AJA Ki Pro Mini Installation and Operation Guide

Installation & Operation Guide

Version 4.2

Published: September 6, 2013

KiPro Mini v4.2 www.aja.com

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Table of Contents

Notices. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Trademarks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Copyright. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Contacting Support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Chapter 1: Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Hardware. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Software . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Apple ProRes 422 Advantages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Avid DNxHD Advantages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

What’s In The Box? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

System Requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

CF Card Recommendations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Ki Pro Mini Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Mounting Plate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Stand and Adapter Cable . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

In This Manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Chapter 2: Ki Pro Mini at a Glance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Controls and Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Operator Side. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Connector Side . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Connections. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Power Connector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Storage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Formatting Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Using Ki Pro Mini Media in Final Cut Pro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Using Ki Pro Mini Media with Avid Media Composer . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Installation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Desktop Mounting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Camera Mounting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Applying Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Remote Network Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Network Connections. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

TCP/IP Information You’ll Need. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Networking via DHCP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Networking Ki Pro Mini using a Static IP Address . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Networking

Ki Pro Mini using the Factory Default IP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Test Ki Pro Mini’s Network Connection with “Ping” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Controlling

Ki Pro Mini from a web-browser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Chapter 3: Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

Desktop Mounting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

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Camera Mounting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Applying Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Remote Network Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Network Connections. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

TCP/IP Information You’ll Need. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Networking via DHCP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Networking Ki Pro Mini using a Static IP Address . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Networking Ki Pro Mini using the Factory Default IP. . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Test Ki Pro Mini’s Network Connection with “Ping” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Controlling Ki Pro Mini from a web-browser . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Chapter 4: Front Panel Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Panel Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

TRANSPORT Mode (default) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Recording a Clip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Playing Back a Clip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Deleting Clips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

STATUS menus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

MEDIA menus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Media Menu Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Custom Clip Naming . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

CONFIG menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

CONFIG Menu Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Chapter 5: Browser Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

Remote Control Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

Resetting Values To Factory Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

Web Browser via Ethernet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64

General Screen Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

Config Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

Media Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

Transport Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71

Presets Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73

Network Screen. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75

Playlists Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76

Alarms Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77

Update Firmware Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Advanced Features. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Controlling Multiple Ki Pros . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79

Gang Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Using Playlists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

Using Presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85

All Clips and Media State > Data-LAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87

Appendix A: Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Video Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Video Outputs (all simultaneously active) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Audio Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Audio Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Network . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Panel User Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Storage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Timecode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

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Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Temperature. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Physical. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

Federal Communications Commission (FCC) Compliance Notices. . . . . . . . . . . . . . . . . . . 92

Class A Interference Statement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

FCC Caution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Canadian ICES Statement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

European Union and European Free Trade Association (EFTA) Regulatory Compliance 93

Declaration of Conformity. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93

Korea KCC Compliance Statement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Taiwan Compliance Statement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Japanese Compliance Statement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Translated caution statements, warning conventions and warning messages . . . . . . . 95

Before operating your Ki Pro Mini unit, read the instructions in this document . . . . . . 95

Warranty and Liability Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 103

Limited Warranty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103

Limitation of Liability. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

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Notices

Trademarks

AJA®, KONA®, Ki Pro®, KUMO® and XENA® are registered trademarks of AJA Video, Inc.,

Ki Pro Mini™, Io Express™, Io HD

™

, Io

™

and “Work. Flow.” are trademarks of AJA Video, Inc.

AirPort, Apple, the Apple logo, AppleShare, AppleTalk, FireWire, iPod, iPod Touch, Mac,

and Macintosh are registered trademarks of Apple Computer, Inc. Final Cut Pro,

QuickTime and the QuickTime Logo are trademarks of Apple Computer, Inc. Avid, Avid

Media Composer and Avid DNxHD are trademarks of Avid Technology, Inc. All other

trademarks are the property of their respective holders.

Copyright

subject to change without notice. No part of the document may be reproduced or

transmitted in any form, or by any means, electronic or mechanical, including

photocopying or recording, without the express written permission of AJA Inc.

Contacting Support

When calling for support, have all information at hand prior to calling.

To contact AJA Video for sales or support, use any of the following methods:

Telephone: +1.800.251.4224 or +1.530.271.3190

Web: http://www.aja.com

Support Email: support@.aja.com

Sales Email: [email protected]

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Chapter 1: Introduction

Overview

Ki Pro Mini is an all new way of connecting production and post using the same codecs

you edit with—Apple ProRes 422 or Avid DNxHD—for acquisition. Ki Pro Mini offers a

miniature form factor that makes for the smallest camera and 10-bit recorder package

available. The smallest member of the Ki Pro family, Ki Pro Mini is still powerful,

supporting all four types of Apple ProRes 422 (including HQ, LT and Proxy) as well as Avid

DNxHD 220x, Avid DNxHD 145 and for 1080p formats, Avid DNxHD 36. Ki Pro Mini

simplifies the link between production and post by acquiring on the best codecs for use

with Apple Final Cut Studio, Apple Final Cut Pro X or Avid Media Composer, from any SDI

or HDMI camera, regardless of format. With its high quality digital connectivity, you've

got the perfect portable digital on-set capture solution.

