

time and any place.

Phrase Sampler: Lets you to record what you're playing so

you can listen to your performance with a critical ear. A great

way to quickly improve your playing.

Read this manual and the accompanying method book to

learn just how cool this amp is!

Introduction

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A. INPUT - Plug your bass in here.

B. PHONES - Plug in headphones for privacy or connect a

pair of powered speakers (such as commonly used with

computers); the B–DEC™ 30 speaker mutes automatically.

C. VOLUME - Adjusts the overall loudness of the B–DEC 30.

D. DRUMS

- Press for Drums Mode menu (see page 10).

E. START-STOP - Press to start and stop the MIDI loop. The

START-STOP button flashes in time with the Tempo.

F. SONG / HOLD FOR TUNER - Press for Song Mode (see

page 11) OR Hold to activate the Tuner.

G. PHRASE SAMPLER - Use the Phrase Sampler to record up

to 28 seconds of B–DEC 30 audio for a variety of playback

and overdubbing functions (see page 12).

Press: To start/stop...

4 Playback (replay) of a sampled phrase

REC Sampling (recording) a new phrase

DUB Overdubbing (adding layers) to previous phrase

H. AUX / UTILITY / FX / AMP - Press for the corresponding

Mode menus (see pages 9-10, 12).

I. DISPLAY

- Hold "EXIT" and turn the Data Wheel (in Play

Mode) to adjust screen contrast.

J. SAVE

- Saves the current B–DEC 30 settings to a user preset

(U00-U75).

K. EXIT - Press to return to Play Mode.

L. DATA WHEEL

- Selects presets, songs and settings

depending on the current mode.

M. TONE CONTROLS - Adjusts the tone characteristics of the

amplifier in the low– mid– and high–frequency ranges.

NOTE:

Because the settings of these three controls are

stored within each preset, the knob will NOT indicate the

actual setting until you turn it. To activate a tone control,

turn the knob from its current position. The letter (B, M,

T) displayed for each tone control will highlight when the

control becomes active.

Control Panel Overview

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N. POWER - Switches the B–DEC™ 30 on-off.

O. POWER CORD SOCKET - Connect your B–DEC 30 to an

A/C outlet using the included power cord according to the

voltage and frequency ratings listed on the back of you

amplifier.

P. FUSE - Protects your B–DEC 30 from electrical faults.

Replace a blown fuse only with the type and rating specified

(see pg 23) below the fuse holder. To remove the fuse holder:

Unplug the B–DEC 30 power cord from the socket to

expose the fuse holder. Use a small screwdriver to pry out

the fuse holder using the notch on top.

Q. SPEAKER OUT - Connection for the internal (or external)

speaker cabinet. An external speaker should be rated for

30 watts, 8 ohms minimum.

R. LINE OUT - Line level output suitable for connection to

recording or sound reinforcement equipment.

S. FOOTSWITCH

- Connect the (optional) ULT-4 4-button

footswitch here for remote operation of a multitude of

functions (see page 13).

T. MIDI IN / OUT

- The B–DEC 30 is well equipped to handle

a number of useful MIDI functions. MIDI stands for “Musical

Instrument Digital Interface” which is a language that

lets multiple digital musical items (keyboards, effects,

synthesizers, computers, etc.) communicate with each other.

This manual can’t possibly cover all the MIDI possibilities

you may encounter. If you desire more information, visit

http://www.midi.org online or search for “MIDI” using your

favorite search engine. See page 18 for basic B–DEC 30

MIDI functions.

U. AUX IN - Auxiliary input for your CD or MP3 player. Playback

music through your B–DEC 30 for accompaniment or to

learn songs. Connect the output on your player (line out,

headphones, etc.) to the AUX IN RCA jacks using the proper

cable or adapter. You can adjust the auxiliary input level

through the Aux Mode menu (see page 10).

V. INPUT - An extra input for an instructor or a friend to plug

into. You can adjust the balance between this input and

the front input in the Aux Mode menu (see page 10).

Rear Panel

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How Do I...?

PLAY / RECORD / OVERDUB ?

Use the Phrase Sampler

(see page 12)

MODIFY PHRASE SAMPLER

AND AUX INPUT FUNCTIONS ?

Use AUX Mode (see page 10).

RENAME A PRESET ?

Press "UTILITY", turn Data Wheel.

Play Mode Shortcut—Press and hold this button while rotating the Data Wheel to make a quick adjustment without leaving Play Mode.

* Except in S bank.

SELECT PRESETS or SONGS ?

Turn Data Wheel.

RETURN TO PLAY MODE ?

Press "EXIT."

SAVE MY CURRENT SETTINGS ?

Press "SAVE", turn Data Wheel, press "SAVE" again.

USE THE TUNER ?

Press and hold button.

ENTER SONG MODE ?

Press and release button.

START / STOP LOOP ?

Press "START–STOP" in P or U banks.

START / STOP SONG ?

Press "START–STOP" in S bank.

MUTE BASS TRACK ?

Press "DRUMS", turn Data Wheel.*

MODIFY ALL TRACKS ?

Press "DRUMS", turn Data Wheel.*

SELECT DRUM PATTERNS ?

Press "DRUMS", turn Data Wheel.*

SWITCH EFFECTS ?

