Canon EOS C300 Mark II PL Manuale utente

PUB. DIE-0477-000H

Digital Cinema Camera

Instruction Manual

Firmware ver. 1.1.1.1.00

2

Important Usage Instructions

WARNING

To reduce the risk of fire or electric shock, do not expose this product to rain or moisture.

WARNING

To reduce the risk of fire or electric shock, do not expose this apparatus to dripping or splashing, and do not

place objects filled with liquids, such as vases, on the apparatus.

WARNING

TO REDUCE THE RISK OF ELECTRIC SHOCK AND TO REDUCE ANNOYING INTERFERENCE, USE THE

RECOMMENDED ACCESSORIES ONLY.

COPYRIGHT WARNING:

Unauthorized recording of copyrighted materials may infringe on the rights of copyright owners and be

contrary to copyright laws.

FCC NOTICE

Digital Cinema Camera, EOS C300 Mark II

Systems.

This device complies with Part 15 of the FCC

Rules. Operation is subject to the following two

conditions: (1) This device may not cause

harmful interference, and (2) this device must

accept any interference received, including

interference that may cause undesired

operation.

Note: This equipment has been tested and

found to comply with the limits for class B digital

device, pursuant to Part 15 of the FCC Rules.

These limits are designed to provide reasonable

protection against harmful interference in a

residential installation. This equipment

generates, uses and can radiate radio frequency

energy and, if not installed and use in

accordance with the instructions, may cause

harmful interference to radio communications.

However, there is no guarantee that interference

will not occur in a particular installation. If this

equipment does cause harmful interference to

radio or television reception, which can be

determined by turning the equipment off and on,

the user is encouraged to try to correct the

interference by one or more of the following

measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the

equipment and receiver.

• Connect the equipment into an outlet on a

circuit different from that to which the receiver

is connected.

• Consult the dealer or an experienced radio/TV

technician for help.

Use of shielded cable is required to comply with

class B limits in Subpart B of Part 15 of FCC

Rules.

Do not make any changes or modifications to

the equipment unless otherwise specified in the

manual. If such changes or modifications should

be made, you could be required to stop

operation of the equipment.

Canon U.S.A., Inc.

One Canon Park, Melville, NY 11747, USA

Tel No. 1-800-OK-CANON (1-800-652-2666)

The Mains plug is used as the disconnect device. The Mains plug shall remain readily operable to

disconnect the plug in case of an accident.

CAUTION:

• Danger of explosion if the wrong type of batteries are attached. Use only the same type of batteries.

• Do not expose batteries or product to excessive heat such as the inside of a car under direct sunlight, fire, etc.

EOS C300 Mark II / CA-A10 / CG-A10 identification plate is located on the bottom.

3

Only for European Union and EEA (Norway, Iceland and Liechtenstein)

These symbols indicate that this product is not to be disposed of with your household

waste, according to the WEEE Directive (2012/19/EU), the Battery Directive (2006/66/EC)

and/or national legislation implementing those Directives.

If a chemical symbol is printed beneath the symbol shown above, in accordance with the

Battery Directive, this indicates that a heavy metal (Hg = Mercury, Cd = Cadmium, Pb = Lead) is present in

this battery or accumulator at a concentration above an applicable threshold specified in the Battery

Directive.

This product should be handed over to a designated collection point, e.g., on an authorized one-for-one

basis when you buy a new similar product or to an authorized collection site for recycling waste electrical

and electronic equipment (EEE) and batteries and accumulators. Improper handling of this type of waste

could have a possible impact on the environment and human health due to potentially hazardous

substances that are generally associated with EEE. Your cooperation in the correct disposal of this product

will contribute to the effective usage of natural resources.

For more information about the recycling of this product, please contact your local city office, waste

authority, approved scheme or your household waste disposal service or

visit www.canon-europe.com/weee

, or www.canon-europe.com/battery.

While using the AC adapter, do not wrap it or cover it with a piece of cloth, and do not place it in confined

narrow spaces.

The adapter can be used with a power supply between 100 and 240 V AC. Contact your Canon dealer for

information about plug adapter for overseas use. For U.S.A. customers only: For areas where 120 V AC

power is not used, you will need a special plug adapter.

For connection to a supply not in the U.S.A., the detachable power supply cord shall comply with the

requirements of the country destination. For information on power supply cord, contact your Canon dealer.

