Canon EOS C300 Mark II PL Manuale del proprietario

PUB. DIE-0477-000B

Instruction Manual

Digital Cinema Camera

2

Important Usage Instructions

WARNING

To reduce the risk of fire or electric shock, do not expose this product to rain or moisture.

WARNING

To reduce the risk of fire or electric shock, do not expose this apparatus to dripping or splashing, and do not

place objects filled with liquids, such as vases, on the apparatus.

WARNING

TO REDUCE THE RISK OF ELECTRIC SHOCK AND TO REDUCE ANNOYING INTERFERENCE, USE THE

RECOMMENDED ACCESSORIES ONLY.

COPYRIGHT WARNING:

Unauthorized recording of copyrighted materials may infringe on the rights of copyright owners and be

contrary to copyright laws.

FCC NOTICE

Digital Cinema Camera, EOS C300 Mark II

Systems.

This device complies with Part 15 of the FCC

Rules. Operation is subject to the following two

conditions: (1) This device may not cause

harmful interference, and (2) this device must

accept any interference received, including

interference that may cause undesired

operation.

Note: This equipment has been tested and

found to comply with the limits for class B digital

device, pursuant to Part 15 of the FCC Rules.

These limits are designed to provide reasonable

protection against harmful interference in a

residential installation. This equipment

generates, uses and can radiate radio frequency

energy and, if not installed and use in

accordance with the instructions, may cause

harmful interference to radio communications.

However, there is no guarantee that interference

will not occur in a particular installation. If this

equipment does cause harmful interference to

radio or television reception, which can be

determined by turning the equipment off and on,

the user is encouraged to try to correct the

interference by one or more of the following

measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the

equipment and receiver.

• Connect the equipment into an outlet on a

circuit different from that to which the receiver

is connected.

• Consult the dealer or an experienced radio/TV

technician for help.

Use of shielded cable is required to comply with

class B limits in Subpart B of Part 15 of FCC

Rules.

Do not make any changes or modifications to

the equipment unless otherwise specified in the

manual. If such changes or modifications should

be made, you could be required to stop

operation of the equipment.

Canon U.S.A., Inc.

One Canon Park, Melville, NY 11747, USA

Tel No. 1-800-OK-CANON (1-800-652-2666)

The Mains plug is used as the disconnect device. The Mains plug shall remain readily operable to

disconnect the plug in case of an accident.

CAUTION:

• Danger of explosion if the wrong type of batteries are attached. Use only the same type of batteries.

• Do not expose batteries or product to excessive heat such as the inside of a car under direct sunlight, fire, etc.

EOS C300 Mark II / CA-A10 / CG-A10 identification plate is located on the bottom.

3

Only for European Union and EEA (Norway, Iceland and Liechtenstein)

These symbols indicate that this product is not to be disposed of with your household

waste, according to the WEEE Directive (2012/19/EU), the Battery Directive (2006/66/EC)

and/or national legislation implementing those Directives.

If a chemical symbol is printed beneath the symbol shown above, in accordance with the

Battery Directive, this indicates that a heavy metal (Hg = Mercury, Cd = Cadmium, Pb = Lead) is present in

this battery or accumulator at a concentration above an applicable threshold specified in the Battery

Directive.

This product should be handed over to a designated collection point, e.g., on an authorized one-for-one

basis when you buy a new similar product or to an authorized collection site for recycling waste electrical

and electronic equipment (EEE) and batteries and accumulators. Improper handling of this type of waste

could have a possible impact on the environment and human health due to potentially hazardous

substances that are generally associated with EEE. Your cooperation in the correct disposal of this product

will contribute to the effective usage of natural resources.

For more information about the recycling of this product, please contact your local city office, waste

authority, approved scheme or your household waste disposal service or

visit www.canon-europe.com/weee

, or www.canon-europe.com/battery.

While using the AC adapter, do not wrap it or cover it with a piece of cloth, and do not place it in confined

narrow spaces.

The adapter can be used with a power supply between 100 and 240 V AC. Contact your Canon dealer for

information about plug adapter for overseas use. For U.S.A. customers only: For areas where 120 V AC

power is not used, you will need a special plug adapter.

For connection to a supply not in the U.S.A., the detachable power supply cord shall comply with the

requirements of the country destination. For information on power supply cord, contact your Canon dealer.