Press "FX", turn Data Wheel.*

SWITCH AMP TYPES ?

Press "AMP", turn Data Wheel.*

Ø

DATA

WHEEL

Play Mode—Quick tips and shortcuts:

Ø

ADJUST DISPLAY CONTRAST?

Press and hold EXIT while

rotating the Data Wheel.

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Play Mode

Play Mode is the default Mode active at start-up and after 60

seconds of inactivity in other modes. Press "EXIT" to return to

Play Mode from other modes.

Turn the Data Wheel to select Presets in Play Mode. There are

3 banks of Presets, P (permanent), U (user) and S (song)—each

bank is indicated by the first character (P, U or S ) in the upper

left corner of the display.

P and U bank Presets both include everything in your "band"

your amp and effects, drummer, guitarist, keyboardist, and

bass guide track.

S bank includes the complete MIDI song structure (for up to

62 songs) and stores the songs in the order of performance.

Press "START-STOP" for song playback. To change the order of

your songs, press "SONG" and turn the Data Wheel to reorder

(see page 11).

Each S bank Preset displays song number and name on

the top line. Next line shows current bass preset, which

always starts as QA1 in the box below. The QA box shows

three (quick access) bass presets. These QA presets are your

personal favorites that you want to use with that particular

song. Activate any QA preset by pressing the button below

the quick access labels (QA1, QA2, QA3) or the corresponding

footswitch button (on the optional ULT-4 footswitch). Change

the QA order by pressing the button below SET QA, then turn

the Data Wheel to reorder.

You can play bass, select Presets and play the Drum loop or

the Phrase Sampler in Play Mode. To modify components

of a Preset (Amp Type, Effects, Bass Track, etc.) use the mode

menus (see next page, Menu Navigation).

S bank Presets look like this:

"P" or "U" / PRESET NUMBER

DRUM TEMPO

(Beats Per Minute) or,

during phrase playback, “Phrase

On” appears here.

DRUM PATTERN

KEY

(Highlighted if preset is modified.)

COMPRESSOR LEVEL

EFFECTS TYPE

AMPLIFIER TYPE

PRESET NAME

B / M / T

Highlights when the corresponding

tone control is modified.

QUICK ACCESS

BASS PRESETS

QUICK ACCESS

BUTTON LABELS

CURRENT BASS PRESET

"S" / PRESET NUMBER

PRESET NAME

P and U bank Presets look like this:

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Menu Navigation

Enter Amp, Effects, Drums, Aux, Song, or Utility modes to

adjust preset settings (the presets you're selecting from

Play Mode). Press any of the Mode Buttons (repeatedly) for

menus, then turn the Data Wheel to adjust the highlighted

menu settings.

MENU SHORTCUT:

After entering a mode, press and hold

the same mode button while turning the Data Wheel (in

either direction) rather than pressing the mode button over

and over again!

MENU ITEMS

PARAMETER (SETTING)

(of highlighted menu item)

Current selection

is highlighted.

DATA

WHEEL

M O D E B U T T O N S

Mode Menus look like this:

Amp Types

MODERN FBA: Based on modern Fender® bass amps similar to the 400/800 Pro.

DIRTY FBA: Based on modern Fender bass amps similar to the 400/800 Pro, with overdrive.

BASSMAN: Based on a vintage Fender Bassman® amplifier with a passive tone stack (Note- Mid Frequency is

not active with this amp type).

BMAN GRIND: Based on a vintage Fender Bassman® amplifier with a passive tone stack and overdrive (Note- Mid

Frequency is not active with this amp type).

LA SESSION: Based on a modern California built preamp with glassy highs and punchy mids.

ROCKIN PEG: Based on a classic tube amplifier known for its grit and punch.

80's TONE: Based on a solid state workhorse amplifier known for the "mid 80's" tone.

BRIT GRIT: Based on a vintage British bass amplifier with overdrive (Note- Mid Frequency is not active with

this amp type).

UPRIGHT: A warm round tone simulating a stand up bass feel (Note- Mid Frequency is not active with

this amp type).

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Amp Mode

FX/Reverb Mode

Use FX/Reverb Mode to select an effect type (first menu), then modify that effect’s settings in menus 2–6.

Effect Type Effect Settings (for the Effect selected in Menu 1)

Menu 1 Menu 2 Menu 3 Menu 4 Menu 5 Menu 6

NONE — — — — —

OVERDRIVE Level Gain Low Tone Mid Tone High Tone

FUZZ Level Gain Octave Level Low Tone High Tone

SINE CHORUS Level Rate Depth Reverse Delay Band Split

TRIANGLE CHORUS Level Rate Depth Average Delay Band Split

SINE FLANGE Level Rate Depth Feedback Band Split

TRIANGLE FLANGE Level Rate Depth Feedback Band Split

PHASER Level Rate Depth Feedback Band Split

TOUCH WAH Level Response Minimum Frequency Maximum Frequency Voice Type

FIXED WAH Level Frequency Minimum Frequency Maximum Frequency Voice Type

ENVELOPE CONTROLLED FILTER Level Mode Filter Type Q Threshold

AUTOSWELL Level Attack Depth Response Rate

MONO DELAY Level Delay Time Feedback Brightness Input Level

OVERDRIVE DELAY Level Gain Delay Level Delay Time Feedback

FUZZ DELAY Level Gain Delay Level Delay Time Feedback

CHORUS DELAY Level Rate Depth Delay Time Feedback

FLANGE DELAY Level Rate Depth Delay Time Feedback

PHASE DELAY Level Rate Depth Delay Time Feedback

TOUCH WAH FUZZ Level Gain Response Octave Mix Voice Type

Use FX/Reverb Mode to select a reverb type (menu 7), and adjust reverb level (menu 8).