AJA's Ki Pro Mini was designed as a miniature field recorder for creating "ready-to- edit"

professional digital video. Ki Pro Mini supports either an Apple "file-based" workflow by

recording standard Apple ProRes 422 QuickTime files or Avid DNxHD QuickTime files on

industry standard Compact Flash (CF) media. When removed, Compact Flash cards

function as standard HFS+ drives when connected to a computer via any standard off-

the-shelf Compact Flash readers.

Ki Pro Mini's light weight and small form factor allow it to be attached to cameras and

production equipment in a wide variety of ways. Users can mount it to wireless

microphone plates, battery adapter plates or hot shoe adapters via 3rd-party accessories.

Internally, Ki Pro Mini natively supports the Apple ProRes 422 and Avid DNxHD codecs in

hardware, allowing real time capture directly to QuickTime files. In fact, while the camera

is recording to its own tape or file-based memory, Ki Pro Mini can simultaneously capture

the media as ProRes or DNxHD so it's instantly ready to edit when the removable

Compact Flash cards are connected to a computer. With this kind of flexibility, you can

save time, steps, and get your project done quicker and with the highest quality.

Like AJA’s famous KONA and Io HD desktop products, Ki Pro Mini offers unparalleled I/O

quality. Within its portable and rugged form factor, Ki Pro Mini offers broadcast quality

SD/HD digital I/O including SDI, HD-SDI and HDMI, two channels of balanced analog

audio (2 XLRs) with switch selectable line/mic levels, and LTC timecode input.

KiPro Mini v4.2 www.aja.com

7

Control options are flexible, with simple interfaces available from either the front panel,

or Ethernet 10/100/1000 connection is possible via an RJ45 connector, allowing remote

control and configuration from a Mac or PC web browser.

This manual covers Ki Pro Mini installation, operation and optional accessories.

Features

Ki Pro Mini offers many unique features for optimum quality, ease of use, and support for

a wide variety of workflows and environments. Ki Pro Mini provides flexible standard or

high definition recording, for versatile operation in a mixed SD/HD environment, with a

very small form factor and readily available storage.

Hardware • Apple ProRes 422, Apple ProRes 422 (HQ), Apple ProRes 422 (LT), and Apple ProRes 422

(Proxy)—SD, HD 720/1080, full-raster 10-bit 4:2:2, realtime, implemented in hardware

• Avid DNxHD 220x, Avid DNxHD 145, and for 1080p formats, Avid DNxHD 36—HD 720/

1080, full-raster 10-bit 4:2:2 for Avid DNxHD 220x and 8-bit 4:2:2 for Avid DNxHD 145

and Avid DNxHD 36, implemented in hardware.

• HD/SD SDI I/O (2 BNC)

•HDMI I/O (2 HDMI)

• 2-channel balanced analog audio Input (2 XLR)

•LTC Input (1 BNC)

• 10/100/1000 Ethernet LAN

• Panel user interface features an LCD display with 15 control buttons

• Compact Flash (CF)—2 slots, for use with industry standard CF card readers to connect

to Apple Mac® computers (HFS+ file system) or PCs (using user supplied 3rd-party

software to mount HFS+ volumes). LED indicators show which slot is active.

• 12 Volt AC to DC adapter with industry standard 4-pin XLR connector (connects to the

Mini via a connector located at the bottom of the unit)

• 3-year warranty

Software • Remote Browser control software. When a Mac®, PC, or other device with web browser

are connected via the Ki Pro Mini Ethernet port, the device can control the Ki Pro Mini

via a web browser.

• Embedded internal web server for remote control via LAN

• 20 Preset registers for storing and recalling system preset configurations

• Alarms to alert you to conditions that may need your attention

Options • Stand—allows placing Ki Pro Mini on a desktop or other horizontal surface. The stand

comes with a 45-degree DC power adapter that plugs into the bottom of the Ki Pro

Mini, makes a 45-degree turn and exits out the connector side of the unit, mating with

the supplied Ki Pro Mini AC adapter plug.

• Mounting Adapter Plate—this plate can be connected to either side of Ki Pro Mini,

providing mounting hole patterns designed to mate with industry standard battery

plates, hot shoe adapters and other camera accessories.