For only United States

Use a UL listed, 1.8 – 3 m (6 – 10 ft.), Type SPT-2 or NTSPT-2, AWG no. 18 power supply cord, rated for

125 V 7 A, with a non-polarized NEMA 1-15P plug rated for 125 V 15 A.

CAUTION:

To reduce the risk of electric shock, do

not remove cover (or back). No user-

serviceable parts inside. Refer servicing

to qualified service personnel.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

The lightning flash with arrowhead symbol, within an

equilateral triangle, is intended to alert the user to

the presence of uninsulated “dangerous voltage”

within the product’s enclosure, that may be of

sufficient magnitude to constitute a risk of electric

shock to persons.

The exclamation point, within an equilateral triangle, is

intended to alert the user to the presence of important

operating and maintenance (servicing) instructions in

the literature accompanying the product.

4

Important Safety Instructions

CAN ICES-3(B)/NMB-3(B)

In these safety instructions the word “apparatus”

refers to the Canon Digital Cinema Camera EOS

C300 Mark II and all its accessories.

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with dry cloth.

7. Do not install near any heat sources such as

radiators, heat registers, stoves, or other

apparatus (including amplifiers) that produce

heat.

8. Do not defeat the safety purpose of the polarized

or grounding-type plug. A polarized plug has two

blades with one wider than the other.

A grounding type plug has two blades and a third

grounding prong. The wide blade or the third

prong are provided for your safety. If the provided

plug does not fit into your outlet, consult an

electrician for replacement of the obsolete outlet.

9. Protect the power cord from being walked on or

pinched particularly at plugs, convenience

receptacles, and the point where they exit from

the apparatus.

10. Unplug this apparatus during lightning storms or

when unused for long periods of time.

11. Refer all servicing to qualified service personnel.

Servicing is required when the apparatus has

been damaged in any way, such as power-supply

cord or plug is damaged, liquid has been spilled

or objects have fallen into the apparatus, the

apparatus has been exposed to rain or moisture,

does not operate normally, or has been dropped.

Trademark Acknowledgements

• SD, SDHC and SDXC Logos are trademarks of SD-3C, LLC.

• Canon is an authorized licensee of the CFast 2.0™ trademark, which may be registered in various

jurisdictions.

• Microsoft and Windows are trademarks or registered trademarks of Microsoft Corporation in the United

States and/or other countries.

• Apple and macOS are trademarks of Apple Inc., registered in the U.S. and other countries.

• Wi-Fi is a registered trademark of the Wi-Fi Alliance.

• JavaScript is a trademark or registered trademark of Oracle Corporation, its affiliates or subsidiaries in the

United States and other countries.

• HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of

HDMI Licensing LLC in the United States and other countries.

• Other names and products not mentioned above may be trademarks or registered trademarks of their

respective companies.

• This device incorporates exFAT technology licensed from Microsoft.

• This product is licensed under AT&T patents for the MPEG-4 standard and may be used for encoding

MPEG-4 compliant video and/or decoding MPEG-4 compliant video that was encoded only (1) for a personal

and noncommercial purpose or (2) by a video provider licensed under the AT&T patents to provide MPEG-4

compliant video. No license is granted or implied for any other use for MPEG-4 standard.

5

Highlights of the EOS C300 Mark II

The Canon Digital Cinema Camera EOS C300 Mark II has been designed to meet the demanding needs and

highest expectations of industry professionals. The following are just some of the many features that will help

turn your creative vision into reality.

4K Recording System with Cinema Quality

Advanced 4K-compatible Super 35mm CMOS

sensor

The camera is equipped with the new Super 35mm

CMOS sensor and two DIGIC DV 5 image

processors so it can capture and process video at

an effective pixel count of 8.85 megapixels

(4096x2160) and offer a center resolution of 1,800

TV lines

1

. Furthermore, thanks to Canon’s high-

sensitivity and low-noise technology, the camera

can record at a wide range of sensitivity settings

2

,

from ISO 160 to ISO 25600. And, using the new

Canon Log gamma curves, you can obtain an

impressively wide dynamic range (equivalent to 15

stops with Canon Log 2, or 14 stops with Canon

Log 3).

1

Varies depending on the lens used.