For only United States

Use a UL listed, 1.8 – 3 m (6 – 10 ft.), Type SPT-2 or NTSPT-2, AWG no. 18 power supply cord, rated for

125 V 7 A, with a non-polarized NEMA 1-15P plug rated for 125 V 15 A.

CAUTION:

To reduce the risk of electric shock, do

not remove cover (or back). No user-

serviceable parts inside. Refer servicing

to qualified service personnel.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

The lightning flash with arrowhead symbol, within an

equilateral triangle, is intended to alert the user to

the presence of uninsulated “dangerous voltage”

within the product’s enclosure, that may be of

sufficient magnitude to constitute a risk of electric

shock to persons.

The exclamation point, within an equilateral triangle, is

intended to alert the user to the presence of important

operating and maintenance (servicing) instructions in

the literature accompanying the product.

4

Important Safety Instructions

CAN ICES-3(B)/NMB-3(B)

In these safety instructions the word “apparatus”

refers to the Canon Digital Cinema Camera EOS

C300 Mark II and all its accessories.

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with dry cloth.

7. Do not install near any heat sources such as

radiators, heat registers, stoves, or other

apparatus (including amplifiers) that produce

heat.

8. Do not defeat the safety purpose of the polarized

or grounding-type plug. A polarized plug has two

blades with one wider than the other.

A grounding type plug has two blades and a third

grounding prong. The wide blade or the third

prong are provided for your safety. If the provided

plug does not fit into your outlet, consult an

electrician for replacement of the obsolete outlet.

9. Protect the power cord from being walked on or

pinched particularly at plugs, convenience

receptacles, and the point where they exit from

the apparatus.

10. Unplug this apparatus during lightning storms or

when unused for long periods of time.

11. Refer all servicing to qualified service personnel.

Servicing is required when the apparatus has

been damaged in any way, such as power-supply

cord or plug is damaged, liquid has been spilled

or objects have fallen into the apparatus, the

apparatus has been exposed to rain or moisture,

does not operate normally, or has been dropped.

Trademark Acknowledgements

• SD, SDHC and SDXC Logos are trademarks of SD-3C, LLC.

• Canon is an authorized licensee of the CFast 2.0™ trademark, which may be registered in various

jurisdictions.

• Microsoft and Windows are trademarks or registered trademarks of Microsoft Corporation in the United

States and/or other countries.

• Apple and Mac OS are trademarks of Apple Inc., registered in the U.S. and other countries.

• Wi-Fi is a registered trademark of the Wi-Fi Alliance.

• JavaScript is a trademark or registered trademark of Oracle Corporation, its affiliates or subsidiaries in the

United States and other countries.

• HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of

HDMI Licensing LLC in the United States and other countries.

• Other names and products not mentioned above may be trademarks or registered trademarks of their

respective companies.

• This device incorporates exFAT technology licensed from Microsoft.

• This product is licensed under AT&T patents for the MPEG-4 standard and may be used for encoding MPEG-

4 compliant video and/or decoding MPEG-4 compliant video that was encoded only (1) for a personal and

noncommercial purpose or (2) by a video provider licensed under the AT&T patents to provide MPEG-4

compliant video. No license is granted or implied for any other use for MPEG-4 standard.

5

Highlights of the EOS C300 Mark II

The Canon Digital Cinema Camera EOS C300 Mark II has been designed to meet the demanding needs and

highest expectations of industry professionals. The following are just some of the many features that will help

turn your creative vision into reality.

4K Recording System with Cinema Quality

Advanced 4K-compatible Super 35mm CMOS

sensor

The camera is equipped with the new Super 35mm

CMOS sensor and two DIGIC DV 5 image

processors so it can capture and process video at

an effective pixel count of 8.85 megapixels

(4096x2160) and offer a center resolution of 1,800

TV lines

1

. Furthermore, thanks to Canon’s high-

sensitivity and low-noise technology, the camera

can record at a wide range of sensitivity settings

2

,

from ISO 160 to ISO 25600. And, using the new

Canon Log 2 gamma curve, you can obtain an

impressively wide dynamic range equivalent to 15

stops. This level of imaging power must be seen to

be believed!

1

Varies depending on the lens used.

2

The ISO speed range can be extended up to ISO 100 on

one end, and ISO 102400 on the other.