KiPro Mini v4.2 www.aja.com

8

Apple ProRes 422 Advantages

Quality: Excellent, broadcast quality

Captured media is virtually indistinguishable from pristine uncompressed sources. Better

yet, ProRes maintains the quality during editing, surviving multiple encoding/decoding

generations without degradation. It was designed by Apple for editing, rather than as a

transmission/distribution codec as are most popular codecs. Some of the advantages

include:

• Full-size 1920-by-1080 and 1280-by-720 HD resolutions.

• Full-size 720-by-486 and 720-by-576 SD resolutions.

• 4:2:2 chroma sampling. Provides precise compositing and blending at sharp saturated-

color boundaries.

• 10-bit sample depth. Preserves subtle gradients of 10-bit sources (perfect for green-

screen compositing, graphics or color correction) with no visible banding artifacts.

• I frame-only encoding. Ensures consistent quality in every frame and no artifacts from

complex motion.

• Variable bit-rate (VBR) encoding. “Smart” encoding analyzes the image and allocates

more bits to complex frames.

• Low data rate requirements make for more storage options and require less drive space

to store high quality video.

• Optimized for efficient real-time effects

Data rates: 220 Mb/second Apple ProRes 422 (HQ), 145 Mb/second Apple ProRes 422, 100 Mb/

second Apple ProRes 422 (LT), and 36 Mb/second Apple ProRes 422 (Proxy).

NOTE: Apple ProRes 422 (Proxy) is for high-quality offline editing at the original frame size, frame

rate, and aspect ratio. Apple ProRes (LT) is not considered full quality when compared to

ProRes or ProRes (HQ).

Avid DNxHD Advantages

Quality: Excellent, broadcast HD quality encoding without high bandwidth requirements.

Avid DNxHD was designed for non-linear post-production and broadcast to withstand

multi-generational processing.

• Full-size 1920-by-1080 and 1280-by-720 HD resolutions.

• 4:2:2 chroma sampling.

• 10-bit sample depth (for DNxHD 220x) or 8-bit.

• Every frame of encoding is independent.

• Variable bit-rate (VBR) encoding.

• Low data rate requirements.

Data rates: 220 Mb/second, 185 Mb/second or 175 Mb/second when DNxHD 220x has been selected

(Mb/second varies depending upon the format and frame rate).

145Mb/second, 120 Mb/second or 115Mb/second when DNxHD 145 has been selected

(Mb/second varies depending upon the format and frame rate).

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9

Avid DNxHD 36 is for high-quality offline editing at the original frame size, frame rate,

and aspect ratio and is only offered when working with 1080p format video.

NOTE: SD video encoding using Avid DNxHD is not supported.

What’s In The Box?

When you unpack your Ki Pro Mini, you’ll find the following components:

• Ki Pro Mini CD-ROM—this CD contains documentation—including this manual you’re

reading (PDF format).

• Ki Pro Mini QuickStart Guide—contains brief instructions to a first time user to get the

unit up and running quickly.

•Ki Pro Mini Recorder.

• AC Adapter 110/220 with industry standard 4-pin XLR connector for supplying power

to the Ki Pro Mini. A standard North American line cord with 3-prong plug is included.

• Registration Sheet—allows you to register by mail or online (details provided).

Please save all packaging for shipping the Ki Pro Mini should you wish to do so.

Figure 1. Ki Pro Mini Shipping Box Contents

Ki Pro Mini

Documentation CD

Ki Pro Mini Quickstart Guide

and any Late-Breaking Bulletins

Ki Pro Mini Recorder

AC Adaptor and Line Cord

Ki Pro

Installation and Operation

Manual

in PDF format on CD

CF

Warning!

Only use attachments and accessories specified and/or sold by the manufacturer.

Warning!

Read and follow all warning notices and instructions marked on the product or included

in the documentation.

KiPro Mini v4.2 www.aja.com

10

System Requirements

The Ki Pro Mini records and plays Apple ProRes 422 QuickTime files to/from industry

standard Compact Flash (CF) cards. Files are stored on the CF cards using the Apple HFS+

file system. This makes the cards readable on any Mac natively (using an attached CF

card reader) and PCs using 3rd-party software that can read HFS+ formatted drives

(MacDrive for example).

NOTE: Not all CF card readers used under Windows OS support HFS+ formatted media. Contact AJA

for CF card reader compatibility information when working with Windows OS computers.