2

The ISO speed range can be extended up to ISO 100 on

one end, and ISO 102400 on the other.

Interchangeable lenses

Enjoy the freedom of using interchangeable lenses

to achieve the look you want. The EOS C300 Mark II

features an EF lens mount allowing you to use over

100 high-quality lenses from the Canon Cinema

Lens series and EF Lens series.

4K RAW output (A 170)

The camera has two SDI interface terminals, the

MON. terminal and REC OUT terminal. You can

connect an external recorder (A 169) to either

terminal to record 4K RAW data. You can also apply

a LUT to video output from both terminals (A 173).

Using the LUT that meets the ACES standard, you

even have the option to perform on-site color

grading (A 24). Additionally, the MON. terminal

only, also supports output of onscreen displays and

other assistance functions.

Multitude of options with the versatile XF-AVC

format (A 64)

The camera offers you numerous options when it

comes to the video configuration of your recordings.

XF-AVC Intra-frame options use H.264 Intra-frame

compression to achieve maximum image quality.

You can select to record 4K or 2K

3

video with

YCbCr 4:2:2, 10-bit color sampling, or 2K video with

RGB 4:4:4, 10- or 12-bit color sampling.

3

Refers to video with a resolution of 2048x1080 or

1920x1080.

XF-AVC Long GOP options (high image quality,

smaller data size) and XF-AVC Proxy options (proxy

data for offline editing), on the other hand, use Long

GOP compression. You can select to record 2K

video with a color sampling of YCbCr 4:2:2, 10 bit or

YCbCr 4:2:0, 8 bit.

The highest bit rate available is 410 Mbps using

XF-AVC Intra-frame, 50 Mbps using XF-AVC Long

GOP, and 24 Mbps for XF-AVC Proxy options.

Recording media

The camera records 4K and 2K video and 4-channel

16-/24-bit audio to CFast 2.0 cards, a popular type

of memory card with extremely high transfer rates.

The camera is equipped with two CFast card slots

so you can use two CFast cards to continue

recording on the other card when the one being

used becomes full (relay recording) or to record the

same clip simultaneously on both cards to have a

backup recording (double slot recording) (A 51).

The camera has also an SD card slot. While you

record primary clips on a CFast card, you can

simultaneously record proxy clips –smaller files for

offline editing– on an SD card (A 115).

The file format used for all clips is MXF (Material

eXchange Format) so files are compatible with major

non-linear editing (NLE) software.

Operability and Adaptability

Freely customizable compact design

The modular components, including the supplied

monitor unit, handle unit and grip unit will let you

expand and adapt the camera’s configuration to

match your shooting conditions (A 39). The handle

unit and supplied bracket have multiple cold

accessory shoes and sockets for screws of different

diameters to offer a large number of options for

attaching additional accessories to the camera. You

can also use the optional RD-1 Rod Clamp to attach

to the camera commercially available viewfinders

with a ∅ 15 mm (0.59 in.) rod or replace the

supplied monitor unit with the optional MA-400

Microphone Adapter for broadcast-style one-person

operation.

The camera features a total of 22 buttons (on the

camera’s body, monitor unit and grip unit) to which

you can assign a large number of functions

(A 135). Assign functions that you use often to the

assignable buttons you find most convenient to

personalize the camera to your needs and

preferences.

6

Display options

The articulated monitor unit offers a 10.1-cm (4-in.)

LCD screen and can be rotated 270° for maximum

convenience. The unit cables connecting it to the

camera can be easily replaced by optional, longer

ones if necessary. On the camera’s body, the

viewfinder uses a 1.2-cm (0.46-in.) organic LED

display that offers superior color reproduction and

contrast. Both the LCD screen and viewfinder have

100% coverage, ensuring that you can compose

your shots with ease.

Synchronization options

You can use the GENLOCK/SYNC OUT terminal and

TIME CODE terminal to synchronize the camera with

other devices (A 96), allowing it to be part of any

multi-camera shooting setup. You can even output

the time code signal and recording command

through the HDMI OUT terminal (A 172, 189) to link

the camera with a variety of external digital recorders.

Remote operation

You can attach the optional RC-V100 Remote

Controller to the camera to control it from a distance.

The remote controller lets you control a wide range of

camera settings (A 123).