Interchangeable lenses

Enjoy the freedom of using interchangeable lenses

to achieve the look you want. The EOS C300 Mark II

features an EF lens mount allowing you to use over

100 high-quality lenses from the Canon Cinema

Lens series and EF Lens series.

4K RAW output (A 164)

The camera has two SDI interface terminals, the

MON. terminal and REC OUT terminal. You can

connect an external recorder (A 163) to either

terminal to record 4K RAW data. You can also apply

a LUT to video output from both terminals (A 167).

Using the LUT that meets the ACES standard, you

even have the option to perform on-site color

grading (A 24). Additionally, the MON. terminal

only, also supports output of onscreen displays and

other assistance functions.

Multitude of options with the versatile XF-AVC

format (A 62)

The camera offers you numerous options when it

comes to the video configuration of your recordings.

XF-AVC Intra-frame options use H.264 Intra-frame

compression to achieve maximum image quality.

You can select to record 4K or 2K

3

video with

YCbCr 4:2:2, 10-bit color sampling, or 2K video with

RGB 4:4:4, 10- or 12-bit color sampling.

3

Refers to video with a resolution of 2048x1080 or

1920x1080.

XF-AVC Long GOP options (high image quality,

smaller data size) and XF-AVC Proxy options (proxy

data for offline editing), on the other hand, use Long

GOP compression. You can select to record 2K

video with a color sampling of YCbCr 4:2:2, 10 bit or

YCbCr 4:2:0, 8 bit.

The highest bit rate available is 410 Mbps using

XF-AVC Intra-frame, 50 Mbps using XF-AVC Long

GOP, and 24 Mbps for XF-AVC Proxy options.

Recording media

The camera records 4K and 2K video and 4-channel

16-/24-bit audio to CFast 2.0 cards, a popular type

of memory card with extremely high transfer rates.

The camera is equipped with two CFast card slots

so you can use two CFast cards to continue

recording on the other card when the one being

used becomes full (relay recording) or to record the

same clip simultaneously on both cards to have a

backup recording (double slot recording) (A 50).

The camera has also an SD card slot. While you

record primary clips on a CFast card, you can

simultaneously record proxy clips –smaller files for

offline editing– on an SD card (A 111).

The file format used for all clips is MXF (Material

eXchange Format) so files are compatible with major

non-linear editing (NLE) software.

Operability and Adaptability

Freely customizable compact design

The modular components, including the supplied

monitor unit, handle unit and grip unit will let you

expand and adapt the camera’s configuration to

match your shooting conditions (A 39). The handle

unit and supplied bracket have multiple cold

accessory shoes and sockets for screws of different

diameters to offer a large number of options for

attaching additional accessories to the camera. You

can also use the optional RD-1 Rod Clamp to attach

to the camera commercially available viewfinders

with a ∅ 15 mm (0.59 in.) rod or replace the

supplied monitor unit with the optional MA-400

Microphone Adapter for broadcast-style one-person

operation.

The camera features a total of 22 buttons (on the

camera’s body, monitor unit and grip unit) to which

you can assign a large number of functions

(A 131). Assign functions that you use often to the

assignable buttons you find most convenient to

personalize the camera to your needs and

preferences.

6

Display options

The articulated monitor unit offers a 10.1-cm (4-in.)

LCD screen and can be rotated 270° for maximum

convenience. The unit cables connecting it to the

camera can be easily replaced by optional, longer

ones if necessary. On the camera’s body, the

viewfinder uses a 1.2-cm (0.46-in.) organic LED

display that offers superior color reproduction and

contrast. Both the LCD screen and viewfinder have

100% coverage, ensuring that you can compose

your shots with ease.

Synchronization options

You can use the GENLOCK/SYNC OUT terminal and

TIME CODE terminal to synchronize the camera with

other devices (A 92), allowing it to be part of any

multi-camera shooting setup. You can even output

the time code signal and recording command

through the HDMI OUT terminal (A 166, 185) to link

the camera with a variety of external digital recorders.

Remote operation

You can attach the optional RC-V100 Remote

Controller to the camera to control it from a distance.

The remote controller lets you control a wide range of

camera settings (A 119).