Reverb Type Reverb Level

Menu 7 Menu 8

NONE ------

AMBIENT 1-10

SMALL ROOM 1-10

LARGE HALL 1-10

Use Amp Mode to select an amplifier type (first menu), then modify that amplifier’s settings in menus 2–8.

Menu Amp Menu Items Settings—(Function)

1 AMP TYPE Modern FBA, Dirty FBA, Bassman, Bman Grind, LA Session, Rockin Peg, 80's Tone, Brit Grit, Upright

2 GAIN 1-10 — (Adjusts amplifier distortion level.)

3 AMP VOLUME 1-10 — (Adjusts the volume of the current amplifier relative to other presets.)

4 MID FREQUENCY 200–2kHz — (if AMP TYPE is Modern FBA, or Dirty FBA), 150–4kHz — (if AMP TYPE is Rockin Peg), 200–800Hz — (if AMP TYPE is LA

Session), 275–1kHz — (if AMP TYPE is 80's Tone), N/A - (if AMP TYPE is Bassman, Bman Grind, Brit Grit, or Upright.)

5 CONTOUR 1-10 — (Adjusts level of Mid-frequency cut, see diagram A. Adjusts low pass filter if AMP TYPE is Bassman, Bman Grind, Brit Grit, or

Upright, see diagram B), N/A- (if the AMP TYPE is Rockin Peg.)

A B

6 COMPRESSOR Off, Low, Medium, High, — (Moderates volume range and provides sustain.)

7 TIMBRE None, Bass Boost, Bright, Punch, Scoop, Mid Bump — (Tone filters.)

8 NOISE GATE Off, Low, Medium, High, — (Cuts low volume noise.)

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Auxiliary/Phrase Mode

Use Aux /Phrase Mode to adjust the AUX IN jack settings (first menu).

Use Aux/Phrase Mode to adjust the front / rear input balance (menu 2).

Use Aux/Phrase Mode to adjust the Phrase Sampler settings (menus 3–7).

Menu Aux Menu Items Settings—(Function)

1 AUX INPUT LEVEL 1-10 — (Adjusts the volume of the source connected to the AUX IN jacks.)

2 FRONT / REAR BALANCE 1-10 — (Use to adjust the balance between front and rear inputs.)

3 PHRASE LEVEL 1-10 — (Phrase playback level.)

4 OVERDUB FEEDBACK

1-10 — (Level of previous phrase recorded to new phrase.)

5 PHRASE MODE Freeform, 4 Beat Lead — (Record with or without a lead in. 4 Beat Lead adjusts measure length for correct timing.)

6 PHRASE SOURCE AUX IN, MIDI, AUX IN + MIDI, Bass, All — (Select the source(s) that the Phrase Sampler records.)

NOTE:

To include MIDI in the sample,

start the MIDI Loop (press "START-STOP") before you pres

s "REC" (record).

7 PLAYBACK Once, Repeat — (Playback the Phrase one time, or in an endless loop.)

Drums Mode

Use Drums Mode to quickly toggle the bass track in the MIDI loop (first menu), then modify various rhythm settings

settings in menus 2–13.

Menu Drum Menu Items Settings

1 BASS TRACK On, Off — (Turns the bass track in the MIDI loop on-off.)

2 BASS TRACK MODE Play Continuous, Play Once, Alternate — (Playback of bass track present in the MIDI loop.)

3 DRUM PATTERN Pattern names increment with Data Wheel

4 TEMPO 30-240 Beats Per Minute

5 TEMPO CREEP On, Off — (Tempo increases upon each loop pass.)

6 TEMPO DELTA 1-10 — (Beats Per Minute to increase upon each loop pass.)

7 KEY * E, F, F#, G, G#, A, A#, B, C, C#, D, D#, E, F, F#, G, G# (2-1/2 steps down - original loop key - one octave up).

8 AUTO KEY On, Off — (Key changes upon each loop pass, range is one octave above the start key.)

9 KEY DELTA MIN2, MAJ2, MIN3, MAJ3, PERF4, TRI, PERF5, MIN6, MAJ6, MIN7, MAJ7

Select the interval the key changes — ("Auto Key" must be On!)

10 DRUM LEVEL 1-10

11 BASS LEVEL 1-10

12 ACCOMPANIMENT 1 LEVEL 1-10

13 ACCOMPANIMENT 2 LEVEL 1-10

* Note: To accomodate the extended frequency range of a 5 string bass, each loop may be adjusted 2-1/2 steps below

the original key. For Example: Loop in key of E has a range of

B, C, C, D, D#, E, F, F#, G, G#, A, A#, B, C, C#, D, D#

. All

onboard MIDI loops were developed utilizing the full range of a 4 string bass. Lowering the key below 2-1/2 steps may

result in bass notes that are below the range of a 5 string bass.