You can also attach the optional WFT-E6 or WFT-E8

Wireless File Transmitter to the camera and operate it

remotely via Wi-Fi using the Browser Remote

application (A 124). Browser Remote lets you

check the live view image from the camera, adjust

main camera settings and change the metadata

embedded with the clips.

Versatile Artistic Expression

Special recording modes

The special recording modes (A 117) give you more

creative control over your recordings. You can create

a slow motion or fast motion effect in your

recordings, record a certain number of frames at a

set interval (ideal for nature shots and other subjects

with little movement) or record a certain number of

frames every time you press a button (ideal for stop

motion animation).

Custom picture settings

The improved custom picture menu gives you even

more options to control the “look” of your images.

Select one of the preset picture settings or set the

combination of gamma curve, color space and color

matrix that you wish to use. Then, you can adjust a

number of other image-related parameters in detail.

With wide color space options such as BT.2020

Gamut and Cinema Gamut and gamma curves for

impressive dynamic range like the new Canon Log 2

gamma, you can be sure that the camera covers

your creative needs.

Other Functions

Software for aiding the production workflow

Canon XF Utility (A 176) lets you copy the clips you

recorded from your recording media to a computer,

play back the clips and organize them.

Cinema RAW Development can develop the 4K RAW

data recorded with an external recorder and export it

as a standard file type such as DPX or OpenEXR. You

can also import an EDL to recreate an edit created on

NLE software. This helps make a smooth transition to

the color grading process.

Dual Pixel CMOS AF

The camera features the improved Dual Pixel CMOS

AF, which covers almost 80% of the screen’s height/

width, and offers various autofocus functions

(A 80): Continuous AF, One-shot AF (to use

autofocus only when you choose) or AF-boosted MF

(to let you focus manually most of the way and let the

camera finish focusing automatically). Using AF-

boosted MF the camera does not perform unreliable

focus adjustments, resulting in a smoother focusing

operation than with continuous AF. The camera can

also focus automatically on people’s faces (Face AF,

A 87) and track moving subjects while keeping

them in focus.

You can control a number of AF-related settings

including AF frame size and position, and AF speed.

Even while focusing manually, the newly-added Dual

Pixel Focus Guide function (A 82) serves as a

visual, intuitive guide that you can use to check if the

image is in focus and the required adjustment, if it is

not. This can be very helpful to ensure you always get

amazingly sharp 4K video.

Assistance functions

The camera offers a number of assistance functions,

such as peaking and magnification (A 82),

onscreen markers (A 90), zebra patterns (A 91)

and B&W image (A 43), that you can display on the

LCD screen or viewfinder, or output through the

MON. terminal or HDMI OUT terminal to display on

external monitors. When using a logarithmic gamma

curve, you can also apply a LUT (A 173) to the

displays or video output for easier monitoring.

Other improved features

• 5 levels of ND filter (A 71).

• In-camera correction for peripheral illumination and

chromatic aberration (A 37).

• Illuminated buttons and rear panel for night time or

black-out operation.

• Monaural built-in microphone for note taking.

• [Surrounding Icons], a new onscreen display mode

that lets you check more of the image by placing

icons and other indications on the periphery

(A 60).

• Three sets of customizable My Menu submenus

(A 33).

7

• Menu settings file that can be saved in the camera

or on an SD card to restore all the menu settings

or replicate them perfectly on another

C300 Mark II camera (A 151).

• Improved clip name format with more information

for easier identification and organization of clips

(A 61).

• Metadata and geotagging (A 110, 112, 132).

• Battery packs compatible with Intelligent System

for better remaining usage time information.

• Improved DC IN terminal and cable plug for more

robust connection.