CF Card

Recommendations

CF cards used must have a satisfactory level of performance. AJA recommends those

cards listed on our website at:

http://www.aja.com/pdf/KiProMini_qualifiedCF_cards.pdf

Ki Pro Mini Options

Mounting Plate This option plate allows you to mount Ki Pro Mini to 3rd-party devices. The plate can be

attached to the Ki Pro mini via 4 supplied screws; plates can be attached to either side or

both sides of Ki Pro Mini. A large number of screw holes in the plate allows you to mate Ki

Pro Mini to 3rd-Party battery plates, hot-shoe adapters and other mounting applications.

Stand and Adapter

Cable

This stand securely holds the Ki Pro Mini upright on a desk, shelf, or any flat surface. A

right angle power cable is provided for easy connection between the standard Ki Pro

power supply and the Ki Pro Mini.

In This Manual

Chapter 1: Lists features, box contents, and system requirements.

Chapter 2: Introduces the operator side controls and connector side features.

Chapter 3: Explains how to install the Ki Pro Mini.

Chapter 4: Provides complete instructions for operating the Ki Pro Mini from the Operator side

controls and LCD display.

Chapter 5: Discusses remote web browser control of Ki Pro Mini via Ethernet.

Appendix A: Lists specifications.

Appendix B: Provides safety and compliance information.

Warning!

Do not use this device near water and clean only with a dry cloth.

KiPro Mini v4.2 www.aja.com

11

Chapter 2: Ki Pro Mini at a Glance

Overview

When using Ki Pro Mini, you’ll make media cable connections to a variety of equipment

based on how it’s being used. Chapters 2 and 3 discuss how to operate and use the Ki Pro

Mini in its many configurations—this chapter introduces the operating configurations,

power supply options, plus all indicators, controls, and connections so you’ll have a

working knowledge of how it can be used to tie together the worlds of acquiring media

(production) and post-production.

Learning about the front panel indicators will be useful in selecting operational modes

and monitoring what is happening on Ki Pro Mini as well as troubleshooting problems

that can occur. Becoming familiar with the Ki Pro Mini operator-side and connectors will

simplify installation, setup, and operation of the system.

On the following pages are front and rear panel illustrations with notations that

summarize all of the connectors and indicators. Detailed descriptions of each of the

connectors and indicators follow afterward.

Caution!

The AJA Ki Pro Mini contains a lithium battery soldered in place permanently (it is not user

replaceable). If you ever dispose of the Ki Pro Mini, ensure you follow local regulations for

safe disposal. The lithium battery shall not be exposed to excessive heat, such as sunshine

or fire.

KiPro Mini v4.2 www.aja.com

12

Controls and Connectors

Figure 2. Ki Pro Mini Operator Side (front panel)

Operator Side The Operator Side of Ki Pro Mini features a variety of buttons, knobs, jacks, and indicators

for operating Ki Pro Mini directly. Each of the items found on the “Operator Side” are

described here and on the following pages. This side is referred to as the “Operator Side”

because when mounted to a camera, it matches the operator side of the camera. When

controlling camera features, you’ll also be looking at all the Ki Pro Mini control features

for ease of use.

The front panel of Ki Pro Mini operates in two modes: the “TRANSPORT” mode (default),

and the “MENU” mode. Some controls have different functions in these two modes. The

TRANSPORT mode (shown above) controls basic play, record, clip select, etc. functions.

The MENU mode is for set-up and configuration of Ki Pro Mini. There are three menu

groups: STATUS, CONFIG, and MEDIA - these menus are accessed by depressing the

corresponding Menu buttons on the left of the panel.

Head

Phone

Jack

Power ON/OFF

(lights when ON)

LED shows which

CF slot is active

2 Compact Flash (CF)

Card Slots

(Indicator LED shows which is active)

Audio

Input

Level

Adjustment

2 Channel

(Press in and

knob will pop out

for easy adjustment)

Head

Phone

Volume

(Press in and

volume adjust

knob will pop out

for easy adjustment)

VU

Meters

(2 Channel)

LCD

Display

for Menus and

Alerts

CF

Card

Eject Buttons

(1 for each)

LTC

Input

Ethernet

10/100/1000

RJ45

(for Browser Control)

HD/SD SDI I/O

(2x BNC)

HDMI v1.3a I/O

(2x HDMI)

2 channel

balanced

analog

audio input

Transport,

Menu Selection

and Media

Selection Buttons

Play, Stop, Record,

Reverse, Forward

Transport Buttons

Menu

Select and Adjust

Buttons

Choose Active

CF Media Slot

Menu

Category

Buttons

LANC

Loop

Button Detail

Operator

Side

Connector

Side

line, mic, or

phantom level

switch

STATUS

SELECT ADJUST

DELETE

CLIP

SLOT

CONFIG

MEDIA

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13

Buttons

Power ON/OFF Button: Controls system power on/off and shows whether power is ON (when illuminated) or

OFF. To turn power on, press the button once. It isn’t necessary to press hard or depress

the button—it’s a “soft” button sensed by the processor inside. When OFF, and the

button is touched, it will begin powering up and display start-up progress on the

alphanumeric display.