You can also attach the optional WFT-E6 Wireless File

Transmitter to the camera and operate it remotely via

Wi-Fi using the Browser Remote application

(A 120). Browser Remote lets you check the live

view image from the camera, adjust main camera

settings and change the metadata embedded with

the clips.

Versatile Artistic Expression

Special recording modes

The special recording modes (A 113) give you more

creative control over your recordings. You can create

a slow motion or fast motion effect in your

recordings, record a certain number of frames at a

set interval (ideal for nature shots and other subjects

with little movement) or record a certain number of

frames every time you press a button (ideal for stop

motion animation).

Custom picture settings

The improved custom picture menu gives you even

more options to control the “look” of your images.

Select one of the preset picture settings or set the

combination of gamma curve, color space and color

matrix that you wish to use. Then, you can adjust a

number of other image-related parameters in detail.

With wide color space options such as BT.2020

Gamut and Cinema Gamut and gamma curves for

impressive dynamic range like the new Canon Log 2

gamma, you can be sure that the camera covers

your creative needs.

Other Functions

Software for aiding the production workflow

Canon XF Utility for XF-AVC (A 170) lets you copy

the clips you recorded from your recording media to

a computer, play back the clips and organize them.

Cinema RAW Development can develop the 4K RAW

data recorded with an external recorder and export it

as a standard file type such as DPX or OpenEXR. You

can also import an EDL to recreate an edit created on

NLE software. This helps make a smooth transition to

the color grading process.

Dual Pixel CMOS AF

The camera features the improved Dual Pixel CMOS

AF, which covers almost 80% of the screen’s height/

width, and offers various autofocus functions

(A 77): Continuous AF, One-shot AF (to use

autofocus only when you choose) or AF-boosted MF

(to let you focus manually most of the way and let the

camera finish focusing automatically). Using AF-

boosted MF the camera does not perform unreliable

focus adjustments, resulting in a smoother focusing

operation than with continuous AF. The camera can

also focus automatically on people’s faces (Face AF,

A 84) and track moving subjects while keeping

them in focus.

You can control a number of AF-related settings

including AF frame size and position, and AF speed.

Even while focusing manually, the newly-added Dual

Pixel Focus Guide function (A 79) serves as a

visual, intuitive guide that you can use to check if the

image is in focus and the required adjustment, if it is

not. This can be very helpful to ensure you always get

amazingly sharp 4K video.

Assistance functions

The camera offers a number of assistance functions,

such as peaking and magnification (A 78),

onscreen markers (A 86), zebra patterns (A 87)

and B&W image (A 42), that you can display on the

LCD screen or viewfinder, or output through the

MON. terminal or HDMI OUT terminal to display on

external monitors. When using a logarithmic gamma

curve, you can also apply a LUT (A 167) to the

displays or video output for easier monitoring.

Other improved features

• 5 levels of ND filter (A 69).

• In-camera correction for peripheral illumination and

chromatic aberration (A 37).

• Illuminated buttons and rear panel for night time or

black-out operation.

• Monaural built-in microphone for note taking.

• [Surrounding Icons], a new onscreen display mode

that lets you check more of the image by placing

icons and other indications on the periphery

(A 58).

• Three sets of customizable My Menu submenus

(A 33).

7

• Menu settings file that can be saved in the camera

or on an SD card to restore all the menu settings

or replicate them perfectly on another

C300 Mark II camera (A 146).

• Improved clip name format with more information

for easier identification and organization of clips

(A 59).

• Metadata and geotagging (A 106, 108, 128).

• Battery packs compatible with Intelligent System

for better remaining usage time information.

• Improved DC IN terminal and cable plug for more

robust connection.