Enharmonic Equivalents: Due to the B-DEC™ 30’s limited display capabilities, all keys are written without specific

reference to major or minor, and all accidentals are represented with sharps only. For example, Bb is represented as

A# although in common music theory, Bb would be the preferred choice.

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Song Mode allows you to set-up the B-DEC™ 30 for

performance with three menus: "SONG ORDER", "SAVE SONG"

and "DELETE SONG." Press "SONG" repeatedly to access each

of the menus, then turn the Data Wheel according to the on

screen instructions.

You can audition songs while in Song Mode by pressing

START-STOP. To select a different song, hold down the

START-STOP button while turning the Data Wheel.

When ready, press "START-STOP" from any S (song) bank

preset from the Play Mode to perform! Each song will play to

the end, pause, and wait for you to press "START-STOP" again

to start the next song.

Storing MIDI Files to the B–DEC 30

Download the B-DEC 30 MIDI file utility available at:

http://www.fender.com/support/downloads/index.php

Follow the instructions included with the download.

SONG ORDER MENU

SONG ORDER is the first menu in Song Mode. It allows

you to rearrange the order of the S bank presets (songs) for

performance.

Press "SONG", then turn the Data Wheel while SONG ORDER is

highlighted to start rearranging the S bank.

The Song Order Menu looks like this:

Press either of the two keys below PREV SONG or NEXT SONG

(which are "AUX" / "UTILITY" or "FX" / "AMP") to highlight

different songs, turn the Data Wheel to reorder the selected

song.

SONG DELETE MENU

SONG DELETE is the third and last menu in Song Mode.

It allows you to delete S bank presets. Turn the Data Wheel

while "Delete Song" is highlighted to enter Song Delete

Menu. Turn again to select a song then press "SONG" to

confirm the song to be deleted.

Song Mode

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Utility Mode

Use Utility Mode to rename presets, lock memory, transfer presets (MIDI) and manage the system.

Menu Utility Menu Items Procedure—(Function)

1 MIDI LEVEL Rotate Data Wheel — (MIDI level)

2 EDIT PRESET NAME Rotate Data Wheel, then follow the instructions displayed on screen.

3 LINE OUT Rotate Data Wheel — (Select All or MIDI to be supplied to the LINE OUT jack.)

4 SPEAKER Rotate Data Wheel — (Select All or Bass + AUX IN (and Phrase) to output to the speaker.)

5 MEMORY LOCK Rotate Data Wheel — (Prevents accidental preset saves and MIDI dumps, but NOT a Factory Reset, see below.)

6 DUMP PRESET Press "SAVE" — (Transfers the current preset to another B–DEC™ 30 or computer connected to the MIDI OUT port.)

7 DUMP ALL Press "SAVE" — (Transfers ALL presets to another B–DEC 30 or computer connected to the MIDI OUT port.)

8 MIDI CONTROL Rotate Data Wheel — (Select AMP or MIDI see page 20)

9 DEFAULT QA1 Rotate Data Wheel — (Select the default Bass Preset to be assigned when creating a new S bank preset)

10 DEFAULT QA2 Rotate Data Wheel — (Select the default Bass Preset to be assigned when creating a new S bank preset)

11 DEFAULT QA3 Rotate Data Wheel — (Select the default Bass Preset to be assigned when creating a new S bank preset)

12 FACTORY RESTORE Press "SAVE" twice — (Restores every B–DEC 30 setting to the original settings. OVERRIDES MEMORY LOCK.)

13 AMP UPDATE (Reserved for future B–DEC 30 software updates.)

Phrase Sampler

GENERAL NOTES: (Phrase Sampler behavior that you should know about)

DUB: This button is ignored if the amp is set to half speed playback.

OVRDUB FBCK: The Overdub Feedback setting (found in the Aux menu) controls the level of decay (fade out) of the

previously recorded signal when overdubbing (10.0 = no decay). Overdubbing only records the bass

signals. MIDI patterns are stopped before overdubbing and cannot be restarted until overdubbing is

complete.

Phrase Sampler States and Controls (how the current state affects what each of the buttons do)

OFF (If you start with the Phrase Sampler "OFF," pressing "PLAY", "REC" or "DUB" will cause this to happen)...

PLAY: Start playback if a loop has been previously recorded, ignore otherwise.

RECORD: Enter record mode and start recording.

OVERDUB: Start overdubbing if a loop has been previously recorded, otherwise start recording.

PLAYING (If you start with the Phrase Sampler "PLAYING," pressing "PLAY", "REC" or "DUB" will cause this to happen)...

PLAY: Stop playback.

RECORD: Enter record mode and start recording.

OVERDUB: Start overdubbing on next pass through (tapping again, prior to the overdubbing starting, cancels

overdubbing before it starts and continues playback).

RECORDING (If you start with the Phrase Sampler "RECORDING," pressing "PLAY", "REC" or "DUB" will cause this to happen)...

PLAY: Exit record mode and begin playback (truncates loop to nearest measure if the amp is set to 4 beat lead

in mode).

RECORD: Stop the recording process.