To power down, you must press and hold the power button down for 2 seconds. This

action prevents accidental power-off during normal operation. When the unit is

powering down you can abort the power-down process by simply removing your finger

from the power button before 2 seconds have elapsed.

STATUS Button: Pressing the STATUS button, when not lit, enters the Status menu and displays an Idle,

Record or Play display. Pressing STATUS when it is lit turns off the Status menu and

returns you to Transport mode. STATUS menus can be accessed at any time—including

when the machine is in an active transport mode. The ALARM state displayed on the

display shares functionality with STATUS. The Select buttons can be used to cycle

through alarms and I/O status. All menus and front panel operations are described in

Chapter 3.

CONFIG Button: Pressing CONFIG when not lit, enters the CONFIG menu. Pressing CONFIG when it is lit

turns Off the CONFIG menu (returning you to the default TRANSPORT menu). The

CONFIG menu can only be entered from the STOP mode. The CONFIG menu remembers

which parameter it is set to when exited, and will return to that same parameter when

the menu is re-entered.

MEDIA Button: Pressing MEDIA when not lit, enters the MEDIA menu. Pressing MEDIA when it is lit will

turn Off the MEDIA menu (returning to the default TRANSPORT menu). The MEDIA menu

can only be entered from the STOP mode. The MEDIA menu remembers which

parameter it is set to when exited, and will return to that same parameter when the

menu is re-entered.

Transport Control Buttons: The transport buttons are always active.

STOP : The STOP button has a dual function. When playing back a clip (PLAY, FF, or

REV) the first push of STOP acts as a “pause” mode: the playback is paused, the current

point of the clip is displayed, and the STOP button flashes. A second push of STOP

completely stops the playback and directs Ki Pro Mini's outputs into an “E to E” mode (the

currently selected inputs bypass to the outputs). To determine at a glance if the STOP

button is in a “pause” mode, note that the stop button will flash if media playback is

paused. The STOP button is fully illuminated in “stop” mode.

PLAY >: Press PLAY to begin forward playback of the current clip at normal speed.

RECORD : Press the red button to begin recording. Once in RECORD mode, all other

transport buttons are locked-out except the STOP button.

FFWD >>: Press button to begin fast playback of the current clip at 2x speed. Successive

pushes increase the speed to 4x, 8x, and 16x. (Pushing the button after 16x speed is

reached has no further effect.) When fast-forwarding, audio is muted.

REV <<: Pressing REV when not lit, begins playback of the current clip in reverse at 1x

speed. Successive pushes increase the speed to 2x, 4x, 8x, and 16x. (Pushing the button

after 16x speed is reached has no further effect.) When playing in reverse, audio is muted

for all speeds.

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14

SELECT (up/down): The SELECT up/down buttons operate differently

depending on whether Ki Pro Mini is in the TRANSPORT mode or the

MENU mode. In the TRANSPORT mode, the SELECT buttons select clips

and operate like “previous” and “next” keys. When a clip is selected, Ki Pro

Mini “cues” it to the beginning. Note that ordering and playback of clips is

based on timestamp order (creation date), not clip name. However, in a playlist, ordering

and playback is determined by playlist order. In the MENU mode, the SELECT buttons

select parameters for adjustment. Holding down either of the SELECT buttons causes

them to repeat.

ADJUST (up/down): ): The ADJUST up/down buttons operate differently depending on

whether Ki Pro Mini is in TRANSPORT mode or MENU mode. In TRANSPORT mode, and in

the “Pause” mode (single push of STOP from PLAY mode), the ADJUST buttons “single

step” the current clip at a rate of one frame per button push (up=forward,

down=reverse). In the MENU mode, the ADJUST buttons adjust the selected parameter.

Holding down either of the ADJUST buttons causes them to repeat

DELETE CLIP Button: Dedicated button that when pressed, deletes the currently selected clip. When pressed,

the system displays a precautionary “ARE YOU SURE?” prompt. Press the up-arrow

ADJUST button to say “Yes” and delete the clip, or the down-arrow ADJUST button to

abort the deletion. When a clip is deleted, the next clip is then cued for deletion. Pressing

DELETE CLIP, STOP or any other button—while the “ARE YOU SURE” prompt is

displayed—cancels the delete operation. Pressing any button other than up-arrow

ADJUST always aborts deletion.