8

1. Introduction 11

About this Manual 11

Conventions Used in this Manual 11

Supplied Accessories 13

Names of Parts 14

Monitor Unit 19

Grip Unit 21

Handle Unit and Mounting Bracket 22

4K Workflow Overview 23

Color Grading with the ACES Workflow 24

2. Preparations 25

Preparing the Power Supply 25

Using a Battery Pack 25

Using a Power Outlet 27

Inserting the Lithium Button Battery 28

Turning the Camera On and Off 28

Attaching and Removing the Monitor Unit 29

Attaching the Monitor Unit 29

Removing the Monitor Unit 29

Date, Time and Language Settings 30

Setting the Date and Time 30

Changing the Language 31

Using the Menus 32

Selecting an Option from the Menu 32

Using the Customized Submenu (My Menu) 33

Preparing the Camera 36

Preparing the Lens 36

Configuring the Modular Units 39

Using the Viewfinder 40

Using the LCD Panel 40

Adjusting the Viewfinder/LCD Screen 41

Using a Tripod 42

Removing and Attaching the Grip Unit 43

Attaching the Handle Unit 44

Attaching the Shoulder Strap 44

Removing and Attaching the Terminal Covers 45

Preparing Recording Media 46

Compatible Recording Media 46

Inserting a CFast Card 47

Removing a CFast card 47

Inserting and Removing an SD Card 48

Initializing Recording Media 49

Switching Between the CFast Card Slots 50

Relay Recording and Double Slot Recording 50

Checking the Remaining Recording Time on

Recording Media 51

Recovering Clips 51

Adjusting the Black Balance 52

3. Recording 53

Recording Video 53

Preparing to Record 53

Recording 54

Onscreen Displays 55

Rear Panel Displays 59

Setting the Clip File Name 59

Using the Fan 61

Video Configuration: System Frequency, Frame

Rate, Resolution and Bit Rate 62

Selecting the System Frequency 62

Selecting the Frame Rate 62

Selecting the Resolution and Color Sampling

Settings 62

Selecting the Bit Rate 63

Changing Main Camera Functions with the FUNC.