8

1. Introduction 11

About this Manual 11

Conventions Used in this Manual 11

Supplied Accessories 13

Names of Parts 14

Monitor Unit 19

Grip Unit 21

Handle Unit and Mounting Bracket 22

4K Workflow Overview 23

Color Grading with the ACES Workflow 24

2. Preparations 25

Preparing the Power Supply 25

Using a Battery Pack 25

Using a Power Outlet 27

Inserting the Lithium Button Battery 28

Turning the Camera On and Off 28

Attaching and Removing the Monitor Unit 29

Attaching the Monitor Unit 29

Removing the Monitor Unit 29

Date, Time and Language Settings 30

Setting the Date and Time 30

Changing the Language 31

Using the Menus 32

Selecting an Option from the Menu 32

Using the Customized Submenu (My Menu) 33

Preparing the Camera 36

Preparing the Lens 36

Configuring the Modular Units 39

Using the Optional LM-V1 LCD Monitor 40

Using the Viewfinder 41

Using the LCD Panel 42

Adjusting the Viewfinder/LCD Screen 43

Using a Tripod 44

Removing and Attaching the Grip Unit 44

Attaching the Handle Unit 45

Attaching the Shoulder Strap 46

Removing and Attaching the Terminal Covers 46

Preparing Recording Media 47

Compatible Recording Media 47

Inserting a CFast Card 48

Removing a CFast card 48

Inserting and Removing an SD Card 49

Initializing Recording Media 50

Switching Between the CFast Card Slots 51

Relay Recording and Double Slot Recording 51

Checking the Remaining Recording Time on

Recording Media 52

Recovering Clips 52

Adjusting the Black Balance 53

3. Recording 55

Recording Video 55

Preparing to Record 55

Recording 56

Onscreen Displays 57

Rear Panel Displays 61

Setting the Clip File Name 61

Using the Fan 63

Video Configuration: System Frequency, Frame

Rate, Resolution and Bit Rate 64

Selecting the System Frequency 64

Selecting the Frame Rate 64

Selecting the Resolution and Color Sampling

Settings 64

Selecting the Bit Rate 65

Changing Main Camera Functions with the FUNC.