DELETE CLIP can be used in either the TRANSPORT menu or the MEDIA menu. When

pressed in the TRANSPORT menu with a current clip active (PLAY, REV, FF, RECORD), the

active mode will continue until the DELETE CLIP is confirmed.

SLOT Button: The SLOT button serves two purposes. First, it selects which Compact Flash (CF) card is

accessed by the system—either CF slot 1 or 2. Second, the SLOT button is used to

unmount a currently selected CF card.

Pushing the slot button cycles between unmounting media and selecting media. This

function is only active when in the “STOP” mode and requires a “PRESS STOP” if not

stopped. After you select a slot, the system returns to the last selected clip and timecode

for that slot. If the media has been changed since the slot was last selected (physically

removed/media replaced), then the “first” clip on the media will be “cued” to its start

point. If inserted media has any issues, additional prompts may be displayed as

appropriate such as: “WARNING Backup and Reformat” or “WARNING Media

Unformatted.”

NOTE: On power up, CF slot 1 is the initial storage system accessed by Ki Pro Mini.

CF Slot Release Buttons: Next to each CF slot is a push-to-eject button for removing the CF card. The push-to-

eject button should only be pushed after the CF card has been umounted.

Caution!

Not using the SLOT button to unmount the media can lead to issues with the media if the

media is removed prior to this action.

KiPro Mini v4.2 www.aja.com

15

Analog Audio Input Level

Adjust Knobs:

Knobs underneath the VU meters allow you to adjust the analog input levels for each of

the two audio channels.

NOTE: Digital audio via embedded SDI and HDMI is not affected by the adjustment knobs.

To adjust an analog audio level, press the knob inward and the knob will then pop out for

easy adjustment. This feature allows the knobs to be recessed, preventing accidental

changes in a production environment.

Head Phone Volume Knob: To adjust headphone listening level, press the knob inward and the knob will then pop

out for easy adjustment—just like the audio input level knobs.

Displays and Indicators

Alphanumeric and Graphics

LCD Display:

3 line display that shows menus, status, alerts and other information. All menus are

designed to fit into this format—some words may be truncated to fit the display limits.

VU Meters: 7-segment LEDs show audio input levels for the 2 analog audio channels (respectively).

Knobs underneath the VU meters allow you to adjust the input levels independently to

prevent clipping and ensure proper signal amplitude.

Green—audio source signal level is in the “safe” area (no clipping). Vertically, the green

LEDs also show the signal strength, so you can see if the signal level is low. Generally, it’s

preferred to have the signal near the top of the green or even occasionally peaking into

the yellow LEDs.

Yellow—audio source signal levels are at the peak edge of the safe area before clipping

will occur.

Red—audio source amplitude is too hot and the signal is clipping at its signal peaks. You

should reduce the input gain at its source (camera, mixer or source equipment supplying

the signal).

CF Card LED Status Indicator: The following states for the LED indicators denote the status of the CF media:

LED lit/on: selected media

LED unlit/off: inactive media, okay to eject or no media inserted

LED flashing: recording in progress

Head Phone Jack: 1/8” (3.5mm) miniature stereo TRS connection for standard stereo headphones.

Connector Side Connect any digital camcorder, camera, or A/V source, regardless of brand or format, to Ki

Pro Mini’s SDI or HDMI connectors. The connector side of Ki Pro Mini contains all the

connectors except for power. On the bottom of the unit is a single power connector for

supplying the 12-Volt DC operating voltage (see installation later in this chapter).

The function of Ki Pro Mini’s inputs and outputs depend on the operational mode. Ki Pro

Mini’s active input (the one to be recorded) is selected by front panel or web browser. Ki

Pro Mini’s outputs are active all the time. In other words, the same output video appears

simultaneously on the HDMI and SDI outputs.

Caution!

Removing a CF card with the slot LED lit, or while flashing, can result in corrupted media

or potential damage to the CF card media.

KiPro Mini v4.2 www.aja.com

16

Figure 3. Ki Pro Mini Connectors

Connections • HDMI—v1.3 video with embedded audio (2 channels input, 8 channels output ), 1x

connector for input and 1x connector for output.

• HD/SD-SDI Input and Output, with 8 channel embedded audio (2x BNC)

• 2 channel balanced analog audio Inputs (2x XLR)

• Line/Mic Level Switch (analog XLR audio input level)

• LANC loop (for external control)

•LTC Input (BNC)

• 10/100/1000 Ethernet LAN

LTC Ti mecod e Inp ut

One BNC provides connection to the house LTC timecode generator or source. This

connection is high impedance.