Button 64

Using the Direct Setting Mode 64

Shutter Speed 65

Changing the Shutter Speed Mode and Value 66

ISO Speed/Gain 67

Changing the ISO Speed or Gain Value 67

Using the Control Dial 68

ND Filter 69

Adjusting the Aperture 70

Manual Aperture 70

Momentary Automatic Aperture - Push Auto

Iris 71

Automatic Aperture 72

Exposure Compensation - AE Shift 72

Light Metering Mode 73

Table of Contents

9

White Balance 74

Custom White Balance 74

Color Temperature/Preset White Balance 75

Auto White Balance (AWB) 76

Adjusting the Focus 77

Manual Focus 78

One-Shot AF 80

AF-Boosted MF 81

Continuous AF 82

Changing the AF Frame Size and Position 83

Face Detection and Tracking 84

Tracking a Specific Subject 85

Onscreen Markers and Zebra Patterns 86

Displaying Onscreen Markers 86

Displaying Zebra Patterns 87

Setting the Time Code 88

Selecting the Time Code Mode 88

Selecting Drop or Non-Drop Frame 89

Putting the Time Code Display on Hold 89

Setting the User Bit 91

Synchronizing with an External Device 92

Connecting an External Device 92

Reference Video Signal Input (Genlock

Synchronization) 93

Time Code Signal Input 93

Reference Video Signal Output 95

Time Code Signal Output 95

Recording Audio 96

Audio Settings and Recorded Audio Channels 96

Selecting the Audio Bit Depth 96

Connecting an External Microphone or External

Audio Input Source to the Camera 97

Using the INPUT 1/INPUT 2 Terminals 98

Adjusting the Audio Level from the

INPUT 1/INPUT 2 Terminals 99

Using the MIC Terminal 100

Monitoring the Audio with Headphones 101

Colors Bars/Audio Reference Signal 102

Color Bars 102

Audio Reference Signal 102

Video Scopes 103

Displaying the Waveform Monitor 103

Configuring the Waveform Monitor 103

Adding Marks while Recording 105

Adding Shot Marks while Recording 105

Adding an $ Mark or % Mark while

Recording 105

Using Metadata 106

Setting a User Memo Created with Canon XF Utility

for XF-AVC 106

Entering Information About the Recording 107

Recording GPS Information (Geotagging) 108

Reviewing a Recording 110

Simultaneous Recording of Proxy Clips 111

Special Recording Modes 113

Slow & Fast Motion Recording Mode 113

Pre-recording Mode 115

Frame Recording Mode 116

Interval Recording Mode 117

Using the Optional RC-V100 Remote

Controller 119

Browser Remote: Controlling the

Camera via Wi-Fi 120

Preparations 120

Using Browser Remote 120

4. Customization 131

Assignable Buttons 131

Changing the Assigned Function 131

Using an Assignable Button 132

Custom Picture Settings 134

Selecting Custom Picture Files 134

Preset Picture Settings 134

Editing a Custom Picture File’s Settings 135

Resetting Custom Picture Files 136

Renaming Custom Picture Files 136

Protecting Custom Picture Files 136

Copying Custom Picture Files 137

Embedding Custom Picture Settings in a

Clip 137

Available Custom Picture Settings 138

Customizing Functions and Onscreen

Displays 144

Customizing Functions 144

Customizing Onscreen Displays 145

Saving and Loading Camera Settings 146

Saving Camera Settings 146

Loading Camera Settings 146

10

5. Playback 147

Playback 147

Clip Index Screen 147

Playing Back Clips 149

Onscreen Displays 150

Playback Controls 151

Adjusting the Volume 151

Clip Operations 152

Using the Clip Menu 153

Displaying Clip Information 153

Adding $ Marks or % Marks 154

Deleting $ Marks or % Marks 155

Copying Clips 155

Deleting Clips 156

Deleting the User Memo and GPS

Information 156

Copying a Custom Picture File Embedded in a

Clip 157

Displaying an Index Screen of Shot Marks 157

Displaying a Frame Index Screen of a Single

Clip 158

Adding Shot Marks 158

Deleting Shot Marks 159

6. External Connections 161

Video Output Configuration 161

Recording Video Signal Configuration and Video

Output Configuration by Terminal 161

Playback Video Configuration and Video Output

Configuration by Terminal 162

Connecting to an External Monitor or

Recorder 163

Connection Diagram 163

Using the REC OUT terminal or MON.

terminal 164

Using the HDMI OUT Terminal 166

Applying a LUT to Screens/Video Outputs 167

Superimposing Onscreen Displays on Screens/

Video Outputs 168

Audio Output 169

Saving Clips to a Computer 170

Installing Canon XF Utility for XF-AVC

(Windows) 170

Installing Canon XF Utility for XF-AVC (Mac

OS) 171

Viewing the Software Instruction Manuals 171

Developing RAW Clips 172

Installing Cinema RAW Development

(Windows) 172

Installing Cinema RAW Development (Mac

OS) 172

Viewing the Software Instruction Manual 173

7. Photos 175

Taking Photos 175

Taking Photos in CAMERA Mode 175

Grabbing Still Frames in MEDIA Mode 175

Photo Numbering 176

Photo Playback 177

Displaying the [Photos] Index Screen 177

Viewing Photos 177

Media Server: Viewing Photos on a Connected

Wi-Fi Device 178

Deleting Photos 179

8. Additional Information 181

Menu Options 181

Displaying the Status Screens 191

Troubleshooting 199

List of Messages 203

Handling Precautions 206

Maintenance/Others 209

Optional Accessories 210

Specifications 212

Reference Tables 217

Index 218

1

11

Introduction

About this Manual

Thank you for purchasing the Canon EOS C300 Mark II. Please read this manual carefully before you use the

camera and retain it for future reference. Should the camera fail to operate correctly, refer to

Troubleshooting

(A 199).

Conventions Used in this Manual

• IMPORTANT: Precautions related to the camera’s operation.

• NOTES: Additional topics that complement the basic operating procedures.

• A: Reference page number.

• The following terms are used in this manual.

“Screen” refers to the LCD screen on the monitor unit and to the viewfinder screen on the camera.

“SD card” refers to an SD, SDHC or SDXC memory card.

“Recording media” refers to CFast cards and SD cards.

• Photographs in the manual are simulated pictures taken with a still camera. Some screenshots have been

altered to make them easier to read.

• Illustrations in the manual show the Canon EOS C300 Mark II camera with a Canon EF 50mm f/1.4 USM lens

attached.

About this Manual

12

Operating modes

indicates that a function is available in the

operating mode indicated and indicates

that the function is not available. For a detailed

explanation, refer to

Turning the Camera On and

Off

(A 28).

When a function requires the use of the menu,

the quick reference shows the submenus and,

when applicable, the default setting for the menu

item. The example illustration indicates that you

can find the function by selecting the

[¢ Picture/Terminals Setup] menu and then the

[Time Code] menu item.

The arrow is used to abbreviate menu

selections. For a detailed explanation on how to

use the menus, refer to

Using the Menus

(A 32). For a concise summary of all available

menu options and settings, refer to the appendix

Menu Options

(A 181).