OVERDUB: Exit record mode and begin playback and begin overdubbing (truncates loop to nearest measure if the

amp is set to 4 beat lead in mode).

OVERDUBING (If you start with the Phrase Sampler "DUBBING," pressing "PLAY", "REC" or "DUB" will cause this to happen)...

PLAY: Stop overdubbing and continue playback on next pass through.

RECORD: Enter record mode and start recording.

OVERDUB: Stop overdubbing and playback on next pass through.

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ULT-4 Footswitch

(Sold Separately)

Button1 Button2 Button 3 Button 4

The ULT-4 Footswitch has four modes indicated by the three LED’s on the left side of the footswitch. Each mode LED will be lit

individually to indicate the current mode and if no LED’s are lit the footswitch and amp are in Tuner mode. The footswitch will

only control the amp if the B-DEC™ 30 is in Play mode or Tuner mode. In Mode’s 1-3 the display will show the amp the current P,

U, or S Preset that is loaded on the amp and in Tuner mode the display will show the current note. You cannot change footswitch

modes while the Phrase Sampler is recording or overdubbing.

MODE 1 - Quick Access Mode:

Button 1: Hold for Tuner, Press and release for Mode 2

Button 2: Loads Song QA1 or Default QA1 if no song is currently loaded. Also turns on the LED above the button.

Button 3: Loads Song QA2 or Default QA2 if no song is currently loaded. Also turns on the LED above the

button.

Button 4: Loads Song QA3 or Default QA3 if no song is currently loaded. Also turns on the LED above the

button.

MODE 2 - Down/Up/Start Stop Mode:

Button 1: Hold for Tuner, Press and release for Mode 3

Button 2: Decrements to the next Preset (P or U) or Song.

Button 3: Increments to the next Preset (P or U) or Song.

Button 4: Starts or Stops a pattern if the user is on a U or P preset. If the user is on a S preset the song starts and

the footswitch switches to QA mode so that the user can access the 3 QA presets associated with that

song during playback. Upon completion of the song the footswitch will automatically return to mode

to so that the user can select the next song

MODE 3 - Phrase Sampler Mode:

Button 1: Hold for Tuner, Press and release for Mode 1

Button 2: Starts/Stops phrase sampler playback. LED will blink if the amp is finishing overdubbing a loop and will

turn on once playback begins or off when playback has halted.

Button 3: Starts/Stops phrase sampler recording. LED will turn on once recording begins and off when playback

has halted.

Button 4: Starts/Stops phrase sampler overdubbing. LED will blink if the amp is waiting to overdub on the next

pass or stop at the end of the current pass and will turn on once overdubbing has begun or off when

overdubbing has finished.

TUNER MODE:

The four red LEDS on the top of the footswitch, along with the green LED in the middle will be used to indicate whether

the user is sharp, flat, or in tune.

Any Button: Pressing and releasing any button will cause the amp to exit from the tuner and return to the previous

footswitch mode

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







 

 

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Creating a Bass Tone

Amp Type

The "Amp Type" lets you choose among the different amp

types. Scroll through amp types while playing your bass to

determine which one you would like to use.

Gain

"Gain" controls the amount of distortion on the amp types

with overdrive.

Amp Volume

Use this control to balance volume levels among presets.

Mid Frequency

This works with the "MID" control knob to create a semi-

parametric EQ: Mid Frequency controls the center frequency,

the "MID" control knob adjusts the amount of cut or boost.

Try turning the "MID" knob all the way up (or down), then

move through the frequency range to better understand

how to apply this controll to your bass sound. This control

is not active on the "Bassman®", "Bman Grind", "Brit Grit", or

"Upright" amp types.

Contour

Use this to adjust the amount of mid-frequency cut, which

can be used to create a "scooped" sound. On the "Bassman®",

"Bman Grind", and "Upright" amp types, this acts as a low-

pass filter that can cut highs. This control is not active on

"Rockin Peg."

Compressor

Compression "tightens" your sound and evens out your

attack. This is particularly effective for slap-and-pop style

or aggressive picking. Three levels of compression (low,

medium, and high) are available.

Timbre

A series of EQ filters that give you instant access to some of

the most desired bass EQ settings. Keep in mind that these

filters do not affect the "BASS", "MID", and "TREBLE" control

settings. You can use timbre filters and the tone controls

together to further define your bass tone.

Noise Gate

Effects and overdrive sometimes add undesired hiss or noise

that is audible when you aren't playing: three noise gate

settings (low, medium, and high) keep these unwanted

sounds quiet.

Adding Effects

FX Type

This is where all of the bass effects can be accessed. You can

assign one of many effects to your bass sound, including:

overdrive, fuzz, sine chorus, tri chorus, sine flange, tri flange,

phaser, touch wah, fixed wah, envelope control filter,

autoswell and mono delay. Combinations of effects are also

available, including touch wah/fuzz, fuzz/delay, overdrive/

delay, chorus/delay, flange/delay, and phaser/delay.

*Dirty FBA, Bman Grind, Rockin Peg, and Brit Grit amp types

include built-in overdrive (with variable gain control to set the

amount of overdrive produced). Use one of these amp types to

create a bass tone with overdrive and an additional effect.