Button 66

Using the Direct Setting Mode 66

Shutter Speed 67

Changing the Shutter Speed Mode and Value 68

ISO Speed/Gain 69

Changing the ISO Speed or Gain Value 69

Using the Control Dial 70

ND Filter 71

Adjusting the Aperture 72

Manual Aperture 72

Momentary Automatic Aperture - Push Auto

Iris 74

Automatic Aperture 74

Exposure Compensation - AE Shift 75

Light Metering Mode 75

Table of Contents

9

White Balance 77

Custom White Balance 77

Color Temperature/Preset White Balance 78

Auto White Balance (AWB) 79

Adjusting the Focus 80

Manual Focus 81

One-Shot AF 84

AF-Boosted MF 84

Continuous AF 85

Changing the AF Frame Size and Position 86

Face Detection and Tracking 87

Tracking a Specific Subject 88

Zooming 89

Onscreen Markers and Zebra Patterns 90

Displaying Onscreen Markers 90

Displaying Zebra Patterns 91

Setting the Time Code 92

Selecting the Time Code Mode 92

Selecting Drop or Non-Drop Frame 93

Putting the Time Code Display on Hold 93

Setting the User Bit 95

Synchronizing with an External Device 96

Connecting an External Device 96

Reference Video Signal Input (Genlock

Synchronization) 97

Time Code Signal Input 97

Reference Video Signal Output 99

Time Code Signal Output 99

Recording Audio 100

Audio Settings and Recorded Audio

Channels 100

Selecting the Audio Bit Depth 100

Connecting an External Microphone or External

Audio Input Source to the Camera 101

Using the INPUT 1/INPUT 2 Terminals 102

Adjusting the Audio Level from the

INPUT 1/INPUT 2 Terminals 103

Using the MIC Terminal 104

Monitoring the Audio with Headphones 105

Colors Bars/Audio Reference Signal 106

Color Bars 106

Audio Reference Signal 106

Video Scopes 107

Displaying the Waveform Monitor 107

Configuring the Waveform Monitor 107

Adding Marks while Recording 109

Adding Shot Marks while Recording 109

Adding an $ Mark or % Mark while

Recording 109

Using Metadata 110

Setting a User Memo Created with Canon XF

Utility 110

Entering Information About the Recording 111

Recording GPS Information (Geotagging) 112

Reviewing a Recording 114

Simultaneous Recording of Proxy Clips 115

Special Recording Modes 117

Slow & Fast Motion Recording Mode 117

Pre-recording Mode 119

Frame Recording Mode 120

Interval Recording Mode 121

Using the Optional RC-V100 Remote

Controller 123

Browser Remote: Controlling the

Camera via Wi-Fi 124

Preparations 124

Using Browser Remote 124

4. Customization 135

Assignable Buttons 135

Changing the Assigned Function 136

Using an Assignable Button 136

Custom Picture Settings 139

Selecting Custom Picture Files 139

Preset Picture Settings 139

Editing a Custom Picture File’s Settings 141

Resetting Custom Picture Files 141

Renaming Custom Picture Files 141

Protecting Custom Picture Files 142

Copying Custom Picture Files 142

Embedding Custom Picture Settings in a

Clip 143

Available Custom Picture Settings 143

Customizing Functions and Onscreen

Displays 149

Customizing Functions 149

Customizing Onscreen Displays 150

Saving and Loading Camera Settings 151

Saving Camera Settings 151

Loading Camera Settings 151

10

5. Playback 153

Playback 153

Clip Index Screen 153

Playing Back Clips 155

Onscreen Displays 156

Playback Controls 157

Adjusting the Volume 157

Clip Operations 158

Using the Clip Menu 159

Displaying Clip Information 159

Adding $ Marks or % Marks 160

Deleting $ Marks or % Marks 161

Copying Clips 161

Deleting Clips 162

Deleting the User Memo and GPS

Information 162

Copying a Custom Picture File Embedded in a

Clip 163

Displaying an Index Screen of Shot Marks 163

Displaying a Frame Index Screen of a Single

Clip 164

Adding Shot Marks 164

Deleting Shot Marks 165

6. External Connections 167

Video Output Configuration 167

Recording Video Signal Configuration and Video

Output Configuration by Terminal 167

Playback Video Configuration and Video Output

Configuration by Terminal 168

Connecting to an External Monitor or

Recorder 169

Connection Diagram 169

Using the REC OUT terminal or MON.

terminal 170

Using the HDMI OUT Terminal 172

Applying a LUT to Screens/Video Outputs 173

Superimposing Onscreen Displays on Screens/

Video Outputs 174

Audio Output 175

Saving Clips to a Computer 176

Developing RAW Clips 177

7. Photos 179

Taking Photos 179

Taking Photos in CAMERA Mode 179

Grabbing Still Frames in MEDIA Mode 179

Photo Numbering 180

Photo Playback 181

Displaying the [Photos] Index Screen 181

Viewing Photos 181

Media Server: Viewing Photos on a Connected

Wi-Fi Device 182

Deleting Photos 183

8. Additional Information 185

Menu Options 185

Displaying the Status Screens 196

Troubleshooting 204

List of Messages 208

Handling Precautions 211

Maintenance/Others 214

Optional Accessories 215

Specifications 217

Appendix: Compatible Lenses and Functions 222

Reference Tables 223

Index 224

1

11

Introduction

About this Manual

Thank you for purchasing the Canon EOS C300 Mark II. Please read this manual carefully before you use the

camera and retain it for future reference. Should the camera fail to operate correctly, refer to

Troubleshooting

(A 204).

Conventions Used in this Manual

• IMPORTANT: Precautions related to the camera’s operation.

• NOTES: Additional topics that complement the basic operating procedures.

• A: Reference page number.

• The following terms are used in this manual.

“Screen” refers to the LCD screen on the monitor unit and to the viewfinder screen on the camera.

“SD card” refers to an SD, SDHC or SDXC memory card.

“Recording media” refers to CFast cards and SD cards.

• Photographs in the manual are simulated pictures taken with a still camera. Some screenshots have been

altered to make them easier to read.

• Illustrations in the manual show the Canon EOS C300 Mark II camera with a Canon EF 50mm f/1.4 USM lens

attached.

About this Manual

12

Operating modes

indicates that a function is available in the

operating mode indicated and indicates

that the function is not available. For a detailed

explanation, refer to

Turning the Camera On and

Off

(A 28).

When a function requires the use of the menu,

the quick reference shows the submenus and,

when applicable, the default setting for the menu

item. The example illustration indicates that you

can find the function by selecting the

[¢ Picture/Terminals Setup] menu and then the

[Time Code] menu item.

The arrow is used to abbreviate menu

selections. For a detailed explanation on how to

use the menus, refer to

Using the Menus

(A 32). For a concise summary of all available

menu options and settings, refer to the appendix

Menu Options

(A 185).

When a procedure requires selecting an option,

the available options are listed within or after the

procedure. Brackets [ ] are used to refer to menu

options as they are displayed on screen.