When a procedure requires selecting an option,

the available options are listed within or after the

procedure. Brackets [ ] are used to refer to menu

options as they are displayed on screen.

13

Supplied Accessories

The following accessories are supplied with the camera.

1

Comes pre-attached to the camera.

2

Used to secure the optional WFT-E6 Wireless File Transmitter or optional GP-E1 GPS Receiver when it is attached to the camera.

Monitor Unit Two sets of UN-5 Unit Cable

(each, incl. color rubber O-rings (x 4))

Handle Unit Grip Unit

1

CA-A10 AC Adapter

(incl. power cord)

BP-A30 Battery Pack

(incl. terminal cover)

Battery Charger CG-A10

(incl. power cord)

CR2025 Lithium Button Battery

Eye Cup Viewfinder Cap Body Cap

1

Thumb Rest

Mounting Bracket Set of hex wrench and 0.64 cm (1/4")

hex socket head screws (x 10)

Adapter Base for

0.64 cm (1/4") Tripods

Extension Unit Attachment Bracket

2

Tape Measure Hook

1

SS-1200 Shoulder Strap Ferrite Core

x2

x10

Names of Parts

14

Names of Parts

3

*

1

2

4

*

5

*

6

*

7

*

8

9

*

13

14

*

11

12

10

15

*

16

*

17 18

*

19

*

1 Socket for the supplied mounting bracket (A 44)

2 Tape measure hook and focal plane mark

3 MAGN. (magnification) button (A 79)/

Assignable button Camera 1 (A 131)

4 PEAKING button (A 79)/

Assignable button Camera 2 (A 131)

5 ND FILTER +/– buttons (A 69)

6 ZEBRA button (A 87)/

Assignable button Camera 3 (A 131)

7 WFM (waveform monitor) button (A 103)/

Assignable button Camera 4 (A 131)

8 Q switch (A 28)

9 ISO/GAIN button (A 67)/

Assignable button Camera 5 (A 131)

10 Tally lamp (A 54)

11 (illumination) button

Turns on/off the illumination of buttons marked

with an asterisk on this page as well as the rear

panel’s backlight (A 59). This is convenient for

night time or black-out operation.

12 SELECT dial/SET button (A 32)

13 Control dial (A 68, 70, 72)

14 SHUTTER (shutter speed mode) button (A 65)/

Assignable button Camera 6 (A 131)

15 S&F FRAME RATE (shooting frame rate for slow &

fast motion recording) button (A 113)/

Assignable button Camera 7 (A 131)

16 START/STOP button (A 54)

17 Air intake vent (A 61)

18 WB (white balance) button (A 74)/

Ò (play/pause) button (A 149)

19 Å (white balance adjustment) button (A 74)/

INDEX button (A 148)/

Ñ (stop) button (A 149)

15

Names of Parts

p15

1

13

14

12

15

16

17

2

3

4

5

6

7

8

9

11

10

1 System extension terminal (A 108, 120)

2AUDIO terminal (A 29)

3VIDEO terminal (A 29)

4GENLOCK terminal (A 92)/SYNC OUT

(synchronizing signal output) terminal (A 92)

5 × (headphone) terminal (A 101)

6 REMOTE terminal

For connecting the optional RC-V100 Remote

Controller or commercially available remote

controllers.

7TIME CODE terminal (A 93, 95)

8 MON. terminal (A 161, 164)

9REC OUT terminal (A 161, 164)

10 HDMI OUT terminal (A 161, 166)

11 DC IN terminal (A 27)

12 Socket for the supplied mounting bracket (A 44)

13 MIC (microphone) terminal (A 97, 100)

14 Grip unit connection terminal (A 43)

15 Grip unit attachment thread (A 43)

16 SD card access indicator (A 48)

17 Exhaust ventilation outlet (A 61)

Names of Parts

16

1

6

7

8

9

11

10

3

4

5

2

1 Built-in monaural microphone (A 101)

2 EF lens mount (A 36)

3 PUSH AUTO IRIS (momentary automatic aperture)

button (A 71)/

Assignable button Camera 10 (A 131)