FX Level

Level control for the selected effect. Lets you blend the sound

of the effect with the original dry amp tone. If you have not

selected an effect, this will register as "NO FX".

Each effect has been preset to sound great for bass, but you

can also edit the effect parameters manually to refine the

sound to your own taste. Once an effect has been selected,

the four editable parameters for that effect will become

accessible. These parameters are located after the FX Level in

the FX menu and are different for each effect.

Reverb Type

Scrolling through the FX menu (past the editable parameters

of the effect you have chosen) you will come to the reverb

section, which has three types: "ambient" (the tightest,

quickest reverb), "small room" (a medium-size reverb), and

"large hall" (a deep, cavernous reverb). The default reverb

type is "None."

Reverb Level

Level control for the selected reverb.

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Exploring Drums Menu Options

1. Using and understanding bass track options.

2. Manually changing the tempo of the pattern.

3. Using the "Tempo Creep" feature.

4. Manually changing the key of the pattern.

5. Using the "Auto Key" feature.

6. Adjusting the volume of each background track.

1. Using and understanding bass track options.

The "Bass Track" toggles the bass track on and off. When "Bass

Track" is set to "on", "B TRK Mode" controls the playback of the

bass track. There are three modes: "continuous" (bass track is

always playing), "once" (bass track plays the pattern once and

is then muted) and "alternate" (bass track alternates on and

off, changing each time the pattern repeats).

2. Manually changing the tempo of the pattern.

To change the tempo manually, press the "DRUMS" button

repeatedly or hold it down while turning the large Data

Wheel until you have highlighted the tempo menu item. Turn

the large Data Wheel to the desired tempo.

3. Using the "Tempo Creep" feature.

"Tempo Creep" helps you work on a pattern at a gradually

increasing

tempo, and works great with both the

"performance" and "teacher" patterns. Turn it on by pressing

the "DRUMS" button repeatedly or holding it down while

turning the large Data Wheel untill you have highlighted the

"Tempo Creep" menu item. Turn the large Data Wheel to

toggle this feature on and off.

"Tempo Delta" is the rate at which the pattern tempo increases.

The increase occures each time the pattern repeats and is

meassured in beats per minute (BPM), selectable from 1 to 10.

Lower settings are less noticeable and more gradual; higher

settings are very noticeable and increase faster. Many of the

"teacher" patterns are set at 30 BPM (very slow). Use Tempo

Creep to work them up to faster tempos.

4. Manually changing the key of the pattern.

To change the key manually, press the "DRUMS" button

repeatedly or hold it down while turning the large Data

Wheel until you have highlighted the "Key" menu item. Turn

the large Data Wheel to the desired key. This is the starting

point when using "Auto Key."

Note: To accomodate the extended frequency range

of a 5 string bass, each loop may be adjusted 2-1/2

steps below the original key. For Example: Loop in

key of E has a range of

B, C, C#, D, D#, E, F, F#, G, G#,

A, A#, B, C, C#, D, D#

. All onboard MIDI loops were

developed utilizing the full range of a 4 string bass.

Lowering the key below 2-1/2 steps may result in

bass notes that are below the range of a 5 string

bass.

Enharmonic Equivalents: Due to the B-DEC™ 30’s

limited display capabilities, all keys are written

without specific reference to major or minor, and

all accidentals are represented with sharps only.

For example, Bb is represented as A# although in

common music theory, Bb would be the preferred

choice.

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5. Using the "Auto Key" feature.

"Auto Key" is an automatic key transposition feature that helps

you learn a pattern in every key and works great with the

"performance" and "teacher" patterns. To turn "Auto Key" on,

press the "DRUMS" button repeatedly or hold it down while

turning the large data wheel until you have highlighted the

"Auto Key" menu item. Turn the large Data Wheel to toggle

this feature on and off.

"Auto Key" starts with the current key and increments

based upon the "Key Delta" within its predetermined range

(see Drums Mode, page 10). If the interval exceeds the

predetermined range of the key, "Auto Key" will adjust an

octave down. Using larger interval settings (i.e. MAJ7) will

cause the octave adjustment to occur more often.

"Key Delta" is the interval by which the pattern will be

transposed. The new key occurs each time the patten repeats,

is measured in intervals (distance between the original key

and the new key), and is selectable between a minor second

and a major seventh.

Auto Key "Key Delta" Interval options:

MIN2

Moves chromatically (1/2 step) through all 12 keys

MAJ2

Moves in whole steps (= two 1/2 steps) through six keys

MIN3

Moves in minor thirds (1-1/2 steps) through four keys

MAJ3

Moves in major thirds (2 steps) through three keys

PERF4

Moves through the cycle of fourths (2-1/2 steps) in all 12

keys

TRI

Moves in tritones (3 steps) through two keys

PERF5

Moves through the cycle of fifths (3-1/2 steps) in all 12

keys

MIN6

Moves through minor sixths (4 steps) in three keys

MAJ6

Moves through major sixths (4-1/2 steps) in four keys

MIN7

Moves through minor sevenths (5 steps) in six keys

MAJ7

Moves through major sevenths (5-1/2 steps) in all 12 keys

6. Adjusting the volume of each background

track.