13

Supplied Accessories

The following accessories are supplied with the camera.

1

Comes pre-attached to the camera.

2

Used to secure the optional WFT-E6 or WFT-E8 Wireless File Transmitter or optional GP-E1 GPS Receiver when it is attached to

the camera.

Monitor Unit Two sets of UN-5 Unit Cable

(each, incl. color rubber O-rings (x 4))

Handle Unit Grip Unit

1

CA-A10 AC Adapter

(incl. power cord)

BP-A30 Battery Pack

(incl. terminal cover)

Battery Charger CG-A10

(incl. power cord)

CR2025 Lithium Button Battery

Eye Cup Viewfinder Cap Body Cap

1

Thumb Rest

Mounting Bracket Set of hex wrench and 0.64 cm (1/4")

hex socket head screws (x 10)

Adapter Base for

0.64 cm (1/4") Tripods

Extension Unit Attachment Bracket

2

Tape Measure Hook

1

SS-1200 Shoulder Strap Ferrite Core

x2

x10

Names of Parts

14

Names of Parts

3

*

1

2

4

*

5

*

6

*

7

*

8

9

*

13

14

*

11

12

10

15

*

16

*

17 18

*

19

*

1 Socket for the supplied mounting bracket (A 45)

2 Tape measure hook and focal plane mark

3 MAGN. (magnification) button (A 83)/

Assignable button Camera 1 (A 135)

4 PEAKING button (A 83)/

Assignable button Camera 2 (A 135)

5 ND FILTER +/– buttons (A 71)

6 ZEBRA button (A 91)/

Assignable button Camera 3 (A 135)

7 WFM (waveform monitor) button (A 107)/

Assignable button Camera 4 (A 135)

8 Q switch (A 28)

9 ISO/GAIN button (A 69)/

Assignable button Camera 5 (A 135)

10 Tally lamp (A 56)

11 (illumination) button

Turns on/off the illumination of buttons marked

with an asterisk on this page as well as the rear

panel’s backlight (A 61). This is convenient for

night time or black-out operation.

12 SELECT dial/SET button (A 32)

13 Control dial (A 70, 72, 75)

14 SHUTTER (shutter speed mode) button (A 67)/

Assignable button Camera 6 (A 135)

15 S&F FRAME RATE (shooting frame rate for slow &

fast motion recording) button (A 117)/

Assignable button Camera 7 (A 135)

16 START/STOP button (A 56)

17 Air intake vent (A 63)

18 WB (white balance) button (A 77)/

Ò (play/pause) button (A 155)

19 Å (white balance adjustment) button (A 77)/

INDEX button (A 154)/

Ñ (stop) button (A 155)

15

Names of Parts

p15

1

13

14

12

15

16

17

2

3

4

5

6

7

8

9

11

10

1 System extension terminal (A 112, 124)

2 AUDIO terminal (A 29)

3VIDEO terminal (A 29)

4GENLOCK terminal (A 96)/SYNC OUT

(synchronizing signal output) terminal (A 96)

5 × (headphone) terminal (A 105)

6 REMOTE terminal

For connecting the optional RC-V100 Remote

Controller or commercially available remote

controllers.

7 TIME CODE terminal (A 97, 99)

8 MON. terminal (A 167, 170)

9 REC OUT terminal (A 167, 170)

10 HDMI OUT terminal (A 167, 172)

11 DC IN terminal (A 27)

12 Socket for the supplied mounting bracket (A 45)

13 MIC (microphone) terminal (A 101, 104)

14 Grip unit connection terminal (A 44)

15 Grip unit attachment thread (A 44)

16 SD card access indicator (A 49)

17 Exhaust ventilation outlet (A 63)

Names of Parts

16

1

6

7

8

9

11

10

3

4

5

2

1 Built-in monaural microphone (A 105)

2 EF lens mount (A 36)

3 PUSH AUTO IRIS (momentary automatic aperture)

button (A 74)/

Assignable button Camera 10 (A 135)

4SD card slot (A 49)

5SD card slot cover (A 49)

6 EF lens mount index (A 36)

7 EF-S lens mount index (A 36)

8 Lens release button (A 36)

9 EF lens lock pin (A 36)

10 EF lens contacts (A 36)

11 ONE-SHOT AF (focus automatically once) button

(A 84)/Assignable button Camera 11 (A 135)