4 SD card slot (A 48)

5 SD card slot cover (A 48)

6 EF lens mount index (A 36)

7 EF-S lens mount index (A 36)

8 Lens release button (A 36)

9 EF lens lock pin (A 36)

10 EF lens contacts (A 36)

11 ONE-SHOT AF (focus automatically once) button

(A 80)/

Assignable button Camera 11 (A 131)

17

Names of Parts

6

7

8

9

10

1

11

12

13

14

15

16

17

18

2

3

4

5

1 Assignable button Camera 8 (A 131)

2 FUNC. (main functions) button (A 64)/

Assignable button Camera 9 (A 131)

3Joystick (A 32)/SET button (A 32)

4 CANCEL button (A 32)

5 MENU button (A 32, 131)

6 Card slot covers for CFast card slots A (top) and B

(bottom)

7 CFast card slots A (top) and B (bottom) (A 47)

8 RELEASE (battery release) latch (A 26)

9 Battery compartment (A 26)

10 Card release buttons for CFast card slots A (top)

and B (bottom) (A 47)

11 Viewfinder (A 40, 41)

12 Dioptric adjustment lever (A 40)

13 Rear panel (A 59)

14 Card slot cover switches for CFast card slots A

(top) and B (bottom) (A 47)

15 SLOT SELECT (CFast card selection) button

(A 50, 148)

16 CFast (CFast card slot A) and CFast (CFast

card slot B) access indicators (A 47)

17 BATT. OPEN (open battery compartment) switch

(A 26)

18 Battery compartment cover (A 26)

Names of Parts

18

12 3

45 6

789 1011

1 Tape measure hook

Use the hook to accurately measure the distance

from the focal plane.

2 Accessory shoe with socket for 0.64 cm (1/4")

screws

For attaching accessories such as the optional

VL-10Li II Battery Video Light.

3 Sockets for the supplied mounting bracket

(A 44)

4 Strap mounts (A 44)

5 Socket for the extension unit attachment bracket

(A 108, 120)

6 Focal plane mark

7 Compartment cover for the lithium button battery

(A 28)

8 Tripod socket (A 42)

9 TB-1 Tripod Base for tripods with 0.95 cm (3/8 in.)

screws (A 42)

10 Tripod base screws (A 42)

11 Socket for 0.64 cm (1/4") screws

19

Names of Parts

Monitor Unit

1

2

3

4

5

7689

Operation panel

(A 20)

1LCD panel (A 40, 41)

2 MIRROR (invert the displayed image) button

(A 41)

3 Microphone lock screw (A 97)

4 Microphone holder (A 97)

5 Microphone cable clamp (A 97)

6 Socket for 0.64 cm (1/4") screws

7VIDEO terminal (A 29)

8AUDIO terminal (A 29)

9 INPUT terminals (XLR): INPUT 1 (right) and

INPUT 2 (left) (A 97, 98)

Names of Parts

20

Operation panel

1

2

3

4

5

6

78

15 16 17 18

910 11

12

13

14

1 DISP. (display) button (A 55, 150)/

Assignable button Monitor 7 (A 131)

2 Ñ (stop) button (A 149)/

Assignable button Monitor 5 (A 131)

3 WFM (waveform monitor) button (A 103)/

Assignable button Monitor 8 (A 131)

4 MAGN. (magnification) button (A 79)/

INDEX button (A 148)/

Assignable button Monitor 9 (A 131)

5 FUNC. (main functions) button (A 64)/

Assignable button Monitor 10 (A 131)

6 Ú (skip backward) button (A 151)/

Assignable button Monitor 4 (A 131)

7 Ø (fast reverse playback) button (A 151)/

Assignable button Monitor 1 (A 131)

8 Ò (play/pause) button (A 149)/

Assignable button Monitor 2 (A 131)

9 × (fast playback) button (A 151)/

Assignable button Monitor 3 (A 131)

10 Ù (skip forward) button (A 151)/

Assignable button Monitor 6 (A 131)

11 Protective cover for audio controls (A 99)

12 Audio level switches for CH1 (top) and CH2

(bottom) (A 99)

13 – (audio level) dials for CH1 (top) and CH2

(bottom) (A 99)

14 INPUT 1 (top)/ INPUT 2 (bottom) switches (audio

source selection) (A 98)

15 START/STOP button (A 54)

16 MENU button (A 32, 131)

17 Joystick (A 32)/SET button (A 32

)

18 CANCEL button (A 32)

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