To adjust the volume of each instrument playing, press the

"DRUMS" button repeatedly or hold it down while turning

the large Data Wheel until you have highlighted the desired

instrument (drums, bass, acc1, acc2). Turn the large Data

Wheel to increase or decrease the volume of that individual

track.

A fun exercise is turning down all the instruments except the

drum track. Since the performance loops are mostly made

up of two separate music sections, this gives you a "digital

drummer" complete with fills and varying feels.

Drums Menu Options (continued)

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Saving and Renaming Changes

Adjusting the AUX Input Level for CD/MP3 Player Use

Balancing the Front and Rear Bass Inputs

"Aux Level" is the first item in the Aux menu and is an attenuator for any device plugged into AUX IN, the RCA jacks located on the

B-DEC 30’s rear panel. Although the AUX IN source will likely have its own volume control, Aux Level provides additional volume

control to help balance an external music source with your bass.

"FR Bal," the second item in the Aux menu, is a balance control between the front and rear instrument inputs. Since basses can vary

greatly in output, this blend control can favor either input to help balance the overall sound. This comes in handy when jamming

with friends or in a teacher/student situation.

Turn "FR Bal" clockwise to favor the front input; counter clockwise to favor the rear input. This is a global setting applied to all

presets (not saved to individual presets).

The B-DEC™ 30 has presets divided into "P" (permanent)

and "U" (user) sections. The P section gives you factory-

programmed music patterns, amp types, and effects; these

can be altered, but alterations can not be saved in the P

section. Attempts to save alterations in the P section will

relocate your changes to the U section, where they can be

saved.

Any time you alter any aspect of the preset currently in use,

the "SAVE" button (next to the large Data Wheel) will blink as a

reminder that you have made a change but have not saved it.

If you leave that preset without saving, changes will be lost.

To save a preset to which you have made changes, simply

push the "SAVE" button. The default save location will be the

current preset if in the "U" section (U00, U01, U02, etc.), or the

corresponding "U" location if in the "P" section (i.e., P01 saves

to U01). To confirm you wish to save in that location, press

"SAVE" again.

If you would like to save it to a different location, turn the

large Data Wheel to the desired user preset and press "SAVE"

a second time.

To rename a preset so you can more easily recognize it, press

the “UTILITY” button to enter the utility menu. Scroll down

to the second menu item listed, “Edit Name,” and you will

notice a hammer icon with the phrase “Turn 2 Edit.” Turn

the large Data Wheel and you will instantly enter a screen

with the current name of the preset listed. Pushing the

“UTILITY” button will move the cursor through each letter of

the current name; turning the large Data Wheel will change

that letter. Holding the “UTILITY” button down and turning

the large Data Wheel will move you through each letter of

the current name more quickly. Once you’ve renamed the

preset, press “SAVE” once to determine where you would like

to save the preset; press it a second time to confirm the save.

Pressing “EXIT” will cancel the process and take you out of the

renaming screen.

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Basic MIDI Setup

The most basic MIDI operations on the B–DEC™ 30 require use

of a MIDI interface device connected to a personal computer.

Most MIDI interface devices will use USB or the game port

on older PCs and are available at most musical instrument

retailers. Refer to the interface manufacturer for proper device

setup. To get the most out of the B–DEC 30 MIDI capability,

connect the MIDI In port on the B–DEC 30 to the MIDI Out

port on your MIDI interface with a standard MIDI cable. Also

connect the MIDI Out port on the B–DEC 30 to the MIDI In

port on your MIDI interface. See figure for connections.

Dumping and Loading Presets

The above configuration will allow you to dump and load

presets to and from the computer. To dump any one or all

presets (see Utility Mode page 12) you will need third party

software running on the PC. Search for a MIDI librarian utility

or SYSEX utility from your favorite search engine online

that works with your specific computer. You will need an

application that accepts SYSEX dumps from external devices.

Within your selected software package, you will need to

configure MIDI ports and tell the application to wait to receive

a SYSEX dump. Consult the documentation for your specific

SYSEX application on how to perform these tasks. Once

configured, you can then dump presets to a “.SYX” file which

then can be posted or emailed to share with other B–DEC 30

users.

To load a preset into the B–DEC 30 you will also need third

party software running on the PC. The same application used

for receiving SYSEX dumps will most likely be able to send

SYSEX data as well. Load a B–DEC 30 preset file (ending in

.SYX) into your configured SYSEX application and send the

preset. The B–DEC 30 is always ready to receive these files.

Once a valid preset file is received by the B–DEC 30, it will

bring you to the Save prompt (see How Do I...? on page 6 for

the Save function).

Updating the B–DEC 30 Software

The above MIDI configuration will also allow you to update

your B–DEC 30 software if and when an update becomes

available from Fender, downloadable from http://www.fender.

com. B–DEC 30 update information will be made available

from the download site. In general, to perform this operation,

access the “Amp Update” item in the Utility Menu (see Utility

Mode, page 12) and follow the on-screen instructions. Press

"SAVE" to start the process. When the B–DEC 30 states it is

ready to receive a MIDI Update, use your selected SYSEX

application (the same used for preset dumps and loads) to

send the B–DEC 30 update file to the amp. Other important

instructions may be included with the update package.