SDI Input and Outputs

Two BNC connectors are provided for SDI input and output. SDI input and output

supports SD-SDI and HD-SDI video and embedded 24-bit digital audio. If your camera

has multiple outputs, look to see if it has SDI, and use it where possible for the highest

quality.

HDMI

Two HDMI connectors provide for input and output of HDMI compatible video (version

1.3) and multi-channel embedded audio. HDCP is not supported on either input or

output; only original material, such as that generated by a camcorder, is an acceptable

HDMI source. The HDMI input is designed to support long cable runs: up to 100 feet

(30.48m) when using 22 or 24AWG HDMI cable, or up to 50 feet (15.24m) using 28 or

30AWG HDMI cable. The HDMI output supports standard HDMI cables only.

ON/OFF

shows which

ot is active

LTC

Input

Ethernet

10/100/1000

RJ45

(for Browser Control)

HD/SD SDI I/O

(2x BNC)

HDMI v1.3a I/O

(2x HDMI)

2 channel

balanced

analog

audio input

port,

Selection

edia

on Buttons

LANC

Loop

Connector

Side

line, mic, or

phantom level

switch

KiPro Mini v4.2 www.aja.com

17

HDMI formats supported:

• 525i 29.97

• 625i 25

• 720p 50, 720p 59.94, 720p 60

• 1080i 25, 1080i 29.97, 1080i 30

• 1080p 23.98, 1080p 24, 1080p 25, 1080p 29.97

NOTE: When using Ki Pro Mini HDMI connections and attaching it to any HDMI audio or video

accessory, you must use one each of the ferrite beaded HDMI cables, HH-28F-06, between the

input and output ports of the Ki Pro Mini and the HDMI accessory to maintain regulatory

compliance.

Analog 2 Channel

Balanced Audio Input

Two XLRs, (female), provide 2 channels of balanced audio. Audio is high-quality 24-bit A/

D input at 48kHz. Level adjustments are made via software and a switch for line-level

inputs. Software level adjustments for analog audio (parameter 4.1) apply to balanced

audio (XLR) using the “Line” setting on the switch. The Mic and Mic +48 settings offer a

lower input level suitable for microphones and their associated input impedance. Use

Mic +48 for microphones with phantom power (condenser mic.), or Mic for microphones

without phantom power (dynamic microphones).

Ethernet

An RJ45 connector provides a 10/100/1000 Ethernet port for connecting Ki Pro Mini

directly to a computer or Ethernet hub or switch for connecting to a LAN. Ki Pro Mini is

compatible with CAT-5 straight-through or cross-over Ethernet cables, automatically

detecting which is used. Once connected and properly configured, Ki Pro Mini can then

be controlled by a web browser on the LAN.

LANC Loop

This connector accepts a LANC plug (2.5mm 3-conductor TRS jack) and then loops it

through to a second connector (loop). LANC or Local Application Control Bus System

(sometimes called Control-L) is a Sony protocol for synchronizing cameras. Available on

many brands of cameras, LANC enables accessories to control camera and Ki Pro Mini

record/stop functions.

Power Connector

On the underside of Ki Pro Mini is a standard 4-pin male XLR

connector for supplying 12-Volt DC power to the unit. You can

use either the supplied AC Adapter or furnish your own battery

source. Since the connector is an industry standard pinout,

choices are varied and flexible. Many 3rd party vendors offer

products using this standardized power connector.

Pin 1: -

Pin 4: +

Pins 2 and 3: not used

KiPro Mini v4.2 www.aja.com

18

Storage

Record media to industry standard removable Compact Flash (CF) card modules. CF

cards are formatted for the Mac HFS+ file system so they mount on your OSX desktop for

immediate editing and file access when plugged into a 3rd-party CF card reader.

Formatting Media To format CF card media, it must first be inserted into an empty slot on Ki Pro Mini and/or

selected using the SLOT button (see previous topic). Once the media is selected, follow

these steps:

1. For media that has never been used in a Ki Pro Mini before, the "Warning Media

Unformatted" prompt may appear.

2. Press the STOP button

3. Press the MEDIA button

4. Press SELECT (up or down) repeatedly until you see the menu 16.1 Format Media.

5. Press ADJUST up arrow. Ki Pro Mini will display “FORMAT”. Press the ADJUST up arrow

button. Ki Pro Mini will display “ERASE S1” (or S2). Press and hold the ADJUST up

arrow button for 2 seconds or longer and then formatting will begin. (Select any

other key to abort the format operation.) Ki Pro Mini will display formatting progress,

Warning!

Ki Pro Mini has no user-serviceable parts. To remove power from the unit, remove the 4-

pin XLR power connector to ensure disconnection. Refer all servicing to qualified service

personnel. Servicing is required when the device has been damaged in any way, such as

power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into

the device, the device has been exposed to rain or moisture, does not operate normally,

or has been dropped.