17

Names of Parts

6

7

8

9

10

1

11

12

13

14

15

16

17

18

2

3

4

5

1 Assignable button Camera 8 (A 135)

2 FUNC. (main functions) button (A 66)/

Assignable button Camera 9 (A 135)

3 Joystick (A 32)/SET button (A 32)

4 CANCEL button (A 32)

5 MENU button (A 32, 135)

6 Card slot covers for CFast card slots A (top) and B

(bottom)

7 CFast card slots A (top) and B (bottom) (A 48)

8 RELEASE (battery release) latch (A 26)

9 Battery compartment (A 26)

10 Card release buttons for CFast card slots A (top)

and B (bottom) (A 48)

11 Viewfinder (A 41, 43)

12 Dioptric adjustment lever (A 41)

13 Rear panel (A 61)

14 Card slot cover switches for CFast card slots A

(top) and B (bottom) (A 48)

15 SLOT SELECT (CFast card selection) button

(A 51, 154)

16 CFast (CFast card slot A) and CFast (CFast

card slot B) access indicators (A 48)

17 BATT. OPEN (open battery compartment) switch

(A 26)

18 Battery compartment cover (A 26)

Names of Parts

18

12 3

45 6

789 1011

1 Tape measure hook

Use the hook to accurately measure the distance

from the focal plane.

2 Accessory shoe with socket for 0.64 cm (1/4")

screws

For attaching accessories such as the optional

VL-10Li II Battery Video Light.

3 Sockets for the supplied mounting bracket

(A 45)

4 Strap mounts (A 46)

5 Socket for the extension unit attachment bracket

(A 112, 124)

6 Focal plane mark

7 Compartment cover for the lithium button battery

(A 28)

8 Tripod socket (A 44)

9 TB-1 Tripod Base for tripods with 0.95 cm (3/8 in.)

screws (A 44)

10 Tripod base screws (A 44)

11 Socket for 0.64 cm (1/4") screws

19

Names of Parts

Monitor Unit

1

2

3

4

5

7689

Operation panel

(A 20)

1LCD panel (A 42, 43)

2 MIRROR (invert the displayed image) button

(A 42)

3 Microphone lock screw (A 101)

4 Microphone holder (A 101)

5 Microphone cable clamp (A 101)

6 Socket for 0.64 cm (1/4") screws

7VIDEO terminal (A 29)

8 AUDIO terminal (A 29)

9 INPUT terminals (XLR): INPUT 1 (right) and

INPUT 2 (left) (A 101, 102)

Names of Parts

20

Operation panel

1

2

3

4

5

6

78

15 16 17 18

910 11

12

13

14

1 DISP. (display) button (A 57, 156)/

Assignable button Monitor 7 (A 135)

2 Ñ (stop) button (A 155)/

Assignable button Monitor 5 (A 135)

3 WFM (waveform monitor) button (A 107)/

Assignable button Monitor 8 (A 135)

4 MAGN. (magnification) button (A 83)/

INDEX button (A 154)/

Assignable button Monitor 9 (A 135)

5 FUNC. (main functions) button (A 66)/

Assignable button Monitor 10 (A 135)

6 Ú (skip backward) button (A 157)/

Assignable button Monitor 4 (A 135)

7 Ø (fast reverse playback) button (A 157)/

Assignable button Monitor 1 (A 135)

8 Ò (play/pause) button (A 155)/

Assignable button Monitor 2 (A 135)

9 × (fast playback) button (A 157)/

Assignable button Monitor 3 (A 135)

10 Ù (skip forward) button (A 157)/

Assignable button Monitor 6 (A 135)

11 Protective cover for audio controls (A 103)

12 Audio level switches for CH1 (top) and CH2

(bottom) (A 103)

13 – (audio level) dials for CH1 (top) and CH2

(bottom) (A 103)

14 INPUT 1 (top)/ INPUT 2 (bottom) switches (audio

source selection) (A 102)

15 START/STOP button (A 56)

16 MENU button (A 32, 135)

17 Joystick (A 32)/S

ET bu

tton (A 32)

18 CANCEL button (A 32)

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Canon EOS C300 Mark II PL Manuale utente

Canon EOS C300 Mark II PL Manuale utente

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