Using the On-Board Synthesizer with an External

Controller

The B–DEC 30 has a full General MIDI compatible synthesizer

on board that may be triggered using an external MIDI

controller. Simply connect the MIDI Out port of your MIDI

controller device (typically a keyboard or PC) to the MIDI In

port on the B–DEC 30. Set your MIDI controller device onto

any channel other than 10 and it will control the onboard

B–DEC 30 synthesizer (channel 10 is used for a drum kit). To

change voices, use the appropriate program change message

on your MIDI controller. Consult the MIDI controller device

documentation on how to perform this function on your

specific controller. Refer to the Appendix for channels of

General MIDI voicings.

B-DEC™ 30 MIDI Guide

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Streaming MIDI Files to the B–DEC 30

If you wish to play any available General MIDI file from your

PC through the B–DEC™ 30, you will need a third party PC

application that is able to play MIDI files to an external MIDI

port. Search for a MIDI player or MIDI sequence utility from

your favorite search engine online that works with your specific

computer. Consult the documentation for your application

on proper configuration. Once properly configured, play any

MIDI file (typically a file with the .MID extension) from your

MIDI player or sequence application. The MIDI Out port of

your MIDI interface device must be connected to the MIDI

In port on the B–DEC 30. Note that if the song is playing but

sounds cluttered, make sure any MIDI thru function in your

application is disabled, or simply unplug the MIDI cable from

the MIDI Out port on the B–DEC 30. The B–DEC 30 always

outputs any MIDI information received on the MIDI In port on

the MIDI Out port which may result in a repeated loop if your

application has MIDI throughput enabled.

Advanced MIDI sequence applications will allow you to

create your own MIDI songs for playback on the B–DEC 30.

MIDI files can be "streamed" to the B-DEC 30 or stored and

accessed in Song Mode.

If you would like to construct a MIDI song of your own using

some of the patterns onboard the B–DEC 30 simply play the

pattern you would like and record as much MIDI Out data

from the B–DEC 30 as you desire using your MIDI sequence

utility application on the PC. Note this will not record any bass

guitar audio, simply MIDI data from the patterns. You can

then modify and arrange patterns into songs using your MIDI

sequencer software application and stream the resulting

file back to the B–DEC 30 as mentioned above. Refer to the

Appendix for channels of General MIDI voicings.

Storing MIDI Files to the B–DEC 30

Download the B-DEC 30 MIDI file utility available at:

http://www.fender.com/support/downloads/index.php

Follow the instructions included with the download.

Connecting Two B–DEC 30s Together

You may also share presets directly from one B–DEC 30 to

another by simply connecting the two B–DEC 30s with a

standard MIDI cable. Connect the MIDI cable to the MIDI Out

port of the B–DEC 30 that holds the preset you want to share.

Then connect the other end of that MIDI cable to the MIDI In

port on the B–DEC 30 into which you wish to load the preset.

Then follow the Dump Preset procedure (see Utility Mode,

page 12) on the B–DEC 30 that holds the preset you want to

share.

Sending

MIDI

Receiving

MIDI

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B-DEC™ 30 MIDI Configuration

In Utility Mode you can set MIDI CONTROL (menu 9) to AMP

or MIDI. If set to AMP, data sent on MIDI channel 16 will

control the amp, and channels 1-15 will be routed to the MIDI

synthesizer. This will present a problem if a normal MIDI song

is played with music on channel 16 (which could affect the

amp settings in unexpected ways). In this case you can either

delete channel 16 or move it to a different channel. If MIDI

CONTROL is set to MIDI, all MIDI data will be routed to the

MIDI synthesizer. MIDI on channel 16 is also passed from the

MIDI IN jack to the DSP during playback of songs or patterns

if the MIDI CONTROL is set to AMP.

B-DEC 30 MIDI Controls

If the MIDI CONTROL is set to AMP the following commands can be used(on CH 16).

Amp Control Control Type Value Range

Preset Num Program Change 0-113,127=Tuner

Amp Volume CC#07 0-127

MIDI Volume CC#11 0-127

Start/Stop MIDI CC#85 Don’t care

Play CC#86 Don’t care (Ignored if the

amp is busy playing a

pattern or song)

Record CC#87 Don’t care (Ignored if the

amp is busy playing a

pattern or song)

Overdub CC#88 Don’t care (Ignored if the

amp is busy playing a

pattern or song)

Data Increment CC#96 Don’t care

Data Decrement CC#97 Don’t care

Amp Gain CC#102 0-127

RVB Level CC#108 0-127

FX Level CC#110 0-127

FX Param1 CC#111 0-127

FX Param2 CC#112 0-127

FX Param3 CC#113 0-127

FX Param4 CC#114 0-127

Select Song CC#119 0-63 (Ignored if the amp

is busy playing a pattern

or song)

Access B-DEC 30 Drums from an External Controller

The B-DEC 30 MIDI synthesizer also contains a standard drum

kit accessible using MIDI channel 10 using a program change

value of 1 (which may be set on most MIDI controller devices).

Most MIDI notes on the keyboard correspond to a different

instrument within the standard drum kit (not all notes are

used). Other drum kits are available on MIDI channel 10 using

program change values 9, 17, 25, 26, 33, 41, 49, 57, or 127.

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