Warning!

Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized

plug has two blades with one wider than the other. A grounding type plug has two blades

and a third grounding prong. The wide blade or the third prong are provided for your

safety. If the provided plug does not fit into your outlet, consult an electrician for

replacement of the obsolete outlet.

Warning!

Since the Mains plug is used as the disconnection for the device, it must remain readily

accessible and operable

Warning!

Protect the power cord from being walked on or pinched particularly at plugs,

convenience receptacles, and the point where they exit from the device.

Caution!

Failure to properly mount or dismount CF media, or an unexpected loss of power while

recording, can result in an unrecoverable data loss.

KiPro Mini v4.2 www.aja.com

19

and when done, will display a completion confirmation. Press STOP to return to

regular operation and use the newly formatted media.

Using Ki Pro Mini

Media in Final Cut

Pro

When a Ki Pro Mini CF card is removed and connected to a Mac via a 3rd-party CF card

reader (user supplied), the CF card will mount as a normal Apple HFS+ filesystem. The

REEL NAME parameter is the name of the media that will appear mounted on the OSX

desktop.

Once a CF card is mounted, each clip recorded by Ki Pro Mini will be a file on its

filesystem, which can be opened in Final Cut Pro. Because the clips were recorded as

Apple ProRes 422, Apple ProRes 422 (HQ), Apple ProRes 422 (LT), or Apple ProRes 422

(Proxy) with proper Final Cut Pro metadata, they’re instantly ready to edit.

In Final Cut Pro's browser window you will see some of the information Ki Pro Mini saved

as data to describe the media. Ki Pro Mini saves the “Name”, “Media Start”, “Media End”

and “Reel” for Final Cut Pro.

NOTE: While Ki Pro Mini recorded files can be directly imported into Final Cut Pro for editorial, AJA

advises transferring/copying media to a local drive or disk array for editing.

Using Ki Pro Mini

Media with Avid

Media Composer

Avid DNxHD QuickTime files produced on the Ki Pro Mini are designed for use with Avid

Media Composer. While these QuickTime files can be read in a variety of other non-linear

edit systems (when the appropriate Avid QuickTime codec package has been installed),

AJA cannot verify the behavior or performance of DNxHD QuickTime files in these other

non-linear edit systems.

To use the Avid DNxHD files produced by the Ki Pro products in Avid Media Composer,

AJA recommends using the "Link to AMA File(s)" feature provided in Avid Media

Composer.

NOTE: While Ki Pro Mini recorded files can be directly accessed from Avid Media Composer via AMA

for editorial, AJA advises transferring/copying media to a local drive or disk array for editing.

Installation

The following topic details set up and installation of Ki Pro Mini. Choices you will make

include how Ki Pro Mini will be controlled (front panel or Ethernet & web-browser) and

the physical system requirements for your application.

Warning!

Do not install near any heat sources such as radiators, heat registers, stoves, or other

apparatus (including amplifiers) that produce heat.

Warning!

Do not block any ventilation openings. Install in accordance with the manufacturer's

instructions.

Warning!

Unplug this device during lightning storms or when unused for long periods of time.

KiPro Mini v4.2 www.aja.com

20

Desktop Mounting When using Ki Pro Mini on a desktop, you can simply lay the unit on a desktop or flat

surface—or for a low-footprint, purchase a Ki Pro Mini stand kit to locate the Ki Pro Mini

vertically on the desktop. The stand comes with a power adapter cable having a 90

degree connector so the power cord can run underneath the Ki Pro Mini, exiting to the

rear of the stand. The optional stand comes with 2 mounting screws and a 90 degree

power cord adapter.

Figure 4. Optional Ki Pro Mini Stand Kit

Camera Mounting Camera mounting requires the use of either user-provided brackets or use of one or

more AJA optional Ki Pro Mini mounting plates. The AJA mounting plate option is a

single aluminum plate unit with recessed mounting holes that have been matched for

mating with a wide array of 3rd-party mounts, battery plates, and accessories.

Warning!

Refer all servicing to qualified service personnel. Servicing is required when the device

has been damaged in any way, such as power-supply cord or plug is damaged, liquid has

been spilled or objects have fallen into the device, the device has been exposed to rain or

moisture, does not operate normally, or has been dropped.

Ki Pro Mini in Stand

90-degree Power

Cable Adapter

Mounting

Screws

Mounting Stand

Detail View of Power Cable Under Unit

Kit Contents

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AJA Ki Pro Mini Installation and Operation Guide

AJA Ki Pro Mini Installation and Operation Guide

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